Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.
Hosted on Acast. See acast.com/privacy for more information.
Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.
Hosted on Acast. See acast.com/privacy for more information.
This week, my guest is Sahan Jayasuriya, musician & author of Don't Say Please: The Oral History of Die Kreuzen, who discusses the influential but polarizing band, DIE KREUZEN, as we look at the two legendary cable access performances that bookended the band's career in 1983 & 1991.
We discuss how Die Kreuzen is beloved by musicians such as Neko Case, Thurston Moore & Ian MacKaye; why fans often don't want their favorite band to ever change musically and how Die Kreuzen struggled with that, the band's origin story and what led to their first EP Cows And Beer, their devastating first s/t LP and how some listeners were not ready for the follow-up October File, Maximum Rocknroll, how Die Kreuzen were a chemistry band not unlike R.E.M. or Cheap Trick, how a single photo of Keith from the band moved Chris to start dressing and performing like him, the 1983 Milwaukee cable access show: Who Am I: The Punk Rock Attitude & the roundtable discussion in it plus the band's blistering 17 minutes set, how the sound of pain resonated from the band sonically on all their records, Corey Rusk and Touch & Go Records, working with Butch Vig, the artwork of Richard Kohl, Chris witnessing a punk audience turn on the band at their live show, fog machines, Pink Flag, the band working with Steve Albini, why they disbanded shortly after their 1991 cable access performance, and the great story of Lou Barlow freaking out backstage because "Die Kreuzen are right behind that door!"
Whether you know Die Kreuzen or not, this is a fantastic story about whether or not audiences are willing to go where a band wants to go. All this and more on this week's episode of Revolutions Per Movie.
SAHAN JAYASURIYA:
https://www.instagram.com/diekreuzenbook/
DON'T SAY PLEASE: THE ORAL HISTORY OF DIE KREUZEN:
https://feralhouse.com/30258/
DIE KREUZEN:
https://www.instagram.com/diekreuzenbook/
THE CABLE ACCESS PERFORMANCES:
1983: https://www.youtube.com/watch?v=ZN3hwQ3gOP8
1991: https://www.youtube.com/watch?v=IbaOoxvdtMw
REVOLUTIONS PER MOVIE:
Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss.
Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app.
The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods. Thanks!
SOCIALS:
@revolutionspermovie
Hosted on Acast. See acast.com/privacy for more information.
A Very Opinionated Look At URGH! A MUSIC WAR--CHAPTER THIRTY-SEVEN: An interview with JC CARROLL of The Members Pt. 1
This week, we bring you Part 1 of our conversation with URGH performer JC CARROLL from UK band THE MEMBERS, who has had one of the most incredible lives (as you will soon hear!). We discuss JC's first live concert: T REX, honoring your past by playing classic songs that people still want to hear, JC meeting Graham Parker in a bar and making 4-track recordings in their bedroom together, hanging out at The Roxy and London’s incredible small punk scene at the time, singer/hustler Nicky Tesco and his amazing stage presence, recording in Eddy Grant’s recording studio and being produced by Steve Lillywhite, punk bands being on major labels, playing LA, SF and NY for the first time, how confusing their MTV hit “Working Girl” was compared to their URGH performance, the Copeland brothers’ fingerprints being all over URGH, Jerry Dammers, why they chose "Offshore Banking Business" for the film instead of other punkier singles, Dr. Feelgood, how they played their URGH concert with Pere Ubu & Magazine, working with Larry Wallis of Pink Fairies, how JC feels that URGH is an essential film culturally, how their single "The Sound Of The Suburbs" sold over 250,000 copies and why they never made any money off it.
So get ready for yet another jaw-dropping URGH interview available only on A VERY OPINIONATED LOOK AT URGH! A MUSIC WAR! Pt. 2 with JC Carroll is up next!
If you enjoyed this episode, please consider supporting the show over at patreon.com/revolutionspermovie and get over 190 Revolutions Per Movies episodes, including the exclusive weekly bonus episodes and series such as A Very Opinionated Look At Urgh A Music War! Plus, get the 7" flexidisc, stickers, and other physical goods sent to you as well. We're completely independent so this is the best way to support the show. Thank you!
THE MEMBERS:
https://www.themembers.co.uk/
REVOLUTIONS PER MOVIE:
patreon.com/revolutionspermovie
Hosted on Acast. See acast.com/privacy for more information.
