Find all the links you need at https://linktr.ee/skipdpod

In episode thirteen of Skip’d, Rob & Mike dissect Kendrick Lamar’s To Pimp A Butterfly—a genre-defying magnum opus that fuses hip-hop, funk, jazz, and spoken word into a searing meditation on race, fame, and self-worth. Released in 2015, this ground-breaking album redefined what rap could be, pairing sonic experimentation with lyrical depth that demands repeated listens and cultural reckoning.

What’s inside:

• Breakdowns of the explosive tracks such as “Wesley's Theory” the introspective “u”, and the triumphant “i”
• Exploration of the album’s core themes: systemic racism, survivor’s guilt, and the duality of being celebrated and scrutinized as a Black artist
• Reflections on how To Pimp A Butterfly became a protest anthem, a therapy session, and a spiritual awakening rolled into one—plus the moment Mike comes to terms with his new found appreciate of rap.

Stream Skip’d on Spotify, Apple Podcasts, or wherever you get your audio fix. Got an album that makes you wanna scream the chorus at the top of your lungs? Send it our way—Rob & Mike are ready to put it to the test and see if it’s truly unskippable.

Find all the links you need at https://linktr.ee/skipdpod

In episode twelve of Skip’d, Rob & Mike dive deep into Adele’s fourth studio album, 30—a soul-baring chronicle of divorce, motherhood, and self-reclamation wrapped in cinematic balladry and gospel-infused grandeur. Released in 2021 after a six-year hiatus, 30 finds Adele at her most vulnerable and vocally commanding, weaving orchestral arrangements, jazz flourishes, and raw lyricism into a cohesive emotional journey that listeners deemed completely unskippable.

What’s inside:

• Breakdown of the most memorable tracks such as “Strangers by Nature,” the powerhouse anthem “Easy on Me,” and the cathartic closer “Love Is a Game”
• Exploration of the album’s core themes: grief, growth, and the messy beauty of starting over
• Reflections on how 30 became a soundtrack for emotional reckoning, plus some serious heart to hearts between Rob & Mike about the impact of divorce on family life.

Stream Skip’d on Spotify, Apple Podcasts, or wherever you get your audio fix. Got an album that makes you wanna scream the chorus at the top of your lungs? Send it our way—Rob & Mike are ready to put it to the test and see if it’s truly unskippable.

Find all the links you need at https://linktr.ee/skipdpod

In episode eleven of Skip’d, Rob & Mike unpack Porcupine Tree’s ninth studio album, Fear Of A Blank Planet—a searing concept record that dissects modern youth’s alienation, screen addiction, and societal disconnect through sprawling progressive rock canvases. Blending art-rock textures, narrative depth, and hard-hitting grooves, this 2007 release was self-produced by the band across Steven Wilson’s No Man’s Land home studio and remote sessions in Tel Aviv and London.

What’s inside:

• Track-by-track breakdown of the title-track’s dystopian soundscape, the 17-minute prog opus “Anesthetize,” and the haunting finale “Sentimental”
• Exploration of the album’s core themes: digital overload, broken homes, and mental health
• Deep dive into Steven Wilson’s self-production ethos, from bedroom demos to polished mixes that earned Gavin Harrison a Modern Drummer award
• Listener reflections on how the album’s anxieties resonate today

Stream Skip’d on Spotify, Apple Podcasts, or wherever you get your audio fix. Got an album that makes you wanna scream the chorus at the top of your lungs? Send it our way—Rob & Mike are ready to put it to the test and see if it’s truly unskippable.

Find all the links you need at https://linktr.ee/skipdpod

In episode ten of Skip’d, Rob & Mike unravel The Streets’ defining concept album, A Grand Don’t Come For Free, released on 17 May 2004. Mike Skinner transforms London street tales into a rap opera narrative, chronicling a missing £1,000 and a tumultuous romance with Simone. They explore how raw garage beats and heartfelt lyricism elevated UK hip hop in the mid-2000s.

What’s inside:

• A track-by-track breakdown of emotional highs and lows in songs like “Dry Your Eyes,” “Fit But You Know It,” and “Blinded by the Lights”
• Discussion of Skinner’s storytelling technique, inspired by Hollywood screenwriting principles, that weaves drama through every verse
• Rob & Mike’s take on the album’s bedroom-to-studio production, DIY authenticity, and Mike Skinner’s role as both writer and producer
• Listener anecdotes, singalong moments, and both Rob and Mike professing to being drug-free and boring.

Stream Skip’d on Spotify, Apple Podcasts, or wherever you listen to podcasts. Got a concept album that turns every track into a chapter? Send it over—Rob & Mike are ready to skip it next.

