Dave Hause returns to teach a masterclass in “being an artist without losing your shirt, or your soul”. We rewind to our last chat in February 2020, the night the NBA shut down while he was onstage, and how that chaos pushed him to build a label with his brother Tim. We get into career math that actually works: why an email list beats the algorithm, the “bullseye” model for fans, and how to release music on your schedule without waiting for a mystery committee. There are field notes on touring without wrecking your life, saying yes to the right weird opportunities (Springsteen on Broadway with a fan), and saying no to the ones that make you a wedding singer forever. Dave’s advice for younger bands is simple: take care of yourself, your people, and your ego. Keep enough ego to step onstage. Not enough to ruin the van vibe. Also discussed: Les Paul Juniors, Jubilee amps, tiny Whammy pedals, and how dad life keeps you honest. Fun, useful, slightly dangerous. Perfect. Check out all things Dave on his website HERE https://www.davehause.com/ Support The Show And Connect! The Text Chat is back! Hit me up at (503) 751-8577 You can also help out with your gear buying habits by purchasing stuff from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/sweetwater⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or grabbing your guitar/bass strings from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/stringjoy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

This one’s for the lifers. Guthrie Trapp drops the polite industry brochure in the shredder and talks about building a real career in music. One you can live with and live on. We get into session ceilings, artist freedom, and why “be present to win” beats waiting for permission. Broadway bar marathons? Great for tips, terrible for souls. Social media mirages? Entertaining, not a business plan. Guthrie walks through how he pivoted from sideman to solo voice, why endurance eats “talent” for breakfast, and how education and entrepreneurship buy you time to make your music. It’s straight talk, a little spicy, and weirdly hopeful: work hard, tell the truth, and stop pretending the rented Ferrari is yours. What you’ll learn: How to spot (and outgrow) the session-player ceiling The “be present to win” rule: geography, community, and showing up Saying no as a strategy (and when to disappear for a minute) Turning skills into income without hating yourself Why consistency beats virality (and what to build instead) Health, burnout, and staying useful to your own art Check out all things Guthrie on his website HERE https://guthrietrapp.com/ Support The Show And Connect! The Text Chat is back! Hit me up at (503) 751-8577 You can also help out with your gear buying habits by purchasing stuff from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/sweetwater⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or grabbing your guitar/bass strings from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/stringjoy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode is sweat, wood, and wire. Tommy Emmanuel explains why he plays for the humans in the seats, not the guitar forum in the balcony. How youthful shred became musical conversation. How he built an audience by hand with posters and tiny ads until the rooms couldn’t hold it. He tells the story of the exec who laughed at “no market for instrumental music,” then the John Denver arena run that shut everyone up. Then it gets legendary. A kid from Australia writes Chet Atkins in 1966, lands in Nashville years later, and day one turns into a marathon jam with Chet and Lenny Breau. Yes. That happened. Along the way you’ll hear hard earned lessons on building a career, touring, tone, and trusting your gut. If you’re into acoustic fingerstyle guitar, Nashville stories, Chet Atkins lineage, or just a killer Tommy Emmanuel interview, you’re in the right place. Hit play, share it with a friend. Check out Tommy’s new record Living in the Light. Support The Show And Connect! The Text Chat is back! Hit me up at (503) 751-8577 You can also help out with your gear buying habits by purchasing stuff from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/sweetwater⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or grabbing your guitar/bass strings from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/stringjoy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on the podcast I'm talking to Ryan Lynn of Eastide Guitar Repair, Hank Failing of Hank's Music Exchange, and Brad Boynton of Rhythm Traders. All of these exceptional musical entrepreneurs have com together under one collective roof here in Portland, OR to form a one of a kind independent Music Mall. I sat down in their basement to get the story of how they came together and how they see this new endeavor serving the local music scene and beyond. It is a really cool episode with some really cool dudes! I think you'll dig it, so dive in and listen! Check Out Hank's HERE https://www.hanksmusicexchange.com/ Check out Eastside Guitar Repair HERE https://www.eastsideguitarrepair.com/ Check out