Our third season features short stories by our work-from-interns from the Ateneo de Manila University, inspired by paintings from the Vargas Museum Permanent Art Collection currently on view at our Main Gallery. For our final episode this season, we feature Oscar Zalameda's painting titled “After the Rain,” with a short story written by Thomas Alexis Pajarillaga and voice over by John Maverick Alviar.

Our third season features short stories by our work-from-interns from the Ateneo de Manila University, inspired by paintings from the Vargas Museum Permanent Art Collection currently on view at our Main Gallery. For our fourth episode, we feature Elias Laxa's painting titled “Estero de Ongpin,” with a short story written by Lorenzo Jovez and voice over by Andre Magpantay.

Our third season features short stories by our work-from-interns from the Ateneo de Manila University, inspired by paintings from the Vargas Museum Permanent Art Collection currently on view at our Main Gallery. For our third episode, we feature Irineo Miranda's painting titled “Home From Work,” with a short story written by Marku Jose Garcia and voice over by Francie Sabalza.

Our third season features short stories by our work-from-interns from the Ateneo de Manila University, inspired by paintings of the Vargas Museum Permanent Art Collection currently on view at our Main Gallery. For our 2nd episode, we feature Fernando Amorsolo's painting titled “Bahay Pari,” with a short story written by Neshka Bhagwandas and voice over by Gabriel Ecraela.

Our third season features short stories by our work-from-interns from the Ateneo de Manila University, inspired by paintings of the Vargas Museum Permanent Art Collection currently on view at our Main Gallery. For our first episode, we feature Felix Resurreccion Hidalgo's painting titled “Village Woman with a Bundle of Hay,” with a short story written by Maureen Bautista and voice over by Neshka Bhagwandas.

UP Vargas Museum’s podcast, Vargas on Air, is now on its second season! Our second season features paintings from our third floor memorabilia exhibition, "Jorge B. Vargas: A Collecting Life." For the fifth episode of our second season, we feature Dominador Castañeda's 1947 painting titled “Japanese Patrol,” with an essay written by WFH intern Bea Angeles. Janela Mendoza lends her voice for this week's episode. #VargasMuseumVirtualMode #VargasOnAir

Our second season features paintings from our third floor memorabilia exhibition, "Jorge B. Vargas: A Collecting Life." For the fourth episode of our second season, we feature Nena Saguil's 1945 painting titled “A Sunken Japanese Ship at Manila Bay,” with an essay written by WFH intern Doms Cordero. Maja Sollegue lends her voice for this week's episode.

Our second season features paintings from our third floor memorabilia exhibition, "Jorge B. Vargas: A Collecting Life." Listen to our third episode which features Fernando Amorsolo's 1950 oil on canvas painting titled “Kawilihan Clan I,” with an essay written by WFH intern Maja Sollegue and a voice-over by Sarah Imao.

Our second season features paintings from our third floor memorabilia exhibition, "Jorge B. Vargas: A Collecting Life." Listen to our second episode which features Fernando Amorsolo's 1940 oil on canvas painting titled “Portrait of Marina Yulo Vargas,” with an essay written by WFH intern Hadrian Vaydal and a voice-over by Doms Cordero.

Our second season features paintings from our third floor memorabilia exhibition, "Jorge B. Vargas: A Collecting Life." For our first episode of our second season, we feature Fernando Amorsolo's 1944 oil on canvas painting titled "Ambassador Jorge B. Vargas with Decoration" with an essay by Sarah Imao.

UP Vargas Museum’s podcast, Vargas on Air, uploads its fifth episode with an essay on Graciano Nepomuceno's sculpture titled “Allegory of Temptation,” written by Pristine de Leon with a reflection by work-from-home intern Chesca Santiago on Nepomuceno’s work relative to allegories within an individual and in society.

UP Vargas Museum’s podcast, Vargas on Air, uploads its fourth episode with an essay on Cesar Legaspi’s oil painting titled “Frugal Meal,” written by Ryan Reyes with a reflection by work-from-home intern Sean Carballo on Legaspi’s work in the context of the current conditions of Filipinos.

UP Vargas Museum’s podcast, Vargas on Air, uploads its third episode with an essay on Juan Luna’s oil painting titled “Picnic in Normandy,” written by Pristine de Leon with a reflection by work-from-home intern Catherine Campos on Luna’s work in relation to time and isolation that we experience today. De Leon writes on Luna’s painting, which is part of the Vargas Museum permanent art collection, on view in the museum’s 2/F Main Gallery. The text is part of the museum’s latest publication, The Vargas Collection: Art and Filipiniana. Listen to the podcast here: /open.spotify.com/show/3zAFGPqWqdxh6f1nFvJkI0. Follow us on Spotify to get updated for our upcoming episodes. Follow us as well in our social media pages, @UPVargasMuseum on Twitter and Instagram, Vargas Museum UP Diliman on YouTube, and our website vargasmuseum.wordpress.com. For inquiries, you may send us an email at vargasmuseum@up.edu.ph. #VargasMuseumVirtualMode #VargasOnAir

UP Vargas Museum’s podcast, Vargas on Air, uploads its second episode with an essay on Felix Resurreccion Hidalgo’s oil painting titled “Marina (Seascape),” written by Ryan Reyes with a reflection by work-from-home intern Stefani Ursua on Hidalgo’s work in the context of the Philippines and the Filipinos in the 19th century. Reyes writes on Hidalgo’s painting, which is part of the Vargas Museum permanent art collection, on view in the museum’s 2/F Main Gallery. The text is part of the museum’s latest publication, The Vargas Collection: Art and Filipiniana.

UP Vargas Museum’s podcast, Vargas on Air, launches its pilot episode with an essay on Simon Flores’s oil painting titled “Primeras Letras (Learning to Read),” written by Pristine de Leon with a reflection by work-from-home intern Sean Carballo on Flores's work in the context of interior spaces, specifically inhabited by women, then and now. De Leon writes on Flores’s painting, which is part of the Vargas Museum permanent art collection, on view in the museum’s 2/F Main Gallery. Follow us on Spotify to get updated for our upcoming episodes. Follow us as well in our social media pages,l @UPVargasMuseum on Twitter and Instagram, Vargas Museum UP Diliman on YouTube, and our website vargasmuseum.wordpress.com. For inquiries, you may send us an email at vargasmuseum@up.edu.ph. #VargasMuseumVirtualMode