Rhiannon Newton - Long Sentences



"The negativity that comes from working with words, they miss a lot of the stuff, that is the stuff, that is why people like us like dancing."Rhiannon Newton



Rhiannon is an Australian dancer and choreographer. Her creative work draws attention to the interconnection of the body and the more-than-human world. Rhiannon makes contributions to community and culture through choreography, performance, education, research and curation. This discussion is focused on her work Long Sentences soon to premiere at DanceHouse.







* the generosity of taking something seriously* the words from the show* co-existing with the work* a quote from the book "Sun and Steel - Mishima Yukio"* dancing and then writing from noticing* 3 sentences make up the show (the first sentence is 17 minutes long)* working with many mediums and being varied about how sure you are with each* there is a meaning and a logic* adjusting choreography so that it doesn't just wash over people* breaking yourself apart into the materials (choreographic, performative etc)* "I don't want anyone to be interested in me, I want them to see the work".* we compare Xavier Le Roy to Beyoncè* the first day of rehearsals being dangerous due to having freedom from the show and it's own agenda.* commenting on your own improvisation while you're doing it* the self-undermine* doing choreography that is thrilling



"If i'm going to put this in front of someone I (decided that I) need to help them also take it seriously. And put something at stake."Rhiannon Newton







links:



* homepage - http://rhiannonnewton.com* https://www.instagram.com/rhiannonlnewt/* previous episodes including Rhiannon Newton* TOTAL by Angela Goh - https://www.qagoma.qld.gov.au/event/performance-total-by-angela-goh-qag-2025-04-06/* Baltic Circle development period - https://www.balticcircle.fi/en/ohjelmisto/long-sentences-2/*

"publication as a form of performance and performance as a form of publication"Chloe Chignell



Chloe Chignell (AU) is an artist working across text, choreography and publishing. Chloe takes the body as the central problem, question and location of her research. She invests in writing as a body building practice, examining the ways in which language makes us up.



Since 2019 Chloe co-runs rile* a bookshop and project space for publication and performance with Sven Dehens.



* the durability of the object * performer-ship and audience-ship* a performance demands shared time and shared space * shadow text at DanceHouse* Amina Szecsödy* JOKES - the book* the lead artist being the host* translation* "dance is not a language, but it is a form"* "it felt uninteresting to try to translate text to dance, i felt like it would just enslave the dance into a form of meaning production. dance has other skills"* working with dance vs working with choreography* "they are real books but they are also scenography"* the difference in permanence* waterworld movie paper scene* the iconography of ballroom dance* the name - street dance* anachronistic - meaning* the use of the term experimental* choreographic frameworks* to dance with or without an internalised choreographers eye* live decisions on stage* "the choreography is producing syntax"



links:



* Chloe Chignell homepage* instagram* workspace Brussels* facebook* Rile bookshop and project space

"I love to use Excel to visualise choreography. (When you're talking to collaborators in words, there will always be misunderstandings.)"Ning WANG｜王甯



Ning WANG｜王甯 regards her body as a complex carrier with both material and emotional compatibility, and the individual is rich in unique historical traces. In recent years, she has actively participated in cross-domain cooperation, including circus, sound, new media, experimental video, and behavioural art. We talk about her work Cracking that reflects on the extreme phenomenon of overproduction and over-manufacturing under the high-speed operation of global consumer culture, and this strange, uncoordinated, and even depleted physical state.



we discuss:



* * the show "Cracking"* role models* choreography as more than patterning* how to be watched and balance the power by seeing back* contact improvisation changing how you know the body* physical understanding is at least the same importance as understanding through reading* technology and the body being materials towards choreography* being a "low-tech" artist* the book One Shot - https://www.rile.space/books/one-shot* the freedom of ignoring the past and embracing my past - cultural past as well as physical* collaboration as a way to share the responsibility



links:



