The Beatles: Note By Note

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The Beatles: Note By Note

Note By Note Series

96 episodes

2 days ago

Join former bandmates and lifelong friends Peter and Kenyon as they dive deep into the legendary discography of The Beatles in "The Beatles: Note by Note." With decades of friendship and a shared passion for music, these lifelong Beatles fans meticulously analyze each Beatles song in chronological order of release. Blending historical context with personal anecdotes and technical insights, Peter and Kenyon's discussions are enriched by their background as musicians. From their humble beginnings to their rise as music icons, explore how The Beatles' songs were crafted, recorded, and how they transformed the music industry. Whether you're a die-hard fan or new to The Beatles' music, "The Beatles: Note by Note" offers a comprehensive and definitive journey through the catalog of one of the greatest bands of all time. This podcast is a must-listen for anyone seeking an in-depth, authoritative exploration of The Beatles' musical legacy.

For more information, visit https://www.notebynoteseries.com

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Music Commentary

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Join former bandmates and lifelong friends Peter and Kenyon as they dive deep into the legendary discography of The Beatles in "The Beatles: Note by Note." With decades of friendship and a shared passion for music, these lifelong Beatles fans meticulously analyze each Beatles song in chronological order of release. Blending historical context with personal anecdotes and technical insights, Peter and Kenyon's discussions are enriched by their background as musicians. From their humble beginnings to their rise as music icons, explore how The Beatles' songs were crafted, recorded, and how they transformed the music industry. Whether you're a die-hard fan or new to The Beatles' music, "The Beatles: Note by Note" offers a comprehensive and definitive journey through the catalog of one of the greatest bands of all time. This podcast is a must-listen for anyone seeking an in-depth, authoritative exploration of The Beatles' musical legacy.

For more information, visit https://www.notebynoteseries.com

Hosted on Acast. See acast.com/privacy for more information.

Show more...

Music Commentary

Episodes (20/96)

The Beatles: Note By Note

EP056 - I'm Happy Just To Dance With You ft. Nancy Howie (Fathom)

George double-tracked his vocal “to perfection,” and the rest is Beatles history—maybe. In this episode, Kenyon and Peter are joined by special guest Nancy from Vinyl Friday for a full-bodied takedown (and celebration) of I’m Happy Just to Dance with You. They tackle why John and Paul dismissed the song as “formula,” why it might be way deeper than anyone admits, and why George’s vocals deserve a standing ovation. Along the way, they dig into danceable rhythms, surprising chord changes, and the early signs of each Beatle’s musical maturation. Nancy drops a “Beatles First” on George’s film debut, Peter defends romantic innocence, and Kenyon unveils the tragic, boozy tale of Alf Lennon dancing with a mannequin. If you ever wrote off this song, this episode might just change your mind.

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2 days ago

1 hour 25 minutes 52 seconds

The Beatles: Note By Note

LS056 - I'm Happy Just To Dance With You - Lecture Series (bonus)

In this episode of the Beatles Lecture Series, Kenyon dives deep into the oft-overlooked “I’m Happy Just to Dance with You,” written by John Lennon and sung by George. While John dismissed it as a “work song,” this lecture uncovers its quiet brilliance. Kenyon explores how the lyrics—simple on the surface—suggest deeper implications about love, sufficiency, and emotional restraint. From a music theory angle, the episode highlights the song’s unusual tonal movement between E major and C♯ minor, inventive use of plagal cadences, and melodic development that disguises repetition with elegance. Kenyon also draws comparisons to “Do You Want to Know a Secret” and finds echoes of Disney scores and jazz solos. It’s a playful, intricate tune that reveals the Beatles’ evolving harmonic language—and perhaps John’s own ambivalence about pop craft. A must-listen for fans of Beatles deep cuts and songwriting analysis.

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2 days ago

32 minutes 59 seconds

The Beatles: Note By Note

EP055 - If I Fell ft. Peter Pisano

In this episode of Note by Note, we unravel the layered vulnerability of If I Fell, a Lennon ballad that holds more than meets the ear. Kenyon, Peter, and Justin explore its striking intro—modulating from D♭ to D major—and how the tonal ambiguity sets the stage for a love song laced with self-doubt.

