In this episode of Tales From the Green Room, the hosts welcome Chaparelle, the Texas-based pop, folk and classic-country band created by Zella Day, Jesse Woods, and Beau Bedford. The trio discuss their unique musical lane, inspired by a blend of romance, personal experiences, and a mutual affinity for original music, which has earned them a dedicated following. Special guest, Rob Bleetstein (SiriusXM Producer and Host) joins the show, having dubbed the band’s music style as “Eroticana” - while Zella Day describes the essence of her theatrical, sometimes sensual flair blending with the band’s authentic country-influenced performances.
Recorded after the band’s second remarkable set in two days at the High Sierra Music Festival - moments before they hit the road to promote their new record, Western Pleasure – Zella, Jesse, and Beau delve into their personal dynamics and the importance of collaboration. This episode encapsulates a blend of humor (touching on the difference between Texas and California hippies!), camaraderie, and heartfelt moments, offering a comprehensive insight into the lives and music of Chaparelle and a peek into their aspirations, surely leading them to a bright future.
HIGHLIGHTS
Zella and I got together romantically, and we wanted to start a band together… and write some songs… but writing songs while you're in a relationship, just two people, can be pretty difficult. It gets very personal, very quick, and we were still in our honeymoon phase, and we were like, why are we doing this to ourselves? Let's stick with the romance. Then we met Beau… that third angle on the triangle… and everything just fit.
-Jesse Woods on writing songs while in a romantic relationship with Zella Day and Beau Bedford saving the day.
If you look at the packaging of the vinyl…every last lyric, everything really is within the world we’ve created. And we're getting better and better at being able to decipher what that world is. Somebody recently said to me, which I really liked, that was good advice, and I think it's what we're doing here, is to find a lane and take that lane completely over.. And so that's what we're doing. We're the only ones doing it like we are right now.
-Zella Day on Chaparelle’s mission to dominate their lane.
Seeing you at clubs is one thing…but when you're on these bigger stages with bigger PAs, even though the music is totally country and it's put together, there's so much space in between everything, the way the songs are constructed, the way you guys play…there's just plenty of room for everything. But the rock element really comes through on so many of the songs… I have so many friends who saw you for the first time, and especially some younger ones who maybe are not big country lovers and they were just like freaking out.
-Rob Bleetstein praising Chaparelle's performance on the big stage at High Sierra Music Festival.
I think we want to just be surrounded with people that we really love and to make music that we love. I think we're talented enough for good things to happen, but the rest of the world's in control of that. We only in control of putting out songs that we love and that we believe in… and trying to hang out with people that we love.
-Beau Bedford on the band’s aspirations.
MUSIC
2025 Album – “Western Pleasure” - Chaparelle
UPCOMING SHOWS (as of day of episode drop) - TICKET LINKS
Sep 20, 2025 - The Chapel -San Francisco, CA
Sep 21, 2025 - Harlow's - Sacramento, CA
Sep 23, 2025 - Moe's Alley Santa Cruz, CA
Sep 24, 2025 - SLO Brew Rock - San Luis Obispo, CA
Sep 26, 2025 - Pappy + Harriet's - Pioneertown, CA
Sep 27, 2025 - Ohana Fest - Dana Point, CA
Oct 11, 2025 - Gruene Hall - New Braunfels, TX
Oct 16, 2025 - Fine Line - Minneapolis, MN
Oct 17, 2025 - High Noon Saloon - Madison, WI
Oct 18, 2025 - The Stache - Grand Rapids, MI
Oct 20, 2025
Turntable - Indianapolis, IN
Oct 21, 2025 - Thunderbird Café & Music Hall - Pittsburgh, PA
with Esther Rose
Oct 22, 2025 - World Cafe Live - Philadelphia, PA
Oct 24, 2025 - The Sinclair - Cambridge, MA
Oct 25, 2025 - Music Hall of Williamsburg - Brooklyn, NY
Oct 28, 2025 - The Atlantis - Washington, DC
Oct 30, 2025 - The Grey Eagle - Asheville, NC
Oct 31, 2025 - Neighborhood Theatre - Charlotte, NC
Nov 1, 2025 - The Charleston Pour House - Charleston, SC
Nov 5, 2025 - Terminal West - Atlanta, GA
Nov 6, 2025 – Saturn - Birmingham, AL
In this episode of Tales From The Green Room, the hosts sit down with musician, podcaster, and all-around force of nature, Andy Frasco – band leader of Andy Frasco & The U.N. Recorded while lounging outside on the Pulmas-Sierra County Fairgrounds, fresh of his “crazy” set at the legendary High Sierra Music Festival Andy shares his experiences and reflections on his musical journey, mixing levity with addressing serious issues during the entertaining conversation.
Andy also praises High Sierra’s atmosphere and elaborates on the importance of community and family at festivals, stressing the need to preserve live music culture. Recalling his own leap into music influenced by his piano teacher, Holly Bowling, Andy muses about how he built his career from scratch, overcoming his once-cavalier use of substances giving way to a focus on writing meaningful songs. The conversation touches on his evolution as a performer and songwriter, his work ethic, and his love for entertaining fans. In this laid back and humorous chat, Andy expresses gratitude for his mentors, including Dave Schools, Vince Herman, and George Porter, Jr., while discussing his podcast, which offers real-life conversations with seasoned musicians, aiming to provide inspiration to others.
Long live High Sierra!
HIGHLIGHTS
“ Long live High Sierra.!” This is bigger than us. This festival, the idea of this festival is important…. families come together, music is being made, kids laughing, smiling, families laughing and smiling. You don't see that anymore. People camping. That's why we gotta keep these things sacred …that's my goal.
-Andy Frasco on the greatness of High Sierra Music Festival.
I stopped writing songs to make everyone happy. And I started writing songs to make me happy. You can't preach happiness unless you're happy with yourself. And I'm finally in a spot where I'm good with myself.
-Andy Frasco on his approach to writing songs and the good place he is in.
It doesn't matter, when you start loving yourself, you just gotta love yourself. Even if you're 60, even if you're 70. Even if you're 10,. We gotta remember when we were seven years old. on the fucking swings, eating some ice cream, laughing by yourself, you know? That's it. We gotta get back to that. You have to get that feeling.
-Andy Frasco on the importance of loving yourself.