This week, my guest is Dave Holmes (author, Editor-At-Large at Esquire, former MTV VJ, podcaster), who brings us our most requested film: VALLEY GIRL!!!
We discuss the wild stories of Dave auditoning for and becoming a MTV VJ, reading symbolism in music videos with your teenage friends, how long we could stare at an album cover for, NIght Flight, our mutual love for Tommy Keene, did Dave ever get a music video of his choice on MTV during his time there, leaving your body while interviewing guests, messing up in front of Michael Stipe, was Nicholas Cage successful at playing a ‘punk rocker’ in this film, director Martha Coolidge’s contract stating there needed to be four scenes of female nudity and her solutions to that clause, the Valley Girl trailer, the soundtrack to this movie, how X was supposed to be in the film and why they turned it down, how the cast brought their own clothes to the set to save money, 80's Mall Culture and our adventures within it, Nicholas Cage’s eyes, how Moon Unit Zappa changed culture and language forever (including this podcast), what lines from the film have never been said in real life, when KROQ got terrible, the Valley Girl remake, navigating curfew as a teenager, how the ages of the actors in the film are all over the map, The Plimsouls performance in the movie, how Josie Cotton and Fear were part of a coin toss for the rights to the song "Johnny Are You Queer?", Blotto, being suspicious of bands with names like the The Fabulous Poodles and Human Sexual Response and so much more.
So let's crash the party and hide out in the shower on this week's episode of Revolutions Per Movie!!!
DAVE HOLMES:
https://www.esquire.com/author/9774/dave-holmes/
@daveholmes
REVOLUTIONS PER MOVIE:
Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.
The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.
Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!
SOCIALS:
@revolutionspermovie
BlueSky: @revpermovie
ARTWORK by Jeff T. Owens
Hosted on Acast. See acast.com/privacy for more information.
This week, I’m joined by critic, author, and podcaster Alonso Duralde, who chose to discuss the 1982 Australian New Wave music film Starstruck. We also talk about Alonso’s incredible new book Hollywood Pride: A Celebration of LGBTQ+ Representation and Perseverance in Film, working in video stores, 80s mind-bending musicals like The Apple and Can't Stop The Music, how filmmaker Gillian Armstrong’s second film was nowhere near the vibe of her first (My Brilliant Career), the underground rabid fanbase for the film, the music in the film being written and performed by members of Split Enz and The Swingers, which bands were originally going to be involved in the film, what we hung on our teenage walls, bad 80s haircut experiences, how to sneak into a club, the confusing family dynamics in the film, the incredible Busby Berkeley tribute in the swimming pool sequence, where we imagine the characters in this film ended up, what stopped rock musicals being made for a spell and so much more.
So let's all jump on top of the bar in unison, kick the drinks off, and magically know all the dance moves already on this week's Revolutions Per Movie!
ALONSO DURALDE:
@alonso.duralde
@linoleumcast
http://www.patreon.com/bfastallday
https://maximumfun.org/podcasts/maximum-film/
https://www.hachettebookgroup.com/titles/alonso-duralde/hollywood-pride/9780762485895/
https://preorder-movie-little-christmas.carrd.co/
REVOLUTIONS PER MOVIE:
Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.
The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.
Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!
SOCIALS:
@revolutionspermovie
BlueSky: @revpermovie
THEME by Eyelids 'My Caved In Mind'
www.musicofeyelids.bandcamp.com
ARTWORK by Jeff T. Owens
Hosted on Acast. See acast.com/privacy for more information.
Hey everyone...welcome to our bi-monthly ENCORE PRESENTATION of classic REVOLUTIONS PER MOVIE episodes from the vault! On this episode, I was joined by Homer Flynn, representing The Residents and all things Ralph Records, to talk about their incredible body of work, and my gawd, they performed part of their epic, Eskimo, live recently...incredible! This was my chance to ask about so many things that wouldn't be typically discussed regarding The Residents. I was extremely proud when, at the end of the interview, Homer thanked me for not asking about the eyeballs. Why would I?!!??!? (Episode 45 originally aired on June 18th, 2024).
