Grace A. Musila asks Hugo ka Canham about his book Riotous Deathscapes. They explore riotous methods, rural Mpondoland, precarity, storytelling, death and life as well as the natural and ancestral worlds.

Grace A. Musila is a Professor in the Department of African Literature at Wits University and the author of A Death Retold in Truth and Rumour: Kenya, Britain and the Julie Ward Murder (James Currey, 2015). She is the editor of Wangari Maathai’s Registers of Freedom (HSRC Press, 2019) and the Routledge Handbook of African Popular Culture (Routledge, 2022).

Hugo ka Canham is a Professor at the Institute for Social and Health Sciences at UNISA. He is the co-editor of Black Academic Voices: The South African Experience (HSRC Press, 2019). His latest book is Riotous Deathscapes (Duke University Press & Wits University Press, 2023).

In this episode we are in solidarity with academic, human rights lawyer and author Dr. Mohammed Al-Roken. We join PEN International and call on the authorities in the United Arab Emirates to free him. You can read more about his case here: https://www.pen-international.org/our-campaigns/day-of-the-imprisoned-writer-2021

As tributes to him, Hugo reads “Rain Falls on the Abstract World” by Gabeba Badperson and Grace reads from Dr Nawal El Saadawi’s essay “Dissidence and Creativity”.

This is the final episode of season nine. We’re so grateful to all our brilliant participants, our listeners for your support, our producer Andri Burnett, our executive producer Lara Buxbaum as well as Bongani Kona, Nadia Davids, Yewande Omotoso, Kate Highman and the whole of the board of PEN South Africa. Thank you to the U.S. Embassy in South Africa for the grant which made the last eight Transatlantic Seasons of The Empty Chair Podcast possible. 

We hope you’ll spend time browsing through our archives. All our episodes are freely available on our website or wherever you get your podcasts. 

This podcast series is made possible by a grant from the U.S. Embassy in South Africa to promote open conversation and highlight shared histories.

Bongani Kona interviews Gabeba Baderoon and Roger Reeves about their books The History of Intimacy and Dark Days: Fugitive Essays. They remember early transformative encounters with literature and their beginnings as writers. They also confer about essays, poetry, interior lives, family and their current projects. Roger reads from his essay “Reading Fire, Reading the Stars” in addition to his poems “Grendel” and “After the Funeral”. Gabeba reads her poems “Give” and “The Flats”.

Bongani Kona is a writer, editor and lecturer in the Department of Historical Studies at the University of the Western Cape. He is a board member of PEN South Africa.

Gabeba Baderoon is the author of Regarding Muslims: from Slavery to Post-apartheid  as well as the poetry collections, The Dream in the Next Body, A Hundred Silences and The History of Intimacy. She's the co-editor, with Desiree Lewis, of the essay collection, Surfacing: On Being Black and Feminist in South Africa. Gabeba is an Associate Professor in Women's, Gender and Sexuality Studies, African Studies and Comparative Literature at Penn State University.

Roger Reeves is the author of two poetry collections, King Me and Best Barbarian. Dark Days: Fugitive Essays was published by Graywolf Press in 2023. His essays have appeared in Granta, The Virginia Quarterly, The Yale Review and elsewhere. Roger is an Associate Professor of English and Creative Writing at the University of Texas at Austin.

In this episode we are in solidarity with the collective case of 12 Eritrean writers and journalists imprisoned in 2001. They are: Dawit Isaak, Fessehaye ‘Joshua’ Yohannes, Seyoum Tsehaye, Said Abdelkadir, Methanie Haile, Temesegen Ghebreyesuy, Yousif Mohammed Ali, Amanuel Asrat, Dawit Habtemichael, Matheos Habteab, Sahle ‘Wedi-ltay’ Tsefezab and Said Idris ‘Abu Are’.

We join PEN International, PEN Eritrea in Exile and PEN centres around the world in calling on the authorities in Eritrea to free them. You can read more about their case here: https://www.pen-international.org/our-campaigns/day-of-the-imprisoned-writer-2021

As tributes to them, Gabeba reads “All You Who Sleep Tonight” by Vikram Seth and Roger reads “Preliminary Question” by Aimé Césaire (translated by A. James Arnold and Clayton Eshleman).

This podcast series is made possible by a grant from the U.S. Embassy in South Africa to promote open conversation and highlight shared histories.

Kudakwashe Vanyoro interviews John Marnell and Alejandra Oliva about their books Seeking Sanctuary and Rivermouth. They deliberate about telling other people’s stories, the experiences of LGBTIQ migrants, immigration policies, translation, faith-based organisations and solidarity.

Kudakwashe Vanyoro is a lecturer in the Department of Anthropology at Wits University. He is the author of the forthcoming book Migration, Crisis and Temporality at the Zimbabwe-South Africa Border: Governing Immobilities (Bristol University Press, 2024).

