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Although the Sherlock Holmes canon traditionally consists of four novels and 56 short stories written by Arthur Conan Doyle, there are many Sherlock Holmes stories outside the canon. Most of these noncanonical stories were written by authors other than Doyle, but there are four short stories about Holmes written by Doyle that are nonetheless excluded from the canon, for various reasons.  This album consists of these four noncanonical stories. The first story, "The Field Bazaar", was first published in 1896 in a special issue of a University of Edinburgh student newspaper called The Student. Doyle wrote this very brief story to support a fundraising event at the university, his alma mater, but most scholars consider the story to be a parody and therefore not part of the canon. The second and third stories, "The Lost Special" and "The Man with the Watches", were both published in The Strand Magazine in 1898 and both feature mysteries involving trains. These two stories are not part of the canon because neither story mentions Holmes by name, although literary scholars have proposed that the unnamed "amateur reasoner" in "The Lost Special" and the unnamed "well-known criminal investigator" in "The Man with the Watches" are intended to be Holmes, and this theory is accepted for the purposes of this LibriVox album. Doyle wrote the fourth story, "How Watson Learned the Trick", for a miniature book that was placed in Queen Mary's Dolls' House, a dollhouse built for Queen Mary in the 1920s that housed a tiny library featuring works by several famous authors of the day, the contents of which were published in 1924 for public consumption. Considered a companion piece to "The Field Bazaar" due to both stories consisting entirely of conversations between Holmes and Watson over breakfast, "How Watson Learned the Trick" is similarly excluded from the canon on the grounds of being a parody.

On Tuesdays and Fridays The Moth’s podcast feed presents episodes of the Peabody-Award Winning Moth Radio Hour and original episodes of The Moth Podcast. Since its launch in 1997, The Moth has presented thousands of true stories, told live and without notes, to standing-room-only crowds worldwide. Moth storytellers stand alone, under a spotlight, with only a microphone and a roomful of strangers. The storyteller and the audience embark on a high-wire act of shared experience which is both terrifying and exhilarating. Since 2008, The Moth podcast has featured many of our favorite stories told live on Moth stages around the country. For information on all of our programs and live events, visit themoth.org.

Send us a text Asghar Hussain, known by his pen name Asghar Gondvi, was born in 1884 in Gorakhpur. Despite formally studying only up to the 8th class, Asghar achieved mastery of Urdu, Persian, and Arabic through self-study, and also gained proficiency in English. He was under the spiritual influence of Sayed Abdul Ghani Kazmi, a religious saint and mystic, and led a life of piety and self-control. Asghar worked in various occupations - he traded optical items, worked in the railway engineerin...

Welcome to The Magnificent Others, the podcast where host Billy Corgan engages in profound conversations with extraordinary individuals who have reached the pinnacle of success in their respective fields. In each episode, Billy delves into the stories and insights of high achievers, exploring the multifaceted journey that leads to greatness.

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A collection of urdu shayari that I have written over the years.

You know the famous screaming face album? You know the JoJo's Bizarre Adventure? Well, get a load of this! This week we're talking about In the Court of the Crimson King. We also spend some time about "Horsie Music", various personal Screaming Face...

These podcasts... are the obituaries to all the Hers I’ve ever been, and all the daily ways I’ve died. They are all the things I never said. They are my love letters to the souls of your feet, the knots in your stomach, the purr of the creation-tiger and all the ways you’ve tried to tame her. They are the works-in-progress of my blood, the stories I want to bypass your brain, the words I want you to feel in your bones. They are the dripping wet, silken threads webbing the space between womb and succulent cosmos. They are my love notes. Welcome, stranger. — Follow my journey in real time, subscribe to my newsletter, buy my poetry book (the completely uncensored versions that you can't find on my website!) or just perv on what I'm creating on www.zoewinther.com Subscribe to the podcast for more spoken word and poetry straight out of Planet Zozo!

We’re a talk show devoted to the Happiest Instrument on Earth: the ukulele! Come join us for insightful conversations about the ukulele, lots of laughter, and much more!

I love everything about Olivia Rodrigo Drivers license

«Театральный журнал» представляет подкаст «Упражнения в прекрасном». В гости в ведущим — главному редактору «Театрального журнала» Екатерине Костриковой и Григорию Быстрицкому — будут приходить актёры, режисёры, театральные критики, музыковеды, студенты и все те, кто профессионально вовлечён в сегодняшний театр. Первый сезон подкаста посвящён становлению в профессии: поступлению в театральные вузы, творческому пути актёров и режиссёров. Героями стали состоявшиеся артисты, абитуриенты так называемой «большой пятёрки» театральных вузов и мастера, через которых проходят тысячи будущих артистов и художников. Первый сезон рифмуется с третьим печатным выпуском «Театрального журнала», большая часть которого также посвящена абитуриентам. Последний эпизод расширяет тематику сезона, но не выходит за рамки тем третьего номера журнала: в нём пойдёт речь о спектакле «Дягилевского фестиваля» в Перми, а беседу будут вести театроведы и музыковеды.

Movement is a podcast, radio series and live show that tells stories of global migration through music. Hosted by Ethiopian-American singer Meklit Hadero, the show is a meditation on the large-scale forces at play in individual lives. Issues of citizenship, identity, belonging, and borders are explored through the experiences of artists themselves: two brothers sharing one guitar, a daughter trying on her father’s shoes, the lineage of a drum, and the sounds of a grandmother’s backyard.