In this episode, award-winning host Natalia Anderson speaks with household names such as Laura Schuler (aka Kate Birch), Rebecca Solari (aka Fulmine & singer of Crème Solaire), and Loussona Ground on the new Forum stage. They discuss how FINTA* people use the platform to connect, present their work, and actively shape the Swiss music scene.  Listen now to learn more about the platform and discover the latest projects from these Swiss artists. Are you a woman, intersex, non-binary, transgender, or agender person looking to connect with others in the music scene? Do you want to showcase your musical projects, skills, or knowledge? Or are you looking to diversify bookings for your venue or festival? Then join musicdirectory.ch for free!

In this episode Natalia speaks with harpist and composer, Kety Fusco backstage at one of her gigs and after her sold out concert in London’s Royal Albert Hall. We discuss changing the reputation of the harp, Kety shares her thoughts on music conservatories and making the harp more accessible to young people. About Kety Fusco Kety Fusco, graduate in Classical Harp at the Conservatorio della Svizzera Italiana, specialized in Master of Arts in Music Performance, has embarked on a revolution in the harp world. Two years after her graduation, she released her debut album DAZED under Caterina Caselli's Sugar Music label and she was nominated for three categories at the last Swiss Live Talents Awards (CH) and played her compositions in the hall of the Federal Parliament in Bern. Kety spoke about her album DAZED 'This album is the result of my instinct to make the harp do a voice. Each composition in fact has a main harp voice, which tells a musical story, enriched by violent, mostly digital electronics. I started like this, trying to use a harp as if it belonged to a woman's voice. In DAZED my harp sings...". Thanks to her instinct and willingness to change the connotation and reputation of the harp, Kety has been invited to prestigious festivals and venues, such as Locarno Film Festival (CH), Vision Du Reel Film Festival in Nyon (CH), Arena di Verona (IT), Rockomotives Festival (FR), Kino Siska (SL) Paleo Festival, La Notte della Taranta, Montreux Jazz Festival, Waves Festival (AT), Mama Festival (FR), for the President of the Swiss Confederation etc. She was also invited in summer 2022 to open the French tour of the well-known musician Agnes Obel. Kety Fusco reached one of the most important milestones of her career in 2021, when she was invited by the United Nations to the SDG Global Festival of Action, virtually sharing the stage with Patti Smith and Ben Harper. Currently, Kety Fusco is continuing her sound research work, she has published a Horror soundtrack made solely with Harp sounds that she has collected in a personal digital database called Beyond The Harp, and declared as the best library of the month by Musitech magazine; Fusco is also making a soundtrack for Swiss TV and completing her new album THE HARP, Chapter 1 which will be released on the international label Floating Notes Records: Using the materials of which a classical harp is made (wood, metal and gut), Kety Fusco produces sounds and ambiences that suggest its deconstruction, manipulates its sound with electronic pedals, scratches and destroys the bow on the low strings of the harp, screams inside the sound box. With the composition of the record, Kety is designing a new harp, with which she wants to change the reputation and alter the vision of this magical instrument. The album THE HARP will be part of a trilogy, and will be performed live in its entirety starting in March 2023. Audience Questions If you have a question for the musicians in conversation, simply send a DM to Helvetiarockt on insta!

In this episode Natalia speaks with Anya Della Croce who is the Executive manager of the french speaking office of Petzi, and a production and tour manager. We discuss the difference between the roles of a production manager and tour manager, the importance of grass-root venues for the music industry and what we can do to support them. We also talk about the subject of ticketing systems causing extortionate prices for fans of music. About Anya Della Croce Anya has been active in the music business for over 20 years. She has worked in many different positions such as booking agent, press officer or production manager before becoming the head of booking at For Noise Festival in 2008 and at Fri-Son between 2014 and 2018. In 2011 she started her own company PASS PASS offering communication and production services in different cultural fields. She has been working with The Young Gods for many years as a production manager and tour manager. Since 2019, she runs the french speaking office of PETZI, the swiss federation of nonprofit music venues and festivals. PETZI represents over 200 clubs and festivals in Switzerland. Glossary of terms mentioned Backline - refers to amplifiers, speakers, and all other instruments and equipment that are positioned behind the band or the rhythm section on stage during a concert. Nightliners -  Large tour bus or coach for bands. Capable of accommodating 30 to 40 people and driving large distances at one time. Mentioned in the podcast DIVERSITY ROADMAP LAST WEEK TONIGHT WITH JOHN OLIVER - TICKETS Audience Questions If you have a question for the musicians in conversation, simply send a DM to Helvetiarockt on insta!

