An interview with writer Sam Reid about his book The Pin Jar. Follow Sam on Instagram, or visit the site for Field Zine; you can read about and order The Pin Jar at Rough Trade Books.  The music is by Milkweed from the album Remscela, and is available from their Bandcamp Page Host Justin Hopper has an Uncanny Landscapes substack. The Substack is free, and includes the podcast + more. JH can be found via LinkTree or on Instagram.   Title sounds by The Belbury Poly, courtesy Ghost Box Records.   The Uncanny Landscapes icon is by Stefan Musgrove.

An interview with musician and 'godfather of hauntology' Drew Mulholland.    Follow Drew on Instagram, and check out his bandcamp! Or get Seance at Hobs Lane from Ghost Box.    Host Justin Hopper has an Uncanny Landscapes substack. The Substack is free, and includes the podcast + more. JH can be found via LinkTree or on Instagram.   Title sounds by The Belbury Poly, courtesy Ghost Box Records.   The Uncanny Landscapes icon is by Stefan Musgrove.

An interview with artist, writer and curator Lally MacBeth about her new book, The Lost Folk. Lally's website is lallymacbeth.org; the Folk Archive instagram page is linked here. The music on this episode is by Woodchester Piano Company from the album Ambient Tea Party, available via Bandcamp. Host Justin Hopper has an Uncanny Landscapes substack. The Substack is free, and includes the podcast + more. JH can be found via LinkTree or on Instagram.   Title sounds by The Belbury Poly, courtesy Ghost Box Records.   The Uncanny Landscapes icon is by Stefan Musgrove.

An interview with writer and artist Rob St John about his musical and socially engaged works using field recordings and other media to explore a relationship with place. Rob's website is robstjohn.co.uk and he's also responsible for the music and recordings on this episode, many of which are through Blackford Hill Records. Host Justin Hopper has an Uncanny Landscapes substack. The Substack is free, and includes the podcast + more. JH can be found via LinkTree or on Instagram.   Title sounds by The Belbury Poly, courtesy Ghost Box Records.   The Uncanny Landscapes icon is by Stefan Musgrove.    

An interview with writer Ken Worpole about his influential work on the 'New English Landscape' and his new book Brightening from the East. Ken's website is at worpole.net and his publisher is Little Toller Books. Music by Micro Moon from the album Figures in a Landscape. I (Justin) am doing my show The Great Satanic Swindle in April, with dates in Stockton-on-Tees and in Leeds. Host Justin Hopper has an Uncanny Landscapes substack. The Substack is free, and includes the podcast + more. JH can be found via LinkTree or on Instagram.   Title sounds by The Belbury Poly, courtesy Ghost Box Records.   The Uncanny Landscapes icon is by Stefan Musgrove.  

An interview with designer David Knight about 'plotlands' communities in the UK and the work of anarchist writer Colin Ward. David's practice is DK-CM, and the book Mutual Aid, Everyday Anarchism: Essays on Colin Ward is from Five Leaves Publishing. Music by Asher Levitas from his album Peripheral Lands. I (Justin) am doing my show The Great Satanic Swindle in April, with dates in Stockton-on-Tees and in Leeds. Host Justin Hopper has an Uncanny Landscapes substack. The Substack is free, and includes the podcast + more. JH can be found via LinkTree or on Instagram.   Title sounds by The Belbury Poly, courtesy Ghost Box Records.   The Uncanny Landscapes icon is by Stefan Musgrove.  

An interview with folk duo Stick in the Wheel about their recent album A Thousand Pokes, a kind of psychogeographic dig into London through folk song. Check out Stick in the Wheel at their website, including tour dates, and get A Thousand Pokes from Bandcamp. I (Justin) am doing my show The Great Satanic Swindle in April, with dates in Stockton-on-Tees and in Leeds. Host Justin Hopper has an Uncanny Landscapes substack. The Substack is free, and includes the podcast + more. JH can be found via LinkTree or on Instagram.   Title sounds by The Belbury Poly, courtesy Ghost Box Records.   The Uncanny Landscapes icon is by Stefan Musgrove.  

