The Eisners prized art work, Eisenwalzwerk, depicting a huge steel factory, was stolen under the Nazis. "Eisenwalzwerk," Antony says, "is the ultimate representation of the Eisners. And its story was the story of my family." Can Antony get it back and bring it home? And in this final episode, he gathers his family to tell them what he's discovered about their past. The House at Number 48 is presented by Charlie Northcott. The series producer is Jim Frank. Sound design and mixing by Tom Brignell. The Editor is Matt Willis.

We meet the descendants of Martin Hartig who are still living in the House at Number 48 today. How much of their family's past did they know about? And what has its legacy meant for them and the younger generation?

The House at Number 48 is presented by Charlie Northcott. The series producer is Jim Frank. Sound design and mixing by Tom Brignell. The Editor is Matt Willis.

After 80 years since losing a huge and grand property in Germany which used to belonged to his family, Antony sets off to confront the people who now own The House at Number 48.

The House at Number 48 is presented by Charlie Northcott. The series producer is Jim Frank. Sound design and mixing by Tom Brignell. The Editor is Matt Willis.

Antony tries to find out what became of his family's business empire and properties. To help him he hires a brilliant young researcher, Yana Slovona. Within weeks, she has made some startling discoveries.

The House at Number 48 is presented by Charlie Northcott. The series producer is Jim Frank. Sound design and mixing by Tom Brignell. The Editor is Matt Willis.

In July 1939, industrialist Rudolph Eisner, his wife Hildegard and their two young children arrive in the small port city of Harwich in England. Life as Germans in the Uk was tough. But what of Antony's relatives who stayed on in Germany, what became of them?

The House at Number 48 is presented by Charlie Northcott. The series producer is Jim Frank. Sound design and mixing by Tom Brignell. The Editor is Matt Willis.

Antony Easton's relatives, the Eisners were one of the richest Jewish families in Berlin. The patriarch, Rudolph Eisner, has done everything he possibly could to steer them safely through the rise of the Nazis. But now, as the net finally closes in, what will they do?

The House at Number 48 is presented by Charlie Northcott. The series producer is Jim Frank. Sound design and mixing by Tom Brignell. The Editor is Matt Willis.

As the net closes in on the Eisners, Antony's grandfather, Rudolph, has come up with an ingenious plan to save his family and their business empire. Will it work? And who is this mysterious man who enters the lives of the Eisners? Is he a friend or foe?

The House at Number 48 is presented by Charlie Northcott. The series producer is Jim Frank. Sound design and mixing by Tom Brignell. The Editor is Matt Willis.

Antony Easton begins to investigate his family's history. What he finds astonishes him: his relatives were owners of a huge steel empire worth billions today. But what has happened to this family fortune?

The House at Number 48 is presented by Charlie Northcott. The series producer is Jim Frank. Sound design and mixing by Tom Brignell. The Editor is Matt Willis.

After the death of his enigmatic and distant father, Antony Easton finally gets to go through his Dad's secret suitcase: "This was his life," Antony says. As he forensically trawls through its contents, Antony discovers a series of clues which are about to change his life forever. And, after decades, a woman from Antony's childhood gets in touch. For her, time is running out. She says she must see him one last time... The House at Number 48 is presented by Charlie Northcott. The series producer is Jim Frank. Sound design and mixing by Tom Brignell. The Editor is Matt Willis.

When Antony Easton’s enigmatic father passes away, he goes through his Dad's suitcase, filled with cryptic clues: neatly stacked German money, a family tree he doesn’t recognise, and books filled with sprawling notes. He also finds his father’s birth certificate, but bearing a different name. Confronting his dad’s double identity, Antony begins a ten-year quest to uncover the truth. Piece-by-piece he comes to understand his family’s dark history as he attempts to reclaim his grandfather’s property and art empire, and expose the historic robbery and murder of his relatives. Antony is determined to find the descendants of those who looted his family’s assets, and continue to live off their wealth today. He wants to meet them face to face.

The House at Number 48 is presented by Charlie Northcott. The series producer is Jim Frank. Sound design and mixing by Tom Brignell. Music by Anna Papadimitriou. The Editor is Matt Willis.

When Antony Easton’s enigmatic and distant father passes away, he discovers a suitcase filled with cryptic clues.

Neatly stacked German money, a family tree he doesn’t recognise, and books filled with sprawling notes. He also finds his father’s birth certificate, but bearing a different name.

Confronting his dad’s double identity, Antony begins a ten-year quest to uncover the truth.

Piece-by-piece he comes to understand his family’s dark history.

