After Denny O'Neill's passing in 2020 , I spoke with one of his comic book protoges Greg Rucka who discussed Denny's influences on his writing and on the whole DC line. 

From 2014, my only in depth interview with Peter, who discusses an upcoming seminar he did for the comics experience online school on writing. We talk about his Star Trek books, but also his Marvel work on Hulk Spider-Man and X-Factor 

Tilly and Susan Bridgess join me to discuss the new IDW Star Trek Voyager Mini Series that starts minutes after the final VOY episode. What happens next? 

we know the folk stories about Jim Shooter. SEcret Wars, The Black Spider-man costume, tough editor, writing Superboy/Legion Of Superherpes stores at 14, but who was Jim Shooter, the man?

at terrificon's shooter tribute panel we assembled friends of Jim, to go beyond the legends to get some insight from the guys who worked with Shooter , and hung out with him socially 

Alex Saviuk (Spider-Man) Al Milrom (Marvel Fanfare) Brett Breeding (Superman) and Walter Simonson (Thor) 

In this wide-ranging talk, writer Paul Cornell dives into his latest projects and big-picture views on the worlds of comics and science fiction. We begin with his cheeky mystery Who Murdered Nessie?, then turn to his hard-hitting historical tale for Commando, exploring how he blends genre with grounded war storytelling. 

Cornell also reveals details of his bold new comic book company Cosmic Lighthouse-in partnership with Comixology, where he’s recruiting acclaimed science fiction authors to create original comics set adjacent to their established universes—fresh stories that expand the imaginative space of their novels without being simple tie-ins. It’s a creator-driven initiative aimed at building bridges between prose and comics. 

Of course, no conversation with Cornell would be complete without touching on Doctor Who and Star Trek. He shares his perspective on the futures of both franchises, the challenges of writing within their vast mythologies, and how fandom itself shapes their ongoing evolution. What emerges is a portrait of a creator restlessly innovating—whether he’s writing a mystery about Scotland’s most famous monster, reimagining World Wars through comics, or launching ambitious new publishing experiments that cross genres and mediums.

strange new worlds peacemaker alien earth, the super hero box office results and more 

At Terrificon, I moderated an unforgettable panel with four generations of Fantastic Four voices — Humberto Ramos, Walter Simonson, Steve Englehart, Chris Claremont, and C.B. Cebulski.

Humberto Ramos, now illustrating Marvel’s current Fantastic Four with writer Ryan North, shared how he’s balancing the Kirby legacy with his energetic, modern style. He spoke about designing new adventures while keeping the Richards family’s emotional core intact.

Walter Simonson reflected on his late ’80s run, when he boldly reshaped Reed Richards, experimented with the lineup, and injected the series with the same cosmic energy that defined his acclaimed Thor.

Steve Englehart recalled his 1980s stories full of Skrull intrigue, soap-opera tension, and attempts to modernize the FF amid Marvel’s editorial shifts.

Chris Claremont, best known for X-Men, discussed his early 2000s tenure exploring Sue Richards’ evolution as leader and giving fresh dimension to Ben Grimm’s humanity.

C.B. Cebulski, Marvel’s Editor-in-Chief, rounded out the conversation by talking about the FF’s place in Marvel’s publishing future and the responsibility of shepherding “The World’s Greatest Comic Magazine” in today’s marketplace.

Together, the panel offered candid stories, behind-the-scenes context, and a sweeping look at how the Fantastic Four has endured — and evolved — across decades of creators.

In this 2014 career deep-dive, Dark Horse Executive Editor Diana Schutz walks us through four decades in comics—with zero varnish. We trace her start behind the counter in Vancouver and at Comics & Comix in Berkeley, where she leveled up from retail to publishing, then the blink-and-you-miss-it Marvel stint and the formative Comico years shepherding creator-owned work.

Finally, Diana lands at Dark Horse in 1990, rising to executive editor, championing auteurs, and launching the creator-driven Maverick imprint. Along the way we hit milestone collaborations—Frank Miller’s Sin City and 300, Matt Wagner’s Grendel, Stan Sakai’s Usagi Yojimbo, Harvey Pekar’s American Splendor —and unpack her editor’s playbook: protecting voice, negotiating deadlines without killing the art, and why “editor” means partner, not policeman. It’s a masterclass in how careers are built, catalogs are curated, and why creator rights matter—told by someone who helped shape the modern indie era.

It's the Animated Amazon's Birthday week. To celebrate here's my first interview with Susan from 2014, which coinsided with word balloon's 11th anniversary week in 2016.

lot's of justice league cartoon talk in this conversation. 

Joe Kelly and I unpack a lot in this one on one at Terrificon

Part 1: Back to Spider-Man—"Amazing Spider-Man" Relaunch & Multidimensional Stakes

• Kelly explains why relaunching Amazing Spider‑Man with a fresh #1 isn’t a reset—it’s the next natural chapter in Peter’s journey 
• He teases bold new arcs that pull from Peter’s adolescence—pre‑high school—to recalibrate how we see him, emotionally and psychologically 
• Kelly gets real about the dual storyline hitting in September 2025, where Spider‑Man splits across two frontiers: one grounded on Earth, the other traversing the cosmic reaches—frankly, “there are two Spider‑Men now,” he confirms 

Part 2: Animation Landmark—Man of Action & The Evolution of the Medium

• He reflects on the early days of Man of Action Studios and the wild success of Ben 10: co-creating universally beloved characters and building stories that bridge generations.
• Kelly doesn’t sugarcoat how different today’s landscape is—from the golden age of cable to today’s streaming-dominated, content-saturated ecosystem. He talks about how creative freedom has evolved, from strict network pitches to the flexibility—and fierce competition—of streaming platforms and short length content.

