þ thorns þ proposes to think with the affordances of postdisciplinarity and the choreographic. This series seeks to set in motion the possibilities of the podcast as choreographic form, score and modality, as well as haptic space for glitch and grain. This series privileges prompts over topics, verbs over nouns, soft tissue over hard tech, and phenomena over “thing”. Importantly, these are open-ended conversation pieces, experimental dialogues, remote contact-improvisations and conceptual playgrounds, not interviews.
Guest speaker pairings are conceived out of radical associativity, where knowledges and non-knowledges, somatic practices and techniques of living are brought into experimental proximity, constellating themselves through intra-action along the way.
As part of the ongoing imagination of the School we are compiling a glossary of words that artists are using to refer to the choreographic. Every time we invite people to collaborate with us we also invite them to donate to the glossary, hosted on our website.
Hosted on Acast. See acast.com/privacy for more information.
þ thorns þ proposes to think with the affordances of postdisciplinarity and the choreographic. This series seeks to set in motion the possibilities of the podcast as choreographic form, score and modality, as well as haptic space for glitch and grain. This series privileges prompts over topics, verbs over nouns, soft tissue over hard tech, and phenomena over “thing”. Importantly, these are open-ended conversation pieces, experimental dialogues, remote contact-improvisations and conceptual playgrounds, not interviews.
Guest speaker pairings are conceived out of radical associativity, where knowledges and non-knowledges, somatic practices and techniques of living are brought into experimental proximity, constellating themselves through intra-action along the way.
As part of the ongoing imagination of the School we are compiling a glossary of words that artists are using to refer to the choreographic. Every time we invite people to collaborate with us we also invite them to donate to the glossary, hosted on our website.
Hosted on Acast. See acast.com/privacy for more information.
This episode is a conversation between artists Wu Tsang and Tosh Basco. Wu is an award winning filmmaker and performance artist, whose works explore hidden histories, marginalised narratives, and the act of performing itself. Tosh is a multidisciplinary performance artist and photographer, whose work enfolds language, becoming, and representation together; within spaces where these are typically understood as discrete entities.
In the conversation, Wu and Tosh discuss their collaboration, emphasising relationality and care in times of crisis. They reflect on their various works exploring life, death, and rebirth. They touch on the impact of capitalism, societal collapse, the fluidity of identity and memory. This conversation was recorded in a studio in London.
To find a full transcript of this episode, and resources mentioned, visit our website.
This episode is part of a mini-series,Choreographing the Apocalypse, which is guest curated by Mine Kaplangı, a Folkestone-based curator and art mediator from Istanbul.
It forms part of their ongoing research into queer and trans imaginaries of the apocalypse(s). They will be inviting artists, thinkers, and somatic practitioners to explore apocalyptic thinking through speculative world-building and radically intimate frameworks.
Hosted on Acast. See acast.com/privacy for more information.
This episode is a conversation between Rohan Ayinde and Suley, both based in London. Rohan is part of the first cohort of the Rose Choreographic School, and he is an anadisciplinary artist and poet. Suley is a playwright, painter, lawyer and lecturer who uses world building as a radical tool of investigation.
This conversation was recorded in a studio in London and it was the first meeting between these two artists. They reflect on what world building signifies within their practices, articulating how this concept informs their individual research and methodologies. Together, they examine the convergence of their practices, and how speculative fiction, poetry, collectivity and black holes can function as a lens for understanding and imagining alternative futures.
This episode is part of a new series,Choreographing the Apocalypse, which is guest curated by Mine Kaplangı, a Folkestone-based curator and art mediator from Istanbul.
It forms part of their ongoing research into queer and trans imaginaries of the apocalypse(s). They will be inviting artists, thinkers, and somatic practitioners to explore apocalyptic thinking through speculative world-building and radically intimate frameworks.
To find a full transcript of this episode, and resources mentioned, visit our website.
Hosted on Acast. See acast.com/privacy for more information.
This episode is a conversation between artists about their piece Hagay Dreaming, which was performed at Tate Modern in early March 2025. We hear from Director, Shu Lea Cheang, artistic director and performer Dondon Hounwn, and choreographer Dahu. All the artists originate from Taiwan. They discuss the words they would like to submit to the glossary, which , in turn, form a discussion into the background of their work together. They explore themes like gender fluidity, reciprocal exchange in tribal culture, and the profound relationship between movement and spiritual belief. You will hear the artists talk to each other in a mixture of English and Mandarin.
To find a full translated transcript of this episode visit our website.
This episode is a collaboration with Dance Reflections by Van Cleef & Arpels. This initiative supports choreographic heritage, nurtures contemporary creation and engages the widest possible audience in conversations about dance.
Hosted on Acast. See acast.com/privacy for more information.