Rhythm Traders HERE https://www.rhythmtraders.com/ Support The Show And Connect! The Text Chat is back! Hit me up at (503) 751-8577 You can also help out with your gear buying habits by purchasing stuff from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/sweetwater⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or grabbing your guitar/bass strings from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/stringjoy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Blake sits down with Kyle Wolfe of Moon Guitars to chart the journey from teenage Van Halen brain-melt to full-tilt luthier madness. Kyle gets “voluntold” into his cousin’s repair shop, learns the craft one fret polish at a time, and discovers that carving his first Tele body flips the big red switch that shuts up the brain gremlins. We get into launching Moon in 2018, ditching repair work, and the unsexy truth about small-shop economics: time costs, dust flies, and quality wins—or it doesn’t ship. Kyle talks outsourcing finishes like a grownup, chasing a truly affordable line (factory samples inbound), and his design sweet spot. We are talking familiar bones with pointy ’80s attitude. Sparked by the Fender Performer and blessed with actual John Page template tracings. We hit the Blood Moon, Troublemaker, Crescent Moon, and Zenith; the Mjölnir collab with Ravenkelt; how the Internet sometimes actually delivers; impending dad mode; and eternal laws of the universe: the BOSS OD-2 rips, pepperoni pizza is the people’s champion, and cold slices at 1 a.m. are a moral right. If you like guitars that look loud, play forever, and don’t apologize for either... this episode is for you! Check out Kyle's work on his website HERE: https://moonguitars.com/ Support The Show And Connect! The Text Chat is back! Hit me up at (503) 751-8577 You can also help out with your gear buying habits by purchasing stuff from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/sweetwater⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or grabbing your guitar/bass strings from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/stringjoy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Beetronics didn’t just buzz onto the scene—they showed up in beekeeper suits and rewired how pedal brands think about vibe. In this episode, Filipe Pampuri tells the whole wild arc: teenage studio raids in São Paulo, building a home studio so serious they moved mom out of her bedroom, hopping to L.A. to mix at NRG with Jay Baumgardner, mastering at Sterling Sound, touring alongside Papa Roach and P.O.D., and accidentally launching a pedal company that turned into an art project with knobs. We dig into Beetronics’ visual identity, the leap from hand-painted customs to the signature faceplates, the breakout Royal Jelly moment, and the brand-new BeeBeeDee—an analog delay that nails the classic sound and then goes sideways with lo-fi textures and pitch-shifted octaves. Also: why São Paulo pizza will ruin you for life, what “B” actually stands for, and a reminder that you make the music, not the gear. The nickname that became Beetronics and the Comic-Con-meets-NAMM launch DIY beginnings: ADAT mishaps, studio obsession, and learning electronics to keep sessions alive L.A. chapter: NRG, Sterling Sound, and opening for big rock tours How a custom “Whoctahell” turned into orders… and then a company Designing pedals as instruments: art direction, faceplates, and community shout-outs Deep dive on the BeeBeeDee analog delay: classic tone, lo-fi mode, clever HP/LP tone shaping, and square-wave pitch tricks for “one-guitar, fake-band” madness Philosophy check: chase inspiration first, gear second Check out the stuff on their website HERE https://www.beetronicsfx.com/ Support The Show And Connect! The Text Chat is back! Hit me up at (503) 751-8577 You can also help out with your gear buying habits by purchasing stuff from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/sweetwater⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or grabbing your guitar/bass strings from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/stringjoy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Ricky Sutton of Arcana Pickups rolls in to talk metal, hand-wound voodoo, and why the word “influencer” sounds like something you catch at a gas-station bathroom. He grew up in rural Tennessee, moved to Portland, and in 2016 decided metal deserved its own pickup company. Now he winds coils that make your amp behave like a caffeinated raccoon and dresses his guitars like they’re headed to war. We get into the black-metal aesthetic—yes, actual armor, hoods, spikes, swords—and his band Cavisum. Every Cavisum track has Arcana pickups on it, so if you want to hear what scatterwound fury does inside a mix, that’s your field test. We also wade into the eternal “art vs content” swamp and see what we can drudge up. This is a fun, surprisingly deep, and metal filled episode. Dive on in! Find Arcana arcanapickups.com • IG/YouTube/FB: @arcanapickups RAPIER20OFF for 20% off through September 30, 2025. Support The Show And Connect! The Text Chat is