This was my first con panel discussing  “The Comic Books” part of a 1978 (or possibly early 1979) Canadian TV documentary called The World of Comic Books, narrated by Jonathan Winters. The doc features insihts from Stan Lee, Archie Goodwin, Neal Adams Denny O'Neil,, Julie Schwartz, John Romita Jr Jack C Harris Mike Gold, Trevor Von Eden Frank Giacoia, Jim Steranko, and more.

No fluff—just the roadmap. Marvel EIC C.B. Cebulski hosts a sharp Fall preview anchored by headline books. Jonathan Hickman lays out the architecture and character heartbeat of Ultimate Spider-Man—how this relaunch reframes Peter, the scale of the new Ultimate line, and what’s next. Joe Kelly digs into Spider-Man—voice, velocity, and how to keep the wall-crawler surprising without losing the core. Charles Soule covers three fronts: the moral grind of Daredevil, the horror-thriller pulse of Carnage, and galaxy-shaping storytelling in Star Wars—why each book matters now and six months from now.

Expect first-look pages, honest craft talk, and a candid Q&A. If you want where Marvel is headed this Fall and beyond, this is the map

On this episode of Trek Watch, we review episodes 5 and 6 of SNW , and the attempt at a backdoor pilot for a TOS year one series. 

From Cincy Comic Con 2014 A celebratory, no-BS look at 75 years of the Dark Knight through four very different lenses.

Tim Seeley digs into the controlled chaos of the weekly Batman Eternal writers’ room—how you pace Gotham for 52 issues and still land character beats that matter.

Kelley Jones brings the gothic: big capes, bigger shadows, and why horror belongs at the heart of Batman.

Ben Templesmith talks painting Gotham’s monsters and miracles with washes and texture, previewing the occult-crime vibe he brought to Gotham by Midnight.

Jeremy Haun zeroes in on Arkham—madness, architecture, and the Jeremiah Arkham era he helped visualize—arguing that Gotham’s institutions are as potent as its villains. Together they chart how Batman flexes across tones—

In this 2007 conversation, writer Rick Remender opens up about his breakout creator-owned work and his forays into iconic franchises. He discusses the pulp-fueled intensity of Fear Agent, blending sci-fi adventure with personal tragedy, and the haunting horror of Sorrow, a tale of possession and small-town dread.

Remender also previews The End League, his dark, subversive spin on the superhero genre, where flawed champions struggle to hold society together after the fall of the world.

Alongside his creator-owned projects, he reflects on his contributions to beloved universes like Battlestar Galactica and Star Trek, sharing how he approached telling new stories in such well-established mythologies. Candid, energetic, and filled with creative insight, this talk captures Remender at a pivotal moment, on the cusp of becoming one of comics’ most daring voices.

Live from Terrificon, this panel reunites Ralph Macchio, Ann Nocenti, and John Romita Jr. to revisit one of Daredevil’s most memorable creative periods. Ralph sets the stage with behind-the-scenes stories of the handoff from writer Denny O’Neil to Frank Miller, and ultimately to Ann Nocenti, charting the evolution of the Man Without Fear through shifting creative visions.

Ann and John share how the grit, danger, and energy of New York City’s real nightlife shaped their take on Matt Murdock’s world, infusing it with street-level authenticity and vivid, flawed characters like Typhoid Mary and Shotgun. The conversation takes a wild detour as the trio recalls their “freaky” trip to Paris representing Marvel — a surreal adventure filled with culture shock, unexpected encounters, and a dash of chaos. It’s a lively mix of comics history, personal anecdotes, and the creative alchemy that kept Daredevil swinging high.

Recorded live at Terrificon, this dynamic discussion brings together two of comics’ most celebrated storytellers — Dan Jurgens, the writer/artist behind defining eras of Superman, and Tom King, the Eisner Award–winning author of Supergirl: Woman of Tomorrow. Jurgens reflects on shaping the Man of Steel’s modern mythology, from “The Death of Superman” to guiding his evolution across decades, while King dives deep into his critically acclaimed reimagining of Kara Zor-El’s journey across the cosmos. Together, they explore what makes these Kryptonian icons timeless, how their stories inspire across generations, and the creative challenges of keeping them relevant in an ever-changing world. Packed with behind-the-scenes insights, humor, and heartfelt moments, it’s a must-listen for fans of Superman, Supergirl, and the enduring power of hope.

In this wide-ranging conversation, Jackson Lanzing and Collin Kelly explore their latest adventures in storytelling across the worlds of Star Trek and Marvel Comics. We begin with IDW's Star Trek: The Last Frontier, delving into the aftermath of “The Burn” and their bold revival of Captain James T. Kirk.

The discussion then turns to Marvel’s Thunderbolts, where Bucky Barnes faces off against the formidable Doctor Doom in a tense battle of strategy and survival. From there, we venture into the cosmos with Luke Cage in an unexpected, galaxy-spanning saga, before grounding ourselves in the streets with NYX, led by Ms. Marvel, where youthful heroes navigate life, identity, and responsibility in New York’s shadows. It’s a deep dive into legacy, reinvention, and crafting unforgettable character arcs.

Comics power couple Jimmy Palmiotti and Amanda Conner sit down for a lively, career-spanning chat. Jimmy shares details on his upcoming Marvel Knights run on The Punisher with artist Dan Panosian, offering a peek at what fans can expect from this gritty new chapter. The duo reflect on their acclaimed collaborations, from their fan-favorite run on Power Girl to their industry-shaking Harley Quinn series. They discuss how their original character Sy Borg made the leap from comics to the Harley Quinn animated series, and the surprises that came with it. Wrapping things up, they talk about the business side of creativity — including their experiences using Kickstarter to crowdfund original projects and connect directly with fans.