Beach Boys author Chuck Granata reviews and discusses Pet Sounds’ “Caroline, No” with commentary and stories. Discograffiti’s Pet Sounds Deep-Dive Series stands as a unique combination of factual obsession and personal connection, and there’s nothing else quite like it. This is the final episode.

In this episode, Dave Gebroe interviews our brother podcast 1001 Album Complaints’ host Rob Kassees as he walks us through the process of creating and releasing your own album, something he’s done many times over by this point

In this episode, Discograffiti presents Part 3 of Chuck’s chat with Tony Asher, Brian Wilson’s lyrical collaborator on Pet Sounds. This is easily the best, most honest and unguarded Tony Asher interview in existence.

Discograffiti is the deep-dive podcast for music obsessives.  In this episode, we feature the next entry in The Chuck Granata Pet Sounds Interview Series. It’s Chuck’s chat with Dr. Paul Tanner, inventor (with Bob Whitsell) of the Electro-Theremin, which he also famously played on three Beach Boys tracks: “I Just Wasn’t Made For These Times,” “Good Vibrations,” and “Wild Honey.” Paul passed away a few years later in 2013, which makes this posthumously released “Chuck Chat” yet another priceless buried treasure.

Discograffiti is the deep-dive podcast for music obsessives.  In this episode, Beach Boys author Chuck Granata reviews and discusses Pet Sounds’ “I Just Wasn’t Made For These Times” and “Pet Sounds” with commentary and stories.

Discograffiti is the deep-dive podcast for music obsessives.  In this episode, author Lewis Shiner discusses his epic, 868-page, music-based novel Outside The Gates Of Eden, which follows a series of characters from 1965 to the present day. Lewis describes it as a ”War & Peace for the Woodstock Generation,” and I believe it is an absolute masterpiece, one of the 10 best books I’ve ever read in my life.

Discograffiti is the deep-dive podcast for music obsessives.  In this episode, we feature the next entry in The Chuck Granata Pet Sounds Interview Series. It’s Chuck’s chat with Larry Knechtel, the Wrecking Crew keyboard player and bassist who—along with Brian Wilson & The Beach Boys—has worked with Simon & Garfunkel, Duane Eddy, The Mamas & The Papas, The Monkees, The Doors, The Byrds, The Grass Roots, Elvis Presley, Jerry Garcia, and Billy Joel. He also was a key member of the band Bread.

Discograffiti is the deep-dive podcast for music obsessives.  In this episode, Graham Nash reviews and discusses the “Ohio” single, CSNY’s 1970 tour, and their first break-up (of many) with commentary and stories.

Discograffiti is the deep-dive podcast for music obsessives.  In this episode, Beach Boys author Chuck Granata reviews and discusses Pet Sounds’ “I Know There’s An Answer” (originally written as ”Hang On To Your Ego”) and “Here Today,” with commentary and stories.

The Wrecking Crew’s Don Randi is interviewed about working with Brian Wilson on The Beach Boys’ Pet Sounds LP.

Jackass’s Wee Man rates and discusses every single Ozzy-era Black Sabbath album.

The next entry in The Chuck Granata Pet Sounds Interview Series is Chuck’s chat with David Wild, a contributing editor at Rolling Stone magazine. His published books include Seinfeld: The Totally Unauthorized Tribute (1998), And the Grammy Goes To...: The Official Story of Music's Most Coveted Award (2007), He Is . . . I Say: How I Learned to Stop Worrying and Love Neil Diamond (2009), and others. Wild hosted the Bravo television series Musicians, and has written for the Grammy Awards since 2001, becoming a producer for the show in 2016. In 2022, his Naked Lunch podcast debuted, featuring a wide range of guests, including Graham Nash, Susanna Hoffs, Keanu Reeves with his band Dogstar, Peter Frampton, Jimmy Kimmel, and many more.      Here’s just a few of the many things that David discusses with Discograffiti in this podcast:   Why Pet Sounds is perfect; Tony Asher’s incredibly commendable side gig; The reliance on Brian’s inner child to produce greatness; And what Brian Wilson revealed as his favorite Beach Boys record to David.   There’ll be a short sneak peak running publicly for free, but the entirety of this podcast will only be accessible on the Major Tier of Discograffiti’s Patreon. Don’t miss it, or you’ll only be getting part of the story. Get it as a one-off, or better yet just subscribe…and then we’ll all have world peace.   Full Episode: Patreon.com/Discograffiti (available on the Major Tier & up)   Free Sneak Peek: linktr.ee/discograffiti   Subscribe to Discograffiti's Patreon and receive a ceaseless barrage (4 shows a week!) of must-hear binge-listening. It’s completely free to be a basic member, $1 to get your backstage pass, $5/month for the weekly Sunday show by & for our community, $10 for weekly early release, ad-free, super-extended Director's Cuts of the main show plus access to half our Patreon episode archive, & $20 for Discograffiti’s weekly bonus episodes and access to our entire Patreon episode archive. There are now over 300 Patreon episodes.

