Julian Meush, Rachel Wilkinson, Daniel D'Souza, and Jeremy Kozier
130 episodes
5 months ago
Lucasfilm Animation has been hard at work on their next major project, 'Maul: Shadow Lord', but they've found the time to deliver another installment in their "Tales of" anthology series. The first ones covering the Jedi and the Empire, they now turn their focus towards the Underworld. However, be warned, this is a bit of a misnomer. Don't expect any crime syndicates or really any large scale criminality here. These 2 mini-arcs instead focus on Asajj Ventress (I know, not the first thing that comes to mind when someone mentions the Underworld) as she assists a young Jedi on the run from the Empire, and the origin story of Cad Bane. Which admittedly is closer in line with the criminal underworld concept, but is really more interested in telling a western style revenge story instead. All in all, despite the always great visuals and sound/music design, and few interesting ideas, there's not enough meat on the bone here to satisfy most viewers. But most disappointing is its failure to capitalize on the potential of the Underworld concept.
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Lucasfilm Animation has been hard at work on their next major project, 'Maul: Shadow Lord', but they've found the time to deliver another installment in their "Tales of" anthology series. The first ones covering the Jedi and the Empire, they now turn their focus towards the Underworld. However, be warned, this is a bit of a misnomer. Don't expect any crime syndicates or really any large scale criminality here. These 2 mini-arcs instead focus on Asajj Ventress (I know, not the first thing that comes to mind when someone mentions the Underworld) as she assists a young Jedi on the run from the Empire, and the origin story of Cad Bane. Which admittedly is closer in line with the criminal underworld concept, but is really more interested in telling a western style revenge story instead. All in all, despite the always great visuals and sound/music design, and few interesting ideas, there's not enough meat on the bone here to satisfy most viewers. But most disappointing is its failure to capitalize on the potential of the Underworld concept.
It's been a long time since Cassian Andor and his band of Rebel compatriots has graced our TV screens. A long hiatus, no doubt, but when you look into WHY this second season took so long the reason becomes clear - they were dotting every "i" and crossing every "t" (along with dealing with the writers and actors strikes, growing and harvesting ancient grains, hand stitching wedding dresses, the list goes on...) to make sure that this isn't just good Star Wars, but indeed the maybe the BEST Star Wars (I'm partially convinced that it may be the best we may ever get actually). Season 2 roars to life in it's first of four, 3-episode drops (essentially a movie a week for a month), not wasting any time picking up with our characters a year after the events of season 1. The sheer scale, scope, and commitment to its heavy themes is laudable, but when combined with the masterful set design, costuming, writing, and acting, you can't help but to stare, mouth agape, at this singular piece bold storytelling, that will likely go down as Tony Gilroy's largest contribution to popular culture, and deservedly so. Join Julian and Rachel as they unpack it all. It's going to be one hell of a ride!
Small Screen Star Wars
Lucasfilm Animation has been hard at work on their next major project, 'Maul: Shadow Lord', but they've found the time to deliver another installment in their "Tales of" anthology series. The first ones covering the Jedi and the Empire, they now turn their focus towards the Underworld. However, be warned, this is a bit of a misnomer. Don't expect any crime syndicates or really any large scale criminality here. These 2 mini-arcs instead focus on Asajj Ventress (I know, not the first thing that comes to mind when someone mentions the Underworld) as she assists a young Jedi on the run from the Empire, and the origin story of Cad Bane. Which admittedly is closer in line with the criminal underworld concept, but is really more interested in telling a western style revenge story instead. All in all, despite the always great visuals and sound/music design, and few interesting ideas, there's not enough meat on the bone here to satisfy most viewers. But most disappointing is its failure to capitalize on the potential of the Underworld concept.
