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WILDsound: The Film Podcast
Matthew Toffolo - Wildcard Pictures Corp.
300 episodes
2 days ago
Change - Kramon - Music Video.
The unconscious self and conscious self meet.
http://meredithadelaide.com/
http://instagram.com/meredithadelaide
Interview with star/director Meredith Adelaide on the making of the video.
Subscribe to the podcast:
https://twitter.com/wildsoundpod
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Film Interviews
Arts,
Education,
TV & Film,
Visual Arts,
Courses
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All content for WILDsound: The Film Podcast is the property of Matthew Toffolo - Wildcard Pictures Corp. and is served directly from their servers with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
Change - Kramon - Music Video.
The unconscious self and conscious self meet.
http://meredithadelaide.com/
http://instagram.com/meredithadelaide
Interview with star/director Meredith Adelaide on the making of the video.
Subscribe to the podcast:
https://twitter.com/wildsoundpod
https://www.instagram.com/wildsoundpod
https://www.facebook.com/wildsoundpod
Show more...
Film Interviews
Arts,
Education,
TV & Film,
Visual Arts,
Courses
Episodes (20/300)
WILDsound: The Film Podcast
EP. 1619: Filmmaker/Artist Meredith Adelaide (CHANGE - KRAMON Music Video)
Change - Kramon - Music Video.
The unconscious self and conscious self meet.
http://meredithadelaide.com/
http://instagram.com/meredithadelaide
Interview with star/director Meredith Adelaide on the making of the video.
Subscribe to the podcast:
https://twitter.com/wildsoundpod
https://www.instagram.com/wildsoundpod
https://www.facebook.com/wildsoundpod
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2 days ago

WILDsound: The Film Podcast
EP. 1618: Filmmaker Robert Xavier Clark (BLACK PEOPLE DONT TANGO)
Black People Don’t Tango, 13min., USA
Directed by Robert Xavier Clark
An African American man learns to tango after a trip to Argentina.
Based on a true story.
What motivated you to make this film?
This short film Black People Don't Tango is adapted from a feature-length film script that I developed in 2019. That feature script is further adapted from a short story that I wrote in college.
The primary motivation for the short film is to function as a proof of concept for the larger Black People Don't Tango idea.
From the idea to the finished product, how long did it take for you to make this film?
Roughly one month.
What was the biggest obstacle you faced in completing this film?
Scheduling and securing locations. The short film was put together and shot in a very tight timeframe. Also most of the people in the film are not professional actors, so getting everyone on the call sheet to show up on specific days was challenging. We also had some late talent and location changes happen, so we had to stay flexible and adapt.
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3 days ago

WILDsound: The Film Podcast
EP. 1617: Filmmaker Delphine Breyne (Heal avec Delphine)
Heal avec Delphine, 30min., USA
Directed by Delphine Breyne
Heal avec Delphine is a deeply personal docuseries that follows individuals navigating life after cancer, trauma, alopecia, and other challenges. Each episode invites viewers into a powerful journey of reconnection and renewal—beginning with an intimate look at the person’s world, followed by a transformative beauty restoration at Delphine’s atelier, and ending with a meaningful surprise to mark their new beginning. Through heartfelt storytelling, emotional connection, and light-touch artistry, the series introduces a new era of beauty and healing, where feeling truly seen becomes the start of renewed self-confidence, emotional healing, and personal transformation.
https://www.instagram.com/delphineeyebrowcouture/
——-
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4 days ago

WILDsound: The Film Podcast
EP. 1616: Filmmaker Lucas Candelino (DETECTIVES & DRAGONS)
Detectives & Dragons, 8min., Canada
Directed by Lucas Candelino, Benjamin Kostecki, Evan McDowell
A know-it-all detective is tasked with incriminating a murder suspect through a fantasy role-playing game by recreating the scenario of the killing. Tensions escalate when he goes off-script.
https://instagram.com/candelino.jpeg
https://www.wildsound.ca/videos/audience-feedback-detectives-dragons
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5 days ago

