The words we use affect the way we think.
Music is a word.
Do we have to use it? Have we always used it?
The answer to both these questions is "no."
This is not nitpicking on words. This is a radical call for cultural reformation.
This podcast presents excerpts from Dr. Pessi Parviainen's dissertation "When Nothing is Called Music: Towards Ecological Composition."
The book is available to download for free:
https://helda.helsinki.fi/handle/10138/318951
The dissertation was generously supported by the Kone Foundation, the City of Helsinki, UniArts Helsinki (Theatre Academy / Tutke & VÄS), and the Risto Mäenpää Foundation.
All content for When Nothing is Called Music is the property of Dr. Pessi Parviainen and is served directly from their servers
with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
The words we use affect the way we think.
Music is a word.
Do we have to use it? Have we always used it?
The answer to both these questions is "no."
This is not nitpicking on words. This is a radical call for cultural reformation.
This podcast presents excerpts from Dr. Pessi Parviainen's dissertation "When Nothing is Called Music: Towards Ecological Composition."
The book is available to download for free:
https://helda.helsinki.fi/handle/10138/318951
The dissertation was generously supported by the Kone Foundation, the City of Helsinki, UniArts Helsinki (Theatre Academy / Tutke & VÄS), and the Risto Mäenpää Foundation.
What is this podcast about? Here's a quick introduction.
When Nothing is Called Music (the book) is available as a free pdf over here:
www.pessiparviainen.com
The words we use affect the way we think.
Music is a word.
Do we have to use it? Have we always used it?
The answer to both these questions is "no."
This is not nitpicking on words. This is a radical call for cultural reformation.
This podcast presents excerpts from Dr. Pessi Parviainen's dissertation "When Nothing is Called Music: Towards Ecological Composition."
The book is available to download for free:
https://helda.helsinki.fi/handle/10138/318951
The dissertation was generously supported by the Kone Foundation, the City of Helsinki, UniArts Helsinki (Theatre Academy / Tutke & VÄS), and the Risto Mäenpää Foundation.