Find all the links you need at https://linktr.ee/skipdpod

In episode nine of Skip’d, Rob & Mike unpack Kaiser Chiefs’ debut studio album Employment, a Britpop and new wave–inspired alternative rock landmark that exploded onto the UK scene in March 2005. Recorded from summer to December 2004 at Chapel Studios in Lincoln and refined at Olympic and Town House studios, the album fuses art-punk attitude with catchy pop hooks under the guidance of producers Stephen Street and Stephen Harris. Charting at number three upon release and climbing to number two after the Brit Awards, Employment became one of 2005’s best-selling albums and cemented the Leeds band as arena headliners.

What’s inside:

• A track-by-track breakdown of stadium-ready singles like “I Predict a Riot,” “Everyday I Love You Less and Less,” and “Oh My God,” exploring their infectious riffs and rallying choruses
• Rob & Mike’s take on how the album’s production sharpened the band’s wit and funky rhythms, and how those songs sparked a post-punk revival
• Listener memories, heart-pounding concert anecdotes, and a debate on if anything good has ever come out of Leeds.

Stream Skip’d on Spotify, Apple Podcasts, or wherever you get your audio fix. Got an album defined by mosh pits and singalong hooks? Send it our way—Rob & Mike are primed to skip it next.

Find all the links you need at https://linktr.ee/skipdpod

In episode eight of SKiP’D, Rob & Mike dive into Arctic Monkeys’ fifth studio album, AM, released on 9 September 2013. Recorded between January 2012 and June 2013 at Sage & Sound Recording in Los Angeles and Rancho De La Luna in Joshua Tree, California, with production led by James Ford and co-production from Ross Orton, this record fuses indie rock grit, blues-rock swagger, R&B soul, and hip-hop-influenced grooves into a dark, cinematic package.

What’s inside:

• A track-by-track exploration of opener “Do I Wanna Know?” and anthem “R U Mine?” uncovering their moody guitar riffs and rhythmic swagger
• A breakdown of late-night standout “Why’d You Only Call Me When You’re High?” and its blend of confessional lyrics with vintage drum-machine pulse
• Insight into Alex Turner’s decision to treat AM as a true studio album, layering piano, organ, Hohner Guitaret, and subtle guest vocals into the band’s core sound

Stream Skip’d on Spotify, Apple Podcasts, or your favourite podcast app. Got an album whose groove won’t let you sleep? Send it our way—Rob & Mike are ready to skip it next.

Find all the links you need at https://linktr.ee/skipdpod

In episode seven of SKiP’D, Rob & Mike explore Ed Sheeran’s debut album +, a genre-blending collection that launched the British singer-songwriter into global stardom. Chosen by a listener who still tears up to "Small Bump," this album fuses acoustic intimacy with rhythmic wordplay and pop polish. From the haunting storytelling of "The A Team" to the rapid-fire delivery of "You Need Me, I Don’t Need You," the duo unpacks how + redefined expectations for solo artists in the 2010s.

What’s inside:

• A track-by-track breakdown of Sheeran’s lyrical themes, production choices, and emotional range.
• Rob & Mike’s take on the album’s influence on modern pop, the rise of loop pedal performance, and Sheeran’s songwriting evolution.
• Listener memories, heartfelt reactions, and an unsettling amount of Nando's facts.

Stream Skip’d on Spotify, Apple Podcasts, or wherever you get your audio fix. Got an album that makes you wanna scream the chorus at the top of your lungs? Send it our way—Rob & Mike are ready to skip it next.

Find all the links you need at https://linktr.ee/skipdpod

In episode six of SKiP’D, Rob & Mike plunge into Late of the Pier’s sole studio album, Fantasy Black Channel, a genre-collage that redefined British alternative music in 2008. Recorded partly in Sam Eastgate’s bedroom and honed at London studios, this record mixes dance-punk revival, glam bursts, and prog-rock flourishes into one electrifying package.

What’s inside:

• A track-by-track breakdown of anthems like “Bathroom Gurgle” and “Space and the Woods,” uncovering their unconventional time signatures and infectious hooks
• Deep dive on producer Erol Alkan’s role in sculpting the fractured, inventive soundscape that made critics hail it as one of 2008’s best British debuts
• Rob & Mike’s candid reactions on the album’s fearless studio experimentation, fractured creative process, and the band’s mission to “take people past their own limits”

Stream Skip’d on Spotify, Apple Podcasts, or your favourite podcast app. Got an album that pushed the boundaries of sound? Send it our way—Rob & Mike are locked and loaded to skip it next.