John Marnell is a Doctoral Researcher at the African Centre for Migration & Society at Wits University. He is the author of Seeking Sanctuary: Stories of Sexuality, Faith and Migration (Wits University Press, 2021) and with B Camminga co-edited Queer and Trans African Mobilities: Migration, Asylum and Diaspora (Zed Books, 2022).

Alejandra Oliva is an essayist, embroider, translator and immigrant justice advocate. Her book Rivermouth: A Chronicle of Language, Faith and Migration (Astra House, 2023) received a Whiting Nonfiction Grant. She was the Yale Whitney Humanities Center Franke Visiting Fellow in Spring 2022.

In this episode we are in solidarity with Crimean Tatar citizen journalist and human rights defender Server Mustafayev. We call on the authorities in Russia to free him. You can read more about his case here: https://www.pen-international.org/our-campaigns/day-of-the-imprisoned-writer-2022

As tributes to him, John reads “Teach the Nation Poetry” by Stella Nyanzi, Alejandra reads “Like You” by Roque Dalton (translated by Jack Hirschman) and Kuda reads an extract from the book he’s writing with his brother, Diaries of Border.

PEN South Africa joins the PEN community in mourning the journalists and writers who have been killed in Russia’s war on Ukraine, including Ukrainian writer Volodemyr Vakulenko and PEN Ukraine member and human rights defender Victoria Amelina. Read more here: https://www.pen-international.org/news/pen-international-mourns-the-killing-of-victoria-amelina

This podcast series is made possible by a grant from the U.S. Embassy in South Africa to promote open conversation and highlight shared histories.

Yewande Omotoso asks Camille Dungy about her latest book, Soil: The Story of a Black Mother’s Garden. They delve into nature writing, gardening, radical generosity, writing revisions, the ethics of fellowship grants, hope and resilience.

Yewande Omotoso trained as an architect and holds a Masters in Creative Writing from the University of Cape Town. She is the Vice-President and Treasurer of PEN South Africa. Her debut novel Bom Boy (Modjaji Books, 2011) won the South African Literary Award First Time Author Prize. Yewande was a 2015 Miles Morland Scholar. Her second novel The Woman Next Door (Chatto and Windus, 2016) has been translated into Catalan, Dutch, French, German, Italian and Korean. An Unusual Grief (Cassava Republic, 2022) is her third novel.

Camille T. Dungy is the author of Soil: The Story of a Black Mother’s Garden (Simon & Schuster, 2023). She has also written Guidebook to Relative Strangers: Journeys into Race, Motherhood, and History (W.W. Norton & Company, 2017) and four collections of poetry, including Trophic Cascade (Wesleyan University Press, 2017). Dungy edited Black Nature: Four Centuries of African American Nature Poetry (University of Georgia Press, 2009). She is a University Distinguished Professor at Colorado State University.

In this episode we are in solidarity with Egyptian poet and lyricist Galal El-Behairy. We call on the authorities in Egypt to free him. You can read more about his case here: https://www.pen-international.org/news/poet-galal-el-behairy-marks-two-years-in-arbitrary-pre-trial-detention

As tributes to him, Camille reads extracts from El-Behairy’s “A Letter from Tora Prison” and Yewande reads Camille’s poem “Trophic Cascade”.

This podcast series is made possible by a grant from the U.S. Embassy in South Africa to promote open conversation and highlight shared histories.

Vuyokazi Ngemntu invites LaTasha N. Nevada Diggs and Sihle Ntuli to reflect on their poetic practice, language and dispossession, literacies, influences, rootedness, Black women’s histories and music. 

Vuyokazi Ngemntu is a writer-performer situated in Cape Town. She has received awards for her short stories and her work has appeared in The Kalahari Review, Herri, Ake Review and elsewhere.

LaTasha N. Nevada Diggs is a writer, vocalist and performance/sound artist. She is the author of the poetry collections TwERK (Belladonna, 2013) and Village (Coffee House Press, 2023). She lives in Harlem and teaches part-time at Brooklyn College and Stetson University.

Sihle Ntuli is a poet from Durban and a recipient of the 2023 JIAS Writing Fellowship for his poetry. He is the editor-in-chief of New Contrast.  He is the author of the poetry chapbooks Rumblin’ (Uhlanga, 2020) and The Nation (River Glass Books, 2023) in addition to the full-length poetry collection Zabalaza Republic (Botsotso, 2023).

In this episode we are in solidarity with writer and activist Wai Moe Naing. We call on the authorities in Myanmar to free him. You can read more about his case here: https://www.pen-international.org/news/myanmar-pen-member-now-serving-54-year-prison-sentence

As tributes to him, LaTasha reads “American Sonnet 61” by Wanda Coleman, Sihle reads his poem “The National Screening of Sarafina, Every Year on June 16th” and Vuyokazi reads her own untitled poem.