An interview with Elizabeth Bennett about her new book, Performing Folk Songs: Affect, Landscape, Repertoire. Find Elizabeth on Instagram and find the book via Bloomsbury. The music in this episode is from the new album by Stick in the Wheel, A Thousand Pokes, available from their Bandcamp. Host Justin Hopper has an Uncanny Landscapes substack. The Substack is free, and includes the podcast + more. JH can be found via LinkTree or on Instagram.   Title sounds by The Belbury Poly, courtesy Ghost Box Records.   The Uncanny Landscapes icon is by Stefan Musgrove.

Laura Cannell is a musician based in Suffolk, East Anglia, England. Her work combines experimental, folk, early and medieval music, as well as a number of unique and rare techniques. Her website is https://lauracannell.com/ where you can find out about recordings and gigs, or you can visit her Brawl Records bandcamp site to check out music and buy recordings. The music in this episode is from Laura's recent 'Lore' series, available through the bandcamp site.   Host Justin Hopper has an Uncanny Landscapes substack. The Substack is free, and includes the podcast + more. JH can be found via LinkTree or on Instagram.   Title sounds by The Belbury Poly, courtesy Ghost Box Records.   The Uncanny Landscapes icon is by Stefan Musgrove.

An interview by Justin Hopper with Jez riley French.   Jez riley French is a sound artist and field recordist, who also makes photographs and builds microphones, from Hull, England.   His website is https://jezrileyfrench.co.uk/ where you can find out about activities including the upcoming Murmuration retreat in Scotland (highly recommended), many of his recordings, projects and lectures, or check out his unique microphones for sale.   The recordings on this episode are from Jez's album Returning | Reeds made with Pheobe riley Law, available from the Engraved Glass bandcamp page.   Host Justin Hopper has an Uncanny Landscapes substack. The Substack is free, and includes the podcast + more. JH can be found via LinkTree or on Instagram.   Title sounds by The Belbury Poly, courtesy Ghost Box Records.   The Uncanny Landscapes icon is by Stefan Musgrove.

An interview by Justin Hopper with James Canton. James Canton is a writer and educator; the author of books including Ancient Wonderings, The Oak Papers, and Grounded: A Journey into the Landscapes of our Ancestors. His website is https://jamescanton.co.uk/ He is also active on Instagram. The music in this episode is Leaves Rustle and the Wind in my Hair by Pefkin, from the album Observations on Land and Sea, available from Pefkin's bandcamp page. Host Justin Hopper has an Uncanny Landscapes substack - which includes a new essay this time 'round, from Camilla Nelson, about her current work (which you can also find out about here). The Substack is free, and includes the podcast + more. JH can be found via LinkTree or on Instagram.   Title sounds by The Belbury Poly, courtesy Ghost Box Records.   The Uncanny Landscapes icon is by Stefan Musgrove.

An interview by Justin Hopper with Cheryl E. Leonard. Cheryl E. Leonard is a musician, sound artist and composer who lives in Northern California and works there - or in Antarctice, or Scotland, or Scandinavia... Her practice of making compositions 'of' and 'with' place combines field recordings with music made from original instruments built from natural objects. Her website is https://allwaysnorth.com/ and she's also on Instagram. Her album Antarctica: Music from the Ice is available from Bandcamp: https://othermindsrecords.bandcamp.com/album/antarctica-music-from-the-ice A new release just out is Littoral: https://ruralsituationism.bandcamp.com/album/littoral Host Justin Hopper has an Uncanny Landscapes substack - it's free, and includes the podcast + more. JH can be found via LinkTree or on Instagram.   Title sounds by The Belbury Poly, courtesy Ghost Box Records.   The Uncanny Landscapes icon is by Stefan Musgrove.