MUSIC
2025 Album - "Growing Pains" - Andy Frasco & The U.N.
Andy Frasco & The U.N. - "Life is Easy" ft. Billy Strings, Steve Poltz, Daniel Donato & Mike Gordon
Andy Frasco & The U.N. (feat Little Stranger) - Oh, What A Life (Official Video)
UPCOMING SHOWS/"GROWING PAINS" TOUR (as of day of episode drop) TICKET LINKS
SEP 9, 2025 - "Hot Summer Nights" – Vail, CO (Free Show)
SEP 10, 2025 - “The Gaslight Social” – Casper, WY
SEP 11, 2025 - The Commonwealth Room – Salt Lake City, UT
SEP 12 – 14, 2025 – Telluride Blues & Brews Festival – Telluride, CO
SEP 18, 2025 – “Healing Appalachia” – Ashland, KY
SEP 26 – 27, 2025 – Holy Smokes Festival – Garrettsville, OH
OCT 2, 2025 – The Livery – Benton Harbor, MI
OCT 3, 2025 – Moontown Brewery – Whitestown, IN
OCT 4, 2025 – Kenny’s Westside Pub – Peoria, IL
OCT 8 – 12, 2025 – Hillberry Harvest Moon Festival – Eureka Spring, AR w/ Greensky Bluegrass
OCT 17 – 19, 2025 – Roots Music Festival – Boulder, CO
OCT 19, 2025 – Halfway to 420 Music Festival – St. Augustine, FL
OCT 24, 2025 – The Barrelhouse Ballroom – Chattanooga, TN
OCT 25, 2025 – MegaCorp Pavillion (w/ Gov’t Mule) – Newport, KY
OCT 26, 2025 – Ting Pavillion (w/ Gov’t Mule) – Charlottesville, VA
JAN 14 – 18, 2026 – Tropic of Cancer Festival (w/ Lettuce, Mother Hips) - Todos Santos, Baja California Sur
In this episode, Tales From The Green Room presents their conversations with Joe Marcinek and Jeremy Hoenig recorded before their respective performances during Jazz Fest 2025 in New Orleans – featuring two musicians swimming in the same music circles in the San Francisco Bay Area and nationally - and both connected with Melvin Seals! Marcinek joins the show before his stellar appearance leading Dead Funk Summit during the Crawfish Festival at The Broadside, and is joined by soulful percussionist, drummer, vocalist, Rick King – a member of the Summit on this day. King talks about getting drawn into the Grateful Dead vibe, including with his own band, Rick King's Royal Hustle, elaborating on how magic happens on stage with Marcinek.
Hoenig sits down with the hosts before holding down the beat on drums at his gig with Melvin Seals & JGB at Café Istanbul - made possible by venue host Mitch Stein, responsible for curating a stellar lineup of musicians at the venue during Jazz Fest.
The Marcinek segment – recorded the very day his new album, The Groove Sessions, was released - delves into Joe’s late entry into music, his love for New Orleans sounds, the evolution of his Dead Funk Summit project now taking on a life of its own, and the special energy created by different musicians joining the venture around the country - including the likes of George Porter, Jr. and the aforementioned, Melvin Seals. The Crawfish King, Shaggy Davis, even makes a cameo during the interview!
Hoenig talks about his own musical journey from being inspired by his father's record collection to his current gig with the iconic Seals, playing with Camille Boudin of The Radiators, and reflects on “falling into the groove” playing beats the first time he entered the New Orleans music scene. Jeremy identifies a cadre of his favorite New Orleans drummers and how playing with Melvin Seals & JGB is the perfect fit for him.
Joe Marcinek, Rick King, and Jeremy Hoenig go in depth sharing their experiences in the music scene, their love for improvisation, and the collaborative spirit they embody, providing for a heartwarming and informative episode.
HIGHLIGHTS
When you have a band that plays all the time, it's easy to kind of go through the motions…where if you've never played together or it's something new, everyone's really locked in. Are we hitting the changes? Are we going to the move? Any little change that a musician does, that's when the magic happens.
-Joe Marcinek on brining in different musicians to his "Dead Funk Summit"
I read something about Miles Davis saying, “ I don’t talk to my musicians about music, because if I would have to talk to 'em about it, I hired the wrong people in the first place. And I always think about that.
-Rick King on the possibility of creating situations where magic can happen on stage among musicians, if you talk too much about it.
You can imagine how proud I am to be playing this music, which for me has all the styles that I love, and the music I gravitate towards. It's blues, it's funk, it's reggae, it's jazz, it's country. It's all these rhythms. And Jerry knew, when he had his own band, he wanted to explore all those different things. So that's why I feel it’s a very good fit for me… and personally, I just, I enjoy it. It lets me have everything that I love in one band.
-Jeremy Hoenig on being a member of "Melvin Seals & JGB"
PHOTOS
Backstage Photos at NOLA Crawfish Fest – 4.29.25 – by Appelbaum Images
SPONSOR SHOUT OUTS
Special Thanks to Son Vo (Jerry’s Middle Finger) for his expert audio engineering skills editing the interview with Joe Marcinek and Rick King- recorded in a very noisy, outdoor backstage area at the Broadside in New Orleans during the Crawfish Festival - making this episode possible!
Son Vo is also a talented writer! Check out his compelling story, now available as an audiobook: Tales of the Mekong Delta Bluesman - Autobiography of Son Vo
Special thanks also to Mitch Stein - producer of JazzFest after shows at Café Istanbul - for welcoming us to the venue and accommodating our interview with Jeremy Hoenig!
Checkout and download Mitch’s DEADSHOWZ App – The most powerful mobile Grateful Dead search engine on the planet!
LINKS
JOE MARCINEK
https://www.joemarcinekband.com/
The Groove Session – Album – Joe Marcinek Band
https://www.groovesessionmusic.com/
Upcoming Shows
22 Aug -Good People Good Times Music Festival 2025 – Nashville, IN
23 Aug - Rockopelli Music Fest 2025 - Crown Point, IN
24 Aug – Park Theater - Holland, MI
31 Aug – Sunday Is Dead – Harlan Records, Outside Show, San Francisco, CA 4pm – 7:15pm
w/ Angeline Saris, Dylan Teifer, Jerry Saracini, Jeff Hobbs, Jen Freebairn)
Event Organized by Mr. Hat Presents
27 Sep - Michigan City's Last Splash Fest 2025 - Michigan City, IN
RICK KING
In this episode, hosts Dennis Strazulo and Tami Larson explore the journey of Sunshine Garcia Becker (Furthur, Sunshine Garcia Band) on her mission to curate an all-female Grateful Dead tribute band, with the purpose of expanding the involvement of women as key players in the live music scene. Sunshine is joined on the show by drummer Anna Elva (Smokedaddies, Mark Karan’s Buds, West Grand Boulevard, Stu Allen & Mars Hotel), bass player Jen Rund (Jenerator, Talley Up, Mangobu, Lumanation), keyboardist Richelle Scales (The Richelle Scales Project) and rising star, guitarist Bella Rayne – all successful musicians playing with other bands. The ladies are joined by “token” male, Zach Nugent (Dead Set, Melvin Seals JGB), honored to be supporting the group and recalling his wonderful experiences playing alongside women with Melvin Seals JGB. Together they form the newly named band, American Beauties (formerly China Dolls), visiting with Tales From The Green Room before their debut performance at Ashkenaz in Berkeley, CA during International Women’s Month.