PEN South Africa joins the PEN community in mourning the passing of writer, photographer, artist, and President of PEN Myanmar, Nyein Chan (known by his pen name, Nyi Pu Lay). You can read more about him here: https://www.pen-international.org/news/myanmar-pen-mourns-the-passing-of-pen-myanmar-president-nyi-pu-lay

This podcast series is made possible by a grant from the U.S. Embassy in South Africa to promote open conversation and highlight shared histories.

Ashwin Desai and Goolam Vahed talk with Betty Govinden about their book Durban’s Casbah. They reflect on personal and collective pasts, bunny chows and bioscopes, critical nostalgia, indentured labour, migration, jazz and the Casbah today.

Betty Govinden is a retired academic, researcher, writer, poet and critic. She was awarded the English Academy of Southern Africa Gold Medal for distinguished service in 2022. Her published works include Sister Outsiders – Representation of Identity and Difference in Selected Writings by South African Indian Women (Unisa Press, 2008).

Ashwin Desai is a Professor in the Department of Sociology at the University of Johannesburg. He is the author of Wentworth: The Beautiful Game and the Making of Place (UKZN Press, 2019) and Reading Revolution: Shakespeare on Robben Island (Unisa Press, 2012) among many others.

Goolam Vahed is a Professor in the Department of History at the University of Kwazulu-Natal. His recent publications include Chota Motala. A Biography of Political Activism in the KwaZulu-Natal Midlands (UKZN Press, 2018). He is the co-author with Ashwin Desai of Colour, Class and Community – The Natal Indian Congress, 1971-1994 (Wits University Press, 2021) and Durban’s Casbah: Bunny Chows, Bolsheviks and Bioscopes (UKZN Press, 2023).

In this episode we are in solidarity with journalist José Rubén Zamora Marroquín. We call on the authorities in Guatemala to free him. You can read more about his case here: https://www.pen-international.org/news/guatemala-jose-ruben-zamora-marroquin-must-be-released

As tributes to him, Goolam reads “A Prison Evening” by Faiz Ahmad Faiz, Ashwin reads from Mafika Gwala’s poem for A.K.M. Docrat “A Stalwart – August 1977” and Betty reads from Maria Ressa’s How to Stand Up to a Dictator as well as a poem she wrote for José Rubén Zamora Marroquín.

This podcast series is made possible by a grant from the U.S. Embassy in South Africa to promote open conversation and highlight shared histories.

Phillippa Yaa de Villiers interviews Sarah Lubala and Mahtem Shiferraw about their poetry collections, A History of Disappearance and Nomenclatures of Invisibility. Sarah and Mahtem read several of their poems and contemplate language, ancestors, writing for a collective, migration, loss and awe.

Phillippa Yaa de Villiers lectures in Creative Writing at Wits University. She is the author of the poetry collections Taller than Buildings, The Everyday Wife, which won the 2011 South African Literary Prize, and ice-cream headache in my bone. She co-edited Keorapetse Kgositsile: Collected Poems (2023) alongside Uhuru Phalafala. 

Sarah Lubala is a Congolese-born poet. She has been shortlisted twice for the Gerald Kraak Award, and once for The Brittle Paper Poetry Award. She is the winner of the 14th edition of the Castello Di Duino prize. Her debut collection, A History of Disappearance, (Botsotso Publishing, 2022) won a Humanities and Social Sciences Award in 2023.

Mahtem Shiferraw is a writer and visual artist from Ethiopia and Eritrea. She is the author of three full-length poetry collections: Fuchsia which won the Sillerman First Book Prize for African Poets, Your Body is War and Nomenclatures of Invisibility (BOA Editions Ltd., 2023). She is the founder and executive director of Anaphora Arts. She also serves on the Editorial Board of World Literature Today. 

In this episode we are in solidarity with writer and human rights defender Teesta Setalvad. We call on the authorities in India to drop the charges against her. You can read more about her case here: https://www.pen-international.org/news/india-writer-and-human-rights-defender-teesta-setalvad-faces-imprisonment-after-gujarat-high-court-refuses-bail-plea

As tributes to her, Sarah reads "If They Come for Us" by Fatimah Asghar, Mahtem reads “If They Come for Me: After Fatimah Asghar” and Phillippa reads “Black Things” by Heather Robertson

This podcast series is made possible by a grant from the U.S. Embassy in South Africa to promote open conversation and highlight shared histories.

Mia Arderne asks Jade Song about their debut novel Chlorine. They discuss beliefs about mermaids, girlhood, magical realism, mental illness, writing about violence and sexual assault, reclaiming one’s body, queer narratives and advice for writers.

