On Episode 97, the crew starts with the uphill battle of maintaining a podcast as an entity in the creative space where others have thrived. They then move on to one of the big highlights of the last 14 days: the No Limit vs Cash Money battle signaling the return of Verzuz of sorts. Taking place in Las Vegas in collaboration with Apple Music and Universal Music Group-backed/NTWRK-newest acquisition Complex, the discussion then dives into who walked away with the crown. They also explore the widely spoken rumours of what Jay‑Z said about Verzuz in 2021—about no one being able to step in the ring with him. As the crew finds worthy adversaries for him, a Stevie Wonder x R. Kelly discussion surfaces as a potential R&B Verzuz topic—regardless of its merit. They cover Billboard’s new Hot 100 rule intended to get songs in and out faster, which leads into a conversation about Hip-Hop’s “official absence” from the Hot 100 since 1992. DJXP missteps by calling it the Billboard 200 (albums) and not factoring that into the hip-hop presence discussion. He boldly claims Kanye West is the reason for the decline, then provides his actual beliefs on the matter. A bright spot emerges as R&B makes a comeback in conversation and chart metrics with Muni Long (and “Folded” rounding out the top 15 Hot 100). They then praise older artists still making music and close out with a review.

Episode 96 starts off with the cast responding to their viral Dot Era/Drake clips on TikTok, as more people begin to realize that Kendrick Lamar’s post-beef GNX album is now widely referred to as the Dot Era. From there, a major discussion unfolds about Global Hip-Hop & R&B Superstars who currently qualifies and whether this level of global dominance and title can continue in the future given today’s musical landscape. For the purposes of this convo, a “Global Superstar” means someone with massive notoriety inside and outside of North America, consistent sales, sold-out arenas (or larger) across multiple continents, and true worldwide recognition to the average person. As “the Drake cast,” the crew also breaks down the recent dismissal of the defamation case vs UMG, shares their thoughts on Taylor Swift’s record-breaking 4 million first-week sales for The Life of a Showgirl, and debates whether Doechii’s drop in Spotify monthly listeners is odd or just normal side effects of music promotion. They also revisit Ticketmaster’s CEO claiming ticket prices “aren’t expensive enough,” then take a moment to pay respect to D’Angelo following his passing. The episode closes with a look at Timbaland’s AI experiment (which dropped the same day as the D’Angelo news) and a wild conversation sparked by Cam Newton asking women to list their past flings.

Episode 95 kicks off with a pledge from DJXP: each member of the pod must bring a project released within the last 365 days to highlight for listeners helping combat the algorithm that struggles to keep up with over one million songs uploaded to Spotify every week. From there, the crew dives into Cardi B’s new album after finally hearing it (unlike the last episode when it had just dropped). They follow that with Doja Cat’s VIE, as DJXP gives his thoughts before everyone chimes in on Young Thug’s UY Scuti and YFN Lucci’s latest post-prison release. XP also breaks down Jeezy’s surprise mixtape Still Snowin’, which revisits his iconic sound alongside Don Cannon and DJ Toomp. The conversation shifts to industry friendships/partnerships that turned sour and what types of friendships within it can come back and under what stipulations that can happen, before moving into Bad Bunny’s upcoming Super Bowl performance...the last halftime show under Jay-Z’s Roc Nation contract. The episode wraps up with Toronto topics: Vybz Kartel selling out two (now three) Scotiabank Arena dates via OVO promotion, and XP’s firsthand review of Druski’s controversial Toronto show, including what could have been handled better...You Might Wanna Sit Down 4 This.