For this special episode, I walked on the South Downs with Jim Jupp of Belbury Poly and Ghost Box Records, discussing the latest BP album The Path. Good friend of the podcast Jim Jupp recently released a new album under his Belbury Poly name, and through Ghost Box, the record label he co-founded with artist/designer Julian House. Rather than a solo piece, however, this one involves a 'band' setting augmenting his synths and obsessions with library-music inspired claustrophobic soundtrack-funk, plus my own contribution as narrator, telling a vague tale of a walker descending into madness on the uncanny paths of England. We walked and talked at the end of the summer, and here 'tis... Check out Belbury Poly's The Path through all the normal record-shopping and streaming spots, and Ghost Box Records' own shoppe. The music is, obviously, also from that album. BP did the Uncanny Landscapes title theme, too... Host Justin Hopper has an Uncanny Landscapes substack - it's free, and includes the podcast + more. JH can be found via LinkTree or on Instagram. The Uncanny Landscapes icon is by Stefan Musgrove. Coming up very soon: new episodes featuring landscape artist and composer Cheryl E. Leonard and writer James Canton, and more! [[Caveat: there were technical issues with this episode; I think I've solved most of them, but apologies for weird stuff that may haunt the ep!]]  

An interview by Justin Hopper with artist Kirsty Badenoch and writer Tom Jeffreys. Kirsty and Tom have an exhibition 9-12 November at Staffordshire Street Gallery in Peckham, London, UK, featuring new work made in the remaining patches of boreal forest in northern Scotland. For information on the exhibition, visit Staffordshire St's website.  Kirsty Badenoch and Tom Jeffreys each have a site, too, which will help you find out more about the artists book that accompanies the exhibition. The music in this episode is the track Unnamed Unseen from Memory Islands, a highly recommended new album by violinist Ellie Wilson. Host Justin Hopper has an Uncanny Landscapes substack - it's free, and includes the podcast + more. JH can be found via LinkTree or on Instagram. Title sounds by The Belbury Poly, courtesy Ghost Box Records.   The Uncanny Landscapes icon is by Stefan Musgrove.

An interview by Justin Hopper with Frances Castle of Clay Pipe Music. Frances Castle is a London-based artist, illustrator and musician who operates Clay Pipe Music, a record label producing beautiful landscape-inspired LPs and CDs of music combining folk, electronica and hauntological themes. Clay Pipe's website is http://www.claypipemusic.co.uk/ Frances's own site is https://www.francescastle.com/ This episode includes partial and full tracks from a number of Clay Pipe artists including Frances's own The Hardy Tree. They are all available here from Clay Pipe's Greedbag page. In order of appearance: A Confluence by Andrew Wasylyk Walter R Stokes by The Hardy Tree Saxon Chapel by Tyneham House Broken Circle by Zyggurat Adlestrop by Gilroy Mere Sun Caught Cloud like the Belly of a Cat by Andrew Wasylyk The Spire of St Mary's by The Hardy tree Face in the Window, Seaforth Crescent by The Hardy Tree Stagdale in the Snow by The Hardy Tree Holloways by Vic Mars   Host Justin Hopper has an Uncanny Landscapes substack - it's free, and includes the podcast + more. JH can be found via LinkTree or on Instagram.   Title sounds by The Belbury Poly, courtesy Ghost Box Records.   The Uncanny Landscapes icon is by Stefan Musgrove.  

An interview by Justin Hopper with Lally MacBeth and Matthew Shaw, founders of Stone Club. Stone Club is an online and in-person affiliation of people in love with ancient landscapes, founded two years ago by artists MacBeth and Shaw. They'll talk about the background on 'why stone club', the importance of mystical landscape and the work influenced and inspired by the places they inhabit. Stone Club's website is stoneclub.rocks where you can find out about membership, events and ways to join in. The music in this episode is by Stone Club's Matthew Shaw, who has his own website. Lally MacBeth also operates the Folk Archive, and other projects, available at this site o'er here. Host Justin Hopper has an Uncanny Landscapes substack - it's free, and includes the podcast + more. JH can be found via LinkTree or on Instagram; there is an Uncanny Landscapes twitter feed.   Title sounds by The Belbury Poly, courtesy Ghost Box Records.   The Uncanny Landscapes icon is by Stefan Musgrove.