Mia Arderne is the author of Mermaid Fillet (Kwela, NB Publishers, 2020). Mia holds an MA in Creative Writing from the University of Cape Town. She has bylines in the Mail & Guardian, Daily Maverick and New Frame among others. Her narrative essay "1000 Nights in Silence" appears in the anthology Touch: Sex, Sexuality and Sensuality (Kwela, 2021). She has also written several children's stories published by Penguin Random House.

Jade Song is an artist, art director, and writer in New York City. Their stories and essays have appeared in Teen Vogue, Electric Literature, and various literary magazines.  Their debut novel Chlorine, a New York Times Editor’s Choice, is out now from William Morrow/HarperCollins (US) and from Footnote Press (UK). Their art direction work has been awarded by and featured in Campaign US, The Shortys, Bustle, and AdAge, among others. 

In this episode we are in solidarity with French-Turkish sociologist, feminist and writer Pınar Selek. We call on the Turkish authorities to drop the charges and end the decades long judicial harassment of Pınar Selek. You can read more about her case here: https://www.pen-international.org/news/trkiye-end-the-decades-long-judicial-harassment-of-pen-member-pnar-selek 

As tributes to her, Mia reads an extract from Mermaid Fillet and Jade reads an extract from “Postcolonial Love Poem” by Natalie Diaz. (Natalie Diaz was a guest on our podcast in season five episode four.)

This podcast series is made possible by a grant from the U.S. Embassy in South Africa to promote open conversation and highlight shared histories.

Khanya Mtshali asks Jarred Thompson and Tyriek White about their novels The Institute for Creative Dying and We Are a Haunting. They share their experiences of publishing their first novels and muse about craft, literary influences, religion, death, transatlantic history and creative responses to infrastructural decay.

Khanya Mtshali is a writer and critic from Johannesburg. She has an MA in Cultural Reporting and Criticism from New York University and has been published in The New Yorker, Africa Is a Country, The Johannesburg Review of Books and other places. She is the author of It's Not Inside, It's On Top: Memorable Moments in South African Advertising (Tafelberg, 2021) and she has published an introduction to the book, Last Interview and Other Conversations: Billie Holiday (Melville House, 2019).  

Jarred Thompson is a literary and cultural studies researcher and educator and works as a lecturer in the English Department at the University of Pretoria. He was the winner of the 2020 Afritondo Prize and has been the recipient of several prestigious scholarships. His debut novel, The Institute for Creative Dying, is published through Picador Africa and Afritondo UK.

Tyriek Rashawn White is a writer, musician, and educator from Brooklyn. He is currently the media director of Lampblack Lit. He has received fellowships from Callaloo Writing Workshop and the New York State Writer's Institute, among other honours. He earned an MFA from the University of Mississippi and is the author of the novel, We Are a Haunting (Astra House, 2023).

In this episode we are in solidarity with detained Chinese writer and journalist Dong Yuyu. We call for his freedom. You can read more about his case here: https://www.pen-international.org/news/pen-international-joins-pen-centres-worldwide-in-call-for-release-of-chinese-writer-and-journalist-dong-yuyu. 

As tributes to him, Tyriek reads from “On My Way out I Passed over You and the Verrazano Bridge” by Audre Lorde, Jarred reads “Still at War with the Stoics” by Jacques Coetzee and Khanya reads “Twenty Questions for your Mother” by Mahtem Shiferraw.

This podcast series is made possible by a grant from the U.S. Embassy in South Africa to promote open conversation and highlight shared histories.

KB Brookins talks with Maneo Mohale about their poetry collection Freedom House. They contemplate poetry, social justice, community, police brutality, Blackness and transness as well as hope.

They both read poems from Freedom House. Maneo reads “Black Life circa 2029” and “T Shot #1” and KB reads “He/they in the streets, them/them in the sheets” and “T Shot #5: Ode to my Sharps Container”.

Maneo Mohale is a South African editor, feminist writer and poet. They have been long-listed twice for the Sol Plaatje European Union Poetry Anthology Award, and their debut collection of poetry, Everything is a Deathly Flower was published by uHlanga in September 2019. The collection was shortlisted for the Ingrid Jonker Poetry Prize, later winning the 2020 Glenna Luschei Prize for African Poetry. They currently serve as a research associate with the Centre for the Study of Race, Gender and Class at the University of Johannesburg. 

KB Brookins is a Black, queer, and trans writer, cultural worker and artist from Texas. They are the author of How to Identify Yourself with a Wound (Kallisto Gaia Press 2022), winner of the Saguaro Poetry Prize and an American Library Association Stonewall Honor Book in Literature, and Freedom House (Deep Vellum 2023), which has been recommended by Vogue among others. KB’s writing is published in Poets.org, HuffPost, Poetry Magazine, and elsewhere. They are currently a National Endowment of the Arts fellow. KB’s debut memoir Pretty (Alfred A. Knopf) releases in 2024. 

