Lucasfilm Animation has been hard at work on their next major project, 'Maul: Shadow Lord', but they've found the time to deliver another installment in their "Tales of" anthology series. The first ones covering the Jedi and the Empire, they now turn their focus towards the Underworld. However, be warned, this is a bit of a misnomer. Don't expect any crime syndicates or really any large scale criminality here. These 2 mini-arcs instead focus on Asajj Ventress (I know, not the first thing that comes to mind when someone mentions the Underworld) as she assists a young Jedi on the run from the Empire, and the origin story of Cad Bane. Which admittedly is closer in line with the criminal underworld concept, but is really more interested in telling a western style revenge story instead. All in all, despite the always great visuals and sound/music design, and few interesting ideas, there's not enough meat on the bone here to satisfy most viewers. But most disappointing is its failure to capitalize on the potential of the Underworld concept.

It's hard to believe that 'Rogue One' premiered nearly a decade ago. At the time, it was fairly well received, considered to be a decent first step into the standalone Star Wars movies, if not a bit messy. As the years passed, we learned more about the production. Gareth Edwards, who retained sole directing credit, was assisted by Tony Gilroy to "fix" the project. Tony went so far as to call it a "corpse" when he came aboard for rewrites and reshoots. It was Tony's inclusion that brought us some of the movies most memorable moments, and ultimately led him to leading the charge on 'Andor', a prequel project that flew under the radar as hits like 'The Mandalorian' hogged the spotlight. With 'Andor' now complete, considered by many to be a masterpiece in storytelling, not just in Star Wars but on television in general, now is the most appropriate time to reexamine the movie that spawned the Cassian-centered prequel series with fresh eyes. 'Andor', which leads directly into the events of 'Rogue One' recontextualizes much of the film, creating a unique viewing experience that pays off a multitude of threads that are brilliantly laid over the two seasons of 'Andor'. It takes the movie, which was already pretty good, and makes it great. Now existing as part of a whole that weaves a cohesive narrative from the nascent moments of the Rebellion all the way through to the destruction of the Death Star in 1977 (the seed that begat ALL Star Wars, and what we appropriately align our Star Wars BBY calendars to). It all feels wholistic and considered when viewed from the broader perspective - an accomplishment that should set a shining example of what Star Wars can and should aspire to.

After only 4 weeks - the blink of an eye - it's all over. The best Star Wars story since the Original Trilogy has graced our screens and left us in awe. These final three episodes weren't able to reach the emotional highs of last week's arc, but that wasn't the goal. Instead, it provides time to look back at what brought us here, and sets the stage for the climax of the story to take place not in this moment, but within the now recontextualized film that birthed all of this in the first place, 'Rogue One'. And while the show may carry Cassian's name on the title screen, it's been the cast of characters we've met along the way that truly elevated this experience. Not to pick favourites, but in particular, Luthen and Kleya, who get an episode all to themselves this week are the standouts. And what an episode it was, as their story which shepherded much of the series came to an end, as we all expected it would have to. Embracing those feelings of closure, in the final moments of the series, as Cassian flies off into 'Rogue One', we are treated to our last glimpses of our heroes and villains. From Dedra to Vel and even Perrin, we are left to consider their fates as the story marches with inevitability into what begat all of this way back in 1977. Will we ever see Kleya, Vel, Wilmon, or Bix again? One can only hope - and rebellions? Well, they're built on hope.

When dealing in the world of prequels, it’s impossible to escape the inevitable - Anakin will fall, Han will win the Falcon, Cassian will die on Scarif. Somehow, in the midst of some of the most thrilling episodes of television ever put to screen, Tony Gilroy and his team found a way to address that impending doom and weaponize it against the audience to induce some of the most gut wrenching and heart breaking moments we’ve yet to see on ‘Andor’ - “There’s some place he needs to be”. At a larger scale, the show continues to outdo itself on a weekly basis, proving that the Star Wars galaxy provides a colour pallet of some of the richest hues from which to paint bold and personal stories. Proving you can go beyond the larger than life stories of heroics and grandeur to human stories of loss and pain and everything in between. That’s without mentioning the deft touch in pulling in themes that resonates with the contemporary while remaining timeless - a feeling that is a staple of Star Wars. Every detail is considered, every character is deep and interesting. There isn’t much more that can be said about such a powerful piece of art, except that not even the audience can escape the inevitable - only one week remains of this masterpiece.