Episode 94 begins with Trivelle asking his co-hosts why they didn’t attend the ever-popular and relevant TIFF (Toronto International Film Festival), even though OShauN is a trained actor and DJXP is a “producer.”   The gang then dives into music topics, starting with Cardi B turning up the heat on her promotional campaign for her sophomore release Am I The Drama, which dropped on Friday (before recording). They also discuss portions of her Gayle interview, including being pregnant for real this time and all the success she’s achieved with just one album. DJXP raises the point that with 2–3 mixtapes prior, the lines between albums and mixtapes can be blurred on technicalities. While verifying stats and discussing projects that felt album-esque though labeled as mixtapes, XP brings up the new Spotify global chart...which currently has only 4 hip-hop songs compared to 56 at this time last year.   The idea of all this happening during what some have called the “Dot Era” comes up, along with a comparison to Drake’s falling monthly numbers on Spotify. The gang shoots him some bail, offering reasons that aren’t necessarily nefarious. They then shift to how Drake still has a massive runway for promotion, leveraging multiple campaigns and collaborations to dominate across all facets of media and public consumption.   Following that, Trivelle recounts insights from What’s The Dirt’s Iceman 3 breakdown, suggesting that if even 70% of what’s claimed about Drake’s past three years being part of an elaborate plan is true, then Drake might be among the most brilliant minds in music. XP very briefly mentions Bieber’s Coachella headlining as the first done without traditional management (before it’s downplayed) and also briefly brings up NBA Youngboy’s tour, which OShauN and Trivelle then weigh in on.   After an awkward end to that segment, DJXP pivots to DaBaby’s controversial decision to use footage from a recent tragedy: Ukrainian immigrant Iryna Zarutska being stabbed by a deranged Black man while on her way home from work. DaBaby mixed actual footage from the three-week-old event with re-enactments, inserting himself as a hero saving her...sparking controversy. They toss the question to resident artist OShauN on whether he’d ever do something similar in his music. Debate arises around whether it was “too soon,” leading the hosts into a discussion of movies dramatizing tragedies and whether enough time usually passes between real-life calamities and Hollywood re-creations.   Trivelle shares anecdotes about watching racially traumatic films with his partner of a different race ...particularly 12 Years a Slave and the Jackie Robinson story...and questions whether Hollywood needs to continue retelling slavery stories or if that era has reached its peak.   XP then shows a clip of Alfonso Ribeiro (Carlton Banks) speaking at a music event in New York’s historic Tunnel venue, shedding light on why he felt typecast as Carlton despite having an upbringing far different from the character.   The episode closes with a conversation about father-son duo Larry Ellison and David Ellison, and their bid to take over the largest share of media.

Episode 93 starts off with Trivelle chronicling his weight loss journey and how it has changed his ability to cuddle, before the convo shifts to one of the biggest hip hop stories of the past week: the Young Thug leaked jail calls. Convos with a litany of people, including 21 Savage, his now ex-girlfriend Mariah, and more, find Young Thug speaking on his disdain and issues with a plethora of Atlanta key players and music mainstays. These comments can be seen as either pent-up frustration or true feelings. At the time of recording, some of the bigger names had not yet been released, but the group discusses the lasting impact on the Atlanta scene...often seen as the most unified in hip hop, a reputation that’s fuelled their long musical run. Another city that enjoyed a long run, Miami, comes up next with a retelling of Ace Hood’s unfortunate contract situation, in which Khaled had a hand. This leads the convo to previews of two new Khaled songs: the mega posse cut with dancehall and reggae legends Vybz Kartel, Buju Banton, Bounty Killer, and Movado titled “You Remind Me” and “Brother” featuring NBA Youngboy and Post Malone. Cardi beating her court case follows, with the convo stemming from a recent interview where Billboard asked her about a “Big 3” that includes her, Nicki, and Meg Thee Stallion. While OShauN disagrees with the notion of a Big 3 being brought up in every comparative class, DJXP explains why there may be undue pressure on Megan Thee Stallion to be considered among hip hop’s top echelon ...pressure that may come more from her backing than necessarily her skill or versatility. The gang then runs through the new track “Gyatt” featuring two former female rap rivals, Ice Spice and Latto, who buried the hatchet to get the clubs moving with their latest record. Next up is the Drake and Bobbi Altoff interview, with everyone sharing their thoughts on how it went... some enjoying it, others explaining why they could’ve done without it. The convo then moves into sports stories, including Gilbert Arenas and Skip Bayless teaming up for a football show, and the scandal rocking the sports world involving Steve Ballmer and the Kawhi Leonard debacle. A fictitious tree-planting company, allegedly created to avoid salary cap restrictions, is revealed to have been paying Leonard his true value. The Rock’s new movie gets a standing ovation, Will Smith signs a big-picture deal with Paramount, and a heated Reddit debate has OShauN fired up as a woman with a tattoo of her deceased boyfriend on her chest wonders why her new relationships always end prematurely. This episode is jam-packed. Lock in… You Might Wanna Sit Down 4 This.