Jackass’s Jason “Wee Man” Acuna is such an Ozzy fan, he crossed the ocean to see the Back To The Beginning gig before even having a ticket. (He made it in, Thank God.) The biggest little metalhead on the planet joins Discograffiti in paying tribute to the all-time greatest metal band in a whipcrack-fast three-part series that’ll school you in how metal got started. And to sweeten the pot, we’re only covering the Ozzy era.   Here are just a few of the many things that Wee Man discusses with Discograffiti in Part 2 of this podcast:   The Black Sabbath track that Billy Corgan credited with inventing grunge; The reason Sabbath downtuned their guitars further on Master Of Reality, and the sub-genres that wound up creating; How Tony Iommi’s “Sweet Leaf” coughing was captured; The secret messages planted throughout Vol. 4’s songs and packaging, not to mention its initial jettisoned title; And an in-depth deep dive on every song off Master Of Reality, Vol. 4, and Sabbath Bloody Sabbath!   Listen: linktr.ee/discograffiti   I support a wife and a six-year-old son with Discograffiti as my sole source of income.    The Director’s Cut of this episode is ad-free and features 10 additional minutes of essential material. Support Discograffiti by opting for this clearly superior version.   Either subscribe to Discograffiti’s Patreon at the Lieutenant or Major Tier, or just grab the episode as a one-off at the same link.   The Director’s Cut: Patreon.com/Discograffiti   Art: Bex Boyd   #blacksabbath #weeman #jackass #heavymetal #metal #ozzyosbourne #rock #tonyiommi #music #hardrock #rocknroll #metalhead #ozzy #prestonlacy #geezerbutler #doommetal #johnnyknoxville #billward #dio #billybarty #blacksabbathfans #spinaltap #guitarist #heavymetalmusic #metalmusic #stonerrock #discograffiti #metalmachinemuzak #soldiersofsound #andyourdreamscometrue 

The next entry in The Chuck Granata Pet Sounds Interview Series is Chuck’s chat with Tom Frangione, who’s been part of the official Beatles Channel on SiriusXM since its launch in 2017, serving as their ’Resident Beatles Expert’. Above all else, this is hands-down the funniest interview of Chuck’s series.

Jackass’s Jason “Wee Man” Acuna joins Discograffiti in paying tribute to the all-time greatest metal band in a whipcrack-fast three-part series that’ll school you in how metal got started. And to sweeten the pot, we’re only covering the Ozzy era.