An interview by Justin Hopper with artist and writer Camilla Nelson. Camilla Nelson is an artist whose work explores the materiality of language, particularly in regards to the other-than-human. Her workshop BECOMING begins soon and is an exploration of ways to engage with fungus, birds, animals, plants and more through language and art. She'll discuss this online workshop as well as her own work as an artist, writer, performer and educator. For more on her work and courses, Camilla's Singing Apple Press has a website. The music in this episode is by Kyron from the album Dreaming Eden, available on LP or as a Download. Dan Fox's substack is here. Host Justin Hopper has an Uncanny Landscapes substack - it's free, and includes the podcast + more. JH can be found via LinkTree or on Instagram; there is an Uncanny Landscapes twitter feed.   Title sounds by The Belbury Poly, courtesy Ghost Box Records.   The Uncanny Landscapes icon is by Stefan Musgrove.  

An interview by Justin Hopper with artist and musician Jem Finer. Jem Finer is an artist and musician whose work spans the musical gamut from co-founding The Pogues to creating Longplayer, a 1,000-year-long composition that has been performing itself, so far, for 23 years. On Mayday, Finer and co-conspirator Jimmy Cauty (of the KLF) release the first record as Local Psycho - a hurdy-gurdy led acid-barn-dance band - and will infuse a newly erected standing stone with its sounds. Jem talks about Local Psycho and Longplayer, as well as other projects of his, archaeo-astronomy and 'psychocosmology', and more. Jem's got a website, as does Local Psycho and their label, Heavenly Recordings. The music in this episode is also by Jem, from his album Hrdy-Grdy on Thanet Tape Centre.   Caught by the River's event on 29 April includes the new Hurdy-Gurdy standing stone. Separately, Jem is playing Norwich on 5 May.   Host Justin Hopper has an Uncanny Landscapes substack - it's free, and has the first post of the podcast + more. JH can be found via LinkTree or on Instagram; there is an Uncanny Landscapes twitter feed.   Title sounds by The Belbury Poly, courtesy Ghost Box Records.   The Uncanny Landscapes icon is by Stefan Musgrove.

An interview by Justin Hopper with artist and roboticist Ian Ingram. Ian Ingram is an artist and roboticist based in California. His practice is concerned with building robots - kinetic sculptures - that attempt to communicate with animals in their own languages.   So, for example, you'll hear him discuss a 'lizard' robot that does push-ups the way some lizards do, to mark territory - yet through a robot inspired by Brancusi. Or a 'squirrel' robot that uses its tails to signal danger to its wanna-be species.   Besides his website, Ian has a TIkTok with loads of videos, and Instagram, too. It's well worth looking at these to see the robots while you listen.   The music in this episode is by the great guitarist Nick Jonah Davis, from his album When the Sun Came - appropriately spring-like and acoustic for Ian's playful, joyful robots.   Host Justin Hopper has an Uncanny Landscapes substack - it's free, and has the first post of the podcast + more. JH can be found via LinkTree or on Instagram; there is an Uncanny Landscapes twitter feed.   Title sounds by The Belbury Poly, courtesy Ghost Box Records.   The Uncanny Landscapes icon is by Stefan Musgrove.  

Uncanny Landscapes #12 -Michael Pawlyn   An interview by Justin Hopper with architect, writer and systems thinker Michael Pawlyn.   Michael Pawlyn is a pioneer in the field of biomimicry - drawing inspiration from mechanisms found in the nonhuman world to inspire architecture and design - and a leading name in regenerative thinking. Michael was one of the key figures in designing the Eden Project, and the Sahara Forest Project and he's co-founder of Architects Declare a Climate and Biodiversity Emergency. He operates his own practice, Exploration Architecture.   His latest book, Flourish: Design Paradigms for Our Planetary Emergency, is available here.   Flourish's co-author is Sarah Ichioka - she has her own site, as well as one for her practice, Desire Lines.   I encountered Michael and his work at Flipside Festival 2021: Searching for Albion - a festival of the literature of place held annually in rural Suffolk. Join the Flipside mailing list here.   The music is by Woodchester Piano Company, from the album Persevera, available from their bandcamp page.   Special thanks to Gareth Evans.   Host Justin Hopper can be found via Twitter and Link Tree. There is also an Uncanny Landscapes twitter account.   Title sounds by The Belbury Poly courtesy Ghost Box Records   Icons by Stefan Musgrove