In this episode Natalia speaks with Jackie Brutsche (aka Jack Torera) who is a musician, filmmaker, visual artist and performer.  Her band The Jackets also provide the music for this season’s podcast!  We discuss the loss of her mother during childhood and how that inspired the personal documentary film, ‘Las Toreras’, the importance of creativity in her life and her experiences as a fully independent artist. Trigger Warning: Brief mentions of mental illness and suicide. About Jackie Brutsche Swiss-Spanish artist Jackie Brutsche (aka Jack Torera) grew up in Zurich and now lives in Bern. She works cross-disciplinarily as a filmmaker, artist, designer, performer and musician. In 2001 she graduated from the Zurich University of the Arts with a degree in fashion design in 2001 and in film directing in 2006. She produces her own films, theatre pieces, art and music projects in which she deals with the topic of happiness in life in the broadest sense and in various forms. As a singer, guitarist and songwriter, she has been playing in multiple bands releasing recordings and music videos. She is currently working on her documentary film about her mother with the working title "Las Toreras" (RECYCLED TV, RECK Filmproduktion Zurich). Audience Questions If you have a question for the musicians in conversation, simply send a DM to Helvetiarockt on insta!

In this episode Natalia speaks with Aline Bianchi who is the founder and Product Manager of Norma Music! We talk about royalties, copyright, licensing and synchronisation and Aline also gives advice to artists planning a release. We talk about setting up her company Norma Music and discuss some of the unique challenges of working in the Swiss Music Industry. About Aline Bianchi Aline is one of the two Co-founders of Norma Music, an artist and label services company based in Ticino serving and collaborating with independent musicians within Switzerland. Her music experience lies within marketing, manufacturing, distribution and royalties. Prior to that she studied hospitality management in Lausanne. She has always worked in the indie world, starting with leading indie distributor PIAS in London in 2014 where she gained insights into the “scary” world of copyright by reporting Continental Europe royalties for PIAS’s distributed labels such as Ninja Tune, City Slang, Full Time Hoppy and Sub Pop. In 2016 she left PIAS and moved to a much less analytical role: Marketing for indie Label Distiller. There she ran all campaigns alongside the department’s head and personally managed the production process of physical releases, took care of digital & d2c distribution, coordinated the creation of marketing and creative assets for campaigns with collaboration of external creatives, UK radio and the in-house press team. She strongly believes in originality, creativity and risk-taking. For me, the best part about working with independent artists is being able to create something personal and unique to them, while being able to make decisions together. Technology and the evolution of the music business model today allows for artists to be more in control and build trusted teams around them that can help them grow and connect with the industry without giving away any rights. She relocated back from the UK and founded Norma Music in 2021 together with her partner. It has been operating officially since early 2022. Audience Questions If you have a question for the musicians in conversation, simply send a DM to Helvetiarockt on insta!

In this episode Natalia speaks with Helvetiarockt beatmaking coach, Cégiu. She is a musician, producer and composer and also managing director of Music Box Entertainment, co-manager of Other Music Lucerne and board member of SONART.  We discuss capturing insect sounds in field recordings, starting your own company as a musician and the importance of social security. Cégiu also gives advice for people wanting to begin activism. About Cégiu Cégiu (Céline-Giulia Voser) is the managing director and owner of musicbox entertainment gmbh. She is also involved in the concerns of Lucerne's musicians as co-director of Other Music Lucerne, a networking and promotion centre for Lucerne musicians, is a board member of SONART – the Swiss association for musicians - and is currently setting up the Ableton FINTA user group in Switzerland. She works as a mentor for Pop-Büro Stuttgart and Ableton among others, for the latter at the School of Popular Art in Berlin. Cégiu is a musician, composer and producer. She performs and releases music in various formations and leads workshops such as "Beatmaking/Producing" as part of Helvetiarockt Music Lab. She is also a solo artist and has released three albums, "Cégiu's Skinny Souls" (2016), "Restless Roots" (2019) and "Glowing Goodbyes" (2021).  Glossary of terms mentioned DAW - Digital Audio Workstation. A software program for making music: recording, editing, mixing, and manipulating sound. Audience Questions If you have a question for the musicians in conversation, simply send a DM to Helvetiarockt on insta!