Episode 92 kicks off with some wrestling anecdotes before diving into Chris Brown’s Breezy Bowl tour stop in Toronto, where he managed to pack 50,000 fans into a temporary venue despite pouring rain. The crew discusses Chris’s influence and resilience, highlighting how he’s remained consistent for nearly two decades and continues to receive support despite challenges.The conversation then pivots to an intriguing debate: could Jermaine Dupri bring out Chris’s best work? While die-hard CB fans argue he doesn’t need anyone, the team explores JD’s track record (including multiple appearances on Billboard’s newly released Top Producers list) and makes the case for why the pairing could make sense. From there, they break down Cardinal B’s new single “Imaginary Playerz,” which samples Hov’s classic, sparking a bigger question when it comes to remakes in music and film, is being “dope” enough, or does it also need to surpass the original? Other topics include Cardi B’s eight-year delay in releasing her sophomore album and the possible label politics behind it, a viral social media post claiming men should never tell their girlfriend if they’re facing financial struggles, Jurnee Smollett’s alimony situation, the upcoming Jake Paul fight, and a few other media tidbits.

The crew dives into Toronto’s yearly Caribana tradition and the “diaspora wars” that break out when some festivalgoers push back against hearing Afrobeats at an event rooted in West Indian culture. From there, the conversation shifts to Drake’s island/Afro-inspired record with Central Cee, Which One, sparking a look at surprising Drake songs that despite massive popularity never hit #1, and the tracks that blocked them. On the heels of will.i.am’s controversial take that Black Thought is miles ahead of Jay-Z, the group examines a wild album track sequencing before launching into an unexpected head-to-head: Prime Fergie & her Black Eyed Peas run vs. Gwen Stefani & her No Doubt era. The ongoing 50 Cent vs. DMX debate segues into a bubbling 50 Cent vs. Jay-Z matchup, leading DJXP to present real-life scenarios for and against Hov being ranked above Black Thought. DJXP also praises Metro Boomin’s project for capturing a specific moment in Atlanta’s “Black Boy White Boy Swag” polo era post-White Tee/Snap and pre-Future/New Atlanta run. The episode wraps with reactions to one of Trick Daddy’s wild takes on women 35+, plus other pop culture moments to close things out.

Episode 90 of You Might Wanna Sit Down 4 This kicks off with the cast talking about Clipse’s album Let God Sort Em Out doing 118K first week. They then briefly mention Travis Scott’s Jack Boys album and praise another surprise release, Justin Bieber’s SWAG. Next, they discuss the precarious Alex Warren song that has been holding the number 1 spot on the Hot 100 and dominating radio, alongside Drake’s inability to dethrone it despite a strong first week with his single “What Did I Miss.” After debating the reasons why and how, they move into the infamous Coldplay Astronomer story that grabbed headlines and disgusted Trivelle, involving a now disgraced CEO caught getting cozy with his head of HR during the popular Kiss Cam segment. Relationship questions stem from this, including women’s feelings about public embarrassment during cheating. Trivelle’s disgust continues as DJXP reveals that Shannon Sharpe and the OnlyFans model have reached a settlement most definitely in the millions as she announced her retirement from the game. After some more colorful commentary, the relationship conversation shifts to Klay Thompson and his new girlfriend Megan Thee Stallion, and why people are counting down the days until it ends. The discussion moves to sports, with Dame Lillard making a historic return to Portland and the WNBA’s demand for better pay, despite technically operating at a loss. Late Night TV takes a hit with the cancellation of Stephen Colbert’s show reportedly to appease someone high up before DJXP sparks a debate with OShauN and Trivelle about a cousin’s wedding invite dilemma.