Band members share their personal journeys, the importance of female representation, and the struggles and progress of women in live performances. The conversation is interspersed with humorous and heartfelt moments, ultimately emphasizing the ongoing efforts to foster a supportive environment for female musicians and lauding Sunshine’s tireless efforts creating American Beauties.
Check out members of American Beauties during GD60 weekend (8/1-3) and during The Daze Between (8/1 - 8/9) in SF & Sonoma County & Zach Nugent during The Daze Between in Concord, NH, Killington, VT, Middlebury, VT, Newton, NY, and Middletown Springs, VT
Upcoming Shows
Jerry Day After Party - August 2, 2025 - Norton & Harrington (Jerry Garcia St.), San Francisco, CA - 6pm
w/ Sunshine Becker, Jon Chi, Anna Elva, Angeline Saris, Jordan Feinstein
Sunshine Garcia Band, HopMonk – August 7, 2025, Sebastopol, CA - 8pm
w/ Sunshine Becker, Jon Chi, Scott Guberman, Angeline Saris, Jerry Saracini, Bella Rayne
See Bella Rayne with Shakedown Citi, August 9, 2025 at The Hamilton Live, Washington, D.C.
Highlights
Spreading love and kindness and joy and being silly with each other. That's really what's gonna get us through. So, when you are lost or distraught or in the darkness for a little too long, just ask yourself, what can I do? What am I good at? What do I love doing.. and do that.
~Sunshine Garcia Becker
I spent a lot of time in Melvin Seals and JGB. And a third of that band is women. I had the most spiritual and wonderful and warm and special experiences of my life on stage, off stage with the women in JGB.
~Zach Nugent
Everybody here knows exactly how it started for me. And I would say that being thrown into that is such a big part of my story and being literally thrown in headfirst. I learn so much still every day from everybody that I play with. And I say that I'm still pretty malleable and just pick up on a little bit of whatever I can.
~Bella Rayne
The last maybe six months, I've had at least two people tell me they've never seen a woman play drums. We play for these kids and those are some of my favorite ones because there's so many little girls there and they don't get to see bands often…for them, the one or two times they ever see a band, to see at least one woman on stage…I love that.
~Anna Elva
Links
Music
Foolish Heart – Sunshine Garcia Band Live at Sweetwater Music Hall – 2016-08-09
Jessica Fierro, Amy Berry, Ezra Lipp, Peter Lavezzoli, Matt Hartle, Mark Karan, David Gans, Robin Sylvester, John Paul Mc Lean, Danny Eisenberg, Sam Johnston, Jordan Feinstein, Mitch Stein
Midnight Moonlight - Sunshine Garcia Band - Daze Between Festival - 2022-07-09
Sunshine Becker, Halina Janusz, Lisa Marlsberger, Stephanie Salva, Corrinne West, Zach Nugent, Jon Gold, Justin Purtill, Rodney Newman.
Thank you, Sarah Travis and Ashkenaz!
In this episode of Tales From The Green Room - mixed with joyous reflection, levity, and emotion - drummer extraordinaire Danny Luehring discusses the origins and evolution of Danny's Live Dead, a weekly Grateful Dead show hosted by him every Wednesday at Peri’s Tavern in Fairfax, California. Danny shares insights into how the show started after the closure of Phil Lesh's beloved Terrapin Crossroads, the challenges and rewards of curating a rotating lineup of musicians, and the significance of community and chemistry in live music.
The hosts delve into Danny's musical background, memorable moments from his performances at Terrapin with his band, San Geronimo, and his first time playing with Phil Lesh, as he lauds the lasting impact of the Terrapin era. The conversation highlights the magic of live music, the depth of the Grateful Dead's influence, and Danny's future aspirations for his musical endeavors.
HIGHLIGHTS
You see all the people that you know are ready for it and that trust you. That’s the chemistry, too. I mean, chemistry, community…all those things. You can just line it up just right. And every night's different, but, my thing is I want it to be fucking amazing every night!
I think music is a dimension. I don't know how else to explain it. Music is such a unit, like a dimension…the way it affects people, in general, like a blanket, on people, it just makes me feel like it's gotta be bigger than we think. And the Dead is probably one of the things that really got me thinking about that.
My dad played guitar and I wanted to be a guitar player. So, for my fifth birthday he bought me an electric guitar and I remember it was at a costume party and I was dressed as a Denver Bronco and I put this thing on, and I broke the high string and it snapped back and hit me. And I thought it shocked me. 'cause it was an electric guitar. I mean, I was five. I was just like, oh my God. Drumsticks, please!
Terrapin for me was something that a hundred percent changed my direction in life. I wasn't a Deadhead.I literally knew like two Dead songs. The first time I played at Terrapin I just kind of had to learn under fire. It is not like I didn't know who the Dead were, and they were obviously on my radar, I just wasn't, I wasn't ready until I I was in those circumstances. And then just in that… I don't know, it's hard to explain what happened.
~Danny Luehring
LINKS
Danny’s Live Dead
Danny’s Live Dead Presents GD60! After Parties
The Balboa - August 1, 2, 3, 2025
https://www.terrapincrossroads.net/
SHOWS
Danny’s Live Dead Presents GD60! After Parties - Balboa Theater
3630 Balboa St., San Francisco
August 1, 2, 3, 2025 - 10:30PM
Terrapin Road Shows
Forest Meadows Amphitheatre - San Rafael, CA - July 18 (w/San Geronimo), 19, 20, (w/ Danny Luehring) 2025 SOLD OUT
Truckee Amphitheater - Truckee, CA August 17, 2025 - TICKETS
MUSIC
Tiny Television (band) - "Carolina"
MoniterLizard YouTube Channel
https://youtu.be/_hOXYKLpXIg?si=ETYYfw_0HJ9pytlo
San Geronimo @ Terrapin Crossroads on 10/9/14 ~ "Hear the Sound"
Eric Finkelman YouTube Channel
https://youtu.be/9JmG2vyzNJE?si=IOLjqKvmZ1I8YbJY
Danny’s Live Dead” - Garrett Deloian, Grahame Lesh, Brian Rashap & Danny Luehring "Bird Song," Papermill Creek Saloon, 4/10/24
Dreamlion YouTube Channel
https://youtu.be/fgT17eMOkSs?si=BnFWE9-L0lUYn9Hg
Grahame Lesh and Alex Koford
Jupiter and Mercury
Jan. 20, 2024 HopMonk Tavern Novato
https://youtu.be/ddSVxM9O8G0?si=GEJmVG-J2stAfJW1
In this episode of 'Tales from the Green Room,' the hosts engage in an enlightening conversation - and history lesson - with singer-songwriter, Cajun culture activists, and International recording artist, Zachary Richard. Richard first reflects on his deep ties with Sweetwater Music Hall in Mill Valley, CA - playing and hanging with Huey Lewis and Bob Weir - before musing on his touring experiences and unique cross-cultural identity as both an American and French Canadian artist. The interview was recorded in the green room at Chickie Wah Wah, a premier New Orleans music venue, just after Richards's set on the last day of JazzFest 2025, moments before his after-show at the club that evening.
