Created in 2019, the Daughters of Lorraine Podcast was created by Dr. Jordan Ealey and Dr. Leticia Ridley while they were graduate students at the University of Maryland, College Park. Now, both assistant professors, Jordan and Leticia, continue to explore the legacies of Black theatre history, engage in current national conversations around, within, and about Black theatre, review Black theatre productions, and interview Black theatre artists. This podcast centers and privileges the narratives of Black theatremakers, scholars, and audiences while also underscoring the influence of Black theatre on the theatrical landscape.
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Created in 2019, the Daughters of Lorraine Podcast was created by Dr. Jordan Ealey and Dr. Leticia Ridley while they were graduate students at the University of Maryland, College Park. Now, both assistant professors, Jordan and Leticia, continue to explore the legacies of Black theatre history, engage in current national conversations around, within, and about Black theatre, review Black theatre productions, and interview Black theatre artists. This podcast centers and privileges the narratives of Black theatremakers, scholars, and audiences while also underscoring the influence of Black theatre on the theatrical landscape.
In this episode, hosts Jordan Ealey and Leticia Ridley interview director and playwright Robert O’Hara about his approach to his craft, his experience as a Black artist in the theatre industry, and how he leans into discomfort.
Leticia and Jordan delve into Zora Neale Hurston as a theatre artist and consider her plays, performances, and theories of dramaturgy and theatremaking.
In this episode, hosts Jordan Ealey and Leticia Ridley reflect on their very positive feelings for Obsidian Theatre and Crow’s Theatre’s production of FLEX, as well as Candrice Jones’s gorgeous and nuanced depictions of Black girlhood and friendship.
In today’s episode, Leticia and Jordan discuss the Canadian premiere of A Strange Loop—a co-production between The Musical Stage Company, Soulpepper Theatre, Crow’s Theatre, and TO Live. They re-appraise the musical’s impact in today’s sociopolitical climate.
Jordan and Leticia interview actress, performance artist, and cultural worker Danielle Deadwyler and discuss the importance of care in the representation of Black life.
Jordan and Leticia interview Canadian playwright, director, and educator Djanet Sears, hearing about her unique approach to dramaturgy and an in-depth look at Black theatre in Canada.
Jordan and Leticia interview arts journalist and playwright Kelundra Smith about the cultural landscape of theatre criticism and what it means to tell authentic Black stories.
In this episode, Leticia and Jordan interview Whitney White about her journey in theatre, her artistic craft, and the potentials and possibilities of Black theatre.
This podcast centers and privileges the narratives of Black theatremakers, scholars, and audiences while also underscoring the need for understanding the influence of Black theatre on the American theatre landscape.
Hosts Leticia Ridley and Jordan Ealey interview Oscar winner and MacArthur genius Tarell Alvin McCraney about his work as a playwright, how Black people tell stories, and what it means to be an artistic leader.
Masi Asare is an assistant professor of theater and performance studies at Northwestern University. She is a songwriter and dramatist and also works as a performance scholar specializing in the study of race and vocal sound and musicals. On this episode, hosts Jordan Ealey and Leticia Ridley interview Masi on her experiences as a Black woman working in musical theatre and why Black women’s vocal training is so important.
Some stories transcend time and continue to resonate across generations. Undoubtedly, one might consider The Color Purple as one of those stories. Hosts Jordan Ealey and Leticia Ridley discuss this new movie musical adaptation of The Color Purple and delve into questions around the genre of the movie musical and the challenge and necessity of representing Black women stories on screen.
Jonathan McCrory is a Tony Award and Emmy Award nominated producer and a two-time Obie Award-winning artist who has served as executive artistic director at the National Black Theatre since 2012. In this episode, hosts Jordan Ealey and Leticia Ridley talk with McCrory about his work with the National Black Theatre and his ongoing commitment to nourishing and cultivating Black creativity and Black life.
Hosts Leticia Ridley and Jordan Ealey discuss Woodie King, Jr.’s 1978 documentary, Black Theater: The Making of a Movement. They explore the documentary’s different themes, its impact on Black theatre history, and what it means for our present and future.
Hosts Jordan Ealey and Leticia Ridley discuss the contributions made by Alice Childress and the historical and contemporary significance of her play, Trouble in Mind, including the filmed 2021 production at the National Theatre in London.
Hosts Leticia Ridley and Jordan Ealey dig into the dramaturgies and theories of Suzan-Lori Parks and discuss Canadian Stage’s production of Parks’s Topdog/Underdog.
Hosts Leticia Ridley and Jordan Ealey interview scholar Professor Julius Fleming, Jr. about his book "Black Patience: Performance, Civil Rights, and the Unfinished Project of Emancipation (NYU Press, 2022)". They discuss the importance of theatre to the Civil Rights Movement and the relationship between Black theatre and performance and Black studies.
Created in 2019, the Daughters of Lorraine Podcast was created by Dr. Jordan Ealey and Dr. Leticia Ridley while they were graduate students at the University of Maryland, College Park. Now, both assistant professors, Jordan and Leticia, continue to explore the legacies of Black theatre history, engage in current national conversations around, within, and about Black theatre, review Black theatre productions, and interview Black theatre artists. This podcast centers and privileges the narratives of Black theatremakers, scholars, and audiences while also underscoring the influence of Black theatre on the theatrical landscape.
