Home
Categories
EXPLORE
Comedy
Society & Culture
Music
True Crime
Health & Fitness
News
Business
About Us
Contact Us
Copyright
© 2024 PodJoint
Loading...
0:00 / 0:00
Podjoint Logo
JM
Sign in

or

Don't have an account?
Sign up
Forgot password
    Top Shows in Film History
    https://is1-ssl.mzstatic.com/image/thumb/Podcasts211/v4/4d/3c/b3/4d3cb37f-3bdc-65f0-602c-d4d26061324a/mza_3595997481036898961.jpg/600x600bb.jpg
    The Projection Booth Podcast
    Weirding Way Media
    The Projection Booth has been recognized as a premier film podcast by The Washington Post, The A.V. Club, IndieWire, Entertainment Weekly, and Filmmaker Magazine. With over 700 episodes to date and an ever-growing fan base, The Projection Booth features discussions of films from a wide variety of genres with in-depth critical analysis while regularly attracting special guest talent eager to discuss their past gems.

    Visit http://www.projectionboothpodcast.com

    Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.
    Film History
    TV & Film
    Film Interviews
    Film Reviews
    1000 episodes
    16 hours ago
    https://is1-ssl.mzstatic.com/image/thumb/Podcasts112/v4/49/c1/d9/49c1d9fc-199d-c579-17a6-40ed05510004/mza_4838331889729427143.jpeg/600x600bb.jpg
    Love is a Crime
    Vanity Fair & Cadence 13
    It’s one of the wildest scandals in Hollywood history: In 1951, major Hollywood producer Walter Wanger (Jon Hamm) went to prison for shooting an agent who he suspected was having an affair with Joan Bennett (Zooey Deschanel), Wanger’s actress wife. When the dust settled, Wanger was accepted back into Hollywood’s inner circle with open arms, while a puritan panic virtually ended Bennett’s career in movies and her family would never be the same. How did Joan — the youngest member of one of America’s most famous acting families, and one of the key femme fatales of 1940s film noir — end up a real-life fallen woman, paying a public price for her husband’s crimes? In this limited podcast series, Joan and Walter’s granddaughter/filmmaker Vanessa Hope, and film historian/podcaster Karina Longworth (You Must Remember This), tell the untold story of the Bennett/Wanger romance and professional partnership — a film noir played out in real life.
    Film History
    TV & Film
    True Crime
    12 episodes
    5 months ago
    https://is1-ssl.mzstatic.com/image/thumb/Podcasts112/v4/2f/e9/c7/2fe9c796-bed6-a711-6daa-62ddad342922/mza_10333590204970592455.jpg/600x600bb.jpg
    All '80s Movies Podcast
    Cineverse
    The movie podcast where we discuss the blockbusters, the flops and everything in between from one of the freshest decades for movies...the 1980's.
    Film History
    TV & Film
    Film Reviews
    177 episodes
    1 month ago
    https://is1-ssl.mzstatic.com/image/thumb/Podcasts125/v4/b6/aa/c2/b6aac22d-1938-65f7-fcd8-39200640478d/mza_2503133269588617228.jpg/600x600bb.jpg
    Hollywood-ography
    Maureen Lee Lenker and Oriana Nudo
    A movie podcast dedicated to exploring the full filmographies of Hollywood’s greatest stars
    Film History
    TV & Film
    169 episodes
    5 days ago
    https://is1-ssl.mzstatic.com/image/thumb/Podcasts126/v4/e9/be/05/e9be05d6-07f0-c47b-3182-efc0a6c56846/mza_13290865695946114910.jpg/600x600bb.jpg
    What a Picture
    Hannah and Bryan Loomis
    What a Picture is a movie podcast where Hannah and Bryan Loomis cover the best in non-franchise films and discuss what makes a great film great. Hannah and Bryan love original filmmaking across all genres. Are you an obsessive Oscar nominated movie watcher? Are you always looking forward to the next A24 or Neon release? Then we’ll probably get along! Movies covered include any new releases we’re interested in, as well as the historic winners of the Academy Award for Best Picture. New episodes generally release on Saturdays, twice monthly.