WILDsound: The Film Podcast
EP. 1615: Filmmaker Ted Clark (ALL EYES ON YOU)
ALL EYES ON YOU, min., UK
Directed by Ted Clarke
Paranoid couple Adam and Claire move to the peaceful countryside for a fresh start, but quickly become unsettled by a series of sinister interactions with their new neighbours, putting their trust - and relationship - to the test…
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6 days ago

WILDsound: The Film Podcast
EP. 1614: Filmmaker Angy Antonios Akly (The Way Back Home)
The Way Back Home is a two-minute poetic film that unfolds underwater, where a woman’s expressive movements accompany a powerful monologue on identity, womanhood, and self-ownership — written, directed, and narrated by the filmmaker herself. As the performer drifts through silence and resistance, the voice rises against the weight of judgment and expectation — reclaiming scars, softness, and the right to become. A cinematic meditation on finding one’s way back to the self.
https://www.instagram.com/angyaklyjammal/
Director Statement
The Way Back Home is a film I created from a place of deep honesty — not just as a director, but as a mother, a woman, and a human being who has lived through motherhood, silence, pressure, and transformation.After completing the film, I sat with my daughters and told them: “I want you to watch this film when you are 20, again when you are 30, and again when you are 40.” Because this is not just a short film — it’s a piece of my story that I want to leave behind for them. A reminder that pain, scars, and growth are part of becoming. That they are allowed to own their voice, their truth, their transformation — no matter what the world tries to impose.
With a single performer, a voiceover, and the silence of water as its backdrop, this film holds everything I wanted to say to them — and to the women who might need to hear it too.
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1 week ago

WILDsound: The Film Podcast
EP. 1613: Filmmaker John Gardner (What's Locked Behind That Door?)
What's Locked Behind That Door?, 4min., USA
Directed by John Gardner
In the visually arresting music video for Lunavox’s “What’s Locked Behind That Door?”, a series of metaphorical doors open onto the full spectrum of human emotion, drawing viewers into a surreal journey through fear, desire, and obsession. These portals also frame the chilling descent of a scientist whose relentless experiments lead him into darkness. Guided by the song’s pulsing rhythm, the two narratives intertwine as human vulnerability and scientific ambition collapse into a single vision of corruption and revelation.
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1 week ago

WILDsound: The Film Podcast
EP. 1612: Filmmaker James Rigby (VERSIPELLIS)
Versipellis, 26min., UK
Directed by James Rigby
In this spine-chilling horror film, a young girl, Sophia, faces the dilemma of choosing whom to trust when an imposter infiltrates her home.
https://www.instagram.com/versipellis_film
Get to know the filmmaker:
What motivated you to make this film?
I wanted to challenge myself by making my first horror film. I was curious about how to approach the story, its themes, and the craft of building fear in an audience. I researched the genre, studied other films, and asked myself: what do I personally find scary, and why do I react that way? That exploration shaped the direction of the film.
From the idea to the finished product, how long did it take for you to make this film?
The script was originally written and pitched during my time at Arts University Bournemouth. After taking a short break from it, I came back with fresh eyes, refined the concept, and pushed it forward. With the support of people around the world, we successfully crowdfunded £1,500, which allowed us to bring the project to life.
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1 week ago

WILDsound: The Film Podcast
EP. 1611: Filmmaker Amy Louise Pemberton (FOR LUCIE)
FOR LUCIE, 12min,. UK
Directed by Amy Louise Pemberton
When a devastating family secret comes to light, Nick and Liz must confront painful truths that will change their lives forever.
https://www.instagram.com/missamypembs/
https://en.wikipedia.org/wiki/Amy_Pemberton
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2 weeks ago

WILDsound: The Film Podcast
EP. 1610: Filmmaker Daniele Catini (DIFFERENTLY WATER)
Differently Water, 8min., Italy
Directed by Daniele Catini
Two Arab women meet underwater to express their love. The sea becomes an accomplice to a secret in which their eyes reveal that desire hidden from a world that cannot understand
.https://www.instagram.com/daniele_catini21
https://www.wildsound.ca/videos/audience-feedback-differently-water
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2 weeks ago