back! Hit me up at (503) 751-8577 You can also help out with your gear buying habits by purchasing stuff from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/sweetwater⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or grabbing your guitar/bass strings from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/stringjoy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Metal YouTuber and fellow Oregonian Taylor Danley shows up with riffs, opinions, and a tube-amp habit that could brown out a neighborhood. We trace the path from Elvis ukulele kid to extreme-metal lifer, then get into the real fight: cranked amps vs. modeling. We make the case for the Boss Tube Amp Expander (turn it up, keep your lease), why an Axe-Fx is the smartest carry-on, and how millimeters of mic placement beat a mile of copy-paste presets. We talk producers who actually make bands sound like bands (Adam D., Will Putney), the charm of leaving one or two “human” wobbles in the take, and why the Boss Katana is still the new-player cheat code. Gear heads get the goodies: Orange OR80, old Marshalls, NS-2 doing unglamorous hero work, the Metal Zone used tastefully (yes, it can be done), and the story behind Taylor’s Obsidian Audio boost plus a new preamp on the way. There’s record-store nostalgia, kids discovering Sabbath, a Corolla-vs-’69 Camaro tone analogy, and a very Portland pizza detour to land the plane. Good laughs, useful takeaways, zero gatekeeping. (Well, excpet for noisegates.) Check out the goods on the Obsidian Audio Website HERE https://www.obsidianaudiofx.com/ And Taylor's YouTube Channel HERE https://www.youtube.com/c/TaylorDanley Support The Show And Connect! The Text Chat is back! Hit me up at (503) 751-8577 You can also help out with your gear buying habits by purchasing stuff from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/sweetwater⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or grabbing your guitar/bass strings from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/stringjoy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Mojotone has been “that place that has everything” for decades—but how did a parts house become an OEM powerhouse? Blake talks with Mojotone’s Andy Turner and Michael McWhorter about the wild ride from surplus pallets and a borrowed warehouse to building cabinets and amps for the biggest names in guitar. We dig into the early Mojotone years, why turning on an old 1-800 number suddenly flooded them with Fender calls, the ZZ Top/Billy Gibbons stage builds (banana-leaf wraps, anyone?), and how amp kits evolved from one-off requests into a full product line. The guys trace their OEM leap (hello, Gibson Goldtone era), the pickup journey from undercover “Custom Wound” to Quiet Coil noiseless singles, and the three-year quest to make a soundhole acoustic pickup that doesn’t, well, suck—plus the low-mid notch that changes everything. Also on deck: tubes vs. modeling, why passion beats spreadsheets in the musical-instrument (MI) world, and the classic Tone Mob lightning round... Boss favorites and pizza opinions included. Check them out on their website HERE https://mojotone.com/ Support The Show And Connect! The Text Chat is back! Hit me up at (503) 751-8577 You can also help out with your gear buying habits by purchasing stuff from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/sweetwater⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or grabbing your guitar/bass strings from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/stringjoy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Some kids take apart toys. Jay Sasseen popped the backplate on a red Squier and never looked back. That curiosity turned into Parottdice Guitars, a Multnomah Village spotwhere weird gear and rad people hang out. We talk about the "gear flipping hustle" that became a real-deal guitar shop with a simple creed that actually works: fix things well, price things fair, remember names. Then we go treasure hunting. Melody Makers that sing, MIJ Fenders that convert haters, Firebrand oddballs, 80s Gibsons that rip, a Hondo rifle-shaped contraption with a trigger pickup selector, and Blake’s rat-rod EB-0 turned Bass VI that should not work but does. This is a very fun episode and there is something for everyone who loves the guitar, the MI industry, and weird dudes shooting the breeze. Check them out on their website HERE https://www.parrotdiceguitars.com/ Support The Show And Connect! The Text Chat is back! Hit me up at (503) 751-8577 You can also help out with your gear buying habits by purchasing stuff from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/sweetwater⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or grabbing your guitar/bass strings from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/stringjoy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Matt Parker plays bass like a guy who read the manual and then set it on fire for warmth. We talk the strange magic of the Bass VI: why the new Squier Classic Vibe fixes the old headaches, and which mods turn wobble into weapon. Matt rolls through