In this episode Natalia speaks with Agent, Artist Manager and Artistic Director of Le Port Franc in Sion, Nadia Mitic.  We discuss how the skills she learned as a teacher, helps in her music career today, the importance of building relationships and networking in the music industry.  Nadia also gives practical advice to people wanting to work in the music industry and to artists and bands, when it comes to planning a release and building a career. About Nadia Mitic After a short stint as a teacher, followed by a master's degree in geography, Nadia Mitic has dedicated herself to contemporary music since 2009. She has been an artist agent for 10 years, founder and partner of the Swiss booking agency Glad We Met, artist manager in actual music and press officer for various Swiss and foreign artists. Since 2020, Nadia Mitic is also a programmer at the Port Franc in Sion. With more than 10 years of experience and a solid network in Switzerland and abroad, she regularly shares her experience and professional knowledge during trainings, expertise or round tables for the FCMA (The Fondation CMA is the most important institution in French-speaking Switzerland for advice, networking and further education courses for musicians in French-speaking Switzerland), the CAS in management in the fields of actual music, the HEMU (Haute École de Musique), the SAE Institute, the EJMA-VS, Culture Valais or the city of Neuchatel. Audience Questions If you have a question for the musicians in conversation, simply send a DM to Helvetiarockt on insta!

In this episode Natalia speaks with Evita Koné who is a Singer, Rapper, Songwriter and Teacher.  We discuss how to find your unique voice and sound as an artist, the importance of collectives and communities to your growth, and the reason why she performs.  Stay tuned to hear Evita teaching Nat how to freestyle with a fun back to back! About Evita Koné She won SwissLiveTalents best “urban hip-hop groove reggae” artist and the Montreux Jazz Festival rising talent prize in 2022. A singer who raps or a rapper who sings, Evita Koné is an American-Swiss-Chadian songwriter, composer and performer actively involved in the Geneva neosoul-hip-hop-r'n'b music scene, particularly with her group Captains of The Imagination and the Herd Culture Kids collective. After studying in the UK and USA, Evita released her debut EP “Break” in May 2022, produced by the wizardly Swiss Music Prize laureate Christophe Calpini (STADE, Erik Truffaz, OY). Evita, among the new talents of the prestigious Montreux Jazz Festival since last autumn, has already trodden the stages of Cully Jazz, JVAL, Les Créatives, Thelonica festivals, not to mention local stages such as the Epicentre, Usine or the legendary Chat Noir. TRACK 1: Moment / composer: Christophe Calpini / lyricist: Evelyn Haettenschwiller / 006454 086 40 / T- 311421408-9 TRACK 2: Shoot Your Shot / composer: Christophe Calpini / lyricist: Evelyn Haettenschwiller / 006454 088 36 / T-311421829-6 Evita's influences Audience Questions If you have a question for the musicians in conversation, simply send a DM to Helvetiarockt on insta!

In this episode Natalia speaks with CEO at Irascible Music & Irascible Records, Fabienne Schmuki.  We discuss the relationship between artist and label, when to invest in physical copies of your music and Fabienne shares how she was able to overcome self doubt to take on the role of CEO of Irascible. We also discuss why labels might see less FINTA folk in leadership roles and we ask what can be done to improve this. About Fabienne Schmuki Initially building her career in music journalism, Fabienne started working as a PR agent for Irascible Music in 2009. Since 2015, she’s co-directing the company which is operating as an independent distributor, a promotion agency and a record label out of Zurich and Lausanne, Switzerland. Additionally, she’s a founding & board member of Switzerland’s independent label association IndieSuisse and a member of the producer’s board at Swissperform. Fabienne has two children and lives in Zurich with her family. Privately, she loves music in most forms and shapes – preferably live! Audience Questions If you have a question for the musicians in conversation, simply send a DM to Helvetiarockt on insta!