The original show notes:
This week, we talked to Homer Flynn of The Cryptic Corporation, who represents the mysterious, unknown collective, THE RESIDENTS, and discussed their legacy in film and video. Topics included the band’s Theory Of Obscurity, which Resident is the easiest to negotiate with, how the band couldn’t even give their initial records away and the moment that changed, creating the Ralph Records logo, what the Residents think of A.I., how they created their album artwork and music videos, collaborating with Night Flight, being The Residents during the pandemic, why The the collective gravitated to and stayed in S.F., working with John Sanborn & Graeme Whifler, The Residents’ filmmaking heroes, making music videos in an era where there was no place to show them, how the Cryptic Corp deals with the band’s larger than life concepts, the folly of trying to accomplish everything in one’s lifetime, the story behind their Ugly Grey Theater not being allowed to exist, their early 70s feature length epic Vileness Fats and how it lead to the false start film Double Trouble which then led to their first feature length film 50 years later, Triple Trouble, and their discussion on their next large scale projects including a one song concert in Geneva and Paris.
So come all you sinister exaggerators and let’s talk the visuals of The Residents.
THE RESIDENTS:
REVOLUTIONS PER MOVIE:
Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.
The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.
Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!
SOCIALS:
@revolutionspermovie
BlueSky: @revpermovie
THEME by Eyelids 'My Caved In Mind'
www.musicofeyelids.bandcamp.com
ARTWORK by Jeff T. Owens
Hosted on Acast. See acast.com/privacy for more information.
This week, Todd Brashear joins me to discuss his experiences being in the band Slint, Lance Bangs' Slint documentary Breadcrumb Trail, and our shared history of being video store owners!!!
We also talked about how Jesus Urge Superstar is an overlooked masterpiece, Todd’s early days in the hardcore punk scene in Louisville, the pre-Slint band Maurice, the first time Todd saw Slint perform, the Tweez EP, the amazing archival footage of the band rehearsing in Britt’s parents’ basement, how Slint were goofy even though their music was considered serious, opening Slint shows with Jonathan Richman or Black Flag covers, being bratty and transgressive in the underground movement, recording Spiderland, the end of Slint, Mission of Burma, working with Will Oldham, trying to open a video store in the late 90s, how much a VHS tape cost in 1997, whether to have a porn section or not, being the sole employee of a store, calling customers on The Late List, the holy grail tapes for the store, Ray Dennis Steckler, the RE/Search Incredibly Strange Films book, when both of our stores began to decline due to Netflix, The Wicker Man's musical sequences, not taking the store inventory home with us when we closed, Robert Pollard getting kicked out a Squirrel Bait show and more.
TODD BRASHEAR'S VIDEO STORE:
https://www.youtube.com/@wildandwoollyvideo
https://www.instagram.com/wildandwoollyvideo/
CHRIS’ VIDEO STORE:
https://www.instagram.com/clintonstreetvideo
SLINT:
https://touchandgorecords.com/bands/band.php?id=70
REVOLUTIONS PER MOVIE:
Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.
The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.
Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!
SOCIALS:
@revolutionspermovie
BlueSky: @revpermovie
THEME by Eyelids 'My Caved In Mind'
www.musicofeyelids.bandcamp.com
ARTWORK by Jeff T. Owens
Hosted on Acast. See acast.com/privacy for more information.
This week, I am joined by one of the greatest late-night writers & performers of all time, BRIAN STACK (Late Night With Conan O’Brien, The Late Show with Stephen Colbert), who picked a beloved music documentary to discuss: Be Here To Love Me - A Film About Townes Van Zandt.
We discuss the differences between working on Conan and Stephen’s shows, the last-minute panic of doing a late night show, my experience performing on Conan, accidental mistakes turning into magic, how many of Brian’s characters are tragically musical, band banter, the melancholy edge of the best comedy, how musicians who write the best sad songs are often the funniest people, the creation of the band Slipnutz, how Townes' music came into both our lives later in life, songs that tear you heart out, being a musician’s musician, The Stooges, Aimee Mann, Dave Alvin, The Chelsea Hotel being the headquarters of Zandt’s record label, how Townes is his own storyteller in this documentary, self-destructive tendencies in comedy and music, Dylan and Townes relationship, our Chris Elliott obsessions, being under-heard and misunderstood, Steve Shelley of Sonic Youth trying to help Townes make a record, the documentary Heartworn Highways, Neko Case, Mick Jagger’s country accent, writing songs in your dreams and so much more.