* * https://www.instagram.com/ning.wang.nw/* https://www.youtube.com/watch?v=XGEWUFJQ3N4* premiere - https://www.opentix.life/event/1761954697480052736* interview - https://npac-ntch.org/discover/voice/10442* another interview - https://npac-ntch.org/discover/voice/10485* marie claire - https://www.marieclaire.com.tw/lifestyle/issue/79726* another interview - https://npac-ntch.org/discover/voice/10682* video documentary - https://www.youtube.com/watch?v=pxY9Nlc0xXk* another interview - https://npac-ntch.org/discover/voice/10702-%E7%94%A8%E5%89%B5%E4%BD%9C%E8%A3%82%E8%A7%A3%E6%AC%8A%E5%8A%9B%E7%9A%84%E5%88%BB%E7%97%95%EF%BC%9A%E7%8E%8B%E7%94%AF%EF%BC%B8%E9%AD%8F%E9%9B%8B%E5%B1%95

"I use old technology because it's so fast to realise my idea, and realise the artwork." (New technology is also exciting and requires me to project manage multiple teams of people).Yen Tzu Chang 張晏慈



Yen Tzu Chang 張晏慈 is a new media artist/new media art director/sound artist based in Taiwan, she has delivered sound art performances/exhibitions and exhibited her works in many international conferences and festivals, including Ars Electronica Festival, roBOt 08 Festival, Linux Audio Conference, International Symposium on Electronic Arts, Digital Design Weekend in London, Most Wanted: Music in Berlin, etc.



we discuss:



* recent tour to Australia (Perth)* why do dancing* the human body accomodating to the technology* decision making in various collaborative roles* interactive technology in live performance* robotics* alternatives to projection* working with technicians* making a show across multiple labs* media art* modern dance* costumes for dancers in multimedia performance* projects with nature* character in performance



links:



* homepage - https://changyentzu.com/* https://www.instagram.com/chang_yentzu/* Link tree - https://linktr.ee/yenschang* https://objkt.com/users/tz1TeYqN7ssCEZTmxnEVTHwXGrZB9zsnyvvE

"you have to know yourself really well (because everything else is changing faster than it ever has)"Jeff Hsieh (謝杰樺)



Jeff Hsieh (謝杰樺) is the current artistic director of Anarchy Dance Theatre. His works feature a strong element of interactive dance performance and leverage technology to expand the field of choreography. We cover;



* how technology has changed our lives * the body* machine interventions * new physical experience* the eternal straight line* surgery at a distance* digital worlds* AI in art* new media arts / old media arts* skills used to have a long tail of value* knowing what you're doing* mid-journey



links:



* https://anarchydancetheatre.com/* youtube* facebook* instagram* derida dance

"No matter which mediums I use, if I can keep finding something I feel curious about then I will keep going for choreography."Lee Ming-Chieh



Ming-chieh Lee is an independent choreographer born in 1989 in Taiwan often focusing on the dynamic of body, object and other things as the main mediums for her research related to memory and time, and further discussed the flowing performativity shaped between body and specific space. We cover;



* Dancing in public spaces* Inaccuracies becoming a new style for choreography* Fruitful limitations* Making experiments in many different fields* The specificity of environment * Using choreography to explore your body* Study at TNUA* Collaborating with drama and musical directors* Working across mediums* Mixed reality choreography* How to decide what is worth watching* Choreographing time* The work referenced at 49:20



links:



* Taipei National University of the Arts* artist website * Facebook* Instagram* CLAB Physical Futures Digital Exchange* YouTube

M@ and Wu Dar-kuen in the sound recording studio at C-LAB 2022



"Artists are like magicians"Wu Dar-kuen



Wu Dar-kuen is an artist and Independent curator, now the Director of Contemporary Art and Science Tech Platform of Taiwan Contemporary Cultural Lab（C-LAB）. He was the director of Taipei Artist Village and Treasure Hill Artist Village ,and the founding chairman of Taiwan Art Space Alliance,TASA, curator of Kuandu Museum of Fine Arts, and the director of VT Artsalon. He is also a creative artist in addition to being a curator.