In this episode we are in solidarity with Cuban journalist Lázaro Yuri Valle Roca. We call for his freedom. You can read more about his case here: https://cpj.org/2022/08/cuban-journalist-lazaro-yuri-valle-roca-sentenced-to-5-years-in-prison/. 

As tributes to him, KB reads “To the Young Who Want to Die” by Gwendolyn Brooks and Maneo reads “Love, Again” by Sarah Lubala.

This podcast series is made possible by a grant from the U.S. Embassy in South Africa to promote open conversation and highlight shared histories.

Sean O’Toole asks Bronwyn Law-Viljoen and Idra Novey about their novels Notes on Falling and Take What You Need. They discuss the emotional repertoires of their characters, the political context of their work, art-making as well as writing about mothers and daughters.

Sean O’Toole is a writer, editor and curator based in Cape Town. His two books are Irma Stern: African in Europe - European in Africa (2021), and The Marquis of Mooikloof and Other Stories (2006). He is the editor of three volumes of cultural essays, most recently The Journey: New Positions on African Photography (2020).

Bronwyn Law-Viljoen is a Senior Lecturer in Creative Writing at the University of Adelaide and the former Head of Creative Writing at Wits University. She has doctorates from New York University and the University of the Witwatersrand. Her first novel, The Printmaker, (Umuzi, 2016) won the 2018 Olive Schreiner Prize. Her second novel, Notes on Falling was published by Umuzi/Penguin-Random House in 2022.

Idra Novey's most recent novel is Take What You Need (Viking, 2023). She is the author of Those Who Knew (2019) and Ways to Disappear (2016). Her poetry collections include Exit, Civilian, The Next Country and Clarice: The Visitor. Her works as a translator include Clarice Lispector’s novel The Passion According to G.H. and a co-translation with Ahmad Nadalizadeh of Iranian poet Garous Abdolmalekian, Lean Against This Late Hour. She teaches fiction at Princeton University.

In this episode we are in solidarity with Cuban artist and activist Luis Manuel Otero Alcántara. We call for his freedom. You can read more about his case here: https://www.pen-international.org/news/pen-international-and-pen-america-condemn-cruel-and-inhumane-prison-sentences-imposed-without-legal-merit-on-cuban-artist-activists-luis-manuel-otero-alcntara-and-maykel-osorbo-castillo-prez and his art here: https://artistsatriskconnection.org/story/luis-manuel-otero-alcantara. 

As tributes to him, Idra reads from Aimé Césaire’s “Notebook of a Return to the Native Land” (translated by A. James Arnold and Clayton Eshleman), Bronwyn reads two poems by Francisco Márquez, and Sean reads from “The Artist as Hostage: Luis Manuel Otero Alcántara” by Coco Fusco.

This podcast series is made possible by a grant from the U.S. Embassy in South Africa to promote open conversation and highlight shared histories.

Lester Walbrugh asks Manuel Muñoz about his latest collection of short stories: The Consequences. Manuel reflects on his Mexican-American identity, working on farms as a young boy and embracing his family’s stories. He discusses deportation, silence and queer codes, community, being seen and the inclusion of Spanish in his writing.

Manuel and Lester also explore parallels between their lives in the Central Valley in the U.S. and Grabouw in South Africa.

Lester Walbrugh is from Grabouw in the Western Cape. His acclaimed short stories have been published in, among others, the anthologies of Short.Sharp.Stories and Short Story Day Africa, New Contrast and, most recently, Hair: Weaving & Unpicking Stories of Identity. He has lived in the UK and Japan and is currently back in his hometown. Let It Fall Where It Will is his debut short story collection. Elton Baatjies is his first novel. Both are published by Karavan Press. 

Manuel Muñoz is the author of The Consequences: Stories (Graywolf Press, 2022).  He is the winner of the 2023 Joyce Carol Oates Prize, and the collection was a finalist for the Aspen Words Literary Prize and was shortlisted for The Story Prize. The author of two previous collections of short stories, Zigzagger and The Faith Healer of Olive Avenue, and a novel, What You See in the Dark, Muñoz has been recognized with a Whiting Writer’s Award, three O. Henry Awards and two appearances in Best American Short Stories. A native of Dinuba, California, Muñoz currently lives and works in Tucson, Arizona.

In this episode we are in solidarity with Kyaw Min Swe, a news editor and journalist detained in Myanmar. We call for his freedom. As tributes to Kyaw Min Swe, Manuel reads “This Bright Day” by A. R. Ammons and Lester reads an extract from Lethokuhle Msimang’s The Frightened.

