What are the best—and worst—streaming platforms for indie films right now? In this episode, I share real-world data from my distribution company to reveal where indie films actually make money. From Amazon’s reach to Tubi’s AVOD surprises, plus why Plex and YouTube sometimes outperform expectations, you’ll get a clear breakdown of what’s working and what’s not. Perfect for any filmmaker looking to maximize revenue.

In this episode, I explain what sales agents actually do for your movie at film markets like AFM, Cannes, and Berlin. From sending lineups weeks in advance to pitching buyers face-to-face, I break down the real process so you understand how films get sold—and why the final decision always comes down to the buyer.

TVOD, SVOD, and AVOD explained.In this episode, I break down the three main types of video on demand, what each one means, and why the order of release windows is crucial to maximizing your revenue. Whether you’re an indie filmmaker or just curious about how movies make money today, this is your crash course on the new world of VOD.

Networking at film markets like Cannes, EFM, or AFM doesn’t have to be intimidating. In this episode, I share practical tips from over two decades of experience: how to break the ice, when to pitch (and when not to), and the simple strategies that make people actually want to connect with you. If you’ve ever felt awkward walking into a market, this episode is your roadmap to networking with confidence. https://cart.filmmakingstuffhq.com/movie-meeting-mastery-secure-order/  

Most indie films fail financially—but not for the reasons you think. In this episode, I break down the genres that sell, the ones that don’t, and why marketing can matter more than the movie itself. If you want your film to have a real shot at making money, this is a must-listen.

Your pitch deck can make or break your film financing. In this episode, I share the three biggest mistakes filmmakers make with their decks—too much text, too flashy, and too long—and show you exactly how to fix them so investors actually want to read and engage. http://www.movieplanpro.com  

In this episode, I cover the three biggest mistakes filmmakers make when signing distribution agreements—long contracts, inflated expenses, and unfair splits. If you want to keep control of your film and maximize revenue, this is a must-listen.

Your first feature film matters more than you think. In this episode, I share why branding yourself in one genre—horror, comedy, drama, action—sets the foundation for your career. Learn how shorts prepare you for features, why consistency builds recognition, and how to avoid the trap of spreading yourself too thin.

Want to know how to make a micro-budget film look like it cost $1 million? In this episode, I reveal the simple but powerful strategies—big set pieces, smart casting, and professional sound—that can transform your indie film into something that looks like a blockbuster.

What do film investors really want? In this episode, I share the three things every investor looks for: excitement, the filmmaking experience, and a chance at revenue. If you’re raising money for your film, this is essential listening.

Learn how to sell your film before you even shoot it through pre-sales. I break down what works in today’s tougher market, why legitimate cast is king, and how distributors and sales agents can boost your financing game.

Getting into major film festivals like Sundance, Cannes, or Toronto isn’t about luck—it’s about connections. In this episode, I reveal the exact ways to make sure your film gets seen by the right people.

Learn how to approach film sales agents and distributors without sounding like a rookie. In this episode, I share insider tips from AFM, EFM, and Cannes—from the exact question you should ask to why a killer trailer will make or break your pitch. Whether your film is finished or still in pre-production, these steps will help you make connections and set up real opportunities.

Submitting to film festivals without a strategy is the fastest way to burn cash. In this episode, I explain how to choose the right festivals for your indie film, why big festivals like Sundance are a long shot, and when you’re better off skipping festivals entirely and heading to film markets instead. Perfect for indie filmmakers looking to save money and actually reach an audience.

What is a private equity investor, and why are they the ultimate key to financing your indie film? In this episode, I explain the difference between equity investors and other types of funding like soft money, tax credits, and loans. You’ll learn why private equity is about more than money—it’s about giving someone an exciting experience they can’t get anywhere else, and how to make your project irresistible to the right investor.

If you’re selling your movie and hear the term MG (Minimum Guarantee), you need to know exactly what it means—and what it doesn’t. In this episode, I break down how MGs work, the pros and cons, and how to avoid the classic “paid once” mistake many indie filmmakers make. Perfect for filmmakers navigating their first distribution deal or weighing an MG versus a revenue split.

🎬 What Sales Agents Really Want When You Pitch Your FilmPitching at a film market? You’ve got seconds to make a first impression. In this episode, I break down the three things every sales agent looks for: recognizable cast, a marketable genre, and a professionally cut trailer. The trailer alone can tip the scales—good or bad. Don’t blow your shot. Listen in and learn how to stand out in a crowded market.

In this episode, I break down the investor waterfall—how film investors get paid and what every business plan needs to include. I walk through the standard model (120% return + 50/50 split) with a clear $1M example. Whether you're raising from one investor or five, this is essential knowledge if you want to close real money. 🎧 Learn the basics of film finance in plain English—and why this one piece can make or break your deal.

In this episode, I break down why your one-pager is the first (and maybe only) chance you get to prove you're a professional filmmaker. We cover what to include, how to design it right, where to get great concept art, and the printing specs that work best at markets. Don’t let a bad first impression sink your film before it’s even made.

Want to land film investors? You need more than just a good project—you need to understand why they say yes. In this episode, we break down the three things that matter most to investors: excitement, experience, and the potential return. If you're pitching a film soon, don’t miss this one.