So let's laugh through the pain on this week's episode of Revolutions Per Movie.
BRIAN STACK:
https://teamcoco.com/celebs/brian-stack
REVOLUTIONS PER MOVIE:
Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.
The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.
Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!
SOCIALS:
@revolutionspermovie
BlueSky: @revpermovie
THEME by Eyelids 'My Caved In Mind'
www.musicofeyelids.bandcamp.com
ARTWORK by Jeff T. Owens
Hosted on Acast. See acast.com/privacy for more information.
Hey everyone...welcome to our bi-monthly ENCORE PRESENTATION of classic REVOLUTIONS PER MOVIE episodes from the vault! On this episode, I was joined by Vanessa Briscoe Hay of Pylon & PRS (Pylon Reenactment Society), who brought so much incredible history and focus in our discussion on the Athens, GA, scene she was part of and the film that caused multitudes of college students to move there: ATHENS, GA: INSIDE/OUT. (Episode 22 originally aired on Feb. 8th, 2024).
The original podcast show notes:
This week, we talk to Vanessa Briscoe Hay of Pylon & PRS (Pylon Reenactment Society), who chose the film ATHENS, GA: INSIDE/OUT to discuss. We also talk about her growing up in Georgia, her introduction to the Athens music scene, auditioning for Pylon, how the band initially was a conceptual musical art project, how they wrote their songs and lyrics, R.E.M. emergence & the growth of the Athens music scene, the economics of being a musician, why bands break up, the Pylon Reenactment Society’s origin story, the beauty of being irresponsible, which member in Pylon is an expert at recreating plane crashes (!?!) & more!
So Hey Kids! Don’t rock n’ roll, no no no no…on this week’s episode of Revolutions Per Movie.
Vanessa Briscoe Hay:
https://pylonreenactmentsociety.com/
https://www.facebook.com/athensgainsideout/
REVOLUTIONS PER MOVIE:
Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.
The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.
Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!
SOCIALS:
@revolutionspermovie
BlueSky: @revpermovie
THEME by Eyelids 'My Caved In Mind'
www.musicofeyelids.bandcamp.com
ARTWORK by Jeff T. Owens
Hosted on Acast. See acast.com/privacy for more information.
This week Angela Jaeger (Author of I FEEL FAMOUS Punk Diaries 1977-1981 and member of bands such as PIGBAG, THE MONOCHROME SET, THE BUSH TETRAS & THE STARE KITS) joins me to discuss THE PUNK ROCK MOVIE.
We talk about Angela's feelings about publishing her personal diaries & how Thurston Moore and Byron Coley encouraged her to release them for everyone, being a teenage roadie and friend of Teenage Jesus & The Jerks, experiencing CBGB’s and Max's Kansas City as a teen, heading overseas to be part of the 1978 punk movement, writing your diary in code (in case your Mom finds and reads it!), performing in Japan with Pigbag, finding your fellow weirdos as a kid, getting up the nerve to go alone to your first club shows, hanging with The Cramps more than any other band, The Dead Boys, wearing garbage bags to rock shows, how Angela’s mom would let bands like The Raincoats, The Slits and Young Marble Giants crash at her home when they were touring, insights into Tier 3, the club her sister ran, the director Don Letts, The Roxy's 100 days of punk, how the film might have the best ever footage of The Sex Pistols, singing and speaking with a fake British accent, having to grow up quick and the darker sides of the punk scenes, the incredible footage of The Slits and The Clash on the White Riot tour and so much more.
So let's put on a garbage bag dress and dance in front of our mirrors on this week's episode of Revolutions Per Movie!
BOOK: https://hatandbeard.com/collections/music/products/i-feel-famous-punk-diaries-1977-1981
PIGBAG ON IRS CUTTING EDGE: https://tinyurl.com/3x7xbbzb
REVOLUTIONS PER MOVIE:
Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.
The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.
Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!
SOCIALS:
@revolutionspermovie
BlueSky: @revpermovie
THEME by Eyelids 'My Caved In Mind'
www.musicofeyelids.bandcamp.com
ARTWORK by Jeff T. Owens
Hosted on Acast. See acast.com/privacy for more information.