Large numbers of his relatives were murdered by the Nazis and a vast fortune was stolen from his grandparents - factories, property and art – which now lie scattered across Germany.

Antony is determined to find the descendants of those who looted his family’s assets and continue to live off their wealth today. He sets out to meet them face to face.

Ragnar and the family try to understand what the confession from the basement means. Is it the truth? Or was it just another story that Jimmy spun? Determined to find something to disprove the statement, they head to the National Archive in search of answers.

While the family have been grappling with the confession and what it means for them, Louise Shorter has been going through the evidence around the case with an experienced Kings Council. And what they have to say could put new life in a story that’s over 80 years old. The question is, do the O’Connors have one more fight in them?

Presenter: Ragnar O’Connor Producer: Emily Esson, Victoria McArthur Research: Elizabeth Ann Duffy, Louise Yeoman Script Assistant and Additional Research: Marisha Currie Script Writers: Emily Esson, Jack Kibble-White Original Music: Lomond Campbell Theme Music: Barry Jackson Addition mixing and sound effects: Charlie McPhee, Kayleigh Raphel Story Consultant: Jack Kibble-White Script Editor: Graham Russell Executive Editor: Gillian Wheelan Commissioning Executive: Tracy Williams Commissioning Editor: Dan Clarke

A BBC Audio Scotland production for BBC Radio 4

Thanks to Cheryl Field, Richard Field and Kirsty Williams

In 1995, a mysterious man phones the O’Connors. He wants to get something off his chest. Sensing something potentially huge, Nemone secretly records their meeting. What happened next could have change everything. The secret the mysterious man wants to share? He knows who killed Donk Ambridge.

Meanwhile Ragnar is forced to confront everything he thought he knew about this case and his father. Hidden in the family archive is an account of the night Donk Ambridge was murdered that could turn everything upside down.

Presenter: Ragnar O’Connor Producer: Emily Esson, Victoria McArthur Research: Elizabeth Ann Duffy, Louise Yeoman Script Assistant and Additional Research: Marisha Currie Actors: Cameron Jack, Irene Macdougall Script Writers: Emily Esson, Jack Kibble-White Original Music: Lomond Campbell Theme Music: Barry Jackson Addition mixing and sound effects: Charlie McPhee, Kayleigh Raphel Story Consultant: Jack Kibble-White Script Editor: Graham Russell Executive Editor: Gillian Wheelan Commissioning Executive: Tracy Williams Commissioning Editor: Dan Clarke

A BBC Audio Scotland production for BBC Radio 4

Thanks to Cheryl Field, Richard Field and Kirsty Williams

The fortunes of the O’Connors flip almost overnight. Nemone is no longer allowed to practice law, even after appealing to the highest authority, the Lord Chancellor. Meanwhile Jimmy’s confrontational style of writing attracts the attention of the BBC, landing him several prime-time TV plays. All the while Jimmy’s conviction is a constant shadow in their marriage.

Meanwhile, in the present, the family continue to investigate the case. They uncover brand new documents that have never been seen before. Could these hold the key to getting Jimmy’s conviction overturned?

Presenter: Ragnar O’Connor Producer: Emily Esson, Victoria McArthur Research: Elizabeth Ann Duffy, Louise Yeoman Script Assistant and Additional Research: Marisha Currie Script Writers: Emily Esson, Jack Kibble-White Original Music: Lomond Campbell Theme Music: Barry Jackson Addition mixing and sound effects: Charlie McPhee, Kayleigh Raphel Story Consultant: Jack Kibble-White Script Editor: Graham Russell Executive Editor: Gillian Wheelan Commissioning Executive: Tracy Williams Commissioning Editor: Dan Clarke

A BBC Audio Scotland production for BBC Radio 4

Thanks to Cheryl Field, Richard Field and Kirsty Williams

Jimmy is saved from the hangman’s noose with just hours to spare. With his sentenced commuted to life in penal servitude, he sets out to pass the time by learning how to write dramas. After ten years of moving from prison to prison, he’s finally released. But freedom doesn’t cut it for Jimmy. He wants to clear his name. He still maintains that he didn’t kill Donk Ambridge, and he’s determined to show it. He meets and woos the young Nemone Lethbridge, in a whirlwind romance that will have devastating effects for Nemone and the path she’s carved for herself.

Meanwhile Ragnar enlists an expert in miscarriages of justice, Louise Shorter, to see what she thinks about the case and the potential for a new appeal.