I'm sorry to tell you all, but we're already halfway through this final season of 'Andor'. Fortunately, the quality hasn't dipped one bit as we accelerate into the finish. Join Julian and Rachel as they savour every minute of this 3-episode arch that takes us to Ghorman for the first time on screen. Tony Gilroy and the team at Lucasfilm outdid themselves yet again in crafting every detail. The size of the set alone is impressive, but they take it a step further by developing a unique culture and even language different from anything we've seen in Star Wars before. It all fits seamlessly into this next chapter of the story that has a heavy emphasis on spycraft as the pressure ramps up for both the Rebellion and the Empire.

It's been a long time since Cassian Andor and his band of Rebel compatriots has graced our TV screens. A long hiatus, no doubt, but when you look into WHY this second season took so long the reason becomes clear - they were dotting every "i" and crossing every "t" (along with dealing with the writers and actors strikes, growing and harvesting ancient grains, hand stitching wedding dresses, the list goes on...) to make sure that this isn't just good Star Wars, but indeed the maybe the BEST Star Wars (I'm partially convinced that it may be the best we may ever get actually). Season 2 roars to life in it's first of four, 3-episode drops (essentially a movie a week for a month), not wasting any time picking up with our characters a year after the events of season 1. The sheer scale, scope, and commitment to its heavy themes is laudable, but when combined with the masterful set design, costuming, writing, and acting, you can't help but to stare, mouth agape, at this singular piece bold storytelling, that will likely go down as Tony Gilroy's largest contribution to popular culture, and deservedly so. Join Julian and Rachel as they unpack it all. It's going to be one hell of a ride!

Well that's all folks! Well possibly anyway. We don't yet have official word on whether Disney and Lucasfilm will bring back 'Skeleton Crew' for another season. So as it stands, this is the story. Overall pretty great, and while we can gripe a bit about the lack of an epilogue to really tie up loose ends, on the whole this finale was satisfying. All four of the kids had an arch that felt complete and inclusion of the parents helped put a bow on that (despite Wendle largely still being an idiot). The episode had strong pacing, as none of the character centric moments felt rushed, though again, it could have maybe done with a few more minutes of run time to make sure that everyone got a fair shake. KB, for instance, got short shrift. The ending itself leaves a lot of story left to be told, and thankfully given it's placement in the timeline, even if we don't get a second season, there should be plenty of opportunity to pick up on some of the loose threads in future Star Wars projects. All in all, 'Skeleton Crew' is one of the strongest outings from Lucasfilm in awhile and it's our sincere hope that it represents a sign of what's to come from the recently maligned studio.

Penultimate; everyone's favourite TV word. When it came to 'Game of Thrones', we became accustomed to this next-to-final episodes being a big splash, before a relatively calm finale. That tradition has carried forward into all sorts of different series but Star Wars has never been one to follow the trends. So here we are, 'Skeleton Crew' now only has one episode remaining, and the big question is, did this week's lead-up do enough work setup a satisfying conclusion. In our humble opinions, yes, but that's largely on the back of what is, standing alone, a pretty amazing 30 minutes of Star Wars fun. This episode is full of twists and unexpected turns that left us genuinely surprised. The big factor here though is of course Jod (Jude Law), who has now gone full heel, which has us concerned whether the show has the balls to commit to this turn or unwind it all in the last few moments. Either way, not knowing is part of the fun and as they proved this week there are certainly a lot of ways this show can go to stick the landing. Time will tell!