The discussion delves into the historical and cultural impacts of the Acadian deportation and the preservation of French culture in Louisiana; while Richard recounts his career in music, his prolific work in both French and English, and his passion for children's literature and poetry. The episode offers a heartwarming look at Richard’s collaboration with his neuro-motor handicapped grandson on a musical project - his latest album Handicap Bonheur - and his hopes for cultural and linguistic preservation through nonprofit endeavors. Richard’s reflection on his performance at Jazz Fest and his thoughts on American and French cultural intersections add depth to this rich dialogue on music, heritage, and identity.
Highlights
I'm the most American of the French Canadians and the most French of the Americans because I've been going across the border of Quebec, singing in French for 50 years. So, it's a little disheartening to see the tension between the United States and our friends to the north, especially since I've spent most of my professional career singing in French and working in Quebec. But so goes it, and I’m still part of that culture…I'll be playing in Quebec this summer, which, which I really enjoy doing, 'cause it gets so hot in Louisiana.
-Zachary Richard on being part of both American and French-Canadian Cultures
To become a Canadian citizen, I have to swear an oath of allegiance to the king now. It just struck me as something that I couldn't possibly imagine doing. Swearing an oath of allegiance to a British monarch when my ancestors had suffered so terribly from the fact that they had refused to sign such an allegiance.
-Zachary Richard on loyalty to his ancestors.
I was torn the United States, back in the nineties and Sweetwater was our home, away from home, in the Bay Area. Sweetwater was so cool! Jeanie Patterson…. she was a real firecracker and we had a lot of fun with Jeanie and she was so welcoming. And the club was really a lot of fun to play because it was easy to pack. And Huey Lewis would come out, Bob Weir came out, and then we'd go and party at Bob's place. I can't remember too much about that, but I know it was good.
-Zachary Richard on his memories playing at Sweetwater Music Hall in Mill Valley, CA
Links
https://www.zacharyrichard.com/en
Zachary’s Richard 2025 Album - Handicap Bonheur
https://www.youtube.com/channel/UCHlc29obilCk2CUD4n6Vs0w
https://chickiewahwah.com/\
https://sweetwatermusichall.org/
“Against The Tide” - Cajun People of Louisianaa Documentary
Contre vents, contre marees - by Zachary Richard
https://www.deezer.com/fr/artist/5977
Music In Episode
Zachary Richard - Who Stole My Monkey (Live on Letterman 1990)/Rare Tracks II - YouTube
Crawfish by Zachary Richard
Super-creative, virtuoso pianist, Holly Bowling joins the show in the first-ever podcast recorded in The Green Room at Garcia’s Chicago. Holly shares the etiology of her genre-crossing and improvisational style in between her two incredible debut appearances at this spectacular venue - playing the music of Phish and The Grateful Dead on solo piano! The episode delves into Holly’s classical training, influences, and balancing the dual aspects of meticulous arrangement and spontaneous performance in her work, highlighting her diverse approaches to both solo and collaborative concerts.
Holly fondly recalls with the hosts her time learning under Phil Lesh at Terrapin Crossroads and the impact it had on her musical career and relationships. The conversation takes listeners behind the scenes of Holly’s musical endeavors during the pandemic, uniquely recording while immersed in spectacular national landscapes (The Wilderness Sessions), and how she cleverly lured GreenSky Bluegrass into her world. Holly also provides a glimpse into her personal life, including her experiences as a mother and the musical talent of her young son, Ryland.
HIGHLIGHTS
The whole point of playing music for other people is to connect emotionally. It’s the sameness of the human experience… we're all human doing this life thing together. My favorite shows I've ever attended are the ones where there is that kind of emotional range and depth, whether it's total joy and ecstasy to shows where I have wept in public.
-Holly Bowling on how she uses the piano to evoke the emotions and feelings of an audience, much in the same way Jerry Garcia did with his guitar.
I’m really excited about it. Everyone's like, “you're doing a solo piano show, a quiet listening thing at Cervantes?” I'm like, yes. It's going to be amazing. We’re gonna totally turn the expectations upside down. It’s also a party. My shows are a much more inward experience, so we’re going to drop a grand piano in there, put seats in, and transform it in a way that most people have never seen Cervantes.
-Holly Bowling on playing a show at the Cervantes Masterpiece Ballroom in Denver on July 2, 2025, the night before Phish’s run in Boulder.
LINKS
https://www.youtube.com/@HollyBowling
Holly Bowling Live Shows on nugs.net
https://garciaschicago.live/
HOLLY BOWLING SUMMER SHOWS (2025)
June 13-26: Northlands Music & Arts Festival, Swanzey, NH
June 22: Tower Theatre, Bend, OR
June 30: Alpenglow Concert Series, Crested Butte, CO
July 2: Cervantes’ Masterpiece Ballroom, Denver, CO
July 3-6: High Sierra Music Festival, Quincy, CA
July 17-18: SFJAZZ Center, San Francisco, CA
July 20, 2025: Terrapin Road Show, San Rafael, CA
August 1-3: Kaslo Jazz Etc. Festival, Kaslo, BC
August 9: (with Greensky Bluegrass), Grand Targhee Bluegrass Fest, Alta, WY
August 10: Re/Evolution Summerjam, Darrington, WA
September 20-21: Annapolis Baygrass Music Festival, Annapolis, MD
MUSIC
Holly Bowling – The Wilderness Sessions, Live From The Salt Flats
In this engaging episode restaurateur, music promoter, and local legend Chris 'Shaggy' Davis welcomes Tales From The Green Room and listeners to Day 2 of the 10th annual NOLA Crawfish Festival, a celebration that marries New Orleans' rich musical heritage with its vibrant culinary culture held at The Broadside New Orleans. The episode features an interview with rising star keyboard player/vocalist/singer song-writer, and band leader, 15-year-old River Eckert and his father, Jake Eckert. Father and son reflect on their musical journeys, from River's early days learning jazz and blues to Jake's extensive experience with the Dirty Dozen Brass Band and his current gig with The New Orleans Suspects. The conversation, recorded after River's appearance at the NOLA Crawfish Festival and an hour before his next gig playing with George Porter, Jr., delves into the significance of familial legacy in New Orleans music, personal anecdotes about growing up around legendary musicians, and the impact of the city's supportive musical community.