This episode is a conversation between dancers Kerem Gelebek and Soa Ratsifandrihana. Soa is a Franco-Malagasy dancer and choreographer based in Brussels. And Kerem is from Turkey and based in Paris, France. We’ll hear them discuss how they use the term interpreter in place of that of choreographer or dancer, and how their work integrates personal and cultural archives. They also speak about the challenges of creating work that incorporates their heritage without exoticizing it. You can read a full transcript of this episode and links to resources mentioned here.
This episode is a collaboration with Dance Reflections by Van Cleef & Arpels. This initiative supports choreographic heritage, nurtures contemporary creation and engages the widest possible audience in conversations about dance.
Hosted on Acast. See acast.com/privacy for more information.
This is a conversation between Carolyn Lucas and Noé Soulier, Carolyn is the associate artistic director of the Trisha Brown Dance Company based in New York, and Noé is a choreographer and the director of the national Center for Contemporary Dance in Angers, France. We will hear them discuss the intricate relationship between structure and spontaneity in performance. They reflect on the use of external physical forces in dance, the evolution of dance techniques, and Carolyn shares her experience of preserving the legacy of Trisha Brown’s work. Find the full transcript and bibliography here: Episode Eleven: Carolyn Lucas X Noé Soulier | Rose Choreographic School
This episode is a collaboration with Dance Reflections by Van Cleef & Arpels. This initiative supports choreographic heritage, nurtures contemporary creation and engages the widest possible audience in conversations about dance.
Hosted on Acast. See acast.com/privacy for more information.
This episode is a conversation between Helle Siljeholm and Simone Kenyon. Helle is a choreographer and visual artist based in Oslo, and Simone is a UK based artist, dancer and producer.
This was a first meeting between the two artists, and they excitedly shared their practices with each other, finding a joint interest in making work in relation to mountains.
Visit Rose Choreographic School Website for the full transcript, details of their submitted sounds and other resources mentioned in the episode.
This series is produced and edited by Hester Cant.
The series is co-curated by Emma McCormick-Goodhart and Martin Hargreaves, with concept and direction by Martin Hargreaves and Izzy Galbraith.
Rose Choreographic School Instagram
Hosted on Acast. See acast.com/privacy for more information.
This episode is a conversation between Mine Kaplangı and Eda Sancakdar. Mine is an independent curator and art mediator, and Eda is a researcher and artist. They are both from Turkey, are based in London and share a house together. In this conversation, Eda and Mine were in a studio in central London.
They have known each other for many years, and decided to use this podcast conversation as an opportunity to ask each other questions about their practices. The discussion centres around the politics of visibility and non Western ideas of movement and identity.
Visit Rose Choreographic School Website for the full transcript, details of their submitted sounds and other resources mentioned in the episode.
This series is produced and edited by Hester Cant.
The series is co-curated by Emma McCormick-Goodhart and Martin Hargreaves, with concept and direction by Martin Hargreaves and Izzy Galbraith.
Rose Choreographic School Instagram
Hosted on Acast. See acast.com/privacy for more information.
This series is produced and edited by Hester Cant.
The series is co-curated by Emma McCormick-Goodhart and Martin Hargreaves, with concept and direction by Martin Hargreaves and Izzy Galbraith.
Rose Choreographic School Website
Rose Choreographic School Instagram
Hosted on Acast. See acast.com/privacy for more information.
This episode is a conversation between Ayesha Hameed and Sara Garzón. Ayesha is an artist whose work explores contemporary borders and migration, critical race theory, Walter Benjamin, and visual cultures of the Black Atlantic. Sara is a Colombian curator and art historian. She specialises in contemporary Latin American art and focuses on issues relating to decoloniality, temporality, and Indigenous ecocriticism.
Their conversation includes discussions on the intersection of coloniality, indigenous knowledges, and new media technologies with a focus on climate catastrophe from a historical perspective. They talk about the representation of nature and the environment in colonial times. They also examine the concept of eco-futurism in contemporary art as well as the notion of interspecies collaboration.
This series is produced and edited by Hester Cant.
The series is co-curated by Emma McCormick-Goodhart and Martin Hargreaves, with concept and direction by Martin Hargreaves and Izzy Galbraith.
Rose Choreographic School Website
Rose Choreographic School Instagram
Hosted on Acast. See acast.com/privacy for more information.
This episode is a conversation between Edgar Schmitz and Behzad Khosravi Noori. Edgar works on and through dispersed materialities of the choreographic, and distributed forms of (in-)animacy. He is the founder of the CHOREOGRAPHIC and ANIMATE ASSEMBLY research clusters and, director of the Art Research Programme at Goldsmiths, University of London. Behzad is an artist, writer, educator, playground builder, and necromancer. His research-based practice includes films and installations as well as archival studies. He is a professor in practice at Habib University in Karachi.
