hello dear listeners,
here I am with another YuGiOh episode that no one cares about but I am obsessed with this franchchise and how the scoring works and since I did an episode exactly like this for 5Ds, I felt like I had to do it for the original seasons, Duel Monsters, as well. (Also it's such a fun pastime)
Again, since I talk about a LOT of music examples, I have some links to the Japanese score tracks mentioned, hopefully in order of mention:
1) "Bonding"
2) "Burning Emotions" (seriously please listen to this it's so good I adore this track so much!)
4) "Duel of Friendship" (fun duel track!!! love the bongos here Shinkichi Mitsumune was COOKING!)
5) "Duel Ring 1" (Sorry the audio quality is complete ahh)
I hope you're having fun following me hyper fixate on this franchise about silly people playing silly trading card games for another five to ten years probably. Leave a rating on your preferred podcast listening platform, if you do!
love
mause!
sources mentioned:
Eric Stuart about the music rescoring (it's about the Pokémon anime, not YuGiOh, but since Eric Stuart was also in charge of the YuGiOh Dub, you can imagine it's the same reasons.)
Alexandra Roedder: The Localization of Kiki's Delivery Service, in: Mechademia. Second Arc Vol. 9, 2014, pp. 254-267.
"Every girl is born a princess, some just forget is all."
hello dear listeners,
during a period of sickness (I had a nasty cold that wouldn't go away) I first watched Kuragehime/Princess Jellyfish and liked it so much that last week I started and finished the manga. I came to notice that it touched me in such profound ways, that I really wanted to talk about it and since I haven't uploaded an episode in a while, here we are.
In this little think piece I want to examine what I got from the story under three categories, that all resonated very personally with me but that I also found to just be really fun in general: the beauty of obsessing over something, how fashion can transform people and the romance within the story (it is a josei after all).
I also used the opportunity to test my new microphone! It is a little weird, I must admit. I am still getting used to it, so please bear with me.
that being said, i hope you enjoy this episode and maybe check out Princess Jellyfish yourself, if you haven't. It's tooth-rottingly sweet.
greeting!
mause
hello dear listeners,
it has been a while since my last episode but I wanted to talk to you about a little phenomenon I was thinking about when watching three movies in a week in January: The Boy and the Heron, The Disappearance of Haruhi Suzumiya and Porco Rosso and it is something they all have in common, which is that they find elaborate, fantastical ways to express very common themes and emotions. Emotions that are so common in fact, that technically everyone should be able to relate to them one way or another.
I hope you enjoy this episode, even if it is not as clear perhaps what I mean. I am always super curious to hear what you guys think about these movies, so if you've seen even one of them, tell me about what you think!
anyways! Thank you so much for listening.
mause
This is the link to the video essay I talk about when it comes to Porco Rosso! I highly recommend it:
hello dear listeners,
today I bring you: is the One Piece live action adaptation good? Certainly a subjective question but after a history of commonly disliked Netflix adaptations of beloved anime, One Piece is the thing that comes closest to a success. Statistically speaking, there is no doubt about it. But what do I personally think? What, in my eyes, makes a good live action adaptation?
I compare OPLA with the Netflix adaptation of Cowboy Bebop that I (and a majority of the internet) enjoyed a great deal less. Plus, I give you my favorite moments and little details of Netflix' interpretation of the East Blue Saga - one of my favorite pieces of media, period.
I hope you enjoy! thank you so much for listening.
mause
hello dear listeners,
after a few months of hiatus I am back to nerd out about YuGiOh 5Ds, once again. Upon my second rewatch I noticed a few things in terms of censorship and tone shifts. This is the firsst case I have come across where a regional dubbing and censorship thing lead to a completely new instrumental score which has an interesting effect on subtext and ambiance and I wanted to share my thoughts on this. Also I fangirl too hard, as per usual.
For illustrative purposes (and since I am hilariously bad at describing music for a musicology student) I have here a few links to tracks I am talking about.
First and foremost, since the American Dub Score was never officially released, I cannot redirect you to specific tracks BUT I can give you this nicely filtered track that I am 99% sure plays in EP3 of the dub, at the beginning of the duel between Officer Trudge and Yusei that I describe in the episode. A majority of the duels sound about the same.
Here's the link: Unreleased, Filtered Dub Duel Track
Next, here's a general comparison between what I call Dub-Yusei's "Summoning Jingle" and what I consider his main synchro-summoning theme in the original Japanese dub: "Yusei Theme" ("遊星テーマ")
Now there's the other Japanese Dub Tracks I talk about in the episode.
First, in Ruka/Luna's battle against the Psychoanalytic:
3) "Psychological Warfare" ("心理戦")
Second, the track I described that plays when Dark Signer-Carly enters the scene before her duel against Jack:
And last, but definitely not least, the Masaaki Endoh song that plays in the Japanese dub when Yusei summons Shooting Star Dragon for the first time (it's a fan favorite, for a reason):
I hope this is even remotely interesting to listen to. I could think about this for hours and hours it's so fun to me how soundtracks work. My hobby-musicologist heart is beating fast right now.
anyways, thank you so much for listening!
mause
literature mentioned:
Bullerjahn, Claudia: Grundlagen der Wirkung von Filmmusik, Augsburg 2014.
hello dear listeners,
this episode is going live with a delay of a couple months actually. I didn't get around to uploading it sooner but I did not want to miss it after all. In this one I talk about just a couple things that I did, watched and listened to in the first few month of 2023.
Disclaimer: The audio quality of this is weird, I will try to look into mixing and mastering the next episodes more. I'm still playing around with software and editing styles etc. which is sadly just gonna be part of this podcast. I hope it's bearable. Also, I was sick recording this episode, so please also bear with the occasional sniffle.
that being said: I will hopefully not let you wait too long until the next episode. I do have some things in mind but I won't spoil.
thank you for listening!
mause
Hello dear listeners,
to everyone who has been here before: this is my attempt at re-launching this podcast and opening my concept to make it less stressful for me. The concept is still the same but I will actually try and follow through with covering only things that interest me :). Wish me luck!
to everyone who is new: My name is Paula (or Mausey, whatever you prefer) and this is a place for me to ramble about the things I enjoy, be it music, art exhibits I enjoyed, movies I watched, shows that inspire me... you name it. Deeply nerdy, deeply random, unapologetically obsessed with unorthodox obsessions like that anime from 2008 for kids about a nuclear catastrophe, psychic cults and card games on motorcycles... I may be cringe, but alas, I am free.
If that is something that sounds interesting to you, feel free to subscribe and you will get regular episodes of me assigning exorbitant value to things that seem superficial, completely subjectively but hopefully relatable.
thank you so much for listening!
love
Paula/Mausey!