They discuss the sincerity and irony woven into the lyrics, questioning whether John is making a true romantic plea or mocking the very sentiment. The trio also breaks down the vocal blend between John and Paul, focusing on the small imperfections that make the harmony feel human.

There’s humor too—especially in the discussion of the shaky middle-eight and Paul’s comedic smirk in live footage. But at the heart of it is a Lennon song trying to sound confident, while quietly asking not to be hurt again.

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1 week ago

1 hour 15 minutes 55 seconds

The Beatles: Note By Note

LS055 - If I Fell - Lecture Series (bonus)

John Lennon’s “If I Fell” may sound like a tender ballad, but dig a little deeper and you’ll find a song loaded with ambiguity and emotional risk. In this lecture, Kenyon explores the idea that it’s not just a rebound love song, but a veiled confession of infidelity—highlighting the mysterious “her” mentioned throughout. We also dive into the harmonic sophistication of the intro, its Broadway-style chromaticism, and how the song’s structure toys with expectations. There’s a close look at the shifting roles of melody and harmony between John and Paul, and a breakdown of the advanced musical devices hidden in this deceptively simple tune. As always, it’s a blend of historical insight, music theory, and lyrical interpretation—designed to deepen your appreciation for one of Lennon’s most quietly complex early works.

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1 week ago

53 minutes 45 seconds

The Beatles: Note By Note

EP054 - I Should Have Known Better

Before Help! and long before Norwegian Wood, there was I Should Have Known Better—John Lennon’s first brush with Bob Dylan-style introspection. In this episode, Kenyon and Peter explore the song’s pivotal place in Lennon’s evolution, tracing how a three-week binge on Freewheelin’ in Paris unlocked a new songwriting voice. From harmonica gags and studio laughs to the delicate blues turn in the bridge, the track reveals Lennon’s tentative first steps toward depth and realism. You’ll also hear about harmonica edits, stereo mix blunders, Beach Boys covers, and George’s girlfriend timeline—from childhood crush to Pattie Boyd. If you’ve ever overlooked this mid-album gem, let us convince you otherwise.

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2 weeks ago

1 hour 18 minutes 58 seconds

The Beatles: Note By Note

LS054 - I Should Have Known Better - Lecture Series (bonus)

At first glance, “I Should Have Known Better” seems like a standard early Beatles love song. But in this lecture, we uncover a deeper emotional arc beneath its simple title. Is John Lennon reflecting on love, or quietly regretting it? We analyze the song’s evolving lyrical perspective—from naive infatuation to possible disillusionment—and trace how Lennon builds that narrative through harmonic pacing, key modulation, and melodic delay. Musically, we examine the folk-inflected harmonica, the pivot from G to E minor, and John’s signature use of the fifth degree in melody. You'll learn about his “boomerang gesture,” an expressive melodic trick that adds depth to the song’s phrasing, and explore one of Lennon’s most emotionally compelling middle eights. With its delicate outro and shifting tonal center, this song proves more complex than it seems—and a revealing case study in how John stretched the Beatles' pop vocabulary into something more introspective.

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2 weeks ago

43 minutes 15 seconds

The Beatles: Note By Note

EP053 - A Hard Day's Night ft. Justin Mann

In this packed episode of The Beatles: Note by Note, Kenyon, Peter, and Justin dive deep into the song “A Hard Day’s Night.” They unravel the song's hectic creation on April 13, 1964, when Lennon famously wrote it overnight, transferring lyrics from a matchbox to the back of his son's birthday card. The trio dissects the instantly iconic opening chord, recreates its harmonic layers live on the podcast, and credits journalist Maureen Cleave for influencing the final lyric: “I find the things that you do will make me feel all right.” You'll also hear how director Richard Lester pressured the band to “play more cinematically” and how George Martin used a tack piano known as the “Mrs. Mills piano” to create that unforgettable solo. With personal stories, technical breakdowns, and musical humor, this is your all-access pass to the origin of one of the Beatles’ most explosive tracks.