    Film History
    TV & Film
    127 episodes
    1 week ago
    https://is1-ssl.mzstatic.com/image/thumb/Podcasts211/v4/7b/b6/38/7bb6381c-c1ec-29c6-5fce-608b63bc5dcc/mza_11364663183389722831.jpg/600x600bb.jpg
    Marlon Brando - Audio Biography
    Quiet.Please
    Marlon Brando: The Revolutionary Actor Early Life and Beginnings Marlon Brando Jr. was born on April 3, 1924, in Omaha, Nebraska. The son of Marlon Brando Sr., a pesticide and chemical feed manufacturer, and Dorothy Julia Pennebaker, an actress and theatre administrator, Brando's early life was marked by complexity and contradiction. His mother, whom he adored, was an alcoholic, while his father was often absent and emotionally distant. Brando's childhood was tumultuous. He was expelled from several schools due to rebellious behavior, a pattern that would continue into his adult life. Despite these challenges, or perhaps because of them, Brando developed a keen sensitivity and a deep well of emotion that would later serve him well in his acting career. At his father's insistence, Brando was sent to Shattuck Military Academy in Minnesota. However, his rebellious nature persisted, and he was eventually expelled. After a brief stint working as a ditch-digger, Brando decided to follow in his mother's footsteps and pursue acting. He moved to New York City in 1943, at the age of 19, to study at the American Theatre Wing Professional School. The Actor's Studio and Early Stage Career In New York, Brando met Stella Adler, a renowned acting teacher who would have a profound influence on his career. Adler introduced Brando to the 'Method' style of acting, based on the techniques of Konstantin Stanislavski. This approach emphasized emotional truth and drawing from one's own experiences to inform performances. Brando took to this style immediately, and it would become the foundation of his revolutionary approach to acting. Brando also became involved with the Actor's Studio, founded by Elia Kazan, Cheryl Crawford, and Robert Lewis. Here, under the tutelage of Lee Strasberg, Brando honed his craft alongside other future stars like Montgomery Clift and James Dean. His first significant stage role came in 1944 with "I Remember Mama." However, it was his electrifying performance as Stanley Kowalski in Tennessee Williams' "A Streetcar Named Desire" in 1947 that truly announced Brando as a major talent. His raw, animalistic portrayal of Kowalski was unlike anything Broadway had seen before, and it set the stage for a new era in American acting. Breakthrough in Hollywood Brando made his film debut in "The Men" (1950), playing a paraplegic veteran. To prepare for the role, he spent a month in a veterans' hospital, demonstrating the commitment to realism that would characterize his approach to acting throughout his career. However, it was the 1951 film adaptation of "A Streetcar Named Desire," directed by Elia Kazan, that catapulted Brando to stardom. His portrayal of Stanley Kowalski, with his famous cry of "Stella!", became one of the most iconic moments in cinema history. The performance earned Brando his first Academy Award nomination and cemented his status as the most exciting young actor in Hollywood. Brando followed this with a string of critically acclaimed performances in films such as "Viva Zapata!" (1952), "Julius Caesar" (1953), and "On the Waterfront" (1954). The latter, which reunited him with Elia Kazan, won Brando his first Academy Award for Best Actor. His portrayal of Terry Malloy, particularly the famous "I coulda been a contender" scene, is considered one of the greatest performances in film history. Rebel Without a Cause Throughout the 1950s, Brando's off-screen persona began to match his on-screen intensity. He became known for his rebellious attitude, his disdain for Hollywood conventions, and his turbulent personal life. This period saw him take on a variety of roles, from singing and dancing in "Guys and Dolls" (1955) to playing a Nazi officer in "The Young Lions" (1958). Brando's reputation for being difficult on set grew during this time. He often clashed with directors and fellow actors, and his perfectionism and insistence on multiple takes became legendary. Despite this, his talent was undeniable, and he continued to be one of Hollywood's most sought-after actors. Decline and Comeback The 1960s saw a decline in Brando's career. Films like "One-Eyed Jacks" (1961), which Brando also directed, and "Mutiny on the