<p>The Wrecking Crew is to the Sixties what The Immediate Family are to the Seventies, so it’s no accident that music doc director extraordinaire Denny Tedesco tackled both groups of studio musicians in equally fascinating documentaries.  While we’re on the topic of Graham Nash, The Immediate Family became Crosby &amp; Nash’s touring ensemble, nicknamed The Mighty Jitters on the road for reasons we won’t go into here. </p><p><br /></p><p>Here’s just a few of the many things that Denny discusses with Discograffiti in this podcast:</p><p><br /></p><ul><li>How Denny’s relationship with his father (Wrecking Crew guitarist Tommy Tedesco) changed after his cancer diagnosis; </li><li>The ways in which his newest doc <em>The Immediate Family</em> differs from his first, <em>The Wrecking Crew;</em></li><li>The cold, hard realities of making an independent film;</li><li>The toxic relationship between Hal Blaine and Carole Kaye;</li><li>His incredible upcoming music doc projects;</li><li>And our mutual dream doc project.</li></ul><p><br /></p><p>There’ll be a short sneak peak running publicly for free, but the entirety of this podcast will only be accessible on the Major Tier of Discograffiti’s Patreon. Don’t miss it, or you’ll only be getting part of the story. Get it as a one-off, or better yet just subscribe…and then we’ll all have world peace.</p><p><br /></p><p>Full Episode: Patreon.com/Discograffiti (available on the Major Tier &amp; up)</p><p><br /></p><p>Free Sneak Peek: linktr.ee/discograffiti</p><p><br /></p><p>Subscribe to Discograffiti's Patreon and receive a ceaseless barrage (4 shows a week!) of must-hear binge-listening. It’s completely free to be a basic member, $1 to get your backstage pass, $5/month for the weekly Sunday show by &amp; for our community, $10 for weekly early release, ad-free, super-extended Director's Cuts of the main show plus access to half our Patreon episode archive, &amp; $20 for Discograffiti’s weekly bonus episodes and access to our entire Patreon episode archive. There are now over 300 Patreon episodes.</p><p><br /></p><p>CONNECT</p><p>Join our Soldiers of Sound Facebook Group: https://www.facebook.com/groups/1839109176272153</p><p>Patreon: www.Patreon.com/Discograffiti</p><p>Podfollow:<a href="https://podfollow.com/1592182331" rel="ugc noopener noreferrer" target="_blank"> ⁠⁠https://podfollow.com/1592182331⁠⁠</a></p><p>YouTube Channel:<a href="https://www.youtube.com/channel/UClyaQCdvDelj5EiKj6IRLhw" rel="ugc noopener noreferrer" target="_blank"> https://www.youtube.com/channel/UClyaQCdvDelj5EiKj6IRLhw</a></p><p>Instagram: https://www.instagram.com/discograffitipod/</p><p>Facebook: https://www.facebook.com/Discograffiti/</p><p>Twitter:<a href="https://twitter.com/Discograffiti" rel="ugc noopener noreferrer" target="_blank"> https://twitter.com/Discograffiti</a></p><p>Order the Digital version of the METAL MACHINE MUZAK 2xLP (feat. Lou Barlow, Cory Hanson, Mark Robinson, &amp; W. Cullen Hart):<a href="http://www.patreon.com/discograffiti/shop/197404" rel="ugc noopener noreferrer" target="_blank"> www.patreon.com/discograffiti/shop/197404</a></p><p>Order the $11 Digital version of the MMM 2xLP on Bandcamp:<a href="https://discograffiti.bandcamp.com/album/metal-machine-muzak" rel="ugc noopener noreferrer" target="_blank"> https://discograffiti.bandcamp.com/album/meta

<p>Here’s just a few of the many things that Graham discusses with Discograffiti in this podcast:</p><p><br /></p><ul><li>Woodstock, Altamont, and the death of Crosby’s girlfriend Christine Hinton happening one after the other after their debut record was released;</li><li>The other candidates who were pitched to join CSN before Neil Young;</li><li>What Jimi Hendrix called CSN’s music;</li><li>A mind-blowing recollection of Jerry’s Garcia’s pedal steel-playing prowess;</li><li>Graham’s honest assessment of Neil Young’s “Country Girl”;</li><li>And an in-depth deep dive on every song that comprises Crosby, Stills, Nash, &amp; Young’s <em>Deja Vu</em> LP!</li></ul><p><br /></p><p>Listen: <a href="http://linktr.ee/discograffiti" rel="ugc noopener noreferrer" target="_blank">linktr.ee/discograffiti</a></p><p><br /></p><p><em>Wild Tales: The Graham Nash Interview Series</em> tackles every last release the great Graham Nash ever had a hand in creating, including CSN, CSNY, C&amp;N, and his solo career, detailing a history almost too crazy to be believed. His honesty is profoundly refreshing, and overall this series is a Mt. Olympus climb which explores the Aquarian age in all its majesty and chaos. It’s already overtaken my life in so my ways…and it’s my hope that it does the same to yours.</p><p><br /></p><p>I support a wife and a six-year-old son with Discograffiti as my sole source of income. </p><p><br /></p><p>If you’re a Graham Nash superfan like me, The Director’s Cut of this episode is ad-free and features a plethora of additional essential material. </p><p><br /></p><p>Subscribe to Discograffiti’s Patreon at the Major Tier and receive a ceaseless barrage (4 shows a week) of must-hear binge listening: <a href="http://patreon.com/Discograffiti" rel="ugc noopener noreferrer" target="_blank">⁠Patreon.com/Discograffiti⁠</a></p><p><br /></p><p>Or just grab The Director’s Cut as a one-off at the same link.</p><p><br /></p><p>CONNECT</p><p>Join our Soldiers of Sound Facebook Group: https://www.facebook.com/groups/1839109176272153</p><p>Patreon: www.Patreon.com/Discograffiti</p><p>Podfollow:<a href="https://podfollow.com/1592182331" rel="ugc noopener noreferrer" target="_blank"> ⁠⁠https://podfollow.com/1592182331⁠⁠</a></p><p>YouTube Channel:<a href="https://www.youtube.com/channel/UClyaQCdvDelj5EiKj6IRLhw" rel="ugc noopener noreferrer" target="_blank"> https://www.youtube.com/channel/UClyaQCdvDelj5EiKj6IRLhw</a></p><p>Instagram: https://www.instagram.com/discograffitipod/</p><p>Facebook: https://www.facebook.com/Discograffiti/</p><p>Twitter:<a href="https://twitter.com/Discograffiti" rel="ugc noopener noreferrer" target="_blank"> https://twitter.com/Discograffiti</a></p><p>Order the Digital version of the METAL MACHINE MUZAK 2xLP (feat. Lou Barlow, Cory Hanson, Mark Robinson, &amp; W. Cullen Hart):<a href="http://www.patreon.com/discograffiti/shop/197404" rel="ugc noopener noreferrer" target="_blank"> www.patreon.com/discograffiti/shop/197404</a></p><p>Order the $11 Digital version of the MMM 2xLP on Bandcamp:<a href="https://discograffiti.bandcamp.com/album/metal-machine-muzak" rel="ugc noopener noreferrer" target="_blank"> https://discograffiti.bandcamp.com/album/metal-machine-muzak</a><

