In this podcast, we talk about good and evil in a concept.

Following the matrix, of corporate success, family traditions and societal roles.

Versus the assumption to jump to conclusions.

We explore these concepts through a theatrical concept of a play.

1. The director (secret intentions/ corporate values/societal and global influences)
2. The script (the metrics)
3. The actions (The habits/behaviours)
4. The interactions (what was to be conveyed)
5. The plot (The goal intended vs the goal succeeded vs the process)
6. The audience (The desired reactions/ the applause/ the afterthought/ the parading monkeys/ and the not so secretive motivations/trend setting)
7. The audience vs the director
8. The actor vs the script (the mannerism vs the behaviorism)

In the freedom of speech we succumb to the downfall of appraisals of men and the applause of the reactionary lottery.

Fall and laugh at the palms of each clap,

you tap to the rhythm to only be a pawn in your own thought masquerade.

How does one define good and evil in a glazed society, with glazed eyes, and knocking glass doors, leads to empty steel rooms?

We redefine only to find new loops to pray onto weaknesses and kindness an the charades and tidbit of the leftover kindness.

Neutrality is nuance gray undertone, tasty with an iron aftertaste, we bite onto our tongues to lie, and bleed into our own medicine we feed onto ourselves.

However does one find his own ethical values in this gray society?

Where simply choosing a singular friend and partner is going to make you sway to his music?