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Profiles, storytelling and insightful conversations, hosted by David Remnick.
Brownstein, of Sleater-Kinney and “Portlandia,” on Richard Avedon’s 2003 iconic photo of a young rocker. Plus, The New Yorker’s Critics at Large on Lena Dunham’s new show and more.
The former chair of the Federal Reserve on the budget, and Donald Trump’s fixation on low interest rates. And, Susan B. Glasser on the political implications of the “Big Beautiful Bill.”
The singer on his memoir, “Surrender,” which deals with the early loss of his mother, finding religion in music, and navigating the Troubles while in a rock band from Dublin.
The Fox News anchor discusses the channel’s nightly news show, his role in the current media ecosystem, and what liberal outlets have gotten wrong about covering Trump.
How did America join Russia and China as an oligarchy? The staff writer Evan Osnos chronicles the shift in his new book, “The Haves and Have-Yachts: Dispatches on the Ultrarich.”
The Israeli American writer Yossi Klein Halevi is vehemently opposed to Benjamin Netanyahu, but he makes the case for why Netanyahu was right to start a war, whatever the consequences.
Nicolas Niarchos shares reporting from a civil war in which Sudan’s Black minority is caught between warring factions led by members of the country’s Arab majority.
The legend discusses her new album, her complicated relationship to performing, and recording a duet with Bob Dylan decades after he first asked her to collaborate.
The writer’s grandfather founded an agricultural empire, but destroyed his business and his family rather than cede control to his sons. “It’s ‘Succession,’ with spinach,” Seabrook says.
The musician talks with Amanda Petrusich about his two new albums of ambient music, and his book “What Art Does,” a pocket-sized argument for the value of feelings in our lives.
The “60 Minutes” correspondent is “think[ing] about mourning” the loss of journalistic integrity which a settlement of the President’s twenty-billion-dollar lawsuit would likely entail.
The sports writer on John Updike’s “Hub Fans Bid Kid Adieu”—his account of Ted Williams’s last game with the Boston Red Sox. And a visit with Charles Strouse, who died this month.
The second season of the Peabody-winning series “The Divided Dial” brings listeners into a little-known but globally influential part of the radio spectrum: shortwave.
The journalists’ reporting shows that the 2024 Presidential debate between Biden and Donald Trump was not an anomaly but the unravelling of a scheme orchestrated by top aides and family.
