On this episode, we talk to James Zahn aka The Rockfather as well as the Sr. Editor of The Toy Book, The Toy Insider and The Pop Insider, about the state of the toy industry in 2019.

Dr. Zeitlin discusses adolescence, smartphone use, social media, and tips on how to navigate uncharted waters as a parent of a new adolescent.

Angela Santomero, the creative mind behind children's media hits such as Blue's Clues, Super Why, and Daniel Tiger's Neighborhood, discusses her life, the creative process behind the development of children's television shows, and her insights about the future in children's media.

Hip Hop Music Artist Beleaf talks about his new album "In Fatherhood", his creative process, and life as a stay-at-home Dad. He also discusses his ambition to change the cultural misrepresentation of being a Black father in the United States.

Dr. Lynne Kenney talks about some of her ideas on how parents can effectively bring calm to anxious children. We also discussed how parents can self-regulate themselves, as well as how to bring balance for those working at home.

We talk to Chief Elemental Officer Julie Kerwin about IAmElemental, a toy company on a mission.

Jim Lin from Busy Dad Blog, Vera Sweeney from Lady and the Blog, and Beau Coffron from Lunchbox Dad talk about the state of toys from their own childhood, today's tech integrated toys, and the toys they'd love to have in 2017.

In this episode of The CuteMonster Show podcast, I interviewed Rhya Tamasauskas—entrepreneur, multi-disciplinary designer,and co-founder of Canadian based toy brand The Monster Factory.

In this episode of The CuteMonster Show podcast, I interviewed Ryan Penagos, VP and Executive Director of Marvel's Digital Media Group. As a comic book fan it's comforting to know there are like-minded individuals overseeing Marvel's massive superhero empire.

It's been a back and forth struggle to get The CuteMonster Show podcast underway in earnest. There was the inevitable prolonged search for the perfect microphone. Also,the incredibly meticulous and time-consuming research about podcasting which in retrospect probably heightened the anxiety and procrastination of starting a show. "It's got to be perfect!" Then eventually coming full circle to the epiphany that any endeavor worth doing should be fun. And so we begin.