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3 weeks ago

1 hour 51 minutes 56 seconds

The Beatles: Note By Note

LS053 - A Hard Day's Night - Lecture Series (bonus)

John Lennon had a problem: how do you write a love song called “A Hard Day’s Night”? In this lecture, we analyze how he solved it—lyrically and harmonically—using idioms, tonal ambiguity, and jazzy fourths to disguise a fairly conventional romantic setup. We unpack the grammar of the title, trace Lennon’s melodic habits, and spotlight the song’s most daring chord substitutions. You’ll hear why the bridge sounds like a different songwriter entirely, and how the intro chord helped define rock harmony for decades. With comparisons to “Can’t Buy Me Love” and “I Saw Her Standing There,” this lecture explores how the Beatles used arrangement, form, and tension to shape the emotional impact of their biggest early single. Whether you’re interested in music theory or songwriting craft, this is a deep dive into one of the band’s most sophisticated pop constructions.

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3 weeks ago

52 minutes 14 seconds

The Beatles: Note By Note

EP052 - A Hard Day's Night Film ft. Stephen Ptacek

A Hard Day’s Night wasn’t just the Beatles’ first film—it was a cinematic reset button for the music movie. In this episode, Peter, Kenyon and special guest Stephen explore how Richard Lester’s direction, Alun Owen’s script, and the band’s own instincts combined to create a kinetic, irreverent, and deeply influential piece of pop art.

From surreal cutaways to handheld camera work, the film captured the chaos of Beatlemania while also mythologizing it. We examine how it introduced character tropes still associated with the Beatles today (Paul’s “clean” image, Ringo’s melancholy, George’s sarcasm), and how its style shaped everything from Help! to Spinal Tap.

We also look at how United Artists’ commercial motives accidentally led to something timeless—and how the Beatles, often underplayed as actors, bring the script to life through pure charm and rhythm. A Hard Day’s Night may be rooted in 1964, but it still feels modern.

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1 month ago

2 hours 18 minutes 58 seconds

The Beatles: Note By Note

EP051 - Matchbox

Originally a Carl Perkins B-side, Matchbox became a showcase for Ringo Starr during the Beatles’ whirlwind studio sessions of mid-1964. In this episode, we explore why Ringo was chosen to sing this rockabilly relic, how it fits within the band’s American roots influences, and the peculiar circumstances surrounding its recording.

With George Harrison on lead guitar and producer George Martin himself playing piano, the session was slapped together in between tour rehearsals and studio catch-up. Ringo’s vocal is energetic but limited, and the track’s historical significance often outweighs its musical punch.

We also discuss the broader role of “Ringo songs” during this period and how Matchbox helped solidify his image as the affable, everyman Beatle—even when the material was beneath the band’s usual standards. It’s a minor track, but a meaningful glimpse into the Beatles’ live-driven momentum in 1964.

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1 month ago

1 hour 11 minutes 35 seconds

The Beatles: Note By Note

EP050 - Slow Down

“Slow Down” might be credited to The Beatles, but this cover of a Larry Williams B-side reveals more about the band’s limitations than their strengths. In this episode, we take a close listen to John Lennon’s vocal delivery—raw, impassioned, and unsteady—and question how this track ended up released at all.

We explore the hurried recording process, George Martin’s unusually hands-off approach, and the unflattering final mix that left Lennon audibly straining to keep up with the tempo. It’s not just a technical mess—it’s a philosophical one too, raising questions about artistic control, band fatigue, and the group’s growing pains in 1964.

Still, the track serves as an authentic moment in Beatles history. “Slow Down” captures the chaos of their rise and the human edge of Lennon’s rock-and-roll obsession. It’s imperfect, but telling—and we’re here for the story behind it.

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1 month ago

1 hour 3 minutes 13 seconds

The Beatles: Note By Note

EP049 - Like Dreamers Do

Before The Beatles were a household name, before “Love Me Do,” there was Like Dreamers Do—a teenage composition by Paul McCartney that became one of their earliest calling cards. In this episode, we explore the song’s unusual journey through the Decca audition and into the EMI offices, where it played a quiet but crucial role in landing the Beatles their deal with Parlophone.