After a very strong outing last week (maybe the best of the season!), which revealed the pirate lair and cracked the mystery wide open, 'Skeleton Crew' follows that up with the shortest episode so far, which provides neither much plot progression nor anything beyond overly simplistic character beats. Despite that, there is at least one extremely interesting reveal, that begs the question, "why wait this long to reveal this?". With now two episodes left to close out the season, and especially with this week really feeling like it was dedicated to setting up a bombastic finale, we can look forward to the kids meeting the pirate hoard back on At Attin very soon! And from all of us here at the show, we want to wish a Happy New Year to everyone in a Galaxy Far Far Away (do they celebrate galactic new year?), and to all the Small Screen Star Wars and Tower of Babble fans all around the globe. Here's to a much better year in 2025!

After a fairly odd WWII/French resistance inspired episode last week, we turn the page to something almost as weird - a luxury spa built on top of a pirate haven. Starting smartly with some needed character work and lore building, the episode then turns into a fairly wacky romp that draws similarities to the Canto Bight side quest from 'The Last Jedi', complete with alien species and visual easter-eggs aplenty. But what really works here is the humour. They seemed to have nailed a tone that allows for effortless comedy, while when needed, are able to ratchet up the tension effectively. Speaking of which, while we thought last week's heel turn from 33 was good, it doesn't hold a candle to this week's finish, surpassing it in every way. We couldn't be more excited to see what happens next!

Halfway through the season and 'Skeleton Crew' maintains its strong momentum, even if this fourth episode isn't necessarily a home run. The kids find themselves on a dark mirror-like version of At Attin that has been ravaged by generations of war. Unfortunately, this solid story idea is undercut by being executed slightly too simplistically, even for a kids show. That being said, there are some great moments here. The world-building, was interesting and a we get a few satisfying twists in the larger adventure, including a terrifying final moment. Of course we can't forget about Neel, who finally gets the attention he deserves, sieving upon the opportunity and becoming the internets new favourite adorable Star Wars character (at least until Grogu shows up again).

With the two-episode premiere out of the way, 'Skeleton Crew' can start finding its groove, and while this episode is enjoyable, the show might need to keep searching for what exactly that groove is for at least another week. Despite getting to spend a full, though somewhat short, episode with Jude Law, it's the kids (and especially Nick Frost's SM 33) that continue to steal the show. It's probably just a matter of time, but Jod (Jude Law) has yet to fully land as a character. A handful of charming scenes gets him going in the right direction though. Overall, this is a relatively safe step along the path for a show that has yet to get into the meaty parts of the adventure. Our prediction? Things really pick up in earnest next week. Stay tuned!

Ahoy me mateys! Star Wars is back on TV and this time it's pirate themed baby! Julian and Rachel return to recap and review this two-part series premiere, and are happy to report that the show is off to a great start. Star Wars has been in a difficult place as of late. Something that has been discussed a lot as of late. Each new piece of content announced or released is under a microscope, and probably rightfully so, considering the mixed levels of quality we've been getting from Lucasfilm of late. Amongst all that angst, 'Skeleton Crew' was not at the top of a lot of fans wish-lists, but sometimes low expectations can do wonders. Despite a somewhat slow first episode, the series seems to quickly figure out what it wants to be (Treasure Island in space basically) and hits it's stride through it's second episode. The child cast is charming with great chemistry, but it's Nick Frost's droid character that really steals the spotlight so far. Be warned shipmates, thar be full spoilers ahead!

It’s been two months since we did our “State of Star Wars” episode where we essentially eviscerated the current situation in regards to the decision making process at Lucasfilm and their seeming inability to get a movie into production, among other things. Well in that time, we’ve had a smattering of news stories of all stripes, which Julian and Rachel cover in this episode, but what really prompted another Bonus Episode was the latest piece, again from The Hollywood Reporter, exploring the situation in further depth on the movie side of the business at Lucasfilm. Your hosts deep dive on all of it, and then cap things off with something much more lighthearted. Next up, ‘Skeleton Crew’ in December, where we’ll be breaking down every episode. Stay tuned!