<p>The next entry in The Chuck Granata Pet Sounds Interview Series is Chuck’s chat with French horn player Alan Robinson, the man whose extraordinary playing graces “God Only Knows.” It’s absolutely incredible what a photographic memory Alan possesses—listening to him speak, it’s as if you’re sitting there right beside him, watching Brian Wilson through the control room glass. This interview is an absolute must-hear for <em>Pet Sounds </em>fans.</p><p><br /></p><p>At 21, Alan became the youngest contract member of the 20th Century Fox orchestra, where he played on films like <em>The King &amp; I</em>, <em>Carousel</em> and <em>The Sound Of Music</em>. In the mid-1960s, he discovered that "being a busy session player was more lucrative than symphonic work,” which is how he came to be on <em>Pet Sounds</em>. Among his other pop credits are sessions and/or live shows with Frank Sinatra, Peggy Lee, Neil Diamond, Earth, Wind, &amp; Fire, The 5th Dimension, Johnny Mathis, Elton John, and Paul McCartney &amp; Wings. </p><p><br /></p><p>There’ll be a short sneak peak running publicly for free, but the entirety of this podcast will only be accessible on the Major Tier of Discograffiti’s Patreon. Don’t miss it, or you’ll only be getting part of the story. Get it as a one-off, or better yet just subscribe…and then we’ll all have world peace.</p><p><br /></p><p>Full Episode: Patreon.com/Discograffiti (available on the Major Tier &amp; up)</p><p><br /></p><p>Free Sneak Peek: linktr.ee/discograffiti</p><p><br /></p><p>Subscribe to Discograffiti's Patreon and receive a ceaseless barrage (4 shows a week!) of must-hear binge-listening. It’s completely free to be a basic member, $1 to get your backstage pass, $5/month for the weekly Sunday show by &amp; for our community, $10 for weekly early release, ad-free, super-extended Director's Cuts of the main show plus access to half our Patreon episode archive, &amp; $20 for Discograffiti’s weekly bonus episodes and access to our entire Patreon episode archive. There are now over 300 Patreon episodes.</p><p><br /></p><p>CONNECT</p><p>Join our Soldiers of Sound Facebook Group: https://www.facebook.com/groups/1839109176272153</p><p>Patreon: www.Patreon.com/Discograffiti</p><p>Podfollow:<a href="https://podfollow.com/1592182331" rel="ugc noopener noreferrer" target="_blank"> ⁠⁠https://podfollow.com/1592182331⁠⁠</a></p><p>YouTube Channel:<a href="https://www.youtube.com/channel/UClyaQCdvDelj5EiKj6IRLhw" rel="ugc noopener noreferrer" target="_blank"> https://www.youtube.com/channel/UClyaQCdvDelj5EiKj6IRLhw</a></p><p>Instagram: https://www.instagram.com/discograffitipod/</p><p>Facebook: https://www.facebook.com/Discograffiti/</p><p>Twitter:<a href="https://twitter.com/Discograffiti" rel="ugc noopener noreferrer" target="_blank"> https://twitter.com/Discograffiti</a></p><p>Order the Digital version of the METAL MACHINE MUZAK 2xLP (feat. Lou Barlow, Cory Hanson, Mark Robinson, &amp; W. Cullen Hart):<a href="http://www.patreon.com/discograffiti/shop/197404" rel="ugc noopener noreferrer" target="_blank"> www.patreon.com/discograffiti/shop/197404</a></p><p>Order the $11 Digital version of the MMM 2xLP on Bandcamp:<a href="https://discograffiti.bandcamp.com/album/metal-machine-muzak" rel="ugc noopener noreferrer" target="_blank"> https://discograffiti.bandcamp.com/album/metal-machine-muzak</a></p><p>Order the METAL