He has long been focusing on the generation and evolution of contemporary art and Asian cultures. He not only reflects on the social conditions of Asian countries with his unique artistic language, but also contemplates the ways to embody the philosophy of “art without borders” by treating art as a means under the impact of globalization and neoliberalism.



In his long and prolific career as an artist, he served as an artist-in-residence at several institutions such as NIFCA (Finland) in 2002, Location One (New York) in 2005, ISCP (New York) in 2006, Tokyo Wonder Site (Tokyo) in 2008, and Open Space Bae (Busan, South Korea) in 2009. He was the winner of Asian Cultural Council (ACC) Grants and Yageo Tech-Art Award in 2004. His works are collected by many prestigious museums and foundations. He was also the curator of over one hundred exhibitions, among which the two Kuandu Biennials Artist in Wonderland (2012) and Recognition System (2014), Republic without People (2011) which was hosted by Kaohsiung Museum of Fine Arts and the winner of the Jury’s Special Award of the 10th Tai-Shin Arts Awards, as well as Asia Anarchy Alliance (2014) held at Tokyo Wonder Site and Kuandu Museum of Fine Arts were his curatorial tours de force. Boundless Treasures: Inexhaustible and Limitless at Hong Kong Arts Centre (2015),and Roppongi Crossing 2016: My Body, Your Voice at Mori Art Museum (Tokyo),In the Name of Plants:The Past and Future of an Old Factory at OCT-LOFT Shenzhen（2017）,Imagining Memorial at Chiang Kai-shek Memorial Hall, Taipei (2017).Wu Dar-Kuen is an artist and Independent curator ,now is the Director of Contemporary Art and Science Tech Platform of Taiwan Contemporary Cultural Lab（C-LAB）. He was the director of Taipei Artist Village and Treasure Hill Artist Village ,and the founding chairman of Taiwan Art Space Alliance,TASA, curator of Kuandu Museum of Fine Arts, and the director of VT Artsalon. He is also a creative artist in addition to being a curator. He has long been focusing on the generation and evolution of contemporary art and Asian cultures. He not only reflects on the social conditions of Asian countries with his unique artistic language, but also contemplates the ways to embody the philosophy of “art without borders” by treating art as a means under the impact of globalization and neoliberalism. In his long and prolific career as an artist, he served as an artist-in-residence at several institutions such as NIFCA (Finland) in 2002, Location One (New York) in 2005, ISCP (New York) in 2006, Tokyo Wonder Site (Tokyo) in 2008, and Open Space Bae (Busan, South Korea) in 2009. He was the winner of Asian Cultural Council (ACC) Grants and Yageo Tech-Art Award in 2004. His works are collected by many prestigious museums and foundations. He was also the curator of over one hundred exhibitions, among which the two Kuandu Biennials Artist in Wonderland (2012) and Recognition System (2014), Republic without People (2011) which was hosted by Kaohsiung Museum of Fine Arts and the winner of the Jury’s Special Award of the 10th Tai-Shin Arts Awards, as well as Asia Anarchy Alliance (2014) held at Tokyo Wonder Site and Kuandu M...

"How can I do?"Hsiao Tzu Tien - 田孝慈



Hsiao Tzu Tien - 田孝慈 - is a choreographer, dancer and performer Born in 1984 in Tainan, Taiwan, focusing her choreography research on human emotions shaped by time, history, culture and environment. We discuss;



* Growing up in Tainan* How to choreograph* Collaborating with technology* Making the invisible, visible* Dancing as a verb - something to do.* What is the first dance step?* Impulse/inspiration/intuition/desire* “How do we tune the intuition?” And make it relevant?* Pre-conditions* Dancing for each other vs the audience* Thinking and feeling* Making it safe to ask dancers to share themselves during collaboration* Building a belief in the piece* Digital as choreographic context* Collaborating with virtual currency via kinetic light sculpture* Misusing motion-capture* Fighting against the digital as a way to develop choreography* The things that we know that we don’t even know that we know.