Bounty" (1962) were commercial and critical disappointments. His behavior on set became increasingly erratic, and his reputation suffered as a result. However, Brando made a spectacular comeback in 1972 with his portrayal of Don Vito Corleone in Francis Ford Coppola's "The Godfather." His performance was a masterclass in subtlety and understatement, a stark contrast to the raw emotion of his earlier roles. The film was a massive success, and Brando won his second Academy Award for Best Actor, which he famously refused in protest of Hollywood's treatment of Native Americans. Later Career and Controversies Following "The Godfather," Brando continued to take on challenging and controversial roles. His portrayal of a middle-aged American expatriate in Bernardo Bertolucci's "Last Tango in Paris" (1972) was highly controversial due to its explicit sexual content. The film's infamous butter scene remains a subject of debate and controversy to this day. In 1979, Brando gave another memorable performance in Coppola's "Apocalypse Now," playing the renegade Colonel Kurtz. Despite appearing on screen for only a few minutes, Brando's presence dominates the film. However, his behavior during filming was notoriously difficult, arriving on set overweight and unprepared. As Brando aged, his appearances became less frequent and more eccentric. He took on roles in films like "The Formula" (1980), "The Freshman" (1990), and "Don Juan DeMarco" (1995), often for large paychecks rather than artistic merit. His final film appearance was in "The Score" (2001), alongside Robert De Niro and Edward Norton. Personal Life and Activism Brando's personal life was as dramatic and turbulent as many of his on-screen roles. He was married three times and had eleven children, including three with his housekeeper. His family life was marked by tragedy, including the murder of one of his sons and the suicide of his daughter. Throughout his life, Brando was a vocal advocate for civil rights and Native American rights. He was involved in the African-American Civil Rights Movement and famously sent Sacheen Littlefeather to refuse his Academy Award for "The Godfather" in protest of Hollywood's portrayal of Native Americans. Brando's later years were marked by health issues and personal tragedies. He became reclusive, rarely making public appearances. He struggled with obesity and diabetes, which contributed to his declining health. Legacy and Impact Marlon Brando passed away on July 1, 2004, at the age of 80. His death marked the end of an era in American cinema. Brando's impact on acting and cinema cannot be overstated. He revolutionized the craft of acting, bringing a new level of realism and emotional intensity to the screen. His naturalistic style, informed by the Method, influenced generations of actors who followed him. Beyond his acting technique, Brando's screen presence was unparalleled. He possessed a unique combination of masculine strength and vulnerable sensitivity that redefined the concept of the leading man in Hollywood. His performances in films like "On the Waterfront," "The Godfather," and "Apocalypse Now" are studied and admired to this day. Brando was also a pioneer in challenging the studio system and asserting the rights of actors. He was one of the first actors to demand profit participation in his films and to use his star power to champion social causes. However, Brando's legacy is complex. His later career was marked by eccentric behavior and a perceived waste of his immense talent. He became as famous for his off-screen antics and weight gain as for his performances. Despite this, Brando's place in the pantheon of great actors remains secure. He was named by Time magazine as one of its 100 Most Important People of the 20th Century, and the American Film Institute ranked him as the fourth greatest male star whose screen debut occurred before or during 1950. In conclusion, Marlon Brando was more than just an actor; he was a cultural icon who changed the face of cinema. His influence can be seen in countless performances by actors who followed him, and his best work continues to inspire and move audiences decades after it was first created. Brando's life and career serve as a testament to the transformative power of great art and the complex nature of genius. Thanks for listening and remember to like and share wherever you get your podcasts.
    Film History
    TV & Film
    True Crime
    1 episodes
    2 weeks ago