UPDATE: We welcome reports that journalist Kyaw Min Swe was released on 7 July 2023. Info and background here: https://www.pen-international.org/news/myanmar-arrest-of-journalist-latest-example-of-juntas-ongoing-repression-of-peaceful-expression

This podcast series is made possible by a grant from the U.S. Embassy in South Africa to promote open conversation and highlight shared histories.

Cristina Rivera Garza is in conversation with Stacy Hardy about her book Liliana’s Invincible Summer. Cristina reflects on the experience of writing this book – a celebration of the life of her sister Liliana, who was murdered in 1990 by an ex-boyfriend. 

She considers alternative forms of justice, love, freedom, genre, the power of writing and language, subverting the narrative of patriarchy and the profound connections between the living and the dead.

Stacy Hardy is a writer, researcher and editor. Her first short fiction collection, Because the Night, was published by Pocko, London in 2015, and a new collection, An Archaeology of Holes, was released in translation by Rot-Bo-Krik in France in 2022 and is forthcoming in English via Bridge Books, USA. Her plays and librettos have been performed globally. Hardy is also a lecturer in Creative Writing, a partner in Saseni, and a founder of Ukuthula, a pan-African initiative that develops new writing from and against gender-based violence. She is currently a research fellow at The University of Chicago.

Cristina Rivera Garza is the award-winning author of The Taiga Syndrome and The Iliac Crest, among many other books. Rivera Garza is a recipient of the MacArthur Fellowship and the Sor Huana Inés de la Cruz Prize. She is the M. D. Anderson Distinguished Professor in Hispanic Studies, and director of the PhD program in creative writing in Spanish at the University of Houston. Her most recent book is Liliana’s Invincible Summer (Hogarth, 2023). 

In this episode we are in solidarity with journalist Víctor Ticay, imprisoned in Nicaragua. Cristina and Stacy share moving tributes to Víctor and we call for his freedom. You can read more about his case here: https://www.pen-international.org/news/nicaragua-pen-international-condemns-the-imprisonment-and-charges-against-journalist-vctor-ticay

This podcast series is made possible by a grant from the U.S. Embassy in South Africa to promote open conversation and highlight shared histories.

Bongani Kona asks poet Charif Shanahan about his latest collection Trace Evidence: poems (Tin House, 2023). Charif reflects on his family background, the intricacies of mixed-race identity in America, Morocco, the meaning of home, his education as a poet, love, shame and the worth of poetry. He reads ‘Colonialism’ and ‘ “Mulatto” :: “Quadroon” ’ from Trace Evidence.

Bongani Kona is a writer, editor and lecturer in the Department of History at the University of the Western Cape He is a member of the board of PEN South Africa.  

Charif Shanahan is the author of two collections of poetry: Trace Evidence: poems (Tin House, 2023) and Into Each Room We Enter without Knowing (Crab Orchard Series in Poetry/SIU Press, 2017), which was a finalist for the Lambda Literary Award for Gay Poetry and the Publishing Triangle's Thom Gunn Award. His work has appeared in American Poetry Review, The Nation, The New Yorker, The New York Times Magazine and in various other publications. He is the guest editor of the summer 2023 issues of Poetry Magazine. Charif lives in Chicago, Illinois and is an Assistant Professor of English and Creative Writing at Northwestern University. 

In this episode we are in solidarity with imprisoned Rwandan journalist Dieudonné Niyonsenga, who also goes by the name Hassan Cyuma. We call for his freedom. You can read more about his case here: https://cpj.org/data/people/dieudonne-niyonsenga/. As a tribute to Dieudonné, Charif reads Lucie Brock-Broido’s poem “The American Security Against Foreign Enemies Act”.

This podcast series is made possible by a grant from the U.S. Embassy in South Africa to promote open conversation and highlight shared histories.

Victoria J. Collis-Buthelezi asks Athambile Masola and Makhosazana Xaba about their book Noni Jabavu: A Stranger at Home.

They reflect on when they first encountered Noni’s writing, her life and her family, the origins of the phrase “I write what I like”, the difference between living abroad and exile, Black women travelling, transnational archives and the challenges of biographical research.

Victoria J. Collis-Buthelezi is an Associate Professor in English, and Director of the University of Johannesburg’s Centre for the Study of Race, Gender and Class.

Athambile Masola is a writer, researcher and an award-winning poet based in the Department of Historical Studies at the University of Cape Town.

Makhosazana Xaba is an award-winning multi-genre anthologist, short story writer and poet. She is an Associate Professor of Practice at the Centre for Race, Gender and Class based at the University of Johannesburg.