In this episode Natalia talks with Jennifer Jans who is an Arts Manager, Promoter and Musician.  We discuss the difference between programming and booking, how to develop the skill of programming bands/artists and learning from failure.  We also get into the perspective of artists by talking about how and when to contact bookers. About Jennifer Jans Jennifer Jans is firmly rooted in the national and international music scene through her many years of experience and her professional activities. As a qualified cultural manager and committed musician, she has a large network throughout Switzerland. At audiopool gmbh she was able to gain years of experience in the field of event technology, and as an assistant in the PR & Booking department of Kuppel Basel in the event and live department. Since 2012 she has been in charge of the event series "Mitten In Der Woche", a meeting place for the music scene in Basel, which takes place every two months. She was responsible for programming at the BScene Clubfestival from 2012- 2016 and the president of the association from 2013-2017. From 2015 to 2019 Jennifer was director of the Lucerne music festival B-Sides and since 2015 she has been the project manager of their networking and exchange platform SAY HI! In 2021, she also took over the co-programming of the festival. Since 2019, she has been responsible for the Demotape Clinic at the Swiss network festival m4music. Since 2022 she has been co-responsible for the programming of the Label Suisse Festival in Lausanne. In addition to her work as a musician with her band BLEU ROI, her other activities include projects, such as the mediation programme Soundkomplizen, which she launched in 2015 together with the Kaserne Basel or working as a coach for Helvetiarockt Music Lab. Audience Questions If you have a question for the musicians in conversation, simply send a DM to Helvetiarockt on insta!

In this episode Natalia speaks with Live Sound Engineer, Lena Brechbühl. We discuss the positives and negatives of the profession. The relationship between live sound engineer and artist and the importance of vocabulary to express how you want your sound to be.  We also talk about the emotional labour when opposing sexism and sexual harassment in the industry and what more can done to combat it. About Lena Brechbühl Lena Brechbühl is a live sound engineer and has worked with artists such as BrandãoFaberHunger, caruso+avila, Faber, Film2, Gina Été, Jonas Albrecht, Odd Beholder to name but a few. She has mixed sound at clubs and festivals all over Switzerland. She is responsible for the technical management and training young sound engineers at Treibhaus in Lucerne. Lena also plays guitar, has an incredibly powerful voice and studies music. Glossary of Terms In-ears - In-ear monitors are devices used by musicians, audio engineers and audiophiles to listen to music or to hear a personal mix of vocals and stage instrumentation for live performance or recording studio mixing. Wedges - Performer-facing loudspeakers called monitor speakers, stage monitors, floor monitors, wedges, or foldbacks on stage during live music performances. The monitor system allows musicians to hear themselves and fellow band members clearly. Stereo - Stereophonic sound, or more commonly stereo, is a method of sound reproduction that recreates a multi-directional, 3-dimensional audible perspective. Mono - Monaural or monophonic sound reproduction (often shortened to mono) is sound intended to be heard as if it were emanating from one position. This contrasts with stereophonic sound or stereo, which uses two separate audio channels to reproduce sound from two microphones on the right and left side, which is reproduced with two separate loudspeakers to give a sense of the direction of sound sources. Audience Questions If you have a question for the musicians in conversation, simply send a DM to Helvetiarockt on insta!

In this episode Natalia talks with Belia Winnewisser who is a singer, composer, sound artist and DJ.  She is also a coach for Helvetiarockt Music Lab workshops.  We discuss finding the ideal music course to study, the decision to put music first and then build work around that.  She also tells us about not feeling ready to start a solo career until recently, spurred on by the desire for independence and to stop hiding behind others. About Belia Winnewisser The music of Zurich-based artist Belia Winnewisser is an enthralling full-body experience. Her sound oscillates between soft noisescapes and brutal salvos, equal parts pop, sound art, and club music, appealing as much to the heart as the head and the gut. Winnewisser started working with sound synthesis and live electronics during her Bachelor degree in Sound Arts. She received her Master of Contemporary Arts Practice from the Bern University of the Arts in 2018. Winnewisser has been active as a singer, composer, and keyboard player for various band projects, like the dissolved goth unit Evje, indie super group Silver Firs, or pop duo α=f/ m. In the last few years, Winnewisser has been prioritizing her own music production, solo concerts, and DJ gigs. She also composes music for audio books, stage theatre, and leads workshops in songwriting and producing. Winnewisser’s first album Radikale Akzpetanz was released on the Lucerne-based label Präsens Editionen in 2018. Following her debut, the EP A Comet Blazing In the Empyrean came out on the Cologne-based label SPA Recordings in 2020. Back in June of this year, she released her second album SODA, again on Präsens Editionen. Glossary of Terms Arturia MicroFreak Synthesizer Motu UltraLIte - A ‘hybrid’ audio interface that connects to your computer and connect all your studio gear, including microphones, synths, keyboards, guitars etc. Track 1: ‘So Real’ written and produced by Belia Winnewisser Track 2: ‘Boreal’ written and produced by Belia Winnewisser Belia Winnewisser's influences Audience Questions If you have a question for the musicians in conversation, simply send a DM to Helvetiarockt on insta!