This conversation was recorded in a studio in central London. Edgar and Behzad reflect on their joint interest in the art of necromancy as a metaphorical and methodological tool to reinterpret history.
They discuss Behzad’s films on this topic and explore themes like the political distribution of the sensible, decolonisation, the incompleteness of history, and the labour involved in memorialising the past.
This series is produced and edited by Hester Cant.
The series is co-curated by Emma McCormick-Goodhart and Martin Hargreaves, with concept and direction by Martin Hargreaves and Izzy Galbraith.
Rose Choreographic School Website
Rose Choreographic School Instagram
Hosted on Acast. See acast.com/privacy for more information.
This episode is a conversation between the three members of the curatorial and research initiative Counter Encounters; Laura Huertas Millán, Onyeka Igwe & Rachael Rakes. Together they engage forms of anti and alter ethnographies in cinema and contemporary art. Laura is a Colombian artist and filmmaker based in Brussels, Onyeka is a London born and based moving image artist and researcher, and Rachael is a curator and writer from the US.
You will hear the group reflect on their recent collaborative work called Ritual Unions, held at Netwerk Aalst in Belgium. The program was designed around filmmaker Maya Deren's work, titled 'Ritual and Transfigured Time'. In the conversation they also explore themes of ethnography, movement, history, and ritual. And they discuss where they would like to take their collective practice in the future.
This series is produced and edited by Hester Cant.
The series is co-curated by Emma McCormick-Goodhart and Martin Hargreaves, with concept and direction by Martin Hargreaves and Izzy Galbraith.
Rose Choreographic School Website
Rose Choreographic School Instagram
Hosted on Acast. See acast.com/privacy for more information.
This episode is a conversation between Leo Boix and Pablo Bronstein, recorded in their home in East London. Leo is a poet, translator and teacher, writing from multiple identities on the complexities of creative and cultural translations. Pablo is an artist whose work spans prints and drawings to choreography and performance. His focus is on style, spatial politics and queerness. In this episode, Leo and Pablo talk about their personal and professional relationship and how their practices influence each other.
This series is produced and edited by Hester Cant.
The series is co-curated by Emma McCormick-Goodhart and Martin Hargreaves, with concept and direction by Martin Hargreaves and Izzy Galbraith.
Rose Choreographic School Website
Rose Choreographic School Instagram
Hosted on Acast. See acast.com/privacy for more information.
Arjuna Neuman is an artist, filmmaker, and writer who works with the essay form in a multi-perspectival and mobile approach where the ‘essay’ is inherently future-oriented and experimental. Denise Ferreira da Silva is a philosopher, writer and filmmaker, whose practices reflect and speculate on questions crucial to contemporary philosophy, political theory, black thought, feminist thought, and historical materialism. In this episode, Arjuna and Denise plan the next film in their Elemental Cinema series, centred on fire as both combustion and a site for conspiratorial gathering. They discuss their ongoing collaboration, rebellion against the return of fascism, and the necessary optimism of the imagination that can ignite hope in darkened times.
This series is produced and edited by Hester Cant.
The series is co-curated by Emma McCormick-Goodhart and Martin Hargreaves, with concept and direction by Martin Hargreaves and Izzy Galbraith.
Rose Choreographic School Website
Rose Choreographic School Instagram
Hosted on Acast. See acast.com/privacy for more information.
In this episode, Mette and Chrysa talk about their identities as performers and choreographers. They also talk about translation in their practices, and the politics of authorship in choreography and dance.
Mette is a choreographer and performer, and she co-founded the publishing house Varamo Press. Much of Mette's work focuses on choreography as writing. Chrysa Parkinson is a dancer and professor of dance at Stockholm University of the Arts, and her current research project is titled Authorship, Ownership and Control Dancer's Roles and Materials.
The transcript and bibliography for this episode can be found on the Rose Choreographic School Website
This series is produced and edited by Hester Cant.
The series is co-curated by Emma McCormick-Goodhart and Martin Hargreaves, with concept and direction by Martin Hargreaves and Izzy Galbraith.
Rose Choreographic School Instagram
Hosted on Acast. See acast.com/privacy for more information.
This episode is a conversation between Andros Zins-Browne and Prem Krishnamurthy in a studio in New York City. Andros’s work consists of live and hybrid environments at the intersection between installation, performance and conceptual dance and Prem runs an artist-organised group called the Department of Transformation, which looks at art as an agent of transformation. The conversation explores important teachers in their lives, processes of collaboration and hosting as part of their practices in design and choreography.
This series is produced and edited by Hester Cant.
The series is co-curated by Emma McCormick-Goodhart and Martin Hargreaves, with concept and direction by Martin Hargreaves and Izzy Galbraith.
Rose Choreographic School Website
Rose Choreographic School Instagram
Hosted on Acast. See acast.com/privacy for more information.