rigs like a responsible maniac: Ashdown heads into a 6x10 for moving air, the LB-30 with built-in load for civilised neighbors, and a Valeton GP-200 LT fly rig that costs less than a boutique patch cable yet somehow slaps. We rant about in-ears and keeping your hearing, praise vintage instruments for having the good kind of problems, reminisce about the Metal Zone, and argue whether the Hofner looks classy or like a violin cosplaying as a lunchbox. There is also pizza. Of course there is pizza. Bass VI as desert island instrument, studio Swiss Army knife, and riff enabler. Come for the bass. Stay for the sustain. You are gonna love this one! Give Matt a follow HERE https://www.instagram.com/mattparkerbass Support The Show And Connect! The Text Chat is back! Hit me up at (503) 751-8577 You can also help out with your gear buying habits by purchasing stuff from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/sweetwater⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or grabbing your guitar/bass strings from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/stringjoy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Chris Vincent (a.k.a. DJLavalamp) joins the podcast to tell the story of how a punk kid with a busted guitar wound up building some of the most coveted point-to-point, vintage style guitar pedals on the planet. We get into the weird alchemy of germanium transistors (spoiler: they melt if you look at them sideways), scavenging tubes out of dead reel-to-reels, and why boutique pedals sometimes feel more like contraband than consumer goods. Chris also gets into on the pedal community’s kindness, how running your own business is equal parts dream job and nervous breakdown, and why chasing tones is like chasing the world’s best slice of pizza—you’ll never stop, and that’s the point. Check out his stuff on his website HERE https://www.r2relectric.com/ Support The Show And Connect! The Text Chat is back! Hit me up at (503) 751-8577 You can also help out with your gear buying habits by purchasing stuff from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/sweetwater⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or grabbing your guitar/bass strings from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/stringjoy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Release your music via DistroKid and save 30% by going to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/distrokid Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we’re dusting off a true gem from the Tone Mob archives! My 2019 conversation with Mike Mitchell of The Kingsmen. Recorded live in a Portland cigar bar, this one dives into the chaotic birth of garage rock and the most famous three chords in history: Louie Louie. Mike tells the story of how the band cut the track in a one-hour, $36 recording session — and then somehow wound up under FBI investigation because nobody could understand the freakin' lyrics. (Imagine J. Edgar Hoover, in a suit and sensible heels, spending taxpayer money trying to figure out if a bunch of teenagers were singing about naughty, naughty things. You can’t make this stuff up.) We also get into the invention of Sunn Amps, how their pants-blowing stage volume influenced Hendrix, The Who, and the Stones, and why some folks consider The Kingsmen the accidental godfathers of punk. The Kingsmen's FBI story has been making the rounds on the internet lately, and I thought it fitting to have folks hear it from the man himself. It’s a reminder that rock ’n’ roll has always been loud, messy, a little stupid, and that’s exactly why it’s beautiful. So crank this one up, blow your hair back, and enjoy some history from the loudest living room in America. RIP Mike Mitchell. Support The Show And Connect! The Text Chat is back! Hit me up at (503) 751-8577 You can also help out with your gear buying habits by purchasing stuff from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/sweetwater⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or grabbing your guitar/bass strings from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/stringjoy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Release your music via DistroKid and save 30% by going to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/distrokid Learn more about your ad choices. Visit megaphone.fm/adchoices

