Created in 2019, the Daughters of Lorraine Podcast was created by Dr. Jordan Ealey and Dr. Leticia Ridley while they were graduate students at the University of Maryland, College Park. Now, both assistant professors, Jordan and Leticia, continue to explore the legacies of Black theatre history, engage in current national conversations around, within, and about Black theatre, review Black theatre productions, and interview Black theatre artists. This podcast centers and privileges the narratives of Black theatremakers, scholars, and audiences while also underscoring the influence of Black theatre on the theatrical landscape.
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Created in 2019, the Daughters of Lorraine Podcast was created by Dr. Jordan Ealey and Dr. Leticia Ridley while they were graduate students at the University of Maryland, College Park. Now, both assistant professors, Jordan and Leticia, continue to explore the legacies of Black theatre history, engage in current national conversations around, within, and about Black theatre, review Black theatre productions, and interview Black theatre artists. This podcast centers and privileges the narratives of Black theatremakers, scholars, and audiences while also underscoring the influence of Black theatre on the theatrical landscape.
In this episode, hosts Jordan Ealey and Leticia Ridley interview director and playwright Robert O’Hara about his approach to his craft, his experience as a Black artist in the theatre industry, and how he leans into discomfort.
Daughters of Lorraine
Created in 2019, the Daughters of Lorraine Podcast was created by Dr. Jordan Ealey and Dr. Leticia Ridley while they were graduate students at the University of Maryland, College Park. Now, both assistant professors, Jordan and Leticia, continue to explore the legacies of Black theatre history, engage in current national conversations around, within, and about Black theatre, review Black theatre productions, and interview Black theatre artists. This podcast centers and privileges the narratives of Black theatremakers, scholars, and audiences while also underscoring the influence of Black theatre on the theatrical landscape.
