Julian Meush, Rachel Wilkinson, Daniel D'Souza, and Jeremy Kozier
130 episodes
5 months ago
Lucasfilm Animation has been hard at work on their next major project, 'Maul: Shadow Lord', but they've found the time to deliver another installment in their "Tales of" anthology series. The first ones covering the Jedi and the Empire, they now turn their focus towards the Underworld. However, be warned, this is a bit of a misnomer. Don't expect any crime syndicates or really any large scale criminality here. These 2 mini-arcs instead focus on Asajj Ventress (I know, not the first thing that comes to mind when someone mentions the Underworld) as she assists a young Jedi on the run from the Empire, and the origin story of Cad Bane. Which admittedly is closer in line with the criminal underworld concept, but is really more interested in telling a western style revenge story instead. All in all, despite the always great visuals and sound/music design, and few interesting ideas, there's not enough meat on the bone here to satisfy most viewers. But most disappointing is its failure to capitalize on the potential of the Underworld concept.
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Lucasfilm Animation has been hard at work on their next major project, 'Maul: Shadow Lord', but they've found the time to deliver another installment in their "Tales of" anthology series. The first ones covering the Jedi and the Empire, they now turn their focus towards the Underworld. However, be warned, this is a bit of a misnomer. Don't expect any crime syndicates or really any large scale criminality here. These 2 mini-arcs instead focus on Asajj Ventress (I know, not the first thing that comes to mind when someone mentions the Underworld) as she assists a young Jedi on the run from the Empire, and the origin story of Cad Bane. Which admittedly is closer in line with the criminal underworld concept, but is really more interested in telling a western style revenge story instead. All in all, despite the always great visuals and sound/music design, and few interesting ideas, there's not enough meat on the bone here to satisfy most viewers. But most disappointing is its failure to capitalize on the potential of the Underworld concept.
After only 4 weeks - the blink of an eye - it's all over. The best Star Wars story since the Original Trilogy has graced our screens and left us in awe. These final three episodes weren't able to reach the emotional highs of last week's arc, but that wasn't the goal. Instead, it provides time to look back at what brought us here, and sets the stage for the climax of the story to take place not in this moment, but within the now recontextualized film that birthed all of this in the first place, 'Rogue One'. And while the show may carry Cassian's name on the title screen, it's been the cast of characters we've met along the way that truly elevated this experience. Not to pick favourites, but in particular, Luthen and Kleya, who get an episode all to themselves this week are the standouts. And what an episode it was, as their story which shepherded much of the series came to an end, as we all expected it would have to. Embracing those feelings of closure, in the final moments of the series, as Cassian flies off into 'Rogue One', we are treated to our last glimpses of our heroes and villains. From Dedra to Vel and even Perrin, we are left to consider their fates as the story marches with inevitability into what begat all of this way back in 1977. Will we ever see Kleya, Vel, Wilmon, or Bix again? One can only hope - and rebellions? Well, they're built on hope.
Small Screen Star Wars
Lucasfilm Animation has been hard at work on their next major project, 'Maul: Shadow Lord', but they've found the time to deliver another installment in their "Tales of" anthology series. The first ones covering the Jedi and the Empire, they now turn their focus towards the Underworld. However, be warned, this is a bit of a misnomer. Don't expect any crime syndicates or really any large scale criminality here. These 2 mini-arcs instead focus on Asajj Ventress (I know, not the first thing that comes to mind when someone mentions the Underworld) as she assists a young Jedi on the run from the Empire, and the origin story of Cad Bane. Which admittedly is closer in line with the criminal underworld concept, but is really more interested in telling a western style revenge story instead. All in all, despite the always great visuals and sound/music design, and few interesting ideas, there's not enough meat on the bone here to satisfy most viewers. But most disappointing is its failure to capitalize on the potential of the Underworld concept.
