Trevor Beaulieu & Josh Olson host different guests every episode for deep dive discussions about movies that are universally beloved amongst mainstream white film audiences, and relatively unknown by black ones.
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Trevor Beaulieu & Josh Olson host different guests every episode for deep dive discussions about movies that are universally beloved amongst mainstream white film audiences, and relatively unknown by black ones.
One week before each episode, we're going to give you a heads up as to what we'll be discussing so you have time to catch up with it and get the most out of our next episode.
We take a deep dive into Steven Spielberg's 1998 WWII epic, Saving Private Ryan with culture writer Shamira Ibrahim and American Prestige's Daniel Bessner.
One week before each episode, we're going to give you a heads up as to what we'll be discussing so you have time to catch up with it and get the most out of our next episode.
This month, we take a look at George Clooney's Oscar nominated historical drama, Good Night And Good Luck. Our guests are Professor of Media and African studies at Morgan State Jared Ball and Citations Needed's Adam Johnson.
One week before each episode, we're going to give you a heads up as to what we'll be discussing so you have time to catch up with it and get the most out of our next episode.
This month, we dive into an absolute classic of the White Canon with comedian/podcaster Dave Anthony (The Dollop, The West Wing Thing) and writer-director and UCLA scholar of African American theater Dominic Taylor.
One week before each episode, we're going to give you a heads up as to what we'll be discussing so you have time to catch up with it and get the most out of our next episode.
We kick it all off with a double feature of John Hughes films. Our guests are comedian, actor, producer, and writer Wyatt Cenac and screenwriter Daniel Waters (Heathers).
Trevor Beaulieu & Josh Olson host different guests every episode for deep dive discussions about movies that are universally beloved amongst mainstream white film audiences, and relatively unknown by black ones.
