SpaceTimeMusic is a podcast exploring the roots, shoots and branches of some of Lyd the SBW's favorite songs through samples and covers.
I have always been a music lover. In it I hear love, first and foremost and just like love, it transcends time and space. Come along with me as I tumble down musical rabbit holes. And for me, that usually begins with a sample. I’ll hear a sample in a song and won’t be able to remember where it’s from. I’ll consult Papa Google and discover three other songs that are sampled in that same song and then go searching for them on a streaming service. And that’s when it happens. Through a simple search, a trail of musical cookie crumbs reveals itself to me leading to the most amazing ear-candy houses I have ever heard, sans the child-eating witch.
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SpaceTimeMusic is a podcast exploring the roots, shoots and branches of some of Lyd the SBW's favorite songs through samples and covers.
I have always been a music lover. In it I hear love, first and foremost and just like love, it transcends time and space. Come along with me as I tumble down musical rabbit holes. And for me, that usually begins with a sample. I’ll hear a sample in a song and won’t be able to remember where it’s from. I’ll consult Papa Google and discover three other songs that are sampled in that same song and then go searching for them on a streaming service. And that’s when it happens. Through a simple search, a trail of musical cookie crumbs reveals itself to me leading to the most amazing ear-candy houses I have ever heard, sans the child-eating witch.
Lyd the SBW listens to 1930s hit song Jeepers Creepers. From a cute little ditty about pretty eyes to commentary on the male gaze and sex work, Jeepers Creepers, you’ve come a long way, baby?
Autumn is creeping up on us here in Iceland and that's got Lyd the SBW in the mood for some rainy day goodness, listening to the original and covers of Prince's 17 Days.
Is the cover better than the original? Not usually but in this case, the pseudo-cover slaps, as the children say. Lyd the SBW is listening to Always on Time and Decline.
Lyd the SBW recalls the first time she heard both one of her all time favorite DJs (RIP John Robinson) and the raw honesty of “The Bottle” by Gil Scott-Heron plus a cover, a sample and a little peek into NYC radio history.
Church bells toll and Lyd the SBW is hit with a wave of nostalgia that sends her on a journey through the covers of Always Something There to Remind Me.
In this episode, Lyd the SBW listens to a Whitney Houston classic and one of its most famous remixes. Why? Because the world can be a pretty crappy place and it’s not right, but it’s okay and we’re going to make it anyway.
In this episode of Space Time Music, Lyd the SBW will be interviewing…herself, giving y’all the music/soul profile you’ve been waiting for. There’s a lot of 70s and 80s goodness in here kids.
Lyd the SBW follows the sample trail of a 70s soul song about friends with benefits as it morphs into a 90s song of friends with benefits nostalgia, to unbreakable love and Polish hip hop in the 2000s and ending with ‘you don’t want to fall in love with me cause I will flip your whole way of being’ in 2010.
Lyd the SBW discovers that if you take the Godfather of Soul, James Brown and the funky drummer Clyde Stubblefield, sprinkle in some Bahamian funk and a heaping helpin of hippy funk and you get a 90s hip hop classic.
SpaceTimeMusic is a podcast exploring the roots, shoots and branches of some of Lyd the SBW's favorite songs through samples and covers.
I have always been a music lover. In it I hear love, first and foremost and just like love, it transcends time and space. Come along with me as I tumble down musical rabbit holes. And for me, that usually begins with a sample. I’ll hear a sample in a song and won’t be able to remember where it’s from. I’ll consult Papa Google and discover three other songs that are sampled in that same song and then go searching for them on a streaming service. And that’s when it happens. Through a simple search, a trail of musical cookie crumbs reveals itself to me leading to the most amazing ear-candy houses I have ever heard, sans the child-eating witch.