A special guest appearance by Luther Dickinson (North Mississippi All-Stars and Crawfish Fest stalwart) adds to the rich tapestry of stories, illustrating the unique cultural ecosystem of New Orleans, with Luther revealing the secret to his improvisational skills. Additionally, Shaggy shares his personal history, from boiling crawfish in his backyard to founding Crawfish King (the episode’s presenting sponsor along with Cochon King BBQ), and offers insight into the festival's evolution and his friendship with Dave Matthews.
Episode Photo Gallery by Chris Applebaum Images – 4/29/25 at The Crawfish Festival, Including Photos from Episode 33 with The Rumble and an upcoming episode with Joe Marcinek and Rick King (NOLA Dead Funk Summit)
HIGHLIGHTS
To be honest, what I do, what I really get paid to do at the highest level and what I did with Phil Lesh, or what I did with the Black Crowes, or whatever, like high end, high octane stuff, fearless improvisation, I learned at The Maple Leaf. . Johnny (Vidacovich) and George (Porter) taught me how to roll…I'd show up with songs and set lists, but they didn't want that man. They didn't even want songs. They just wanted to improvise for two full sets. And it would scare me to death. But I learned how to do it, man. And that's the real juice.I have a huge debt to the New Orleans culture.
-Luther Dickinson on his relationship with New Orleans
It's not ever annoying to hang out with older people because they're the ones with the knowledge. I'm my age and my generation's the one who's learning in the present moment. So when I'm around all those guys, it's just I soak up any information that I can possibly get.
-River Eckert on being 15 and hanging out with older guys in the music scene
There's a lot of music in the family.My great-grandmother and great grandfather.My great grandmother was a well-known vaudeville musician, And they were really menstrual types and well known at the time, Goldie Green and Bart Green and that was way back, silent movies, you know. Every department store, every function. That was before sound and movies. So they kind of got going like that. I tracked my grandmother all around and learned that lifestyle. My grandmother said to me before she passed, she said, you know, you got the blessing and the curse!
-Jake Eckert on growing up in a musical family.
I started just having backyard boils outside of the fairgrounds. I was close with all the New Orleans musicians. I'm lucky to call 'em friends. So I used to say, hey,come play in this backyard…do a cheap ticket, all you can eat, crawfish kind of thing. And we'd get anyone from Anders Osborne to George Porter. It was just always cool. Put food and music together. It's kind of my jam.
-Chris “Shaggy” Davis on the origins of the NOLA Crawfish Festival
LINKS
https://www.rivereckert.com/
River Eckert YouTube Playlist
https://neworleanssuspects.com/
https://www.facebook.com/nolacrawfishfestival
https://www.lutherdickinson.com/
MUSIC
Stack-A-Lee | River Eckert - with George Porter Jr, Terence Higgins, and John Fohl
River Eckert Music YouTube Channel
The Black Crowes LIVE: Luther Dickinson's 'Ozone Mama' Solo on a Dubreuille Classic
livedownloads YouTube Channel
Polytoxic w Jake Eckert "Do What You Gotta Do" 4/14/2012 @ Quixotes 400 Watt Room, Denver
Wspanicbrad YouTube Channel
SPONSOR LINKS
NOLA Crawfish King – Seafood & Catering
Cochon King BBQ
Special thanks to Luther Dickinson, Nick Burlison & Chris Applebaum/Applebaum Images
Join hosts Tami Larson and Dennis Strazulo as they dive into the vibrant atmosphere of JazzFest 2025, with this episode recorded at The Broadside in New Orleans during the 10th Annual Crawfish Festival. In this episode, the first of several generated from JazzFest, the focus is on the experiences of the captivating, modern New Orleans funk band, The Rumble, authors of a sound they dub "New Orleans Mardi Gras Funk!" Special guest co-host, Wally Ingram, joins the first part of the episode, engaging with The Rumble's co-founder and soulful guitarist, Ari Teitel and its super talented keyboard player, Andriu “Yano” Yanovski, as they reflect on their hard working paths to success as Grammy nominated musicians. The conversation flips to Ari, Andriu and the hosts delving into Wally’s storied journey playing with the likes of Timbuk 3, David Lindley, Sherly Crow, Phil Lesh, Bob Weir, Bonnie Raitt, Jackson Browne, Crowded House, George Clinton, and David Nelson, making Wally a beloved percussionist/drummer across music genres. As these remarkable artists muse about their influences and mentors, Wally shares stories of his role as mentor for his bass-playing daughter Lydia’s friend, Paolo Pesce and his rising band, Great Big Cow, while exuding praise and respect for the New Orleans music scene and much more!
Ari and Andriu visit with Tales From The Green Room fresh off their set with The Gangsters of Love, performing the music of Johnny “Guitar” Watson on the opening day of the Crawfish Festival. When not playing with The Rumble you can catch Ari playing with Ivan Neville’s Dumpstaphunk and Andriu jamming with David Shaw of The Revivalists, or sitting in with a myriad of ensembles around The Crescent City and across the USA. The duo also make up the-thirds of the sensational improv band, AX3.
The backstage banter continues as the hosts chat it up with other members of The Rumble - leader and co-founder Chief Joseph Boudreaux, Jr., trumpet player Aurelien "Sunpie" Barnes, bassist TJ Norris, and inspirational drummer Trenton O’Neal - moments before they hit the stage on day two of Crawfish Fest. The artists explore the band’s formation, intentional approach, and dynamic performances. The band members also delve into their cultural and musical heritage with engaging anecdotes, industry insights, and a celebration of New Orleans' rich musical tradition. This episode captures the essence of The Rumble's journey and their undeniable impact on New Orleans music and beyond!
Catch The Rumble at High Sierra Music Festival 2025 July 3-6!
Episode Photo Gallery by Chris Applebaum Images – 4/28/25
Episode Photo Gallery by Chris Applebaum Images – 4/29/25
Highlights
There's something about the groove here. It's different. I kind of always say I don't trust a drummer who hasn't spent some time in New Orleans. Yeah. I mean, it's just, it's in the air. You feel it, you're so spoiled down here, man. It's just amazing. It’s unifying too!
-Wally Ingram praising the New Orleans music scene
Detroit's got such a rich musical tradition, and I had a chance to come up under a lot of the greats and people like Ralph Armstrong, who played with Mahavishnu Orchestra and got a chance to play with Allan Barnes, sax player from Donald Byrd and the Blackbyrds. I had great teachers like Rodney Whitaker, the great upright bass player in Detroit. So I got a strong foundation in blues bebop, R&B, and then played in church and also in Michigan there was a strong jam band community, so I was kind of always in and out of that.
