Christopher Nolan. A filmmaker long linked with James Bond. A man who loves his spy movies. A man who's got to the point where he can make pretty much any film he likes. 2020's Tenet remains arguably his most divisive, but talk of the film is also wrapped up in the lockdown year of 2020, and his split from long-term studio partner Warner Bros. We dig into the story here. Then! Gina Gershon is co-starring with John Travolta again in High Rollers, and she joins Simon for a long chat about the film, her career, and how her cat reviews movies. Quite the conversation, this...! Learn more about your ad choices. Visit megaphone.fm/adchoices

Chums, talk to producers. They have great stories. For this latest episode of Film Stories, Pixar's Mary Alice Drumm joins me for a long chat about her new film, Elio, and also a long chat about her career. We go from Warner Bros Animation - Quest For Camelot, The Iron Giant! - through to Cinderella II, Curious George and a whole lot more. And then she lands at Pixar, and the story takes further turns. Elio is in UK cinemas on 20th June 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the 1970s and early 1980s, it was VHS vs Betamax. But in the 2000s, with companies keen to build on the success of DVD, a fresh movie format war sparked. In one corner? It was Blu-ray. In the other? HD DVD. The latter was best positioned to emerge victorious - but it all came to a head over a few days at the start of 2008. Dan Gilroy had built up a career as a Hollywood screenwriter, but only moved to directing in his 50s. His low budget project Nightcrawler broke many of the conventions of feature films - and it'd involve shooting in a lot of place, in not very much time... Stories of both are told in this episode. Learn more about your ad choices. Visit megaphone.fm/adchoices

In a special episode of the Film Stories podcast, Simon is joined by writer/director Dean DeBlois. He's the co-writer and co-director of the original How To Train Your Dragon and Lilo & Stitch films, and after writing and directing the second and third Dragon movies, he's now done the same with the live action remake. Why did he do it? We get into that, as well as live action films that he's come close to making before. Plus, he talks about losing his father, Ireland, and what he's up to next. How To Train Your Dragon is in UK cinemas from 9th June 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices

The legend of 1995's Waterworld suggests that it was a huge flop and a criticial disaster. The truth? It was neither. But it was one of the toughest Hollywood productions of the 1990s, and its story continued even after the arduous shoot was complete. In this episode, Simon goes through the origins of the film as a low budget idea, right through to the emergence of a longer, alternate cut to the film: The Ulysses Cut. The second half of this episode is given over to Len Wiseman, who talks to Ryan Lambie about Ballerina, a lost moment in an OAP's home, Die Hard, getting fired from ILM, and working with Roland Emmerich. Please like, subscribe and all of that stuff. Support us at www.filmstories.co.uk/support. Thank you! Learn more about your ad choices. Visit megaphone.fm/adchoices

Multi-Oscar-winning editor, sound designer, writer and editor Walter Murch joins Simon for a very special episode of Film Stories. Walter's just released his latest book, Suddenly Something Clicked, and it's packed full of advice, plus stories from his extensive career. In this long chat, the pair talk about the Droid Olympics, The Conversation, Francis Ford Coppola nearly poisoning him (!), and an unusual project with Mike Leigh. There's a lot more too... Learn more about your ad choices. Visit megaphone.fm/adchoices

The summer of 1989 gave Warner Bros an enormous box office hit with Batman - but not far behind it came Lethal Weapon 2, a sequel turned around in a couple of years, and bringing back most of the key creatives. Not writer Shane Black, though. His much darker idea for the sequel would be rejected, and the tone would duly shift. Plus, we'd get a lot more Joe Pesci as a result. In the second half of this episode, Michael Cera joins us for a chat. There's his work on Wes Anderson's The Phoenician Scheme for a start, but also, some of the lower-profile independent films he's made, and his own plans to direct. Quite a packed episode, this one... Learn more about your ad choices. Visit megaphone.fm/adchoices

Mia Threapleton, in her teens, was obsessed with Moonrise Kingdom, and wanted to work with Wes Anderson. Fast forward to now, and she's the standout of his new film, The Pheonician Scheme. In this long interview, she talks about working with Wes, about how dyslexia affects how she processes a script, and why she keeps being stuck on trains when she gets important phone calls. The Phoenician Scheme is in cinemas now. Learn more about your ad choices. Visit megaphone.fm/adchoices

The future of the Mission: Impossible movies was up in the air after the third film, with Paramount Pictures and Tom Cruise parting ways. It took some bridge building to get a fourth movie going, and even then, Mission: Impossible - Ghost Protocol would bring with it changes. Plus, a contingency plan to replace Tom Cruise as the figurehead of the franchise going forward... Pixar meanwhile, around the same time, was working on an animated movie called Newt, that to this day remains the only time it announced a film, and then abandoned it. Both stories are told in this episode... Learn more about your ad choices. Visit megaphone.fm/adchoices

In a very special episode of Film Stories, Simon is joined by writer, director, actor and comedian Bobcat Goldthwait, for a conversation about his film career. In the wide-ranging chat, taking place as God Bless America arrives on the Studiocanal Presents streaming channel in the UK, Bobcat tells us about his approach, The Muppets, and why he writes reviews of cat biscuits on Amazon... Learn more about your ad choices. Visit megaphone.fm/adchoices