Following the cancellation of ‘The Acolyte’, many fans are taking a step back and asking questions about the state of the franchise. And rightly so, considering the confused state that many have been left in. Especially considering that Lucasfilm continues to leave us in the dark, with no official word following the recent cancellation. They've also done very little to inspire trust in their current creative process given the number of high profile project announcements that have never come to fruition. Meanwhile, the fandom is imploding on itself. Creators and influencers in the community are pitted against each other, seemingly in a fight for influence over control of the narrative surrounding each new project. Debates over what is or isn’t "Star Wars" wage on the internet as fans dodge bad-faith landmines across their social feeds. Julian and Rachel look at where things stand with Star Wars today, how we got here, and what the future might hold.

With the decision to go with another flashback episode last week, ‘The Acolyte’ season finale had a lot of work to do to wrap up all the loose threads left dangling. Unfortunately, the series largely didn’t leave itself enough time to conclude those plotlines in a satisfying way. Yes, the lightsaber combat continues to be amazing, and despite some very good character work in episode 6, the series continues to lack the patience (and runtime) to give the major emotional beats time to breath. The finale was no better, as it blew through some pretty big character moments, especially for Osha, without take a moment to really let them sink in. Despite that, there are still some standout moments here and some intriguing breadcrumbs to follow into a possible season 2 (which has not yet been confirmed). Julian and Rachel unpack every revelation, head-scratcher, and character cameo as they break it all down scene-by-scene.

Unfortunately, the flashback format worked against this episode from the start. Not enough interesting new information was revealed to justify breaking the momentum the show had leading into this week. After an incredible action episode, 'The Acolyte' followed that up with a great character episode that teased a fascinating finish, despite there still being many threads left dangling. Due to the decision to place this second flashback episode, this time from the Jedi's perspective, in this penultimate slot in the season, we're now left with only one episode left to wrap everything up. The episode itself does feature some beautiful shots and some intriguing ideas, but it's a little too shaggy, given how much weight was put into these reveals earlier in this season, to ultimately feel satisfying. With a steep hill yet to climb, plot-wise, it'll be interesting to see if the show can stick the landing.

After last week's action-heavy episode left our jaws on the floor from the sheer spectacle and shocking character deaths, 'The Acolyte' uses this follow-up episode to give us a breather. With the main characters now split between three different plotlines, we spend our time jumping between a series of one-on-one conversations, reminiscent of 'Game of Thrones' when it was at it's best. The most interesting of which is Osha and The Stranger/Qimir, as we see the beginnings of the temptation to the dark side. Never before has the Star Wars leaned into the "from a certain point of view" concept more in live action than in this episode. We finally start exploring that "Sith" perspective that has been teased by the creators. Some may call this "filler", but for our money, this is some of the best Star Wars you can get. Listen as Julian and Rachel unpack every nuanced line of dialogue and character beat in this week's Small Screen Star Wars podcast!

After a bit of a detour last week, spending an entire episode in flashback, we return to the main adventure. This week's episode, "Day", is largely a positive step forward for the series, bringing fun (if sparse) lightsaber action, improved character development, and an enhanced sense of place, as they spend less time in cramped sets and more time shooting on location. That all being said, it's the big finish that will leave the biggest impression. Unfortunately, the decision to cut things off right when the action was ramping up felt like a bit of a cheat. With a relatively short run time this week, and a story that really felt like it was hitting it's stride as we got closer to the end of the episode, the choice to not follow through on that momentum with a satisfying finish, instead using a cliffhanger, comes across as a means to brag about an extra episode in the season, as opposed to serving the story in the moment. Oh, there was also some very cool cameos this week. Listen as Julian and Rachel unpack it all!