Megan Fernandes joins Kevin Young to read “Half-Life in Exile,” by Hala Alyan, and her own poem “On Your Departure to California.” Fernandes’s books include “I Do Everything I’m Told” and “Good Boys.” Her poems have been published widely, and she’s received fellowships from the Yaddo Foundation, the Sewanee Writers’ Conference, and the Hawthornden Foundation. She’s currently an associate professor of English and the writer-in-residence at Lafayette College.

Erika Meitner joins Kevin Young to read “What Work Is,” by Philip Levine, and her own poem “To Gather Together.” Meitner’s books include “Useful Junk” and “Holy Moly Carry Me,” which won the 2018 National Jewish Book Award in Poetry. She is currently a Mandel Institute Cultural Leadership Program Fellow, and she’s the director of the M.F.A. program in creative writing at the University of Wisconsin-Madison.

David St. John joins Kevin Young to read “Picking Grapes in an Abandoned Vineyard,” by Larry Levis, and his own poem “The Shore.” St. John is the author of many poetry collections and the recipient of honors including the Rome Fellowship and an Award in Literature from the American Academy of Arts and Letters, the O. B. Hardison Prize from the Folger Shakespeare Library, and the George Drury Smith Award from Beyond Baroque. He’s also the editor of “Swirl & Vortex,” a volume of collected poems by the late Larry Levis, forthcoming in 2026.

Edward Hirsch joins Kevin Young to read, “96 Vandam,” by Gerald Stern, and his own poem “Man on a Fire Escape.” Hirsch's honors include a MacArthur Fellowship, a National Book Critics Circle Award, the Pablo Neruda International Presidential Medal of Honor, and a National Jewish Book Award.

Jericho Brown joins Kevin Young to read, “When,” by Elizabeth Alexander, and his own poem, “Colosseum.” Jericho Brown, who received the 2020 Pulitzer Prize in poetry for his collection “The Tradition.” He’s a 2024 MacArthur Fellow and a Chancellor of the Academy of American Poets.

This year, The New Yorker turns one hundred years old, and, to celebrate the occasion, we’re publishing an anthology: “A Century of Poetry in The New Yorker, 1925-2025.” Deborah Garrison, a poet and an editor at Knopf, who worked closely with The New Yorker on this exciting project, joins Kevin Young to discuss the anthology.

Dobby Gibson joins Kevin Young to read “I have slept in many places, for years on mattresses that entered,” by Diane Seuss, and his own poem “This Is a Test of the Federal Emergency Management Agency Wireless Warning System.” Gibson is the author of five poetry collections, including, most recently, “Hold Everything.” He’s also the recipient of fellowships from the Lannan Foundation, the McKnight Foundation, the Jerome Foundation, and the Minnesota State Arts Board.

Rae Armantrout joins Kevin Young to read “Mother,” by Dorothea Lasky, and her own poem “Finally.” Armantrout’s many books include “Go Figure,” “Finalists,” “Conjure,” and “Wobble.” Her collection “Versed” won a National Book Critics Circle Award and the 2010 Pulitzer Prize for Poetry.

Jim Moore joins Kevin Young to read “I wonder if I will miss the moss,” by Jane Mead, and his own poem “Mother.” Moore has published eight poetry collections, including, most recently, “Prognosis.” He is the recipient of a Guggenheim Fellowship and multiple Minnesota Book Awards.

Amber Tamblyn joins Kevin Young to read “The Dahlias,” by Didi Jackson, and her own poem “This Living.” Tamblyn, a writer, director, and actor, is the creator of the newsletter “Listening in the Dark” and the editor of an anthology of the same title.

Valzhyna Mort joins Kevin Young to read “Testimonies” by Victoria Amelina, which Mort translated from the Ukrainian, and “Map,” by Wisława Szymborska, which was translated, from the Polish, by Clare Cavanagh. Mort’s collection “Music for the Dead and Resurrected” won the 2021 International Griffin Poetry Prize and the 2022 UNT Rilke Prize. Her other honors include a 2021 Rome Prize in literature and fellowships from the Guggenheim Foundation, the Lannan Foundation, and the Amy Clampitt Fund.