In this episode Natalia talks to Jasmin Albash, who is a singer, songwriter and vocal coach. She is also the Helvetiarockt Regional Manager for Northern Switzerland and coaches the Beatmaking Workshop! We discuss Jasmin’s experience teaching the, ‘Complete Vocal Technique’ and she provides tips to singers to maintain a healthy approach when using their voice.  We also talk about her journey to Palestine, connecting her Arabic and Swiss identities and the healing that came from that process. Jasmin shares with us two of her songs from her album, ‘Gold’ and she answers and audience question. About Jasmin Albash Jasmin Albash is a singer, songwriter and vocal coach. As a professionally trained singer with knowledge of jazz, soul and pop music, she has worked on several musical projects, such as Jasmin Albash, Kallemi, Sijada Sessions, The RK, Pullup Orchestra, Songgoing and Molashka. As a solo artist, she play's under her own name and released her solo album "Gold". The album met with a great response on Swiss radio. (SRF 3, Rete Uno, RTS, Radio Fribourg) Various airplays and interviews followed and in December Albash was part of "SRF - Zämä stah" and was selected as one of 50 artists to give a 15-minute live concert on television. In 2021 she won the cultural advancement award from the canton of Thurgau. In Autumn 2018, she co-founded the band Kallemi, which emerged from the Kaserne Basel's exchange project between Basel and Ramallah. In 2019, the band toured Palestine, Israel, Germany, Switzerland and Canada.  Musical and social engagement is an important part of Albash's work as a musician. In 2019, she launched a YouTube channel called "Sijada Session" where she invites female or non-binary musicians to collaborate for a song. The channel creates visibility for the musical work of professional musicians and serves as a networking platform.   Glossary of Terms ‘In-Ears’ - In-ear monitors (IEMs) are devices used by musicians, audio engineers, and audiophiles to listen to music or to hear a personal mix of vocals and stage instrumentation for live performance or recording studio mixing. Track 1: Going Out To See You I Composer & Lyricist: Jasmin Albash, Producer: Aaron Ahrends. Track 2: Sink I Composer & Lyricist: Jasmin Albash, Producer: Aaron Ahrends. Jasmin Albash's Influences Audience Questions If you have a question for the musicians in conversation, simply send a DM to Helvetiarockt on insta!