The gang kicks things off with a deep dive into Drake’s “What Did I Miss” release and the surprise livestream that took over downtown Toronto (Dundas Square, now renamed “Sankofa”). They break down the song, the stream, the rollout strategy, the subject matter, and public reaction.   From there they jump to T-Pain’s recent comments about policing artistry and the idea of an artist's exit plan from music. DJXP brings up two documentaries, one on the legendary Sly & The Family Stone, and the other on The Beach Boys, to explore how rare it is for artists to maintain the social relevance Drake still has.   This leads to a full-on conversation about longevity in music. The crew discusses the blog era (Wiz Khalifa, Big Sean, Meek Mill, Cole, Kendrick, Drake, etc.) and what caused some artists to lose momentum while others stayed hot.   From there a T.I. vs 50 Cent tangent sparks up, followed by a quick update on Toronto’s new Rogers Stadium, where Coldplay is set to do four sold-out shows back to back.   Later DJXP brings a funny and unexpected list of “Scary Songs” found online. The crew debates which songs were actually eerie and which ones made no sense on the list (like Marvin Gaye). This leads into a Prince vs MJ moment as Purple Rain enters the discussion.   After a spontaneous Thong Song drop by OShauN, the crew dives into What These Btches Want* and the revelation that there was an original version without Sisqó. That opens the floor for a convo about songs that were already perfect before the feature or had features that maybe weren’t even needed.   Then comes a relationship discussion sparked by Nigerian music mogul Don Jazzy, who admits he doesn’t have the strength to be with just one woman. The team analyzes the statement, questioning whether it's honest self-awareness or a front for polygamy and whether women actually prefer that kind of transparency.   The pod wraps up with some final thoughts on the Diddy case and the conclusions from the most recent rulings.

Episode 88 kicks off with continued coverage of the Clipse album rollout for Let God Sort 'Em Out, focusing on their second single “So Be It,” which appears to take shots at Travis Scott. The crew traces the animosity back to Drake’s Meltdown on Utopia, a track that targets Pharrell and reportedly caused Pusha T to lose respect for Travis due to their collaboration. After unpacking that dynamic, the conversation shifts to Kendrick Lamar’s two back-to-back shows in Toronto. XP leads the discussion on what he learned about the Toronto audience, as they each weigh in on the pros and cons of a performance like that happening in Drake’s own hometown, where all three hosts are from. Things move on to a recap of the BET Awards, which they agree was one of the best produced and most well attended shows in recent years. The episode wraps up with takes on Tyler Perry, Diddy, and the massive $10 billion sale of the Lakers franchise.

Episode 87 kicks off with some light banter and shots at Duke Dennis for allegedly having multiple baby mothers, along with Trivelle demanding time in the studio to finally record a track with OShauN. The spotlight then shifts to the news of OVO R&B duo DVSN ending their deal and signing with So So Def, where they'll now be curated by Jermaine Dupri. This sparks a deeper conversation about the functionality of artist-led labels and whether they really work. The discussion brings up DTP (Disturbing Tha Peace) led by Ludacris, which leads to a fun face-off: Bobby Valentino vs. Chingy, debating who was the better artist from a musician-led label while comparing their top hits. Next up is Lil Wayne’s ‘Tha Carter VI’, (which has officially dropped). A sneak peek of a Mannie Fresh-produced single sets the tone for the group’s reaction. That leads into talk about the Clipse and their upcoming album, along with the controversy surrounding their split from Def Jam, a move that allegedly involved a seven-figure buyout. The gang breaks down the label holdups around their Kendrick Lamar feature, which was reportedly being threatened to be censored or removed for taking shots at Drake. Staying on music, DJXP plays a leaked Lil Baby single that samples a Crime Mob classic. This triggers a debate on modern sampling, including what should be sampled, how it should be done, and some standout examples in 2025. DJXP then stands on a solo hill, boldly claiming that Erykah Badu’s Baduizm deserves the same level of praise and acclaim as Lauryn Hill’s The Miseducation of Lauryn Hill. The conversation shifts to Taylor Swift buying back her masters, Stefon Diggs matching Offset’s energy, and Cardi B’s clapback involving the NFL star. That opens the question: does having a spouse actually help your focus in sports? The gang runs through a quick list of ballplayers who had strong women by their side during their rise. There's a quick detour into Toronto Raptors speculation. Could they actually land Giannis? Reality sets in, and the conversation turns into a wild rabbit hole about Paul George being the unexpected centerpiece in multiple NBA shifts, including the Finals and SGA’s rise. The group reflects on how the Raptors may have been positioned to win another championship during the bubble years if the core roster with Kawhi Leonard had stayed intact. To close the episode, a fiery and emotional final segment breaks out between Trivelle and OShauN, centered around a viral Facebook post from a stepfather venting about being disrespected by his daughter and her mother.