Raymond Antrobus joins Kevin Young to read “A Protactile Version of ‘Tintern Abbey,’ ” by John Lee Clark, and his own poem “Signs, Music.” Antrobus has received the Rathbones Folio Prize, the Ted Hughes Award from the Poetry Society, the Sunday Times Young Writer of the Year Award, the Lucille Clifton Legacy Award, and a Somerset Maugham Award, among other honors. 

Amy Woolard joins Kevin Young to read “Via Negativa,” by Charles Wright, and her own poem “Late Shift.” Woolard, whose debut poetry collection, “Neck of the Woods,” won the 2018 Alice James Award from Alice James Books. She is the recipient of fellowships from the National Endowment for the Arts, the Vermont Studio Center, and the Breadloaf Writers’ Conference, she’s also a civil-rights attorney and the chief program officer for the ACLU of Virginia.

We have a special episode to share with you today of the daily poetry podcast, “The Slowdown.” “The Slowdown” offers a poem and a moment of reflection in short episodes, each weekday. In this episode, host Major Jackson, reads “Chaos Theory” by Clint Smith. Major writes… “Occasionally, I try to follow the series of decisions that led me to this present, however triumphant or painful. My life wavers between fate and destiny. But then again, poetry brings me to the belief that some mysterious force is at work, below, that unveils a spiritually deeper meaning to it all.” If you’d like to hear more episodes of “The Slowdown,” you can learn more at slowdownshow.org and listen wherever you get your podcasts.

José Antonio Rodríguez joins Kevin Young to read “[World of the future, we thirsted](https://www.newyorker.com/magazine/2019/07/29/world-of-the-future-we-thirsted),” by Naomi Shihab Nye, and his own poem “[Tender](https://www.newyorker.com/magazine/2022/08/22/tender).” Rodríguez is a poet, memoirist, and translator whose honors include a Bob Bush Memorial Award from the Texas Institute of Letters and a Discovery Award from the Writers’ League of Texas. He teaches in the M.F.A. program at the University of Texas, Rio Grande Valley.

Ada Limón joins Kevin Young to read “You Belong to The World,” by Carrie Fountain, and her own poem “Hell or High Water.” Limón is the current United States Poet Laureate and the recipient of a MacArthur “Genius” Fellowship. She’s the author of six books—including “The Carrying,” which won the National Book Critics Circle Award for poetry—and the editor of the forthcoming anthology “You Are Here: Poetry in the Natural World.

Donika Kelly joins Kevin Young to read “One Hundred White-Sided Dolphins on a Summer Day,” by Mary Oliver, and her own poem “Sixteen Center.” Kelly is the author of two poetry collections, and the recipient of an Anisfield-Wolf Book Award, a Cave Canem Poetry Prize, a Hurston/Wright Legacy Award, and a Kate Tufts Discovery Award. A founding member of the collective Poets at the End of the World, she teaches at the University of Iowa.

Richie Hofmann joins Kevin Young to read “Twilight” by Henri Cole, and his own poem “French Novel” Hofmann is the author of two collections of poetry and the recipient of a Ruth Lilly Fellowship from the Poetry Foundation and a Wallace Stegner Fellowship from Stanford University.

Bianca Stone joins Kevin Young to read “Learning to Read,” by Franz Wright, and her own poem “What’s Poetry Like?” Stone has published several books of poetry and poetry comics, including, most recently, “What Is Otherwise Infinite.” She runs the Ruth Stone House in Vermont, hosts the podcast “Ode & Psyche,” and serves as Editor at Large for Iterant Magazine.

Evie Shockley joins Kevin Young to read “Hattie McDaniel Arrives at the Coconut Grove,” by Rita Dove, and her own poem “the blessings.” Shockley is the author of six poetry collections and the Zora Neale Hurston Distinguished Professor of English at Rutgers University. Her honors include the 2023 Shelley Memorial Award from the Poetry Society of America, a Lannan Literary Award, the Stephen Henderson Award, and, twice, the Hurston/Wright Legacy Award in Poetry.