In this episode Natalia talks with Jessiquoi, who is a producer, composer and performer.  She is also a coach at the Helvetiarockt Music Lab beatmaking workshop. Not only that, her song, ‘The Addict’ has been used as the theme music throughout season 2 of this podcast! We discuss learning to collaborate after working alone for years. Jess’ experience writing music for TV and the role of streaming platforms when it comes to artists’ creativity. About Jessiquoi ‘That chick serving up fresh beats from a neon food stand.’ Jessiquoi is not exactly what you’d expect to emerge out of Switzerland’s underground. An Australian / Swiss producer, composer and performer, her live set looks and sounds like it belongs in futuristic Shanghai ca. 2048. Combining raw, physical energy and dance-driven beats colliding with audacious rap and resonant vocals, Jessiquoi won Demo of Year and Best Electronic at M4Music Festival, Zürich 2018. After well received performances at Gurten Festival and Zürich Openair, she progressed to international showcases in New York and mainland Europe and released her first album in October 2019, which included the award winning single The Sentry. In 2021 she returned with a new collection of songs, which she began working on while in pre-pandemic China. Each song is meticulously pieced together with detail and unexpected direction, which, alongside her electrifying live shows will leave you with the same buzz you might feel from ‘visiting the robot restaurant in Tokyo after drinking 5 Red Bulls.’ (RCKSTR Magazine). Although it might be easy to get caught up in the flashing lights and rhythm, those who listen closely will find depth to her lyrical constructs and ideas. ‘What we synthesise is what we are bringing into reality.’ With a holistic approach to both audio and visual world building, she explores and blurs the boundaries between inner worlds and reality, creating electronic soundscapes which reflect on our current time from 30 years in the future. ‘Jessiquoi celebrates artificiality as art and shapes it with her originality. The way she impressed everyone in a small dark club could just have easily impressed a huge crowd anywhere on the planet.’ (Neue Zürcher Zeitung) Track 1: Popstar – Written and produced by Jessiquoi Track 2: Superpower – Written and produced by Jessiquoi Glossary of terms Orbit: Wireless midi controller Jessiquoi’s Influences Audience Questions If you have a question for the musicians in conversation, simply send a DM to Helvetiarockt on instagram! More about Jessiquoi Instagram Website YouTube Music Directory

In this episode Natalia talks to La Nefera. She is a multifaceted musician, artist and rapper. We discuss the challenges of moving to Switzerland from Dominican Republic as a child, using her music to speak for those without a voice and the healing that comes from being able to party. About La Nefera La Nefera is a Swiss musician with Dominican roots. As frontwoman and a member of various band formations (LA NEFERA, KALLEMI & ERROR 404), she has performed on national and international stages. She was awarded the 2020 music promotion award from Canton Baselland. In addition to her music, La Nefera is strongly committed to social issues, especially networking and the empowerment of women and she is a qualified and experienced social worker. TRACK 1: No Se I Lyricist: Jennifer Perez I Composer: Victor Hege, Manuel Tröhler, Alberto Garcia TRACK 2: Cuerpo y Alma I Lyricist: Jennifer Perez I Composer: Victor Hege, Manuel Tröhler, Alberto Garcia La Nefera’s Influences Audience Questions If you have a question for the musicians in conversation, simply send a DM to Helvetiarockt on instagram! More about La Nefera Instagram Facebook Website Music Directory

In this episode Natalia talks to Muriel Rhyner, who is the bass guitarist and lead singer of the band Delilahs. She is an intrinsic part of the Helvetiarockt team, organising songwriting workshops, band workshops and producing weekends. Muriel has many years’ experience in the music industry from being signed at 16 years old to touring around the world with her band the Delilahs.  She shares with us what she’s learned over the years, including how to say no and standing up for yourself and rebuilding the reputation of her band after the early hype. She shares with us two songs from Delilahs, ‘Queen’ and ‘Wheels’. About Muriel Rhyner Once you have fallen in love with Punk, you won’t be able to leave easily…  Let’s go back to 2004, the year zero of Delilah’s, when Isabella Darling (formerly Eder) and Muriel Rhyner first met. They shared a passion for punk rock. In 2008 Daniel Fischer and Philipp Rhyner completed the bands formation, they brought more love for loud guitars and speedy drums, inspired by the 1977 punk era England. The quartet has released four studio albums and an EP and has played around 650 live shows. From small to large venues all over Switzerland and Europe, they are nested somewhere between mainstream and subculture. In 2013 Delilah’s formed the live side-project DELILAHS’77, where they celebrate their favorite punk rock songs, including classics from The Clash, The Skids, X-Ray Spex, The Undertones, Ramones and many many more. Whenever the itch for excessive volume and Czech beer arises DELILAHS’77 pack their gear and hit the road from here to Prague to Berlin and back, playing some of the oldest and most iconic underground clubs. In 2021 they released an EP with 4 Cover-Songs including „Wheels“, where they also cover one of their own tracks „wheels“. TRACK 1: QUEEN – Written by Muriel Rhyner & Delilahs. Taken from Album PAST TRUE LUST // 2014. TRACK 2: WHEELS – Written by Muriel Rhyner. Taken from the EP DELILAHS vs DELILAHS’77 // 2021. ISRC: CH6542109614 Muriel Rhyner’s Influences Audience Questions If you have a question for the musicians in conversation, simply send a DM to Helvetiarockt on instagram! More about Muriel Rhyner Instagram Website YouTube Music Directory