-Ari Teitel on learning from the greats in his home state of Michigan
It opens you up. You stay open for the moments, for those times when you might go off script. But that's where the magic is. That's the sauce. Those are the moments I freaking live for. You're on the edge, you don't know what's gonna happen, and then you come up. Especially if I were playing with like Wally or Andrew, I'm confident in that unknown. It will present a lot of opportunities for some great moments, and in those moments you discover some new musical ground and then everybody shares a smile.
-Ari Teitel on how his jazz training opens him up to magical musical moments
When I was 19, I met Clyde Stubblefield. in Madison, Wisconsin. A friend of mine brought him to see me play, and I met him and I asked him if he teaches lessons. He goes, no, no man, just play. Just come down every Monday night. I’m at this club. Just come down. So I would go down there and watch him play. Just like what you guys were talking about. And he would say, oh yeah, you're that guy. A drummer, okay, you're up next set. And you'd have to just sit in with his band, which is a full R&B band with horns and they'd be like, oh shit. Clyde's got another drummer. Shit. So you'd have to sit in with his band and hold your own. He was very open to that. And we became great friends his whole life and we played together a lot.
-Wally Ingram on learning from legendary James Brown drummer, Clyde Stubblefield
I was at the show seeing Robert Randolph when I was 11 years old. My dad got everybody in the section to point at me…this kid, this kid! So he calls me up. I played for two minutes and then his guitar tech came to usher me off. Like, okay, that was it. Good job buddy. And then Rob Randolph waved him off, and said, no, no, no, he's staying up. So I played a whole 20 minutes with him. He lifted me up. Yeah. Put me on top of a chair. I didn't know it was happening, my legs were flailing!
-Ari Teitel reflecting on his big moment on stage with Robert Randolph at age 11
I didn't really know the function of a keyboard in a band fully until I heard about Ray Charles and heard what he did for the first time. I had never played a Rhodes piano. It felt insane the first time I played one. It was Ray Charles really that opened my mind. And then it was like Art Tatum and Oscar Peterson. And that was cool with my parents 'cause they were classically proficient. But then it started to deepen. Then you, obviously, learn about Miles Davis
In this episode of 'Tales from the Green Room,' we welcome the band Spafford in the green room at Sweetwater Music Hall in Mill Valley, CA to discuss their origins, musical influences, and journey. The conversation covers the genesis of their unique band name, evolving from 'Officious Tortfeasor' to 'Spafford,' inspired by a close friend. Members, Brian Moss, Nick Tkachyk, Corey Schechtman, and Shon Gordon share personal anecdotes about their musical backgrounds, influences from legends like the Grateful Dead, and their approach to blending multiple genres seamlessly. They also delve into their experiences with sobriety on tour, maintaining family lives, and the significance of performing at iconic venues like Sweetwater. Additionally, the band reflects on their growth and success, largely credited to their dedicated fan community, the Spaffnerds, and serendipitous opportunities that propelled them into the national spotlight. All the while, hosts Dennis Strazulo and Tami Larson marvel at their first experience listening to the band and becoming instant fans!
Links
Spafford Official Website
Spafford - Mad World (Tears For Fears) | 1/14/24 | Pembroke, MA
Sweetwater Music Hall
Celebrating 50 Years+ of Sweetwater Music Hall with Tommy Castro!
Tales From The Green Room redux! In Mount Tam Media's first drop of it's “one from the vault” series of never released episodes -recorded during Sweetwater Music Hall's 50th Anniversary celebration in Nov. 2022 - host Dennis Strazulo sits down with legendary blues musician, Tommy Castro. Castro reminisces about his deep connections with the iconic venue, including early gigs, significant milestones, and memorable performances alongside notable musicians like Bonnie Raitt and John Lee Hooker. The conversation also highlights the return of long-time saxophonist Keith Crossan for the anniversary gig and the venue's rich history under the stewardship of Jeanie Patterson and now Maria Hoppe. Tune in for an engaging trip down memory lane and insights into the vibrant music scene at Sweetwater.
This timeless episode is released on the day of Tommy Castro & The Painkillers' return to Sweetwater celebrating their chart topping new album “Closer To The Bone" - proving the star of Castro is also timeless!
Follow Tales From The Green Room on Instagram
Music
Tommy Castro And The Painkillers - Closer To The Bone
Links
https://www.tommycastro.com/
https://sweetwatermusichall.org/
Social Media
In this episode of "Tales From The Green Room" Sam Grisman Project mainstays Max Flansburg and Chris English visit with hosts Dennis Strazulo and Tami Larson backstage at Terrapin Crossroads' Sunday Day Dream Vol. 4 in San Rafael, CA. Max Flansburg shares his experience of visiting California for the first time, his musical beginnings in the Finger Lakes region, and joins the roster of stellar guitar players marveling at the mystical encounters surrounding their playing of Jerry Garcia's iconic Alligator Stratocaster, with his own jaw-dropping story! Percussionist extraordinaire Chris English reflects on his rich musical background rooted in a family of pastors, delves into the background of the formation of SGP and describes the emotions of band leader Sam Grisman as he prepared to step in for the ailing Phil Lesh with the day's headliners moments after the interview. Both guests describe the magic moment from the night before when Billy Strings joined the band during their show at the UC Theater in Berkeley along with long-time friend and cross-genre violinist, Alex Hargreaves - adding an exciting twist to the backstage tales told by these fine musicians. It's a perfect warm up for anyone planning to catch SGP shows as they tour the country, and a chance for listeners who have already heard this must-see band to learn more about two of its extraordinary members. Listen and you'll want to hang out with them!
Music
Dawg Funk
Sam Grisman Project
Links
https://www.samgrismanproject.net/
https://www.dirtyblanket.net/
https://chrishollywoodenglish.com/
https://www.sundaydaydream.com/
In an insightful discussion on the "Tales from the Green Room" podcast, Reed Mathis provides host Dennis Strazulo and listeners with a detailed preview of his upcoming podcast series “The Gifts of Improvising” which debuts January 29, 2024 on the Osiris Media Podcast Network. Reed opens the door to a new, profound exploration of the role and challenge of artists as they navigate improvising the music of their heroes and legends, analyzed in detail during discussions with fellow musicians throughout 12 introspective episodes. Reed delves into the dynamics of the jam band scene and the authenticity of spontaneous musical creation.
Previously connected with iconic projects like Jacob Fred Jazz Odyssey and Tea Leaf Green, and with artists including Steve Kimock, Billy Strings, and Bill Kreutzmann, Reed shares the conception and evolution of his podcast with refreshing candor and excitement - describing it not merely as an exploration of improvisation but as a spotlight on the reenactment versus innovation debate within music. Listen as Reed challenges the norm of merely quoting musical heroes and urges a portrayal of personal truth through music. The essence of his message is about fostering a space where musicians are encouraged to "play themselves," offering a raw reflection of their true, creative essence rather than adhering strictly to established templates.
