SAM SMITH makes his entrance known as his niece, SARAH noisily pushes his wheel chair into the waiting room. PEETY and her parents take notice of SAM's appearance realizing he doesn't look well, and are amazed that despite this, he is incessantly eating donut holes. PEETY shares a poem she was inspired to write with her parents and all are surprised by SAM's response, since they weren't aware he was even listening. ALFREDO tries to distract his daughter, who he can tell is ready to give SAM a piece of her mind, by asking her to ask the OFFICE MANGER for the latest update on when he will be seen. PEETY and SARAH talk about her uncle, SAM SMITH and how his hurtful words should be ignored. SARAH is concerned that her uncle's condition is more urgent than others, but did what he told her to do, and she did it. PEETY complains they aren't very organized.

PEETY is concerned that her father's primary care doctor hasn't sent the needed referral to this office, and is annoyed by the OFFICE MANAGER's attitude and the latest setback. PEETY shares the bad news with her parents and PETRA decides to call their doctor's assistant to straighten everything out. PEETY notices her mom's not the picture of health and is concerend that her parents aren't taking care of themsleves. PETRA tries to make her daughter understand what is like to get old and the difficultites of having to adjust to the ineviable loss of abilities we used to take for granted.

5 year anniversary special "Producer's Cut" 1 hour version! A Greek mythological quest of the great-granddaughter of Odysseus. Written by Shawn Belpanno, Directed by Michael Licata. An unlikely cadre of five unite in their quest to vanquish the evil demon and save the King. Will they embrace their destiny?

PEETY continues filling out her father's forms, while ALFREDO lets her know about his routine of taking pills he has been prescribed, his enjoyment of eating his favorite foods, and his pride in cutting the grass, even though PETRA objects. PEETY explains the importance of being honest with your doctor, when ALFREDO seems reluctant to share his family history. PETRA begins to feel left out of her husband and daughter’s private conversations.

ALFREDO finds his medicine list and begins sharing the info with PEETY, who is doing her best to help her father prepare for this important appointment. PETRA begins her project of assembling rosaries from the supplies she brought to help her pass the time. PEETY notices her mother also needs help, and makes a suggestion. While she realizes she wants to help both her parents, she understands that may not always be possible.

PEETY, a first generation Cuban American daughter and her elderly parents, ALFREDO and PETRA, arrive early for her father's consult with his heart surgeon in Miami, FL. After checking in to the overcrowded waiting room, ALFREDO and PEETY begin to fill out forms they have been given by the OFFICE MANGER. PEETY and ALFREDO have different points of view on what is important and what should be shared with his doctor.

A daughter’s patience is tested while caring for her elderly, Cuban immigrant parents as they navigate a healthcare system that requires waiting for one’s turn when facing mortality. Can she advocate for them so they will be treated with the respect they deserve, yet maintain her own belief that having a heart matters? Written by Haydee Canovas, Directed by Claudia Mulet, Audio Engineering and Original Music by Bill Fuller.

It has been several years since Fiona’s incident, and as Henry’s interview resumes, he lets her know that she is a rare artist with a gift of not just talent, but willingness to put herself into her work. She and her work are intoxicating to Henry, but as he tells her of his admiration, she is reminded of an intimacy she had to put on a shelf to get where she now is, and learns that sometimes the subconscious works in strange ways. What is next for Fiona is unclear, but maybe she must revisit some feelings that seem to pop up.

A creative life is interrupted by a traumatic event that not even her wealthy family can save her from. Can this artist’s determination to be true to her own voice get her back on track? Written by Jesse Bernardini, Diane Quinn, and Bill Fuller, Directed by Prudence Wright Holmes.

A glance forward shows that Fiona is seemingly back on the right track and again showing promise, according to NY Times Art critic, Henry. But, how did she get there from here? More importantly, what did she learn along the way? Phil’s visit certainly may have been responsible for the genesis of her transformation, but perhaps not in the way he thought. Will Fiona allow him to apologize or will she rip the carpet out from under his feet and she removes the rose-colored glasses from his eyes?

Returning to the moment things changed is necessary to move forward, according to Nina, and Fi thinks she is ready. George is there to support her, but neither is ready for this rush of memories that come flooding back and the train wreck that ensues, as a result. Will this start Fiona on a hopeless downward spiral, or can she use this work with Nina and her group counselor as a springboard?

Tricia’s comment triggers George to recall a time when he and Fiona were happy and so much in love. Things with Fiona’s family were never as they seemed and everyone knew it, but played their part to perfection, in public. But when Tom, speaks the unspeakable and sparks fly enough to ignite smoldering embers, can Ophelia stop the inferno or will Phil fan the flames that start to burn this house of cards, known as the Miller family?

George needs to get his sister’s car and straighten things out with Fiona, but Joanne thinks it’s not a good idea and he should give it some time. For Fiona and her family, time is not helping them keep up appearances. As cocktails flow freely, the veneer is wearing thin for all, and ugliness is beginning to surface, especially when George breaks up their little party. Will Fiona share her secrets or suffer in silence?

Phil wasn’t always the father Fiona wanted but he is the father she got. Still, she is no longer willing to hide under the bed or keep quiet when her future is at stake, even if it means inciting him. George tries to soothe Fiona in every way he can but, the hurt is too deep and he realizes she needs more than he can give. How will therapy help her when she doesn’t know where to start?

Fiona’s creative and personal life is moving in the right direction when it is interrupted suddenly and unexpectedly. How can she possibly explain to her family what happened when she herself is trying to piece it together? Paula helps her as much as she can, and even suggests Fiona skip this celebration, so she has more time to heal. But Fiona, who has been groomed to say everything is fine, insists she can she pull it off. But can she when saying it to the people who taught her to be proper?

Fiona has experienced so much joy from painting, but can’t seem to get herself back on that canvas as a result of what happened and fears she may never be able to. Nina, her therapist, simply wants her to learn how to breath and not worry about the next step. Once Fiona learns to be more in the present she wonders about her future with George and her family. She knows she no longer feels the same, but what does that really mean?

Time passes and Fiona is back in an artistic groove, according to Paula, who has her own concerns and fears that she shares with Fiona. Fiona explains to Paula that she has a different perspective now due to all the treatment she gone through and is trying to throw away her inhibitions as she explores life and art through new eyes. Will this riskier approach allow her to become the artist she has always wanted to be or is it too abstract?

George visits his father’s old card game; Joanne realizes he isn’t his usual self and tries to help. Meanwhile, Fiona can’t just behave and do as is expected, like her brother, Tom’s fiancé, Trisha. Tom is just like his parents, following in their footsteps, planning his future, but Fi isn’t like the rest of them, she can’t pretend, or can she?

“Jesse” and “Franklyn” meet by chance, but quickly realize they are both curious about a lot of things; including each other. It becomes obvious they are interested in learning more, but can they ignore the red flags they both see?

Their first date begins with kayaking, but soon they settle into their private world. As the intimacy deepens, they discover more about each other and learn to adapt in an effort make the other comfortable. Will their love of nature and adventure soon give way to a budding romance?