WILDsound: The Film Podcast
EP. 1609: Director Kevin Byrnes (with Brit Byrnes cameo) (THE CUPCAKE CHRONICLES)
The Cupcake Chronicles Vol. 2: The Cupcake Shop Ghost
Is the cupcake shop haunted? Or are those strange noises coming from the stomachs of hungry customers? Either way, everyone ends up satisfied.
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2 weeks ago

WILDsound: The Film Podcast
EP. 1608: Filmmakers Laura Boyd Owen, Charles Edwin English (THE CALL)
The Call is a powerful documentary that breaks the silence around firefighter mental health, offering an unflinching look at the trauma, PTSD, and suicide crisis facing first responders. Through raw interviews, real-life stories, and behind-the-scenes access to firehouses in New Mexico, the film explores the emotional toll of a profession associated with bravery, but rarely with vulnerability.
http://thecalldocumentary.com/
Conversation with directors Laura Boyd Owen, Charles Edwin English.
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3 weeks ago

WILDsound: The Film Podcast
EP. 1607: Filmmaker Adam Wakeling (The Inga Tree Model 2025)
The Inga Tree Model 2025, 10min., Honduras
Directed by Adam Wakeling
The Inga Alley-Cropping pilot is in year 13 in rural, northern Honduras and has impressive results for carbon sequestered and avoided--876,000 tons in 12 years--trained and assisted by an all-Honduran team, 500 smallholder families have planted over 3 million native, nitrogen-fixing trees on steep, highly degraded land. The clearing/burning stops when a family plants their alley (a process that destroys 200,000 acres a day).
http://www.ingafoundation.org/
https://www.instagram.com/ingafoundation/
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3 weeks ago

WILDsound: The Film Podcast
EP. 1606: Screenwriter Ama Adair (ORIGIN STORY)
Watch the best scene reading:
https://www.youtube.com/watch?v=6ATnlU8JqBA
The vicious attack that almost killed her erased all that she was. But not what she did. Elyse Tysoni s shocked to learn her taped confessions remove any hope of escaping her nightmare. Desperate for a lifeline, her only option is to be studied by Doctor Steve Bennett, a psychologist who specializes in psychopaths, to prove she is no longer a threat. But as the study progresses, it’sclearthere’smore to herstory than anyone knew.
Get to know the writer:
What is your screenplay about?
ORIGIN STORY is about a woman, Elyse Tyson, who wakes from a coma to find herself in prison with no memory. Everything that made her who she was is gone; her life turned into a living nightmare. And she’s still responsible for what she did. She’s a serial killer. Or at least she was. We follow Elyse as she tries to piece together who she is now by delving into her past, even if that means losing herself again.
What genres does your screenplay fall under?
Psychological Thriller
Why should this screenplay be made into a movie?
Beyond immersing the audience in a thrilling journey into the dark recesses of the human mind, ORIGIN STORY explores what makes us who we are and the meaning of justice. By putting those concepts to the test in a scenario that is an extreme contrast to what most of us experience, it makes difficult subjects easier to digest and provokes discussion.
How would you describe this script in two words?
Relentless suspense
What movie have you seen the most times in your life?
It’s a toss-up between Terminator 2 and The Princess Bride.
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3 weeks ago

WILDsound: The Film Podcast
EP. 1605: Filmmaker Daniella Meggoe & Benson Jackson (TALE & BONES – DARK PRINCESS)
Tale & Bones – Dark Princess, 3min., USA
Directed by Daniella Meggoe, Benson Jackson
Dark Princess is a psychological short highlighting the unique relationship between a grandmother and her grandchild. The innocent yet menacing ques are overlooked as something mysteriously dark is brewing.
http://www.sistastalk.org/talebones
https://instagram.com/Nellamovieproduction
Get to know filmmaker Daniella Meggoe:
What motivated you to make this film?
I love horror and creating. I enjoy being challenged, after creating my first short film in 2021 I decided to a horror film.
From the idea to the finished product, how long did it take for you to make this film?
2 years
How would you describe your film in two words!?
Thriller Suspenseful
What was the biggest obstacle you faced in completing this film?
Understanding angles and finding the right filming crew
What were your initial reactions when watching the audience talking about your film in the feedback video?
Excitement and joy, it’s interesting to see different perspectives on the film.
When did you realize that you wanted to make films?
Since I was 8 years old, my vision and creativity is pretty broad. I grew up watching movies from various genres and wondered “how did they do that” how did they make that look so real? I’m an avid story teller so I’m developing my creative side.
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3 weeks ago