In Episode 86, the conversation starts off light before Trivelle opens up about his longing for the comfort, routine, and security that come with love and fatherhood. XP then brings up an artist seemingly living that life in A$AP Rocky, prompting a dive into his discography, recent output, and how he's been balancing music with parenting alongside Rihanna. From there, the conversation moves to Rihanna’s own musical activity, or lack of it, and a breakdown of her strongest writing collaborators, including PartyNextDoor. In the aftermath of the great Hip Hop beef of 2024, XP questions whether Rihanna could lose Party as a writing partner because of her close relationship with A$AP. While the group unpacks that idea, they also touch on the success of Drake’s collaborative album with PND, which has already moved over a million units. This leads to a broader conversation about Drake’s need for a proper in-depth interview, with his last one being Rap Radar in 2018. The crew throws out names of potential platforms and interviewers, both realistic and far-fetched, including Drink Champs, Akademiks, and others. After exploring their interview wish list and debating the chances of it actually happening, the focus shifts to major headlines from the past eight days. The Diddy trial, DDG and Halle Bailey, and new developments in Tory Lanez’s case all come up. XP introduces the segment with care, acknowledging how many women are feeling targeted right now. The group then digs into the complexities and individual realities of each case. Other stories in hip hop include Joey Bada$$ and his 20 v 1 battle taking on the West Coast (TDE, affiliates, and more). There’s also a quick recap of the NBA playoffs and a reaction to the Leafs’ disappointing Game 7 loss, as well as the general frustration of any Game 7 that turns into a blowout. Things wrap up with a short take on Ye, as Trivelle explains why he once compared Ye’s controversies to those of Michael Jackson.

Episode 85 kicks off with the crew discussing Denzel Washington’s new starring role in a Spike Lee joint titled Highest 2 Lowest, alongside A$AP Rocky and Ice Spice. This leads to a conversation about Denzel’s greatness and legacy in acting. Resident thespian EverythingOShauN takes a deep dive into why Denzel considers himself a theatre actor first, before a Hollywood one. Next, the group unpacks Ryan Coogler’s magnum opus film Sinners (spoilers ahead), and a heated debate quickly sparks between Trivelle and OShauN over Michael B. Jordan’s performance playing twins “Smoke & Stack.” This disagreement opens up a broader critique of Jordan’s entire filmography. As that conversation gains traction, XP jumps in to challenge the double standard in how Black actors are held to higher standards of excellence compared to their Caucasian peers, while dropping a controversial name to attempt to illustrate the point. After some well-deserved praise for Sinners, the crew breaks down Delroy Lindo’s iconic performance, the film’s hidden messages and spiritual layers, its commentary on the music industry, and Coogler’s creative decisions around format and how they contributed to the film’s success. During recording, NBA playoff games are unfolding live, interrupting the flow and shifting the conversation to real-time reactions. The Knicks edge out a win to go up 2–0, and Trivelle walks back his previous predictions about the Houston Rockets, offering new takes on their next steps. The focus then shifts to LeBron James, as Trivelle reveals a listener asked for him to be pressed about the viral LeBron clips from OShauN. A heated debate follows comparing peak LeBron vs. peak Jordan, with the cast reliving the highs and lows of LeBron’s dominance in the league. They also touch on Jokic’s continued excellence and Luka Doncic’s need for growth. From there, the episode transitions to music headlines. The crew discusses Bobby Shmurda’s alleged struggles with ticket sales, Busta Rhymes receiving his first Diamond plaque, and the major Afrobeats artists set to hit Scotiabank Arena in Toronto — Rema, Wizkid, and Davido. That is, until XP finds out in real time that Wizkid’s show has been canceled, sparking a conversation about the significance of selling out arenas in markets like Toronto compared to London or New York. As the one-year anniversary of the biggest rap conflict of all time approaches, the gang reacts to the debate between DJ Hed (for Kendrick) and Mal (for Drake) on the Rory & Mal podcast. They dissect the arguments and the direction the battle took. Finally, after Rockstar Games once again delayed the generational release of GTA 6, they surprised fans with a brand-new trailer. XP breaks it down and reflects on the cultural impact a game of that scale holds. Trivelle closes out the episode with updates on football (including the Champions League Final), boxing, and more.