Hold on to your hats folks! Morgoth Beatz is back, and yet again, he's got a whole lot more than just a cool name. After a couple of years off, the man behind Seven Hours After Violet talks about going from studio wizardry to touring the globe with the likes of Korn, Slipknot, and Avenged Sevenfold. What started as a small project with Shavo from System of a Down has exploded into one of metal's newest heavyweights, and Morgoth's here to spill the beans. They get into the gritty details of how this all came together, the weird evolution of the band’s name, and the musical blend that’s heavier than your grandmother's 1979 Cadillac. But hey, if you're looking for just the music, this episode's not for you. We're talking pedals, production hacks, and why a bass six might just be the best thing since sliced bread. And, as always, we finish strong with a deep dive into the important things in life: smash burgers. Lets get into it! Support The Show And Connect! The Text Chat is back! Hit me up at (503) 751-8577 You can also help out with your gear buying habits by purchasing stuff from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/sweetwater⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or grabbing your guitar/bass strings from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/stringjoy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Release your music via DistroKid and save 30% by going to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/distrokid Learn more about your ad choices. Visit megaphone.fm/adchoices

What do world-class pizza and handbuilt guitars have in common? More than you'd think! On this episode of The Tone Mob Podcast, Blake sits down with Ian Galbraith, owner of Carlson Block—an incredible pizzeria tucked in the tiny town of Wilkeson, Washington. Ian shares the story of how he left photography behind to restore a 1910 building, build a life in a town of 500, and create pizza that people will drive hours for. But that’s just half the pie. The other half? Guitars. Lots of them. Ian talks about falling in love with the instrument, assembling his own custom builds, and his obsession with working on guitars just as much as playing them. There’s gear talk, shoutouts to boutique pickup winders (like Sunday Handwound), Boss pedals, and a heartfelt conversation about balancing passion and burnout. Also: brisket, pastrami, what makes a perfect New York slice, and the emotional power of nostalgic pizza joints. Check out all the deets on Ian's website HERE https://www.carlsonblock.com/ Support The Show And Connect! The Text Chat is back! Hit me up at (503) 751-8577 You can also help out with your gear buying habits by purchasing stuff from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/sweetwater⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or grabbing your guitar/bass strings from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/stringjoy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Release your music via DistroKid and save 30% by going to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/distrokid Learn more about your ad choices. Visit megaphone.fm/adchoices

Andrew Patrick of The Carolyn joins Blake to talk tone, songwriting, and the joys (and occasional heartbreak) of Les Pauls that refuse to stay in tune. They get into the band’s humble beginnings, Andrew’s early love for whiny punk-pop, and why their latest record Pyramid Scheme of Grief nearly didn’t sound the way it was supposed to (spoiler: the Kemper got benched). Also covered: • The Milkman Amp that saved Andrew’s rig • Embracing “the suck” as a guitarist • Internet trolls and why none of them are Steve Vai • The difference between a good tone and a good mix • Tube screamers, Blues Drivers, and the underrated OD-1 • Why music doesn't have to be your job to matter Plus: gear chat, writing dynamics, keeping your amp happy with a Brown Box, and a shared appreciation for greasy New York pizza that borders on insanity. Support The Show And Connect! The Text Chat is back! Hit me up at (503) 751-8577 You can also help out with your gear buying habits by purchasing stuff from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/sweetwater⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or grabbing your guitar/bass strings from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/stringjoy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Release your music via DistroKid and save 30% by going to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/distrokid Learn more about your ad choices. Visit megaphone.fm/adchoices

Nate Wood of Stahman Guitars joins Blake to talk about guitars, burnout, mindset, surviving the hustle, and why building your dream job might accidentally turn into a nightmare if you’re not careful. It’s part Lutherie, part therapy, part field guide to doing creative work without losing your mind. They get into everything from learning piano in Utah, to falling in love with Floyd Rose setups, to setting realistic expectations for customers who treat their guitars like holy relics. There’s also honest talk about running a business, pricing your work, letting go of perfectionism, and why sometimes… it’s okay to say “no.” Also: mushroom dust, pin routers, crusty old dudes yelling about tone, and the first ever guest in Tone Mob history to not like pizza. You’ve been warned. Check out Nate on his website HERE https://www.eugeneguitarrepair.com/ Support The Show And Connect! The Text Chat is back! Hit me up at (503) 751-8577 You can also help out with your gear buying habits by purchasing stuff from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/sweetwater⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or grabbing your guitar/bass strings from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/stringjoy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Release your music via DistroKid and save 30% by going to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/distrokid Learn more about your ad choices. Visit megaphone.fm/adchoices