Athambile and Makhosazana collaborated on a collection of Noni Jabavu's Daily Dispatch columns from 1977, A Stranger at Home (Tafelberg, 2023).

Our participants also warmly remember Prof Bhekizizwe Peterson (1961-2021), a professor of African literature at Wits University and co-editor (along with Makhosazana and Khwezi Mkhize) of Foundational African Writers: Peter Abrahams, Noni Jabavu, Sibusiso Nyembezi and Es’kia Mphahlele (Wits University Press, 2022).

In this episode we are in solidarity Andrzej Poczobut, imprisoned in Belarus. You can read more about his case here: https://www.pen-international.org/news/belarus-free-writer-and-journalist-andrzej-poczobut

As tributes, Athambile reads from Mongane Wally Serote’s “Third World Express”, Makhosazana reads Lindiwe Mabuza’s “Voices that Lead” and Victoria reads an extract from Beah Richards’s “A Black Woman Speaks … Of White Womanhood, of White Supremacy, of Peace”.

This is the final episode of the season. We’ll be back with season eight after a short break.

This podcast series is made possible by a grant from the U.S. Embassy in South Africa to promote open conversation and highlight shared histories.

Angelo Fick asks Darryl Pinckney about his book Come Back in September: A Literary Education on West Sixty-seventh Street, Manhattan.

Darryl remembers his friendship with critic and author Elizabeth Hardwick, who taught him that writing is a matter of reading. He reflects on his diaries, avant-garde New York in the 1970s, Robert Lowell,  feminism and Black politics, The New York Review of Books and aging.

Angelo Fick is the Director of Research at ASRI. For two decades he taught across a variety of disciplines in the Humanities and Applied Sciences in universities in South Africa and Europe. He has written widely on post-apartheid South Africa’s political economy.

Darryl Pinckney is a long-time contributor to The New York Review of Books. He is the author of two novels, several works of nonfiction and has contributed to numerous other publications. His theatrical collaborations with director Robert Wilson have appeared internationally and at the Brooklyn Academy of Music. His most recent book is Come Back in September: A Literary Education on West Sixty-Seventh Street, Manhattan (Farrar, Straus and Giroux, 2022).

In this episode we are in solidarity with Mahvash Sabet and Fariba Kamalabadi. In November 2022, they were both unjustly sentenced to a second decade in prison in Iran. You can read more about their case here: https://www.pen-international.org/news/mahvash-sabet-sentenced-to-ten-years-in-prison

As tributes to them, Darryl reads “Hello Again” and “Lights Out” from Sabet’s Prison Poems as well as “Jerusalem” by James Fenton. Angelo reads Sabet’s poem “To Fariba Kamalabadi”.

This podcast series is made possible by a grant from the U.S. Embassy in South Africa to promote open conversation and highlight shared histories.

Sisonke Msimang interviews Barbara Masekela about her memoir Poli Poli. Barbara remembers her childhood home with her grandmother and honours her generation of Black women. She contextualises her family’s life in the history of dispossession, mobility, apartheid and reflects on her exile in the U.S. and transatlantic cultural ties.

Barbara also mentions her friendship with the late Keorapetse “Bra Willie” Kgositsile, who is celebrated in episode four of this season.

Sisonke Msimang is the author of two books: Always Another Country: A memoir of exile and home, and The Resurrection of Winnie Mandela.  She has written essays and articles for a range of international press, and she works as a curator and storyteller. Sisonke is also a member of the board of PEN South Africa.  

Barbara Masekela is a South African poet, educator, mother, and activist. She has served as ambassador to the United States and France, and has held various executive and non-executive directorships, including at Standard Bank, the South African Broadcasting Corporation and De Beers. Her memoir Poli Poli was published by Jonathan Ball in 2021. She lives in Johannesburg.

In this episode we are in solidarity with academic and activist Dr Abduljalil Al-Singace. You can read more about his case here: https://www.pen-international.org/news/free-dr-abduljalil-al-singace

As tributes to Dr Al-Singace, Barbara reads an extract from Margaret Walker’s “For My People” and Sisonke shares a quote about courage from Maya Angelou.

This podcast series is made possible by a grant from the U.S. Embassy in South Africa to promote open conversation and highlight shared histories.

Bongani Kona hosts Robin Coste Lewis for a discussion of her award-winning poetry collections To the Realisation of Perfect Helplessness and Voyage of the Sable Venus. 

This capacious conversation includes a reckoning with mortality and a homage to the dead, brain damage and memory loss, poetry and metaphor, mentors, time as a tool of oppression, the life of Black Arctic explorer Matthew Henson, diaspora, Western art and visual culture, Robin’s grandmother’s photo album, unknowability and new ways of looking. 

Bongani Kona is a PhD candidate and lecturer in the Department of History at the University of the Western Cape. He’s also on the board of PEN South Africa. 