Episode 84 of You Might Wanna Sit Down for This kicks off with some classic group banter, as Trivelle states that DJXP is “enamoured by women.” That lighthearted moment leads to a deeper conversation about the type of men who claim not to like women, yet still rely on them for what they provide...while asking the question "Did those women really go to space?" The discussion then segues into Tracee Ellis Ross’s viral comments on Michelle Obama and her brother’s podcast, where she opens up about preferring to date younger men over older ones. The group explores the potential double standard when those preferences are flipped, along with other dating quirks and oddities—like Martha Stewart’s takes on romance, Damon Wayans allegedly dating his nephew’s girlfriend, and more stories that dive into the dynamics of dating, marriage, and power distribution in relationships. Coachella gets some love next, with highlights from Missy Elliott and T-Pain. The crew reflects on the longevity of their careers, which have spanned decades since they first dropped music in the '90s and 2000s. That leads to a fun segment on Mandela Effects in music—think lyrics you thought you knew from tracks like “All I Do Is Win,” Lloyd’s “I Want You,” and Usher’s “Nice and Slow.” Next up: the government-mandated Drake segment. The team reacts to Nokia jumping to #2 on the Billboard charts and the reported legal threat from UMG, possibly tied to the recent diss track drama. They touch on the rumored $250 million settlement and break down what Drake would realistically see from that number based on his contributions to the biggest label and market share holder in the industry. With the NBA playoffs officially underway, the crew reacts to Paul Pierce’s spicy comments about what it would mean if Steph Curry wins another ring during “The LeBron Era.” They dive into first-round matchups and what to expect from the postseason—with some bold predictions from Trivelle on who might shake things up. To wrap things up, they debate the viral “Mount Rushmore” artist lists floating around—covering categories like New York Hip-Hop, ATL Hip-Hop, and their own takes on what those lists might look like for Afrobeats and Dancehall. Things heat up quickly as Vybz Kartel and Sean Paul’s legacies come into focus in the battle for dancehall supremacy.

Episode 83 kicks off with some light banter before diving into the recent buzz around Chris Brown — starting with his feature on Leon Thomas’ “Mutt” remix, which helped the song shoot up the charts. They discuss the success of Chris Brown’s upcoming stadium tour alongside Bryson Tiller and Summer Walker, and get into the online debate comparing Chris Brown’s controversies to R. Kelly’s — is it really a 1:1 comparison, or are there important differences and nuances? After that heated back-and-forth, the conversation shifts to Stephen A. Smith’s recent criticism of LeBron James — what some are calling a full-blown “hate tour” as Stephen A. makes his rounds across various media outlets. The crew breaks down LeBron’s response and tries to unpack when and why the tension between LeBron and Stephen A. really started. Sticking with basketball, Trivelle brings a player comparison debate to the table, challenging the group to decide who was better at their peak between two NBA stars. After an unexpected commercial break, Trivelle gets surprised with a gift — new merch from EverythingOShauN's latest clothing line (now available). From there, the crew checks out Miley Cyrus' new musical direction and upcoming album, leading to a conversation about artistry and what ingredients feel like they're missing in today’s music-making process. They also touch on online chatter from fans feeling bad for PARTYNEXTDOOR — suggesting he was used to help usher in Drake’s new era, especially after being left out of the “Nokia” song and video. The episode wraps with a discussion on Marvin Sapp’s “closed door policy” when it comes to collecting offerings in church — and a debate over whether Waka Flocka was right when he said he would save his wife over his child.