The soon to be released series features an impressive roster of musicians, each bringing their unique experiences and insights to light, including: Joe Russo, Marco Benevento, Steve Kimmock, Adam McDougald, and Jay Lane taking a deep dive into musical philosophies and personal anecdotes that reveal much about these beloved names in music.
“The Gifts of Improvising” also includes a touching homage to Phil Lesh, featuring reflections from Natalie Cressman, Elliot Peck, and Grahame Lesh - a moving tribute to Lesh’s indelible impact on both Mathis’s own career and the broader music landscape.
Enjoy this discussion as Reed muses about the art and joy of truly improvising in anticipation of his podcast release.
Links
https://www.instagram.com/reedmathis/
https://www.facebook.com/reed.mathis.5/
http://www.youtube.com/@reedmathis4623
https://www.osirispod.com/podcasts/
Music
LazyLightning55a YouTube Channel:
Reed Mathis’ Electric Beethoven - 10/26/16 - MP Williamsburg
Photo by Stefanie Atkinson Schwartz
The Journey and Legacy of Sweetwater's Uncelebrated Icon - An Interview with the late Austin de Lone
In this interview, which took place in October 2022 before Mount Tam Media launched its Tales From The Green Room podcast, Austin de Lone sits down with host Dennis Strazulo to discuss his rich musical journey and his pivotal involvement with Sweetwater Music Hall, as the venue approached its 50th Anniversary. This is the raw recording of Dennis's visit with Austin for the purpose of writing a feature story on Austin for Mt. Tam Media's Mill Valley Living Magazine to celebrate that event. With Austin's recent passing, the recorded conversation was re-purposed to release as this special podcast episode, honoring Austin's lasting legacy.
Moving to Sweetwater in the early 1970s, Austin recounts the creation and rise of his band Eggs Over Easy, their unexpected London ventures working with Chas Chandler (The Animals, Producer and Manager for Jimi Hendrix), recording at the famed Olympics Studio, and the birth of the pub rock scene. He also discusses the transformation of Sweetwater into a cornerstone of the local music scene, brining the venue to national fame as he worked with John Goddard of Village Music and Sweetwater's beloved owner, Jeannie Patterson, highlighting key interactions with notable musicians like Elvis Costello, Nick Lowe and so many more. The conversation transitions into Austin's personal efforts in starting the Prader-Willi California Foundation in response to his son's condition. This story captures the essence of a musician's enduring influence on his community and provides insight into the historical and emotional layers of Sweetwater’s musical heritage.
Links
Mill Valley Living October 2022 Feature Story on Austin de Lone
Link to Tales From The Green Room Episode 27 Photography Gallery
In this bonus episode of Tales from the Green Room, hosts Dennis Strazulo and Tami Larson interview Jack Barton of Jack Barton Entertainment, discussing the behind the scenes operations running Grateful Guitars Foundation. Jack delves into his involvement with Grateful Guitars, sharing insights into its charitable work, including supporting music programs in schools and donating instruments to musicians. The conversation covers Jack's collaboration with Andy Logan, the notable moments from the 2023 Grateful Guitars benefit that are the subject of Tales From The Green Room's Episode 27, and the importance of music in education and community building. Jack provides valuable insights for young musicians trying to succeed in the industry, drawing from his many years experience as an artist manager. The episode also highlights personal anecdotes and connections with various musicians, including Jackie Greene, Alex Jordan, David Hidalgo, Steve Berlin and Bella Rayne, making it a must-listen for fans of music philanthropy and the vibrant jam band community.
Link to Tales From The Green Room Episode 27 Photography Gallery
In this episode of Tales From The Green Room, Mount Tam Media takes listeners backstage at the Great American Music Hall in San Francisco during the Grateful Guitars Foundation Second Annual Benefit. Grateful Dead historian Dennis McNally shares some of his experiences with Jerry Garcia and his storied history with the band; David Hidalgo (Los Lobos) also reflects on his personal relationship and poignant moments with Garcia; Samson Grisman (Sam Grisman Project) and Steve Berlin (Los Lobos), interviewed together, engage in an entertaining conversation between two artists a generation apart, expressing their mutual respect for the other’s era; Jill Simmons (Brown Eyed Women) tells of her journey from the East Coast leading to an appearance on this bill; and rising superstar, 17-year-old Bella Rayne delves into her ascent to notoriety in the jam band scene. Artist manager and music industry vet, Jack Barton also shares his insights; and singer-songwriter, multi-instrumentalist and multi-talented Alex Jordan makes a cameo while serving as music director for the show.
The conversations in this “jam”-packed episode, recorded in the heart of the Great American Music Hall Green Room during the all-star benefit, revolve around the guests' experiences with Andy Logan's Grateful Guitars Foundation, sharing personal stories, musical journeys, and the magic of playing iconic instruments like Jerry Garcia's Alligator guitar. Tune in to hear spontaneous stories and deep reflections on their musical paths and the vibrant music scene.
Quotes From The Episode
He looked like he had just fired down six fat ones…and he doesn't smoke…and his eyes were spinning. - Dennis McNally describing David Hidalgo after playing Jerry Garcia’s Alligator guitar.
The instrument's a living thing. It has a life of its own. It shouldn't be kept behind glass. It should be out in front of people. With that emotion passing through.- Jack Barton
The biggest bummer about it these days is just how everybody's got a super computer in their pocket, and everybody's addicted to the shit, and unless you engage with social media, people don't know that you're active. - Sam Grisman
I never imagined myself becoming a guitarist ever. I never had big aspirations to be a musician or play guitar at all. But I started playing during the pandemic. - Bella Rayne
Honestly, I was thrilled to play with all of these musicians, but I have a special place in my heart for the guys from Los Lobos. Yeah. I mean, holy cow. What a thrill. - Jill Simmons
From the beginning, I'm grateful. That we've been able to do what we've wanted to do all these years. And for it to come around to where it's at now. And the friends that we've made along the way. That's why we're here today. - David Hidalgo
Music Links
Bertha * Deadicated * Los Lobos
David Hidalgo with Los Lobos Playing Jerry Garcia's Alligator at the Fillmore 11/16/23
Brown Eyed Women - Thunderbird Music Hall - 9/25/22 - Set 2
Jerry Garcia Band - "Mission In The Rain" - Electric On The Eel (June 10th, 1989)
Teach Your Children by Crosby, Stills, Nash & Young - 1970 (with lyrics)
Links to Websites
https://www.dennismcnally.com/
https://www.loslobos.org/site/
https://www.samgrismanproject.net/
https://www.bellaraynerocks.com/
https://www.jackbartonentertainment.com/
Tales from the Green Room hits the road with its debut visit to the iconic Capitol Theater in Port Chester, New York, sitting down backstage with Dark Star Orchestra lead guitarist, Jeff Mattson! Recorded in between DSO’s first two shows since the passing of Phil Lesh, Jeff reflects on his memorable interactions with Phil and how the band prepared for these memorable performances at one of his favorite venues. The episode continues with Jeff expressing gratitude and sharing memories about being the first person to publicly play Jerry Garcia’s famed Alligator Fender Strat, courtesy of Andy Logan and the Grateful Guitars Foundation. Jeff also muses about the intimacy of playing at Phil’s Terrapin Crossroads, his jazz and improvisation influences, the difference between West Coast and East Coast audiences and maintaining musical authenticity while honoring the legacy of The Grateful Dead.