Presenter: Ragnar O’Connor Producer: Emily Esson, Victoria McArthur Research: Elizabeth Ann Duffy, Louise Yeoman Script Assistant and Additional Research: Marisha Currie Script Writers: Emily Esson, Jack Kibble-White Original Music: Lomond Campbell Theme Music: Barry Jackson Addition mixing and sound effects: Charlie McPhee, Kayleigh Raphel Story Consultant: Jack Kibble-White Script Editor: Graham Russell Executive Editor: Gillian Wheelan Commissioning Executive: Tracy Williams Commissioning Editor: Dan Clarke

A BBC Audio Scotland production for BBC Radio 4

Archive: The Russell Harty Show, ITV, April 1976

Thanks to Cheryl Field, Richard Field and Kirsty Williams

Jimmy O’Connor was a small-time thief, making the most of the opportunities war torn London presented to him. How did he end up in a condemned cell at Pentonville?

On the Easter weekend 1941, a man is murdered in a London suburb. The police have little evidence to go on, and the usual suspects are pulled in for questioning. Among them is 23-year-old Jimmy O’Connor. He’s eventually charged and tried for the crime, though he maintains his innocence. Sentenced to death, the outlook is bleak as Jimmy awaits his final appointment with hangman Albert Pierrepoint.

Presenter: Ragnar O’Connor Producer: Emily Esson, Victoria McArthur Research: Elizabeth Ann Duffy, Louise Yeoman Script Assistant and Additional Research: Marisha Currie Script Writers: Emily Esson, Jack Kibble-White Original Music: Lomond Campbell Theme Music: Barry Jackson Addition mixing and sound effects: Charlie McPhee, Kayleigh Raphel Story Consultant: Jack Kibble-White Script Editor: Graham Russell Executive Editor: Gillian Wheelan Commissioning Executive: Tracy Williams Commissioning Editor: Dan Clarke

A BBC Audio Scotland production for BBC Radio 4

Archive: The Russell Harty Show, ITV, April 1976

Thanks to Cheryl Field, Richard Field and Kirsty Williams

In order to unspool a family saga that has lasted over 80 years, Ragnar heads back to where it all began. He starts with the story of his mum, Nemone Lethbridge.

Her younger years were spent watching The Battle of Britain over the skies of Kent, and visiting the bunker where Hitler took his own life. This extraordinary childhood gave way to an extraordinary career as Nemone is one of the UK’s first female barristers. From defending the Kray Twins, to Winston Silcott, she’s made an incredible name for herself in her legal career.

And yet it was a chance meeting in a London pub in 1958 that changed the course of her life forever.

Presenter: Ragnar O’Connor Producer: Emily Esson, Victoria McArthur Research: Elizabeth Ann Duffy, Louise Yeoman Script Assistant and Additional Research: Marisha Currie Script Writers: Emily Esson, Jack Kibble-White Original Music: Lomond Campbell Theme Music: Barry Jackson Addition mixing and sound effects: Charlie McPhee, Kayleigh Raphel Story Consultant: Jack Kibble-White Script Editor: Graham Russell Executive Editor: Gillian Wheelan Commissioning Executive: Tracy Williams Commissioning Editor: Dan Clarke

A BBC Audio Scotland production for BBC Radio 4

Archive: The Russell Harty Show, ITV, April 1976

Thanks to Cheryl Field, Richard Field and Kirsty Williams

For 80 years, the O'Connors have battled what they believe to be a miscarriage of justice. Small time criminal Jimmy O'Connor was arrested for the murder of 'Donk' Ambridge and narrowly escaped the noose.

Fast-forward 25 years and Jimmy is living a wonderful life on the Greek island of Mykonos. Now a sought after TV scriptwriter, he rubs shoulders with The Rolling Stones and Jackie Onassis and entertains the great and the good with his wife Nemone Lethbridge, one of the UK's first female barristers who defended the Kray twins.

Yet the shadow of his conviction looms large over them both. His son, Ragnar O'Connor, along with his brother Milo and their 93-year-old mother are intent upon trying one last time to finally get to the truth.

A gruelling, emotional mission draws to a close.

In the aftermath of the operation and recovery at Jugroom Fort, the risks and rewards are analysed, but some costs are incalculable.

The Fort was told solely by current and former members of the Armed Forces, many speaking for the first time.

Produced by Kev Core Edited by Sue Roberts Sound by Sharon Hughes Commissioning Executive Tracy Williams Commissioned by Dan Clarke

Under pressure and under fire, the team are faced with the task of returning Lance Corporal Mathew Ford to base.

As exhaustion sets in and the clock ticks, Ed the pilot leaves the Apache to help with the recovery.

Back at the Zulu Company lines, Mathew's colleauges await his return.

The Fort is told solely by current and former members of the Armed Forces.

Produced by Kev Core