The behind the scenes stories of two films some time in the making come together in this episode, starting with 1993's Jurassic Park. A film made at a point when Steven Spielberg's box office touch was being questioned. A movie that, had a battle for the rights gone the other way, could have been made by one of Tim Burton, Joe Dante or Richard Donner. As it was, Universal and Spielberg made the movie, and the Arnold Schwarzenegger-headlined Last Action Hero was set to go head-to-head with it. 2019's Booksmart meanwhile took ten years to get made, even though its budget was well under $10m. First time director Olivia Wilde had quite the pitch to earn the job behind the camera - but then had a battle to get audiences to the movie once she'd made it. Stories of both are told in this episode... Learn more about your ad choices. Visit megaphone.fm/adchoices

Director Martin Campbell is guest of honour in the latest episode of Film Stories. He's just directed his new film, Cleaner, starring Daisy Ridley, and he talks Simon through that, as well as the challenges of independent filmmaking. Plus! The pair talk about some of Campbell's other directorial work, including Casino Royale, The Mask Of Zorro, No Escape, GoldenEye, Vertical Limit, and some of the other fruitier films on his early CV. Learn more about your ad choices. Visit megaphone.fm/adchoices

In a special episode of the Film Stories podcast, Simon is joined by actor Geraldine Viswanathan for a conversation about her most recent work, and her body of work. That most recent film? Thunderbolts, which also happens to feature a guinea pig. That comes up in conversation. Films such as Bad Education and Blockers are also discussed, and how she goes about choosing her films as well. Thunderbolts is in UK cinemas now. Learn more about your ad choices. Visit megaphone.fm/adchoices

After a week off for Easter, the Film Stories podcast is back with more behind the scenes movie stories. It's going all gangster this time too, with the tale of how Lock, Stock & Two Smoking Barrels had to scale down from a very expensive film to a very cheap one. And the moment when Tom Cruise lent it a helping hand too. Then it's 1993's Alive, telling a difficult true story on film, and as it turns out, a story that involved around 18 different scripts across a decade or so. The turning point? It might just have been a car bumper sticker! Stories of both are told in this episode... Learn more about your ad choices. Visit megaphone.fm/adchoices

The release of Sinners in cinemas brings with it a special episode of Film Stories, where Delroy Lindo joins Simon for a chat about the film. They also talk about Delroy's career, his key collaborations, his approach to his work and more. Along with Sinners, you get bits of Malcolm X, Da 5 Bloods, Ransom and Congo in the conversation. Delroy Lindo proves to be quite the interviewee... Learn more about your ad choices. Visit megaphone.fm/adchoices

It's a film made for TV that takes the spotlight in this episode of Film Stories, as 1984's terrifying post-apocalyptic Threads moves into the limelight. A film made on a very tight budget, and shot in under three weeks, it was nearly derailed entirely by an American TV production around the same time. And when it did get made and was screened? Well, traffic wardens have never looked so chilling. 20th Century Fox meanwhile had plans for a remake of Agatha Christie's Murder On The Orient Express.. When Kenneth Branagh joined, he not only had a decision about facial hair to make, but there was also the challenge of a very large cast with very few days together. Stories of both are told in this episode. Learn more about your ad choices. Visit megaphone.fm/adchoices

In a very special episode of the Film Stories podcast, Simon is joined by filmmaker Patricia Riggen, the director of the brand new action film G20. She talks about making the film, her collaboration with Viola Davis, and the problems she still faces on a movie set. They also dig back into her film story, from her earlier career, to cemetery exploring for Guillermo del Toro, and a whole lot more... Learn more about your ad choices. Visit megaphone.fm/adchoices

There was a brief period in time when the movie Drive was set to star Hugh Jackman, and be backed by a Universal Studios budget. But when they fell through, the movie became an lower budget independent, and for the first time, Ryan Gosling was able to hand-pick a director. He made an unusual, yet very successful choice. For the second half of this episode, director Christopher Landon joins Simon to chat about his latest film, Drop. In the course of the conversation, they also end up nattering about Happy Death Day, the James Bond saga, and a whole lot more... Learn more about your ad choices. Visit megaphone.fm/adchoices

Dinner dinner dinner dinner! Etc. Announced just six months before it landed in cinemas, the much-loved 1966 production Batman: The Movie was a masterclass in moving fast. Shot while the first series of the Batman TV show was still playing, it was written in two weeks, filmed in a month, and premiering in Texas as a result of some help with a boat... Also filmed in a month? Jason Reitman's 2011 feature Young Adult, starring Charlize Theron. Written by Diablo Cody, Reitman was all set to go with a different film until the Young Adult script came in. Even then, he had a key condition to getting the movie made. Stories of both are told in this episode... Learn more about your ad choices. Visit megaphone.fm/adchoices

Two movies here where audiences went in expecting one thing, and might just have got another. 1991's The Fisher King though for a time was going to be a Disney movie, before the studio decided it was too dark. Directors such as Steven Spielberg and James Cameron were mentioned, before Terry Gilliam - coming off the back of a commercial flop - decided to break all three of his conditions for taking on a film. Director Joe Carnahan meanwhile was coming off his big studio movie - The A-Team - when he decided he wanted to pivot to something smaller. He chose The Grey, a film he developed, and which would be sold off the back of imagery of Liam Neeson getting ready to punch a wolf. That, though, wasn't the full picture... Stories of both are told in this episode. Learn more about your ad choices. Visit megaphone.fm/adchoices