links:



* http://www.projectzerotw.com/田孝慈/* instagram - https://www.instagram.com/hsiaotzu.tien/* https://www.facebook.com/hsiaotzu.tien

https://www.instagram.com/p/CRpWENrgZFk/?utm_source=ig_web_copy_link




"I couldn't express myself in English (i'm actually a very funny person!)... so I used my dancing"Yuiko Masukawa



Yuiko Masukawa is a Japanese choreographer and dancer based in Melbourne, Australia, working with the classical form in contemporary contexts, we cover;



* After Party - https://www.yuikomasukawa.me/after-party* study in Japan and Canada and Australia* working at Kinosaki International Arts Center * Indian and Ballet similarities* Ballet as "French Classical" dance* Minidiscs* Classical ballet in Japan being another culture* 2nd century Indian classical dance* how to know between contemporary and classical choreography* making work* running a youth dance program* collaborating with technologies



links:



* instagram - https://www.instagram.com/yuimasukawa/* collaborations - https://www.youtube.com/watch?v=HkfDpbUXK34&t=99s* working at national theatre - https://nationaltheatre.org.au/ballet/staff/* invite arts - https://hi-in.facebook.com/insitearts/posts/6986803038027929

"I'd find myself unable to not respond"Alisdair Macindoe



Alisdair Macindoe is an independent multidisciplinary choreographer living on Woi Wurrung country (Melbourne, Australia). With an interest in extending the boundaries of choreographic practice, Alisdair’s work spans dance, sound, electronics, coding and text. Recent works have seen him explore automated dance and Artificial Intelligence; new technology for music expression; trans-humanism; waste and climate change and identity in the age of narcissism. We cover..



* making choreography from words* AI vs algorithm* data stacks* collaborating with non-human entities* digital* midi and music * sound design* wombat radio as ongoing effort* social media as a faux internet* context free grammar* decision making* body intelligence* the gift of working for others* feeling like you're dancing* the payoff is in the doing



links:



* http://alisdairmacindoe.com* Open AI* https://alisdairmacindoe.com/red* https://en.wikipedia.org/wiki/GPT-3* https://home.unicode.org* ASCII* https://www.wired.com/2008/04/mind-decision/* https://www.thoughtco.com/malaphor-word-play-1691298

A discussion with Ira Ferris and Elia Bosshard about their project Space Body Habit.




https://www.instagram.com/p/CXcUVUphlvS/?utm_source=ig_web_copy_link




"I purge myself of them (thoughts) by giving them to you and now I'm free to think other things."Ira Ferris







* Space Body Habit book* public space* lineage* working at front yard* making a record of discussions in the form of a book vs making a book* archive* Space Body Habit book* TikTok performance* skin as a boundary



links:



* Artemis Projects* Sympoiesis Radio show - instagram * Sympoiesis Radio show eastside radio 897fm* https://www.eliabosshard.com/* https://www.adsrzine.com/

https://www.instagram.com/p/CBnE0VWAHWD/?utm_source=ig_web_copy_link




"I have a problem with ...we need everything so instantly, that we're willing to compromise things that are so sacred."Emily Flannery



Emily Flannery is a proud Wiradjuri woman from Forbes in the Central West of NSW. As an emerging Indigenous dancer and choreographer Emily hopes to share her culture and her spirit through movement. We also cover;



* her upcoming Sydney Opera House show - Bulnuruwanha which explores the Wiradjuri Dreaming stories of the Magpie, Willy-WagTail, Kookaburra, Cockatoo and Platypus through contemporary Indigenous dance.* Lost All Sorts collective* Working with siblings* Tokenism* Forbes* Expectations of what indigenous should look like* Everything happening all at once* Lucy Guerin Inc internship* Training under the Craig Bary* taking feedback from industry experts who are not cultural knowledge holders* wanting to make ensemble work* good intentions without self-education* Aboriginal culture is still alive* "You can't support BLM and then blow up our sacred sites" - Emily Flannery



links:



* march dance - https://www.marchdance.com/emily-flannery* dirty feet - https://www.dirtyfeet.com.au/emily-flannery* dance informer - https://dancemagazine.com.au/2021/05/bangarra-appoints-new-company-dancer-emily-flannery/* Bangarra - * NAISDA - https://naisda.com.au/2020/12/17/naisda-graduate-emily-flannery-selected-as-lgis-first-nations-intern-for-2021/* PACT - http://www.pact.net.au/lost-all-sorts-collective#:~:text=Lost%20All%20Sorts%20is%20a,virtues%20as%20artists%20and%20friends.* facebook - https://www.facebook.com/emily.flannery.54* Forbes Advocate - https://www.forbesadvocate.com.au/story/7227346/years-of-work-pay-off-with-busy-year-of-dance-ahead-for-emily/* Coast Community News - https://coastcommunitynews.com.au/central-coast/news/2021/01/internship-for-naisda-graduate/* NORPA - https://norpa.org.au/indigenous-makers-studio/* Daniel Riley as new Artistic Director of ADT - https://www.abc.net.au/news/2021-06-06/first-indigenous-artistic-director-appointed-to-dance-company/100194208*

https://www.instagram.com/p/CP7gR8kDAGz/?utm_source=ig_web_copy_link




"This is a massive interrogation of concept."Elle Evangelista



Elle Evangelista loves dancing. She is Filipino & Burmese, was raised on Whadjuk/Perth and currently lives on Gadigal/Sydney. Elle has a Bachelor of Arts in English from UWA and a Bachelor of Arts in Dance from WAAPA. In response to the Black Lives Matter movement she enrolled in a post graduate Law course to obtain a Juris Doctor.



* Thirty30 - https://elleevangelista.com/about30thirty* Thirty31 - Set to premier in October 2021* Come Knit The Sun Down - https://supercelldancefestival.com/elle-evangelista* The GIF of Dance - http://choreography.mattcornell.com/projects/the-gif-of-dance/* Covid#19 Lockdowns/show cancellation* making attempts* "Trying again isn't starting again" - Matt Cornell* Bring brave enough to deeply invest in someone/something* Things you want to learn about* Failing as integral* Bringing snacks to share (to every rehearsal)* Expectations* "I always expect people are going to be as invested as I am" - Elle Evangelista



links:



* March Dance - https://www.marchdance.com/elle-evangelista* insatiable - song matt mentions * instagram - https://www.instagram.com/elleevangelista* Belvoir Street Theatre choreographic commission - https://belvoir.com.au/elle-evangelista/* DirtyFeet - https://www.dirtyfeet.com.au/elle-evangelista* Writing for Dance Informer - https://dancemagazine.com.au/tag/elle-evangelista/* DAIR residency - https://www.facebook.com/ausdancensw/photos/a.1593516414266451/2545730512378365/* The King and I - the musical - https://aussietheatre.com.au/features/20-questions/getting-know-elle-evangalista* Thirty30 - https://au.royalacademyofdance.org/independent-artist-elle-evangelista-takes-up-residence-in-our-darlinghurst-studio/* Sydney Arts Guide - https://www.sydneyartsguide.com.au/tag/elle-evangelista/* Dance Life - https://www.dancelife.com.au/tag/elle-evangelista/




https://www.instagram.com/p/CK432DFBZyV/?hl=en

https://www.instagram.com/p/CJ-TpTlsm_M/?utm_source=ig_web_copy_link




"I don't know if I want a 'main' focus."Feras Shaheen



Feras Shaheen is a Sydney based dancer/performer and choreographer. we discuss;



* making a show with your mum - https://ferasshaheen.com.au/19772986* Dabke* street dancing* working freelance* transparency when it comes to institutional agenda * Klapping - https://ferasshaheen.com.au/Klapping* humour* initiation* church* getting into installation* foundations* Palestinian heritage* Nick Power* how to say yes* getting burnt out* the problem with expectations of being "professional"* arabic poetry



links:



* March Dance - https://www.marchdance.com/plastic-bag* Instagram - https://www.instagram.com/fezshaheen* Legs On The Wall - https://www.legsonthewall.com.au/news/2020/6/29/one-on-one-feras-shaheen* Dirtyfeet - https://www.dirtyfeet.com.au/feras-shaheen* Vimeo - https://vimeo.com/ferasshaheen* Dance Bants - https://anchor.fm/dancebants* Campbelltown Arts Centre - https://c-a-c.com.au/dance-workshops-with-feras-shaheen/* Formidable episode 4 - https://www.form.org.au/formidables-episode-4/* the flying nun - https://www.facebook.com/watch/?v=819443401880064* Dance Bants interview - https://www.youtube.com/watch?v=UGId8SAA93c&ab_channel=DanceBants* 1on1 interview with Legs On The Wall - https://www.facebook.com/watch/?v=271642193900031* linkedin - https://www.linkedin.com/in/ferasshaheen/?originalSubdomain=au* facebook - https://www.facebook.com/feras.shaheen.7

https://www.instagram.com/p/CHWFmkkAVqF/




"to find a shared language that doesn't rest on a shared technique or visual reference but is produced together with someone, with people, with yourself, and your environment."Alice Weber



Alice Weber is a dance artist working with choreography, performance and discursive outputs. Using and misusing her various training backgrounds across ballet, somatic practice and critical dance studies, Alice’s work considers contemporary embodiments and intimacies, through questions of agency and desire. We talk about:



* "problematize through exaggeration" - Alice Weber* beauty capital* having baggage* work - dream cellscapes * intimacy across distance* desire* clarity* entanglement of how things look and feel* work - solo for a body* aesthetic and kinesthetic* somatic vs touch* inspiration* marxist critique of capitalism* moving slowly



links:



* website - http://aliceweber.net/* instagram - https://www.instagram.com/alicemaeweber/* march dance - https://www.marchdance.com/alice-weber* inner west - https://www.innerwest.nsw.gov.au/live/living-arts/local-creatives/alice-weber

https://www.instagram.com/p/CEZP49eBEah/




"to reconcile the disjointedness we feel as people that are within asia but are not asian"Reina Takeuchi



Reina Takeuchi is an Australian-Japanese artist-researcher interested in interdisciplinary collaboration and facilitating embodied experiences of contemporary art, we cover:



* legacy* art in institutions* not being a "curator" or "choreographer"* embarking on a phD* being in a triad* presenting at MCA - Holding Lightness - Music by: thomas.gray.and.liam.ebbs* identity in art making* work - Between Oceans




https://www.instagram.com/p/COrwfhqrOrC/




links:



* 4A Gallery - https://www.instagram.com/4a_aus/* Website - https://www.reinatakeuchi.com/* https://www.instagram.com/reina.brigette/* on earth we're briefly gorgeous - book* https://www.instagram.com/leyla_stevens/* https://www.the-national.com.au/artists/leyla-stevens/patiwangi-the-death-of-fragrance/




https://www.instagram.com/p/CLgPMwIBt08/

https://www.instagram.com/tv/CHM8trvA7Jg/




"choosing what can help"Tra Mi Dinh



Trà Mi is a Green Room Award nominated dance artist based between Melbourne and Sydney. In June 2019 Trà Mi began working on a solo project ‘Holding’, initially supported by Tasdance’s TRIP program, we cover:



* dancing* improvisation* legacy and cultural inheritance* points* becoming 'a boss'* incense* being vietnamese* connection to culture* irish dancing* upcoming development - Holding* the aesthetics of overwhelm* decision making on stage* seeking sense through sensation* dancing is so human



People mentioned:



* Zachery Lopez* Victoria Chiu* Melanie Lane* Branch Nebula - Lee Wilson* Fully Automated Human Touch* Pina Bausch* Miranda Wheen* Joshua Thomson - Blokes Project



links:



