This week, we profile—to borrow the headline from The New York Times—”A sly ode to the last band you’d give the biopic treatment.” Self-proclaimed as “a new experimental biopic-doc hybrid,” it’s designed to glorify Stockton—the Cleveland of California, deliberately alienate potential fans, commemorate the revolutionary act of singing out of tune, and both introduce and simultaneously immortalize the The World’s Most Important and Influential Band. It’s Alex Ross Perry’s Pavements.

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