We also look at the overlooked role of George Martin—not just as a producer, but as a man navigating a personal crisis. His affair with secretary Judy Lockhart Smith and his tense position at Parlophone intersected with the band’s arrival in surprising ways.

Through early demos, context from the Merseybeat scene, and a discussion about Paul’s songwriting at the time, we trace how Like Dreamers Do helped turn possibility into destiny—even if the band never officially released it during their prime.

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1 month ago

1 hour 11 minutes 13 seconds

The Beatles: Note By Note

LS049 - Like Dreamers Do - Lecture Series (bonus)

In this lecture, we dive into Paul McCartney’s early composition Like Dreamers Do, exploring its melodic construction, lyrical themes, and musical architecture as performed by the Applejacks. The song unfolds a romantic narrative of longing and fulfillment, using circular, self-referential pronouns and repeating motifs to reflect the dreamlike anticipation of meeting “the girl in my dreams.” We analyze how McCartney’s phrase structures play with identity and immersion, creating patterns that anchor the listener in the song’s emotional arc. Melodically, the track expands outward before returning home, breaking conventions found in Paul’s other early works. Harmonically, the lecture examines deceptive cadences, modal shifts, and Paul’s preference for show-tune-style II–V–I progressions over typical rock clichés. We also discuss form and rhythmic texture, including the Beatles’ signature use of syncopated “3-3-2” phrasing. This song may be structurally flawed, but it showcases Paul’s early genius—and offers rich insights for aspiring songwriters.

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1 month ago

35 minutes 39 seconds

The Beatles: Note By Note

EP048 - Nobody I Know

Join hosts Peter and Kenyon for an in-depth look at “Nobody I Know,” the follow-up to Peter and Gordon’s breakout hit “A World Without Love.” Written by Paul McCartney specifically for Peter Asher, this track offers a glimpse into Paul’s early experiments in songwriting for others — and perhaps ghostwriting altogether. We explore the class dynamics behind Peter and Gordon’s image, dissect the Tin Pan Alley and Baroque pop stylings of the track, and debate whether this song could have ever been a Beatles tune. Plus: how this track fits into the broader cultural moment of Swinging London and what it tells us about Paul’s creative influences at the time.

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1 month ago

1 hour 14 seconds

The Beatles: Note By Note

LS048 - Nobody I Know - Lecture Series (bonus)

In this Beatles Lecture Series episode, Kenyon offers a critical musicological analysis of “Nobody I Know,” written by Paul McCartney and performed by Peter and Gordon. Though it charted in 1964, the song is marked by lyrical vagueness, structural flatness, and harmonic awkwardness. Kenyon unpacks the song’s root–seventh melodic motif, a classical-sounding line reminiscent of Für Elise, and how its rhythmic monotony undercuts its emotional impact. Special attention is given to the song’s middle eight, which offers rare harmonic relief and syncopation. The analysis touches on the use of flat VII chords as functional substitutes, parallel octaves, and why the modulation to C♯—while bold—fails to mask deeper melodic issues. Though the song gestures toward romantic timelessness, its lack of thematic development and musical tension leave it sounding more like a “work song” than a finished piece. Kenyon argues it’s a curious outlier, offering insight into McCartney’s songwriting evolution.

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1 month ago

35 minutes 3 seconds

The Beatles: Note By Note

EP047 - One And One Is Two

In this episode, Peter and Kenyon dive deep into one of the most obscure Lennon-McCartney tracks: “One and One Is Two.” Originally written for Billy J. Kramer, the song was ultimately passed down a surprising chain—from the Fourmost to a forgotten band known as The Strangers with Mike Shannon, who recorded the only released version. But who were they? Through sharp storytelling and meticulous research, the hosts uncover a fascinating tale that stretches from Liverpool to Rhodesia (now Zimbabwe), shedding light on a mysterious group and the unlikely journey of a discarded Beatles composition. They also explore the upcoming Beatles biopics, Paul McCartney’s demo magic, and the role of early Beatles photographer Dezo Hoffman. As always, expect a blend of music theory, Beatles lore, and unexpected history lessons in this affectionate look at a song almost lost to time.