What do Michael Jackson’s Billie Jean, Line 6's Spider amps, and some of the wildest custom guitars on earth have in common? Rich Renken. In this episode, Rich walks Blake through decades in the gear trenches—starting as a bassist in church bands, engineering records with 90s rock royalty, helping invent products that changed the amp game, and now running the show at James Tyler Guitars. He tells the origin story of the legendary “lead/rhythm” switch, what it was like helping develop Line 6's Spider Valve, M13, and Variax guitars, and how he accidentally dissed Jim Tyler’s headstock to his face. Oh, and did we mention he played a part in shaping the tone on Thriller? From Norm’s Rare Guitars to dodging corporate spam calls mid-interview, Rich’s journey is a masterclass in gear, hustle, and absurd luck. Put your headphones on. This one's basically a time machine for tone nerds. Check out the awesomeness on the James Tyler website HERE: https://www.tylerguitars.com/ Support The Show And Connect! The Text Chat is back! Hit me up at (503) 751-8577 You can also help out with your gear buying habits by purchasing stuff from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/sweetwater⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or grabbing your guitar/bass strings from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/stringjoy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Release your music via DistroKid and save 30% by going to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/distrokid Learn more about your ad choices. Visit megaphone.fm/adchoices

Matt Hoopes is back on the show! Blake and Matt catch up on all things Relient K—from packed DIY shows at Brown’s Diner to opening for Avril Lavigne and Simple Plan. They dive into what it means to be a touring musician as a grown-up, the joys of building a “new boat” for the band, and why some of the most meaningful shows don’t happen on giant festival stages. They also nerd out on pedal design, with Matt revealing the evolution behind 1981 Inventions' DRV and LVL circuits (spoiler: the new stuff is weird in the best way), plus boost pedal obsessions, collabs with Big Ear and EAE, and that legendary Tele Deluxe of his. If you're a fan of Relient K, boutique pedals, or Nashville pizza (yes, that too), this one's for you. 🎧 Topics include: Relient K’s return to touring The magic of Brown’s Diner shows The secret sauce of the LVL pedal Why boost pedals rule Nashville’s best pizza spots CBGBs, The Gorge, and other iconic venues Check out all things 1981 Inventions at Matt's website HERE https://1981inventions.com/ and all things Relient K on their website HERE https://www.relientk.com/ Support The Show And Connect! The Text Chat is back! Hit me up at (503) 751-8577 You can also help out with your gear buying habits by purchasing stuff from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/sweetwater⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or grabbing your guitar/bass strings from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/stringjoy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Release your music via DistroKid and save 30% by going to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/distrokid Learn more about your ad choices. Visit megaphone.fm/adchoices

What happens when a guitar wizard stumbles face-first into Hollywood? JD Simo is back, and this time he’s not just laying down licks. He’s coaching movie stars, babysitting vintage synths, and fixing million-dollar screwups the prop department didn’t even notice. He walks us through how a phone call from producer Dave Cobb turned into a full-blown creative rescue mission on two major films: the Elvis biopic and the upcoming Bruce Springsteen flick. Along the way, JD accidentally invents a job, teaches Jeremy Allen White to fingerpick from zero, and nearly loses his mind syncing fake guitar playing with Dolby Atmos perfection. We’re talking full-set nerdery. Telling Oscar winners their mic stands are in the wrong place. Sneaking into “video village” and somehow not getting kicked out. And yes, it all started because this man cares about the details. If you’ve ever screamed at the TV because the guitarist’s amp wasn’t even plugged in, this one’s for you. Check out all things JD on his website HERE https://simo.fm/ Support The Show And Connect! The Text Chat is back! Hit me up at (503) 751-8577 You can also help out with your gear buying habits by purchasing stuff from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/sweetwater⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or grabbing your guitar/bass strings from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/stringjoy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Release your music via DistroKid and save 30% by going to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/distrokid Learn more about your ad choices. Visit megaphone.fm/adchoices