This week, we profile—to borrow the headline from The New York Times—”A sly ode to the last band you’d give the biopic treatment.” Self-proclaimed as “a new experimental biopic-doc hybrid,” it’s designed to glorify Stockton—the Cleveland of California, deliberately alienate potential fans, commemorate the revolutionary act of singing out of tune, and both introduce and simultaneously immortalize the The World’s Most Important and Influential Band. It’s Alex Ross Perry’s Pavements.
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It’s that time of year again! Throughout the entire month of October, Time Sensitive has been devoted to blood, guts, and the BEST classic and under-the-radar horror films, and this week, we bring the 2025 edition of the Festival to a close with a dark ornithological fairytale. That’s right, this episode is going to the birds. Literally. It’s Tilman Zinger’s Cuckoo.
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This week’s episode is not a profile of a traditional horror film, per se, but one which utilizes a conventional horror trope in a new way. If you could switch bodies with someone, would you do it? Maybe Greg Jardin’s It’s What’s Inside can make you change your mind?
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It’s that time of year again! Throughout the entire month of October, Time Sensitive will be devoted to blood, guts, and the BEST classic and under-the-radar horror films. We won’t be profiling a single film in this episode. We won’t be profiling two films in this episode. We will be profiling and comparing all three films of the 28 Days Later franchise, which span over two decades, and will continue to thrill audiences in the coming years.
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“Enduring night. A spectre of death. He spreads his shadow, and he’s coming.” An intertitle from a 1922 film reads: “Nosferatu. Does this word not sound like the deathbird calling your name at midnight? Beware you never say it—for then the pictures of life will fade to shadows, haunting dreams will climb forth from your heart and feed on your blood.” This week, we continue our seventh annual Freaky Film Festival with a gothic horror remake. Robert Eggers’ Nosferatu.
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It’s that time of year again! Throughout the entire month of October, Time Sensitive will be devoted to blood, guts, and the BEST classic and under-the-radar horror films.
This week, we kick off our seventh annual Freaky Film Festival with a ghost story, a whodunnit, a jump-scare freakout, a twisty slow-burn psychothriller, and a revenge saga all wrapped into one taut little horror film. It incorporates haunted artifacts, supernatural powers, a thoughtfully considered locale, a creepy orderly, a man with a glass eye, and a deeply fascinating and unsettling lead character. Oh, and it’s Irish. It’s Damian McCarthy’s Oddity.
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Oh, yeah, eh? It’s-a movie time! From the canals of Venice to the shores of Lake Ontario, Sam and Ian will tell you exactly what you need to know from the 2025 Venice and Toronto International Film Festivals, and how they are shaping the 2026 Oscar race.
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Every time Sam and Ian review an under-the-radar movie on this show, we read the distributor’s own stylized plot description—likely drafted by a team of marketing professionals—before providing our own. And oftentimes, the PR language from the studio fails to accurately describe the movie, leading us to believe we watched something totally different. This week, we decided to really play that up in our version of Brass Monkey’s “Poorly Explained Movies Game.’
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This week, we are excited to host our annual Comic Timing episode, where we give the full Time Sensitive treatment to a standout comedy special from the last year. Our subject for this episode: Cameron Esposito’s Four Pills.
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Today, we’re rewinding the tape to Munich, 1972, on the 53rd anniversary of “the decisive moment that forever changed media coverage and continues to impact live news today.” It’s a story of sport turned spectacle, where broadcasters became first responders and one billion people watched history unfold live. Grab your headsets and roll camera. It’s the day terror went live. It’s Tim Fehlbaum’s 94-minute bullet train about media ethics titled September 5.
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This week, Nicolas Cage is The Surfer. But don’t let that fool you. He’s still unhinged, bloody, tense, gun-wielding, manic, fabulously bonkers, and gayly attacking locals with tire irons, rats, and assorted signage. He’s a weirdo losing his shit. Shock! It’s Lorcan Finnigan’s The Surfer.
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This week, we are jumping on the bandwagon because it’s become impossible to ignore. I can’t believe I am saying this, we are profiling Netflix’s new smash hit, KPop Demon Hunters. This PG-rated animated film has tapped into one of the globe’s most profitable crazes, captured audiences of all ages, generated nearly 200 million views, and topped the Billboard Hot 100 chart—in a matter of weeks. Stay “Golden,” and take a listen.
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This week, we open the Vault again and step inside the cage with an Oscar-winning performance from one of Time Sensitive’s most prolific featured performers. The road to nowhere is about to take a detour. It’s 1995’s Leaving Las Vegas.
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In this episode, we want to profile the 18 films currently slated for distribution by A24 in the current calendar year of 2025. We will explore which films have the opportunity for commercial success, briefly discuss those we may have already seen, and predict which may garner the studio more Oscar glory.
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his week, we go international as well as historical with a review of the Oscar-winning Brazilian drama I’m Still Here, directed by Walter Salles.
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This week, we really turn up the octane with a solemn contemplation of terminal disease, broken families, the climate crisis, and death with dignity alongside two of Hollywood’s palest women. It’s Pedro AlmoDOvar’s The Room Next Door.
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This week, we once again open the Vault, repent our sinful ways and find out “what’s in the box,” as we celebrate the 30th anniversary of David Fincher’s Se7en.
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You've gotten to know Sam and Ian over the last six seasons of Time Sensitive, and by now, it should be clear what we do and don't like. Well, now we are forcing each other to embrace those things that we don’t like, as we continue a series called “Forced to Watch.” This week, Ian is forced to watch Jorma Taccone's MacGruber.
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Everybody loves a heist movie, and this week, we root for lovers on the run in a wild ride modern Bonnie & Clyde story, evoking the 90s heist aesthetic, with a BigPharma twist. It’s Marmalade, written and directed by Keir O’Donnell.
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Time Sensitive has a special episode for you this week to coincide with the 50th anniversary of the theatrical release of Jaws. That’s right, this episode drops on June 20, 2025, fifty years TO THE DATE of the movie that revolutionized cinema, introduced the summer blockbuster, and to this day, still makes audiences afraid to go in the water.
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