Robin Coste Lewis won the National Book Award for her first collection of poetry Voyage of the Sable Venus and Other Poems (Knopf, 2015). Her second book, To the Realisation of Perfect Helplessness (Knopf, 2022) won the 2023 PEN/Voelcker Award for Poetry Collection. Robin is the former poet laureate of Los Angeles. She holds a PhD in Poetry and Visual Studies from the University of Southern California

In this episode we stand in solidarity with İlhan Sami Çomak. He has been imprisoned in Türkiye for 28 years. You can read more about his case here: https://ilhancomak.wordpress.com/. A selection of his poems Separated from the Sun was published in September 2022:  https://smokestack-books.co.uk/book.php?book=223

As a tribute, Robin reads İlhan Sami Çomak’s “I Give Praise to Flight” translated by Caroline Stockford and “There but for the Grace” by Wisława Szymborska.

This podcast series is made possible by a grant from the U.S. Embassy in South Africa to promote open conversation and highlight shared histories.

Sandile Ngidi and Uhuru Phalafala honour the life and legacy of Keorapetse “Bra Willie” Kgositsile.

Sandile asks Uhuru about Kgositsile’s exile in the U.S., his impact on the Black Arts Movement and the significance of Pan-Africanism. Uhuru also emphasises several influences on Kgositsile’s poetics and politics: his mother and grandmother, Setswana literature and language, music, as well as Amílcar Cabral. 

Sandile reads Kgositsile’s “June 16 Year of Spear”, Uhuru reads “For Gloria Bosman” and they both reflect on his poems “Red Song” and “No Serenity Here”.

Sandile Ngidi is a poet, art critic and Zulu/English literary translator. He is committed to researching the role of black intellectuals as critical producers of emancipatory knowledge, practices and thought especially in colonial and apartheid South Africa. In 2018, Mahlephula Press published his poetry chapbook, You Can’t Tell Me Anything Now.

Uhuru Phalafala is a senior lecturer in the English department at Stellenbosch University. She is a co-editor along with Phillippa Yaa de Villiers of Keorapetse Kgositsile: Collected Poems, 1969–2018 (University of Nebraska Press, 2023). Uhuru is the author of Mine Mine Mine (University of Nebraska Press, 2023), a mythopoetic epic on the migrant labour system. One of her forthcoming books is a monograph on former national poet laureate Keorapetse Kgositsile.

In this episode we stand in solidarity with Chinese poet, Zhang Guiqi (known by his pen name Lu Yang). You can read more about his case in an article by PEN America https://pen.org/press-release/grave-concern-for-poet-zhang-guiqi-sentenced-to-six-years-in-prison-for-calling-on-xi-jinping-to-step-down/ and an interview with his daughter: https://www.rfa.org/english/news/china/poet-aughter-08052022092139.html

As tributes to Zhang Guiqi. Uhuru reads “I Belong There” by Mahmoud Darwish and Sandile reads one of his own poems in Zulu and English.

This podcast series is made possible by a grant from the U.S. Embassy in South Africa to promote open conversation and highlight shared histories.

Ekow Duker asks Millard Arnold about his book The Testimony of Steve Biko. They consider the significance of Biko’s four and a half days on the witness stand in 1976, at the trial of nine student leaders from South African Students' Organisation (SASO) and the Black People's Convention (BPC).

 Millard also reflects on his early life and education in the US, Ernest Cole’s House of Bondage (1967), his work for the Lawyers’ Committee for Civil Rights Under Law and Biko’s legacy.

Ekow Duker is an oil field engineer turned banker turned writer based in Johannesburg. He is a previous board member of PEN SA and the author of four novels: White Wahalla, Dying in New York, The God Who Made Mistakes and Yellowbone.

Millard Arnold has been a lawyer, diplomat, deputy assistant secretary of state, chairman and director of companies, professor of law, author, journalist, poet, actor, artist, prize-winning photographer and recipient of the US government’s Gold Medal for Distinguished Achievement in the Foreign Service. He edited The Testimony of Steve Biko (Picador Africa, 2017) and No Fears Expressed: Quotes from Steve Biko (Picador Africa, 2017).

In this episode we stand in solidarity with linguistics scholar and activist Hany Babu. You can read more about his case here: https://www.pen-international.org/news/international-mother-language-day-2022. Listen to an ABC Radio feature on him: https://www.abc.net.au/radionational/programs/latenightlive/dr-hany-babu-and-india-s-political-prisoners/101713914

As tributes, Millard shares his poem “My India” that he wrote for Hany Babu and Ekow reads from Millard’s words in The Testimony of Steve Biko.

This podcast series is made possible by a grant from the U.S. Embassy in South Africa to promote open conversation and highlight shared histories.