* Vimeo* TasDance residency* Instagram* Sydney Fringe

https://www.instagram.com/p/CD-B2tDBj2i




"it's hard to be a beginner when you already have skills in another dance style"Jess Goodfellow



Jess Goodfellow started her training at Newtown High School of the Performing arts, she trained in RAD ballet and performed as a soloist in the 2014 NSW Schools Spectacular. In the same year she was awarded first in the state of NSW for HSC Dance. In 2015, Jess joined Sydney Dance Company’s Pre Professional year, in which she understudied for the company and trained under many local and international choreographers. In 2016, she joined the junior Contemporary dance company IT DANSA in Barcelona, where she performed for two years, with the repertory of Ohad Naharin, Alexander Ekman, Jyri Kylian, Nacho Duato, Akram Khan, and Sidi Larbi. She has since worked as a freelance artist in Sydney with Sydney Experimental Arts Ensemble, Omer Backley-Astrachan, and Callum Mooney in their own show, Jeppee Peppee at the Flying Nun by Brand X we cover:



* house dancing* aesthetic* having no anchor* auditioning* being confronted by who you're becoming* spain* quitting* taking the piss* humour



links:



* vimeo - https://vimeo.com/306670839* dancing for other - https://www.youtube.com/watch?v=GC39BpqxL3E* instagram - https://www.instagram.com/gotchakeith/?hl=en

"to ask those big questions... And to be a little bit more empathetic, forgiving and curious!"Jess Ong



Jess Ong is a story producer at SPUN Stories, a local storytelling night in Darwin, and the host of their podcast. She also works as a Communications Manager in the private sector and moonlights in the world of freelance. We speak about:



* Not being an "artist"* Living in Darwin* Stories and people* Making work * The importance of context* Spun - https://www.spunstories.net/* Imposter syndrome



mentioned:



* meat - https://www.instagram.com/p/Bt8CCd2lNp-9C1vJ1Mu1u8tbyfpVHVy86enj700/?hl=en* https://www.johannabell.com/projects* https://www.facebook.com/listeningparties/* Story Projects - https://www.storyprojects.com.au/



other links:



* https://www.facebook.com/omgjmco* twitter - https://twitter.com/jess__ong* instagram - https://www.instagram.com/omgjong* https://twitter.com/spunstories* https://www.spunstories.net/* https://www.abc.net.au/radio/people/jess-ong/9328178* https://www.ntwriters.com.au/* https://www.offtheleash.net.au/features/around-town/2019/08/atmos

View this post on Instagram A post shared by Katy Moir (@_katymoir_) on Jun 23, 2020 at 12:48am PDT



"I keep suggesting that we should stop building things"Katy Moir



Katy Moir is a Darwin based Artitect (architecture + art). We discuss her upcoming exhibition "A Hypothetical Darwin" amongst other things. We spoke at Untitled Gallery where the exhibition will take place.



* upcoming show - A Hypothetical Darwin https://www.darwinfestival.org.au/events/a-hypothetical-darwin/* Problems and solutions* being just 1 member of a timeline of people buildling a body of work* archives* residencies* crits* architecture and it's approach* pluralism within maps* the agender and lens of map makers



books mentioned:



* Bunji - http://www.drbilldayanthropologist.com/resources/StewartHarrisForeword.pdf



other links:



* https://www.spunstories.net/katy-moir* articles by katy - https://indaily.com.au/contributors/katy-moir/* off the leash - https://www.offtheleash.net.au/features/around-town/2017/07/talking-through-walls* twitter - https://twitter.com/katymoir?lang=en* instagram - https://www.instagram.com/_katymoir_/* facebook - https://www.facebook.com/katy.moir.14



people mentioned:



* Lisa Burnett - https://au.linkedin.com/in/lisa-burnett-195246133* Amina McConvell - http://aminamcconvell.blogspot.com/* Dr Bill Day http://www.drbilldayanthropologist.com/* Kulaluk peoples http://www.drbilldayanthropologist.com/kulaluk-timeline.php