This week, I'm releasing a one-two punch of Judas Priest-related films. On today's episode, I’m joined by EVAN 'FUNK' DAVIES, legendary DJ on WFMU, who brings us a Heavy Metal Parking Lot-adjacent film to discuss today: ROCK STAR (loosely based on the story of Tim "Ripper" Owens, who replaced Rob Halford of Judas Priest after being in a Judas Priest cover band).
.
We also talk about the NYC club scene of the late 70s and early 80s, take a jealous look back at the club calendars at that era, how scared I was to visit NYC for the first time, AM radio vs FM radio, WFMU, has there ever been a good movie about being a DJ,
DJing your high school cafeteria, seeing the film ROCK STAR on opening day with only one other person in the theater, the saga of "Ripper" Owens, Dominic West of The Wire & Timothy Olyphant of Deadwood playing rock gods in the film, the difference between a tribute band and a cover band, passive aggressively kicking people out of bands, Mark Wahlberg as the lead singer of the fictional band Steel Dragon, and his ever-changing accent, how I was in a Guided By Voices cover band before joining the real Guided By Voices, the mindset of the parents in the film who let Steel Dragon play their oil refinery, seeing bands fight on stage, Jennifer Aniston as the manager in the film, the many problematic scenes in the film, the trouble with loving bands that have drastic lineup changes, Cheap Trick, the amazing story of the film coming to the screen, Pussy Galore tribute bands, seeing Television live, how the end of this film has one of the dumbest endings of all time, how some of the movie’s fake metal songs actually rule and so much more.
REVOLUTIONS PER MOVIE:
Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.
The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.
Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!
SOCIALS:
@revolutionspermovie
BlueSky: @revpermovie
THEME by Eyelids 'My Caved In Mind'
www.musicofeyelids.bandcamp.com
ARTWORK by Jeff T. Owens
Hosted on Acast. See acast.com/privacy for more information.
This week I’m joined by WILCO's MIKAEL JORGENSON to discuss a film he knows backward and forwards: HEAVY METAL PARKING LOT! But that's not all… I also got to blow his mind with surprise guest JEFF KRULIK--The Co-Creator of HEAVY METAL PARKING LOT!!!
We discuss Mikael’s endless creativity and how he decides where to put his energy on any given day, the many hours he spent as a teenager making music on his IBM floppy drive computer, doing David Letterman-style comedy audio cassette recordings, how unusual it was to see Mikael with a computer on stage during his first Wilco tour (and how common it is now), how intense it was for him to join an established band like Wilco, tribalism in music scenes, how the documentary is both terrifying and comforting, how shirtless people outnumber people wearing shirts in this film, Mikael’s religious upbringing and its impact on his fear of heavy metal, KISS being in children's TV shows, the genesis of Heavy Metal Parking Lot and how the film found an audience due to VHS tape trading culture, a reenactment of Zebraman’s anti punk rock tirade, the undying loyalty of metal fans, Neil Diamond Parking Lot & Heavy Metal Picnic, Judas Priest’s reaction to the film, Jeff trying to eat Judas Priest’s food backstage, Sofia Coppola wanting to use the film in her work, reconnecting with the stars of Heavy Metal Parking Lot decades later and so much more.
So let's smoke a joint so big it stretches across America on this week's episode of Revolutions Per Movie!
HEAVY METAL PARKING LOT: https://www.heavymetalparkinglot.com/
MIKAEL JORGENSON: https://mikaeljorgensen.com/
JEFF KRULIK: https://jeffkrulik.com/
WILCO: https://wilcoworld.net/
REVOLUTIONS PER MOVIE:
Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.
The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.
Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!
SOCIALS:
@revolutionspermovie
BlueSky: @revpermovie
THEME by Eyelids 'My Caved In Mind'
www.musicofeyelids.bandcamp.com
ARTWORK by Jeff T. Owens
Hosted on Acast. See acast.com/privacy for more information.
Welcome to my 100th episode of Revolutions Per Movie (and that's really 181 episodes counting the exclusive Patreon episodes)!
So to properly celebrate gloriously, we are joined by one of the greats, Tom Scharpling (host of The Best Show, co-host of Double Threat, and writer for What We Do In The Shadows & Monk) who brings us his favorite music film of all time by his all-time favorite artist, Neil Young’s Rust Never Sleeps!