Episode 82 starts with Trivelle mentioning that the Gelo hype train might be slowing down after the release of his second single, which came and went without much attention. This leads to a deeper conversation about modern fans’ obsession with commercial success and the business side of the music industry, along with some theories on why this has become such a focus. From there, the discussion shifts to the types of songs that manage to stand the test of time versus those that fade away with the trends of their era. Artists like Lloyd Banks, Naughty By Nature, Young Buck, Eric B. & Rakim, Rich Boy, and others come up in the conversation. DJXP brings up a statement from legendary producer Timbaland, who claimed that there’s no such thing as a "TikTok song." This sparks a debate about whether "that sound" truly exists. The conversation then moves to GloRilla’s recent win at the iHeartMusic Awards and Mariah Carey being honoured with the Icon Award, which included performances of some of her biggest hits. XP also notices Anderson .Paak by her side, which leads to speculation about a possible romance—though he seems to be the only one on that ledge. As relationship and marriage topics come up, Trivelle shares his thoughts on Tory Lanez’s latest jail-recorded track and Playboi Carti’s long-awaited album. XP then sparks a debate by asking the group to choose between Prime 50 Cent and Prime DMX before they wrap up the episode by discussing whether there is a true Hip-Hop equivalent to Michael Jackson’s Thriller.

Episode 81 kicks off with a mini LeBron James celebration and appreciation—before the Stephen A./Bronny fiasco and his slight injury derailment. The crew discusses the revitalization of LeBron’s 20-year career and debates the unrealistic comparisons across eras, particularly with other greats like Michael Jordan and Kobe Bryant. The conversation then shifts to NBA postseason scenarios, analyzing potential conference and Finals matchups based on current projections—such as Lakers vs. Celtics, Lakers vs. Cleveland, and other strong contenders from the West. Possible roadblocks include Canadian-born point guard Shai Gilgeous-Alexander (SGA) leading the Thunder, Steph Curry and the Warriors, and the Serbian nightmare, Nikola Jokić, and the Nuggets. From sports, they dive into movies and music, recapping some of the biggest moments from this year’s Oscars—including films that cleaned up, Zoe Saldaña’s first win, and this year’s host, Conan O’Brien, who took a jab at the NFL halftime show featuring two rap titans. One of XP’s tweets about the “fictional” secret music industry meeting between UMG’s Lucian Grainge, Drake, and Kendrick Lamar made its way into the internet’s back channels via Reddit, sparking wild speculation about Hip-Hop’s so-called 2024 resurrection after a few years on the decline. This leads the trio to reflect on their own viral moment, as their Drake vs. Kendrick videos circulated across all major social media platforms. The discussion expands into artist reinvention, using Beyoncé as a case study, and how different artists handle fame and success based on their early career and trajectory vs. peaking/burning out early—XP brings up Sabrina Carpenter and Doechii as examples. The episode wraps with an in-depth conversation on whether the average music consumer actually cares about record labels and industry politics, or if it’s just a myth reserved for insiders—and much more.