<p>Chuck Granata’s book <em>Wouldn’t It Be Nice: Brian Wilson And The Making Of The Beach Boys’ Pet Sounds</em> is the ultimate dissection of Brian Wilson’s 1966 masterpiece.  Chuck and I wound up diving so deep into the record, we unfortunately had to seek treatment for the bends…yet thankfully it was a risk worth taking, as Discograffiti’s <em>Pet Sounds Deep-Dive Series</em> stands as a unique combination of factual obsession and personal connection.  Episode 4 is an examination of everything you’ll ever need to know about the classic first track on Side 2 of <em>Pet Sounds, </em>often considered The Beach Boys’ greatest song of all time: “God Only Knows.”</p><p><br></p><p>Here’s just a few of the many things that Chuck discusses with Discograffiti in this podcast:</p><p><br></p><ul><li>The Lovin’ Spoonful song that likely inspired the writing of “God Only Knows”;</li><li>Notwithstanding its controversial title, the other instance of that very title being utilized in another composition a decade earlier;</li><li>The compositional aspect that makes it completely unique in Brian Wilson’s songwriting canon;</li><li>A smattering of reactions from some of the biggest songwriting talents alive;</li><li>The implications of Brian moving production over to 8-track at Columbia Studio;</li><li>Brian’s coaching advice to his brother Carl before his classic vocal take;</li><li>And how both Chuck and I connect with “God Only Knows” in a laid-bare, explicitly personal way.</li></ul><p><br></p><p>Listen: linktr.ee/discograffiti</p><p><br></p><p>I support a wife and a six-year-old son with Discograffiti as my sole source of income. </p><p><br></p><p>If you’re a Beach Boys superfan like me, The Director’s Cut of this episode is ad-free and features 15 additional minutes of essential material. </p><p><br></p><p>Subscribe to Discograffiti’s Patreon at the Major Tier and receive a ceaseless barrage (4 shows a week) of must-hear binge listening: <a href="http://patreon.com/Discograffiti"><u>⁠Patreon.com/Discograffiti⁠</u></a></p><p><br></p><p>Or just grab The Director’s Cut as a one-off at the same link.</p><p><br></p><p>CONNECT</p><p>Join our Soldiers of Sound Facebook Group: https://www.facebook.com/groups/1839109176272153</p><p>Patreon: www.Patreon.com/Discograffiti</p><p>Podfollow:<a href="https://podfollow.com/1592182331"> <u>⁠⁠https://podfollow.com/1592182331⁠⁠</u></a></p><p>YouTube Channel:<a href="https://www.youtube.com/channel/UClyaQCdvDelj5EiKj6IRLhw"> <u>https://www.youtube.com/channel/UClyaQCdvDelj5EiKj6IRLhw</u></a></p><p>Instagram: https://www.instagram.com/discograffitipod/</p><p>Facebook: https://www.facebook.com/Discograffiti/</p><p>Twitter:<a href="https://twitter.com/Discograffiti"> <u>https://twitter.com/Discograffiti</u></a></p><p>Order the Digital version of the METAL MACHINE MUZAK 2xLP (feat. Lou Barlow, Cory Hanson, Mark Robinson, &amp; W. Cullen Hart):<a href="http://www.patreon.com/discograffiti/shop/197404"> <u>www.patreon.com/discograffiti/shop/197404</u></a></p><p>Order the $11 Digital version of the MMM 2xLP on Bandcamp:<a href="https://discograffiti.bandcamp.com/album/metal-machine-muzak"> <u>https://discograffiti.bandcamp.com/album/metal-machine-muzak</u></a></p><p>Order the METAL MACHINE MUZAK Double Vinyl + Digital package: www.pa