The conversation covers Mattson's experiences playing at famous venues, his deep connection to the music of the Grateful Dead, and his memorable interactions with Phil Lesh. Additional topics include the differences between East and West Coast Deadheads, the impact of venue intimacy, and Mattson's reflections on maintaining musical authenticity while honoring the legacy of the Grateful Dead.
Quotes From The Episode
I grew up with improvisation, all the time, hearing it, seeing my father do it, and Miles Davis, Coltrane, playing in the house all the time growing up, so, it just seemed the most natural thing in the world to improvise. - Jeff Matson
The thing I always heard was that the East Coast audience were a little more vociferous. And, West Coast audience were a little more chill, like “we don't get carried away.” I mean, wherever you come from, if you're a deadhead, you love the music. -Jeff Matson
Listen Now:
🎧 Available on Spotify, Apple Podcasts, and wherever you get your podcasts! Don’t forget to like, subscribe, and leave a review.
Follow Us:
Website: Mt. Tam Media Podcast Network – Tales From The Green Room
Links
https://www.darkstarorchestra.net/
https://www.thecapitoltheatre.com/
https://www.jackbartonentertainment.com/
https://www.alexjordanjams.com/
Music
YouTube: Nugs.net - Dark Star Orchestra 11/15/24
YouTube: Ted Silverman AKA TedToob - Darkstar Orchestra at Warfield Theater - SF, CA 2/15/20
YouTube: IridiumLive - Donna Jean Godchaux Band feat. Jeff Mattson, 10/26/2012
In this very special episode of Tales from the Green Room - recorded backstage at Terrapin Crossroads’ Sunday Daydream Vol. 3 in San Rafael, CA on July 21, 2024, on what turned out to be the late Phil Lesh’s final performance - hosts Dennis Strazulo and Tami Larson sit down with legendary musician Stanley Jordan, Greg Loiacono (Greg Loiacano and Stingray, Mother Hips, and Jerry Saracini (Forgotten Space) all who shared the stage with Phil that day. The conversation is steeped in rich history and bittersweet emotions as the musicians reflect on their personal journeys, the profound impact of Terrapin Crossroads and the teachings of Phil Lesh
From Stanley Jordan’s innovative "touch technique" to Greg Loiacono's stories of community and camaraderie with The Mother Hips, and Jerry Saracini’s perspective on channeling energy through music, this episode celebrates the intersection of creativity, tradition, and transformation. The artists share deeply personal insights, explore the healing power of music, and pay homage to Phil Lesh’s monumental contributions to the music world and their careers.
Photo Gallery from Sunday Daydream Vol. 3 by Gabriel David Barkin
Tales of The Mekong Delta Bluesman by Son Vo
Episode Highlights:
Quotes from the Episode:
Listen Now:
🎧 Available on Spotify, Apple Podcasts, and wherever you get your podcasts! Don’t forget to like, subscribe, and leave a review.
Follow Us:
Links:
Terrapin Crossroads/Sunday Daydream
https://www.sundaydaydream.com/
https://www.facebook.com/TerrapinCrossroads
Grahame Lesh/Terrapin Family Band
@grahamelesh
@terrapinfamilyband
Music:
Stanley Jordan Plays Jimi Hendrix8-Assemini (CA) Italy
https://www.youtube.com/watch?v=XLLGrw8kTtk
Stanley Jordan
@officialstanleyjordan
https://www.stanleyjordan.com/en/
Giving it all away Terrapin Daydream 3 Greg Loiacono and Stingray
https://www.youtube.com/watch?v=trDfRCIvrEk
Greg Loiacono
Jerry Saracini- Forgotten Space
https://www.youtube.com/watch?v=ATTrUrC_6Vg
Jerry Saracini - Forgotten Space
Steve Kimock: Reflections and Revelations on Zero’s 40th Anniversary
In this special episode of Tales From The Green Room, Steve Kimock shares his insights and experiences backstage at the Mystic Theatre in Petaluma, celebrating the 40th anniversary of his band, Zero. The conversation, recorded less than two weeks after Phil Lesh’s passing, delves into the weight Steve was still experiencing after that event, and touches on memorable moments, including his emotional handling of a significant guitar presentation by Grateful Guitars, his relationship with Jerry Garcia, and collaborations with various artists over the decades. Kimock’s reflections on personal and musical growth, the legacy of Zero, and heartfelt anecdotes provide an intimate look into his storied career and lasting impact on the music community.
Links
https://www.facebook.com/JazzIsDead.Tour/
https://www.facebook.com/stevekimock
https://www.instagram.com/kimock_official
https://www.bloomingfootprint.com/
Jazz is Dead (4K)“Help/Slip!/Franklin's Tower" 1.13.23
Steve Kimock flashes back to Zero
In this episode of Tales from the Green Room, hosted by Dennis Strazulo and Tami Larson of Mount Tam Media, listeners get an exclusive look into conversations with members of Steely Dead backstage at the renowned Guild Theatre in Menlo Park, CA. The episode features lively discussions with band members Dave A'Bear, Matt A'Bear, Chris Sheldon, and Dylan Teifer as they share insights about their music, the etiology of Steely Dead, touring, the energy of the green room, banjo side projects, and Dave's anticipation of playing Jerry Garcia's legendary guitar, the Alligator. Plus, hear some very interesting connections between band members and Major League Baseball! Additionally, the episode includes a bonus interview with Dave A'Bear and Zach Jones (Lovin' Dead) recorded immediately following the unique "Dead Set on the Bay" cruise on the San Francisco Bay, where they discuss their musical backgrounds, The Grateful Dead's enduring influence, and their experiences within different music scenes. Thanks to Mr. Hat Presents for welcoming us on board and making this great interview possible.
Enjoy this episode and hearing about how Steely Dead pulls off mashing up the music of Steely Dan and The Grateful Dead, with a result appealing to fans of both bands.
Links
Steely Dead
Lovin’ Dead
“Here Come The Yankees”
Foggy Mountain Spaceship
Mr. Hat Presents