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2 months ago

1 hour 6 minutes 34 seconds

The Beatles: Note By Note

LS047 - One And One Is Two - Lecture Series (bonus)

Welcome to the Beatles Lecture Series, where Kenyon unpacks the hidden layers of even the most overlooked entries in the Lennon–McCartney catalog. In this episode, we explore “One and One is Two,” a discarded McCartney composition ultimately recorded by The Strangers with Mike Shannon. Kenyon examines the lyrical inconsistency, the unrequited-love theme, and the rushed nature of its composition—all signs of a quick commission for Billy J. Kramer. From a harmonic perspective, the lecture focuses on pentatonic phrasing, modal contrasts, and Paul’s surprising use of C minor7 over expected major chords. The result? A charming yet structurally flimsy tune that works better as a jingle than a full-fledged song. Kenyon also draws comparisons to other early Beatles material and argues that Paul’s demo version hints at stronger musical instincts than the final release suggests. Ideal for songwriters and theory buffs alike, this episode highlights how even a “bad Beatles song” can reveal creative insights

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2 months ago

14 minutes 35 seconds

The Beatles: Note By Note

EP046 - Long Tall Sally

The Beatles may have written hits by the dozen, but when it came to raw vocal power, they turned to “Long Tall Sally.” In this episode, Peter and Kenyon examine how Paul McCartney tackled Little Richard’s blistering classic and made it his own. From the song’s gospel-tinged triplets to McCartney’s throat-shredding vocal performance, this cover became a defining moment in Beatles live sets—often saved for their explosive finales. The hosts explore the band’s deep reverence for American R&B, the subtle modifications they made to the original arrangement, and how the recording captured their ability to walk the line between homage and transformation. With a spotlight on the blistering guitar solo, relentless tempo, and the song’s pivotal role in the Beatles’ stagecraft, this episode unpacks what made “Long Tall Sally” one of their most electrifying—and enduring—covers.

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2 months ago

1 hour 8 minutes 50 seconds

The Beatles: Note By Note

EP045 - You Can't Do That

The Beatles wrote dozens of love songs—but “You Can’t Do That” is all jealousy, threat, and menace. In this episode, Peter and Kenyon unpack John Lennon’s ferocious 1964 track, a surprisingly harsh B-side to the exuberant “Can’t Buy Me Love.” The hosts explore how Lennon channels emotional volatility through biting lyrics, raw vocal delivery, and a snarling lead guitar part that George Harrison devised with a newly acquired Rickenbacker 12-string. They delve into the song’s modal blues influences, subtle key ambiguities, and its use of stop-time syncopation in the verses—a rhythmic tension that mirrors the song’s lyrical unease. The conversation also touches on the song’s live arrangements, early mixes, and the moment when Paul’s high harmony nearly outshines the lead vocal. “You Can’t Do That” may not be a Beatles chart-topper, but in this episode, it gets the spotlight as one of their most emotionally charged early recordings.

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2 months ago

1 hour 16 minutes 37 seconds

The Beatles: Note By Note

LS045 - You Can't Do That - Lecture Series (bonus)

This lecture examines “You Can’t Do That” as an early exemplar of John Lennon’s emotionally unvarnished songwriting. Kenyon dissects how the track pushes against the pop conventions of 1964, both musically and lyrically. Built on a blues framework yet rich in modal ambiguity, the song contrasts a driving, almost brutal rhythmic groove with harmonic suspensions and key flirtations that mirror the instability in its lyrics. Lennon’s vocal delivery is sharp-edged and unrepentant, revealing a narrator caught in the grip of possessiveness and social anxiety. Kenyon also considers the instrumental architecture—George Harrison’s biting 12-string Rickenbacker lead, Ringo Starr’s accented snare pattern, and Paul McCartney’s harmony line that teeters between support and challenge. The lecture frames “You Can’t Do That” not simply as a B-side to “Can’t Buy Me Love,” but as a turning point in Lennon’s expressive range and the band’s willingness to explore darker emotional registers within the format of pop songwriting.

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2 months ago

39 minutes 37 seconds