<p>By now, Beach Boy Bruce Johnston has retired from being interviewed, so this epic, unheard 2001 interview for Chuck Granata’s <em>Pet Sounds</em> book is absolutely priceless…especially seeing as his fanboy love for Chuck’s Sinatra book wound up contributing to a level of unvarnished honesty that’s super-rare for The Beach Boy universe. </p><p><br /></p><p>Here’s just a few of the many things that Bruce discusses with Discograffiti in this podcast:</p><p><br /></p><ul><li>“Brian’s blender,” and the stew of his early influences;</li><li>The differences between Brian &amp; Phil Spector’s approaches;</li><li>Capitol Records’ sabotage of <em>Pet Sounds</em>;</li><li>Bruce’s efforts in igniting a groundswell of interest in the UK upon <em>Pet Sounds’</em> release;</li><li>And the difficulty of nailing the vocal parts that Brian had in mind.</li></ul><p><br /></p><p>There’ll be a short sneak peak running publicly for free, but the entirety of this podcast will only be accessible on the Major Tier of Discograffiti’s Patreon. Don’t miss it, or you’ll only be getting part of the story. Get it as a one-off, or better yet just subscribe…and then we’ll all have world peace.</p><p><br /></p><p>Full Episode: Patreon.com/Discograffiti (available on the Major Tier &amp; up)</p><p><br /></p><p>Free Sneak Peek: linktr.ee/discograffiti</p><p><br /></p><p>Subscribe to Discograffiti's Patreon and receive a ceaseless barrage (4 shows a week!) of must-hear binge-listening. It’s completely free to be a basic member, $1 to get your backstage pass, $5/month for the weekly Sunday show by &amp; for our community, $10 for weekly early release, ad-free, super-extended Director's Cuts of the main show plus access to half our Patreon episode archive, &amp; $20 for Discograffiti’s weekly bonus episodes and access to our entire Patreon episode archive. There are now over 300 Patreon episodes.</p><p><br /></p><p>CONNECT</p><p>Join our Soldiers of Sound Facebook Group: https://www.facebook.com/groups/1839109176272153</p><p>Patreon: www.Patreon.com/Discograffiti</p><p>Podfollow:<a href="https://podfollow.com/1592182331" rel="ugc noopener noreferrer" target="_blank"> ⁠⁠https://podfollow.com/1592182331⁠⁠</a></p><p>YouTube Channel:<a href="https://www.youtube.com/channel/UClyaQCdvDelj5EiKj6IRLhw" rel="ugc noopener noreferrer" target="_blank"> https://www.youtube.com/channel/UClyaQCdvDelj5EiKj6IRLhw</a></p><p>Instagram: https://www.instagram.com/discograffitipod/</p><p>Facebook: https://www.facebook.com/Discograffiti/</p><p>Twitter:<a href="https://twitter.com/Discograffiti" rel="ugc noopener noreferrer" target="_blank"> https://twitter.com/Discograffiti</a></p><p>Order the Digital version of the METAL MACHINE MUZAK 2xLP (feat. Lou Barlow, Cory Hanson, Mark Robinson, &amp; W. Cullen Hart):<a href="http://www.patreon.com/discograffiti/shop/197404" rel="ugc noopener noreferrer" target="_blank"> www.patreon.com/discograffiti/shop/197404</a></p><p>Order the $11 Digital version of the MMM 2xLP on Bandcamp:<a href="https://discograffiti.bandcamp.com/album/metal-machine-muzak" rel="ugc noopener noreferrer" target="_blank"> https://discograffiti.bandcamp.com/album/metal-machine-muzak</a></p><p>Order the METAL MACHINE MUZAK Double Vinyl + Digital package: www.patreon.com/discograffiti/shop/169954</p><p>Merch Sho