Just 20 episodes away from the illustrious 100, XP, Trivelle, and EO reunite for Episode 80 of You Might Wanna Sit Down 4 This, titled Perfect Storm. The episode kicks off with a hilarious breakdown of Trivelle’s wardrobe habits—specifically, a style choice he's been rocking in 90% of his outfits. From there, the trio dives into the Kendrick whirlwind surrounding the Grammys and the NFL Halftime Show, analyzing how the new Grammy voting body may have shifted the trajectory of award trends, ultimately extending the Not Like Us momentum into Super Bowl weekend. They also explore the scenarios in which the song could have swept its nominated categories and dissect the key decisions behind Kendrick’s Super Bowl 59 performance. As they assess how he fared, the conversation expands to song selection, the cultural impact of performing on that stage, and the hypocrisies in how art is interpreted. Next, they break down $ome $exy $ongs 4 U, the highly anticipated collaboration album between PartyNextDoor and Drake, which sees the Mississauga singer-songwriter land his first Billboard No. 1 as a lead artist. With 250K first-week sales—achieved without the backing of UMG or a major label—the question arises: was there an attempt to sabotage the release and discovery of the project? The discussion then shifts to plagiarism allegations from an artist from PND's hometown before tackling A$AP Rocky’s not guilty verdict, which keeps him out of jail. Finally, the episode wraps up with quick takes on 50 Cent, Ye, and a surprisingly wholesome wrestling tangent.

On the 79th episode of You Might Wanna Sit Down 4 This, the gang dives into the new Universal Music and Spotify partnership, breaking down what it means for the music industry. They also discuss The Weeknd’s induction into the Billions Club—an elite group of artists with over 25 songs surpassing one billion streams—listing his record-breaking tracks and analyzing his business savvy in navigating the industry. The conversation then shifts to the fallout between Drake and The Weeknd, tracing it back to Abel’s decision not to sign with OVO. This sparks a deeper discussion on investing in music careers, the expectations of ROI for investors backing artists, and key examples like Rap-A-Lot Records, Lil Wayne, and Drake. They also speculate on what residual earnings might look like for major artists once their contracts expire, using Kendrick Lamar’s transition from TDE to PG Lang as a case study. From there, they touch on Bruno Mars’ new collaboration with Sexyy Red and Coldplay’s five-night concert run at the soon-to-be-completed Rogers Stadium in Toronto, featuring opening acts Ayra Starr and Elyanna. As they discuss the monumental impact of Coldplay’s music, they reflect on the songs that defined an era and left a lasting influence on the industry. Things get cinematic as they break down trailers for Sinners, the upcoming Michael B. Jordan film directed by Ryan Coogler, as well as Magazine Dreams, starring Jonathan Majors and its symbolic connection to his career. They also discuss Sterling K. Brown’s critically acclaimed series Paradise and the latest updates on A$AP Rocky’s trial. Tune in for another packed episode full of insight, debate, and laughs!

In the first episode of 2025, the trio dives into an action-packed discussion. Trivelle and EverythingOShauN give DJXP a detailed synopsis of Billy Bob Thornton’s Land Man, sharing their thoughts on the show and its highlights. The conversation then shifts to wild simping stories the group has witnessed, Donald Trump’s shocking plans for his second term, and Beyoncé’s delayed 2025 announcement amid rumors of a potential rock album. This sparks a heartfelt tribute to iconic rock music moments and the genre’s rich musicality from the ’90s. DJXP shares insights from CNN’s Luther Vandross documentary, which leads to the trio diving into Luther’s background vocal work and his dedication to perfection. This sparks a debate on how music creation and curation have shifted away from being artist-driven to becoming more consumer-driven. The group then hilariously breaks down the third Ball brother’s Billboard smash hit, “I Might Swerve Bend That Corner Woah.” They speculate on Justin Bieber’s potential return to music, analyzing his recent social media moves, while giving legendary producer Darkchild his flowers. A brief but fiery discussion follows on white artists who have managed to “win both sides” of cultural acceptance. The trio also explores Vybz Kartel’s creative process for recording his massive hit “Fever,” as revealed in his recent interviews with Billboard and other outlets. The cast then tries (and struggles) to explain Robbie Williams—of Better Man fame—to DJXP, leading to a passionate discussion about the evolution of singers’ subject matter over time. Rounding out the episode, the trio delves into the rumored secret beef between T-Pain and DJ Khaled (via Future), posing the ultimate question: Who would win in a Verzuz battle—T-Pain or Future? The show wraps up with a spicy take on the Joy Taylor spectacle currently rocking the sports world.