In this episode Natalia speaks to Melisa Su who is a Club DJ, Producer and co-founder of the record label, ‘Mirror Records’.  She is also a coach and the Helvetiarockt Music Lab DJ Workshop. We discuss the feelings of anxiety and nervousness when DJing, moving to Bern from her native Ankara, Turkey and the effect that had on her career.  She also talks about her Game Theatre projects and shares with us her latest track, ‘Altels’. About Melisa Su Melisa Su was born in 1992, Ankara. She discovered electronic music In her college years. Her interest in electronic music – and especially in Techno – grew very fast and she improved her DJing skills. Since 2011, she played at different venues and festivals in İstanbul, Izmir, and Ankara. She was also resident DJ and music coordinator at various venues in Ankara and played before some World-famous DJs like Oliver Koletzki, Charlotte De Witte, Sezer Uysal. Since 2017 she is based in Bern and continues to DJ at Swiss Clubs and Festivals. In her sets, she usually plays Techno and Acid Techno. In addition to music, she worked as an actress at the Ankara State Theatre and began her Master’s degree in Expanded Theatre at the Bern University of the Arts in 2017. Audience Questions If you have a question for the musicians in conversation, simply send a DM to Helvetiarockt on instagram! More about Melisa Su Instagram Facebook Soundcloud Music Directory

In this episode of Musicians in Conversation, Natalia talks to Odd Beholder who is a singer songwriter, political activist. She is also the co-founder of the Swiss Branch of the international climate protection organisation “Music Declares Emergency”. We discuss how the act of playing is a great creative resource. Odd Beholder goes on to provide practical tips for musicians when it comes to the issue of climate change. We also talk about the digitisation and atomisation of the music industry and what that means for musicians in general. About Odd Beholder In Odd Beholder’s music, Daniela Weinmann precisely and laconically records the oddities, shadows and misunderstandings of our time. Her version of embracing dark pop music, is a way of dealing with unpleasant truths, yet it’s also a way to seek comfort. While Odd Beholder’s debut album „All Reality Is Virtual“ revolved around digitalisation, Weinmann’s second album „Sunny Bay“ addresses the topic of nature, or rather the romantic notions and existential fears that nature triggers in us all. Before that, Odd Beholder released two impressive EPs, „Lighting“ (2016) and „Atlas“ (2017). In 2018, „Remixes“ was released; a tastefully curated EP to which The/Das, Fejka and Hundreds contributed their work. Odd Beholder’s music is cinematic. The videos created for the music are always treated as conceptual art. The video clip for the single „Landscape Escape“, shot by Berlin filmmakers Grambow & Kirchknopf in Azerbaijan in cooperation with the Azerbaijan Social & Modern Dance Association, won the jury prize of the „Best Swiss Video Clip“ Awards 2017. The song is also used at a central point in the film „Mario“, which deals with the problematic handling of homosexuality in the world of football. Odd Beholder has been invited to important festivals such as Great Escape (UK), Eurosonic (NL) and Reeperbahn Festival (DE). She has toured in various formations in China, Italy, Germany and Switzerland and was explicitly asked by the Hamburg-based electro-pop duo Hundreds as well as by Bodi Bill to accompany their respective tours. Over the course of various lockdowns and temporary border closures in 2020, Weinmann worked with Berlin musician Douglas Greed on the second Odd Beholder album „Sunny Bay“, which was released in Autumn 2021. TRACK 1: Disaster Movies / Lyricist: Daniela Weinmann / Composer: Daniela Weinmann, Mario Willms, Martin Schenker / ISRC DEAH12100037 TRACK 2: Rental Car / Lyricist: Daniela Weinmann / Composer: Daniela Weinmann, Mario Willms / ISRC DEAH12100039 Odd Beholder’s Influences Audience questions If you have a question for the musicians in conversation, simply send a DM to Helvetiarockt on instagram! More about Odd Beholder Instagram Facebook Website Music Directory