WILDsound: The Film Podcast
EP. 1604: Filmmaker Brandon Katcher (Resonance in the Castle)
Resonance in the Castle, 17min., USA
Directed by Brandon Katcher
A mysterious castle breathes with light and color, drawing all who enter into its shifting embrace. Stained glass spills vivid hues across ancient stone, golden reflections dance over strange artifacts, and ethereal performances flare up like living paintings. Surreal, electric, and unbound by space or time. Musicians, dancers, and performance artists bring their visions to life, each performance casting a ripple, before fading into the ether. A place of mystery and spectacle, this living museum exists only in the moment it is seen, leaving behind only echoes. Here, the castle is not a place but a state of mind, a dream in motion, inviting us to lose ourselves within its walls.
https://www.lostsummitfilms.com/
Get to know the filmmaker:
What motivated you to make this film?
The opportunity to make Resonance in the Castle came at a key moment in my life, when I felt directionless and depleted. I had just wrapped a grueling, two-year documentary production, and like so many filmmakers, I found myself in that fog of burnout and uncertainty. What’s next? And then, pure coincidence gave me the opportunity to join an artist residency in a century-old castle in Italy. I traveled there with only a few basic ideas, the glimmer of a story. But through collaboration with musicians, dancers, sculptors, and actors from around the world, a film was born through the freedom of creating without expectation.
From the idea to the finished product, how long did it take for you to make this film?
Not knowing what to expect from the location or the artists involved, I arrived in Italy with only basic ideas and visuals in my head. Once I was able to see the castle in person and meet the artists, those ideas became collaborations, and the scenes took shape. Each artist had a plan for their live performance, which we adapted for each room and scene. The actual filming took place over two days and became an improvisation as I learned to “dance” with each performer. During the week in the castle, we also performed live in front of an audience and filmed a documentary of the event. Once I returned home, the editing process took about two months.
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4 weeks ago

WILDsound: The Film Podcast
EP. 1603: Screenwriter Amy Kolquist (BEASTIES)
Watch the best scene reading:
https://www.youtube.com/watch?v=ORLXdXShdAk
Desperate to escape her abusive, Christian Nationalist family, a teenage girl finds an unlikely ally when a female werewolf from a pack dead set on killing her family lands in her home, and the attraction they develop for each other forces them into a fight for their very survival.
Get to know the writer:
What is your screenplay about?
Beasties is a coming of age, horror story, about Mara, a late teen girl living on a remote ranch in Montana with her abusive, Christian nationalist family with dreams, but no means, of escaping. Her life changes when Lilly, the daughter of an equally toxic werewolf clan traveling through Montana, ends up saving Mara’s life and consequently lands in Mara’s family’s home during an extreme winter storm. As Lilly’s family descends on the farm to retrieve Lilly, Mara’s family realizes that Lilly and Mara have formed a romantic connection, going against the very roots of their family moral system. With Lilly’s family hell bent on destroying Mara’s, and Mara’s family hell bent on destroying Mara and Lilly, the two girls find themselves in a desperate battle for survival that forces them to each question their own moral compass if they are to win.
What genres does your screenplay fall under?
Horror and coming of age
Why should this screenplay be made into a movie?
This movie works with current and relevant themes that are being questioned in our current political climate. The idea of “beasts” is examined in the film superficially as the werewolves, but more authentically of how we have characterized people as beasts within our society based on our morale beliefs. While Mara’s mom tries to initially save Lilly because it is the Christian thing to do, once she realizes that Mara and Lilly have connected romantically, she moves to kill not just Lilly, but also Mara, as her religious beliefs are so compromised by the thought of her daughter being a lesbian. The script also explores the hypocrisy of using our beliefs to defend our actions. In spite of his strong religious beliefs, Mara’s father kills Lilly’s father early in the script because he feels that Lilly’s father is morally beneath him. The script also explores themes of toxic masculinity and the difference in the rules in our society depending on gender. It’s also a fun horror movie set in a remote, barren setting, that has some good old fashioned fun horror scenes.
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4 weeks ago