Find all the links you need at https://linktr.ee/skipdpod

In episode five of SKiP’D, Rob & Mike blast off into Infinity on High, Fall Out Boy’s daring second album that catapulted them from emo underdogs to mainstream rock titans. Chosen by a fan who still belts “Thnks fr th Mmrs” in the shower, this record merges arena-ready hooks with heartfelt confessions and genre-bending experiments.

From the dramatic horns and pop sensibility of “This Ain’t a Scene, It’s an Arms Race” to the raw vulnerability of “The (After) Life of the Party,” the duo breaks down why Infinity on High is a masterclass in balancing bombastic ambition with personal storytelling.

What’s inside:

• A track-by-track ride through the album’s bold production, lyrical wit, and surprise guest turns
• Rob & Mike’s take on Patrick Stump’s soaring vocals, Pete Wentz’s self-aware lyricism, and the band’s evolving identity
• Listener anecdotes, nostalgic throwbacks, and one moment where Mike tries (and fails) to rap the bridge

Stream SKiP’D on Spotify, Apple Podcasts, or wherever you get your audio fix. Got an album that makes you wanna scream the chorus at the top of your lungs? Send it our way—Rob & Mike are ready to play it next.

Find all the links you need at https://linktr.ee/skipdpod

In episode four of SKiP’D, Rob & Mike wade into the tempestuous waters of Lungs, the debut album that launched Florence Welch into the stratosphere. Nominated by a listener who claims it “saved their life and ruined their mascara,” this record is a whirlwind of harp-strung hysteria, gothic romance, and unapologetic emotional release.

From the primal stomp of “Dog Days Are Over” to the feverish waltz of “Rabbit Heart (Raise It Up),” the duo unpacks Florence’s lyrical symbolism, theatrical vocals, and the album’s uncanny ability to make heartbreak sound like a spiritual awakening.

What’s inside:

Find all the links you need at https://linktr.ee/skipdpod

In episode three of SKiP’D, Rob & Mike dive headfirst into the ethereal, genre-defying masterpiece that is Blonde by Frank Ocean. Selected by a listener who swears every second is sacred, this album takes the duo on a journey through vulnerability, identity, and sonic innovation. From the haunting minimalism of “Nikes” to the emotional gravity of “Self Control,” they explore whether Blonde is truly unskippable, or if it’s forgettable.

What to expect:

• An exploration of Frank Ocean’s lyrical intimacy, experimental production, and cultural impact.
• Insights into the album’s mysterious release, collaborators, and the accolades it achieved along the way.
• Rob & Mike’s signature banter, loves, hates and of course the all important Unskippable verdict.

Stream SKiP’D on Spotify, Apple Podcasts, or wherever you get your audio fix. Got an album that changed your life? Send it our way—Rob & Mike might just feature it on the next episode.

Find all the links you need at https://linktr.ee/skipdpod

On episode two of SKiP’D, Rob & Mike crack open Mike’s ultimate indie-rock manifesto: We Are Scientists’ debut, In Love and Squalor. From the adrenaline-fueled opener “Nobody Move, Nobody Get Hurt” to the raw vulnerability of “The Great Escape,” they unpack why every riff, lyric, and hook demands your full attention.

What to expect:

• A deep dive into the razor-sharp guitar lines and witty lyricism that defined mid-2000s indie rock

• Behind-the-scenes stories about the album’s formation, production quirks, and that iconic sound

• Rob & Mike’s signature banter, loves, hates and of course the all important Unskippable verdict.

Subscribe on Spotify, YouTube, Apple Podcasts, or your favorite podcast app. Got an album you’d never skip? Send us your pick and join the conversation on the next episode of SKiP’D!

Find all the links you need at https://linktr.ee/skipdpod

On the inaugural episode of SKiP’D, hosts Mike & Rob take on Rob’s album selection: Panic! At The Disco’s genre-defining debut, A Fever You Can’t Sweat Out. From the carnival-inspired opener “The Only Difference Between Martyrdom and Suicide Is Press Coverage” to the sing-along anthem “I Write Sins, Not Tragedies,” they explore the artistry and audacity that make every track unique.

What to expect:

• A deep dive into the ultimate baroque-pop and emo-club mashup

• Behind-the-scenes trivia on the album’s 2005 recording sessions and Brendon Urie’s iconic vocals

• Rob & Mike’s signature banter, loves, hates and of course the all important Unskippable verdict.

Subscribe on Spotify, YouTube, or your favourite podcast app. Got an album you’d never skip? Send us your pick and join the conversation on the next episode of SKiP’D!

Which albums are truly unskippable and which ones belong in the skip? Listen to the trailer for SKiP'D to find out...