In this episode Natalia talks with Madafi Pierre who is an artist, singer songwriter and all round creative.  She is also a coach at the Helvetiarockt Band workshops!  We discuss her coming to Switzerland from Miami via New York and the importance of connecting with local talent and community. Madafi encourages us through her experience to put ourselves out there and gives us practical advice on how to deal with rejection.  We also listen to two of her tracks from her group Maddam. About Madafi Pierre Madafi Pierre is a songwriter, composer, producer and singer. Her career began at the age of 19 in Miami, her hometown. She lived in New York for 13 years where she played with her band in famous clubs such as the Blue Note and Nuyorican Poets‘ Café. One of her first songs „Mr Right“, written at the age of 18, was featured in the French film „Je Reste“ by filmmaker Diane Kurys. She has worked with the legendary House DJ JUS-Ed, DJ Static of Immortal Technique and the drummer of Sens Unik and Stress, among others Laurent Biollay. In 2015, Madafi started the electro-funk music duo MADDAM with music producer and actor Roberto „Roccobelly“ Garieri. Their 1st album „Mind Twerking“ was released in 2016. In 2017, there was the amicable departure of Roccobelly, and Dave Lefunk joined Madafi to continue the journey. In fall of 2021, MADDAM released their latest EP « Disrupt The Show ». Madafi’s influences Glossary of terms mentioned: Djembe –  A djembe or jembe is a rope-tuned skin-covered goblet drum played with bare hands, originally from West Africa.  – Wikipedia ASCAP – American Society of Composers, Authors and Publishers Audience questions! If you have a question for the musicians in conversation, simply send a DM to Helvetiarockt on instagram! More about Madafi Pierre Instagram Facebook Website Music Directory

In this episode Natalia talks with Anna Murphy, the lead singer of the band Cellar Darling. She is a multi-instrumentalist, a sound engineer, a producer and is also a coach at the Helvetiarockt Bandworkshop. We discuss what it was like to leave school at 16 years old to pursue a music career and her departure from the band Eluveitie. We also talk about transitioning to Cellar Darling and how she got into sound engineering and producing. Anna shares the song, „Dance“ from her band Cellar Darling and the track she produced called, ‘stell ab’ from the artist, Second Daughter. About Anna Murphy Born in Lucerne in 1989 and raised in an opera family, Anna Murphy came into contact with music at an early age. At the age of 16, she joined the internationally successful band Eluveitie as a hurdy-gurdy player, singer and flautist. At the same time she played in various other bands and realised her own projects (godnr.universe, Lethe, Anna Murphy). During her 10 years with Eluveitie, Anna Murphy released 13 studio albums and played over 1000 concerts worldwide. In 2014 she was awarded a Swiss Music Award for „Best Live Act“ with Eluveitie. After Eluveitie, Anna founded the folk-prog-rock band Cellar Darling in 2016. With Cellar Darling followed two studio albums acclaimed by audience and press and two world tours. In 2019, she was awarded the Progressive Music Award for „Best Video“ for „The Spell“ in London. Anna learned the profession of sound engineering at Soundfarm Studios Lucerne and has been working as an independent sound engineer and producer since 2017. Among other things, she was responsible for the engineering of two Philipp Fankhauser albums, receiving a Gold Award after the successful release of „Home“. In addition to her studio work, Anna Murphy passes on her skills as an instrumental and vocal coach and composes songs and music for video productions. Anna is committed to supporting women and non-binary people, who want to gain a foothold in the world of producing and sound engineering.     Anna’s Influences   Glossary of terms mentioned:   Hurdy-Gurdy: A string instrument that produces sound by a hand-crank-turned, rosined wheel rubbing against the strings. The wheel functions much like a violin bow and single notes played on the instrument sound similar to those of a violin.   Audio Interface: Converts microphone and instrument signals into a format your computer and software recognize. The interface also routes audio from your computer out to your headphones and studio monitors. Logic: Logic Pro is a digital audio workstation (DAW) and MIDI sequencer software application for the macOS platform.  It is considered the professional counterpart to GarageBand. MIDI Keyboard: A MIDI keyboard or controller keyboard is typically a piano-style electronic musical keyboard. It often includes other buttons, wheels and sliders, used for sending MIDI signals or commands over a USB or MIDI 5-pin cable to other musical devices or computers. MIDI keyboards lacking an onboard soun...