WILDsound: The Film Podcast
EP. 1602: Filmmaker Mevlud Sabashvili (DIVIDING LINE)
Dividing Line, 28min., Georgia
Directed by Mevlud Sabashvili
A woman finds the strength to leave an abusive relationship. A woman does not find the strength to leave an abusive relationship.
https://www.facebook.com/mevludi.sabashvili
Get to know the filmmaker:
What motivated you to make this film?
– I was motivated by format first. I had the idea of making a film with a split frame that would show two different life-paths. When I settled on that idea, this particular story came to mind as a good fit for this format.
From the idea to the finished product, how long did it take for you to make this film?
– It took about 5-6 months. Actual filming took 7 days. The longest period was post-production. Tinkering with editing and due to the format of the film, many consideration had to be made in therms of color and sound, directing viewers attention to the necessary halves of the screen.
How would you describe your film in two words!?
– It’s okay.
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1 month ago

WILDsound: The Film Podcast
EP. 1601: MARIPOSA film team (DigiPen Institute of Technology)
Mariposa, 5min,. USA
Directed by Brook Vitovsky
Mariposa’s world begins to unravel around her when she finds a mysterious butterfly.
Conversation with director: Brook Vitovsky. producer: Cambria Cheney. composer: Chase Miller. artist/writer: EmmaLeigh Fleck. artist: Kiera Vermeal
Get to know the filmmaker:
What motivated you to make this film?
Growing up, I, Brook Vitovsky, watched my great-grandmother struggle with dementia. From the time I was a toddler until I was thirteen, I saw how the disease slowly affected her mind and spirit. Witnessing that experience firsthand made me realize how deeply dementia impacts not only those who live with it but also their families. My motivation for making this film comes from a desire to honor that experience — to reach people’s hearts and create a sense of shared understanding and connection.
From the idea to the finished product, how long did it take for you to make this film?
My team and I worked on this film for over a year.
How would you describe your film in two words!?
Heartfelt and bittersweet
What was the biggest obstacle you faced in completing this film?
The biggest challenge we faced was definitely the layout. Matching the perspective from the storyboards to the 3D model in Maya proved difficult, especially when it came to controlling the camera.
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1 month ago

WILDsound: The Film Podcast
EP. 1600: Filmmaker Kyle Arneson (Meevil the Weevil: Breakfast of Champions)
Meevil the Weevil: Breakfast of Champions, 4min., USA
Directed by Kyle Arneson
Meevil the Weevil is a little bug with big dreams of being a stuntman. “Breakfast of Champions” mixes stop motion animation with live action footage where we follow Meevil’s thrilling ride across a 1970s breakfast table on rocket roller skates.
https://www.instagram.com/stunt.bug/
Get to know the filmmaker:
What motivated you to make this film?
The film came about after developing the character as a hesitant hero with big dreams of grandeur. It’s strongly inspired by the stunt men and women of the 1970’s and 80’s that I found so captivating back when the world was a little more shag-carpeted and wood-paneled. During this initial creative period I lost my father unexpectedly and it was at some point in the haze of the grieving process I realized that the relationship between Meevil, and Olis, his coach, mirrored that of my relationship to my father. So with that guiding light, the ethos of the project became clear and bringing it to reality became a goal for me as a way to honor my dad.
From the idea to the finished product, how long did it take for you to make this film?
From idea to final prduct this film took 3 years to make. Nothing happens fast in stop motion animation, the puppet had to be designed and built, all of the props and sets were hand made and the entire film was shot one frame at a time.
How would you describe your film in two words!?
Nostalgic fun!
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1 month ago

WILDsound: The Film Podcast
Change - Kramon - Music Video.
The unconscious self and conscious self meet.
http://meredithadelaide.com/
http://instagram.com/meredithadelaide
Interview with star/director Meredith Adelaide on the making of the video.
Subscribe to the podcast:
https://twitter.com/wildsoundpod
https://www.instagram.com/wildsoundpod
https://www.facebook.com/wildsoundpod