We discuss Tom’s 25 years of doing The Best Show, Tom’s introduction to Neil Young and how I discovered the deep catalog of Neil though Tom's show, Neil Young's ditch trilogy, how live records are often not truly live documents, King Crimson, how Neil shifts genres constantly and fearlessly, how the people around Neil initially didn’t understand Crazy Horse, concert fans who only want to hear the hits, Sonic Youth opening for Neil Young, Devo's influence on Rust Never Sleeps, how Neil Young is one of the most prolific filmmakers of all time, the films Human Highway & Harvest Time, Neil's sense of humor, how Star Wars influenced the Road-Eyes (roadies), the symbolism of Neil cutting his hair for this tour, how the film takes its time with long shots and hazy cinematography, how Neil came into the CSN fold and how they came to regret it, the album Trans, Neil’s Geffen & Reprise Record years, the video store music collection, when artists play unreleased music on tour, the power of the song 'Powderfinger', Neil and his relationship to Grunge, Tom seeing Neil Young live at the Roxy, the Robert Pollard/Neil Young parallels, letting an artist go where they need to go and more!
So let's put on our 3-D glasses and watch Neil Young rust before our very eyes on the 100th & 181st episode of Revolutions Per Movie!
THE BEST SHOW:
https://foreverdogpodcasts.com/podcasts/the-best-show/
REVOLUTIONS PER MOVIE:
Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.
The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.
Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!
SOCIALS:
@revolutionspermovie
BlueSky: @revpermovie
Hosted on Acast. See acast.com/privacy for more information.
Hey everyone...in honor of Julie Klausner coming to Portland to do Revolutions Per Movie Live on July 5th 2025, I'm re-releasing my incredible conversation with Julie about the Nancy Sinatra TV Special Moving With Nancy (Episode 5 which originally aired on Oct. 12th, 2023).
This episode should get everyone excited to come out to see us at the Clinton St. Theater where we will be watching and discussing the Rachel Welch wild-ass musical special Rachel! which Julie goes into a bit during our original discussion in this episode. Julie will also be putting together a series of unique, mind-altering videos just for this event only too...and maybe we'll shower you all with RC Cola...you never know!!!
Come escape the 4th of July weekend with us...see you soon!
Tickets for Revolutions Per Movie Live with Julie Klausner are available here:
https://cstpdx.com/event/revolutions-per-movie-live-with-julie-klausner/
The original podcast show notes:
This week, we talked to actor/writer/musician Julie Klausner (Hulu’s ‘Difficult People, Double Threat Podcast, ‘I Don’t Care About Your Band’) about Nancy Sinatra’s 1967 TV Special ‘Movin’ With Nancy.’ We obsess over Nancy’s dedication to the art of her lip-syncs, the magic of her partnership with Lee Hazlewood, how the special is also an unintentional horror movie & why Ringo Starr, Throbbing Gristle & Davy Jones would have been perfect duet partners with Nancy.
So pour yourself a goblet of that mad, mad, mad, mad cola and take the passenger seat straight into heaven on this week’s episode of Revolutions Per Movie.
Hosted on Acast. See acast.com/privacy for more information.
This week I’m joined by Australian musician Gareth Liddiard (Tropical Fuck Storm, The Drones) who chose to discuss one of the greatest concert films of all time, EINSTÜRZENDE NEUBAUTEN:HALBER MENSCH.
We talk about how Tropical Fuck Storm made their own film (Goody Goody Gumdrops) during the pandemic lockdown, Gareth playing shows with Neubauten, how TFS writes their brain-melting songs and how Neubauten’s influence crept into their work, TFS having to leave Melbourne due to economics, making their music using equipment they didn’t know how to use, how not to be too good at guitar, the influence of Greg Ginn, John Coltrane & Jimi Hendrix, Thrasher magazine, the current difficulties of touring the States, blowing things up in music videos, industrial high-school study music, Neubauten playing inside an actual freeway, how Neubauten are The Beatles of the industrial world in terms of charisma, how the film transcends pretension, Butoh dancers, Tarkovsky’s Stalker, the microphoned shopping cart, Blixa’s take on The Police, how the film is so well scripted and shot by filmmaker Gakuryū Ishii, how the legendary music producer Gareth Jones recorded one of the most expensive industrial records of all time and more.
So let's set our instruments on fire and the music to stun on this week's episode of Revolutions Per Movie!
TROPICAL FUCK STORM:
https://usa.firerecords.com/products/tropical-f-storm-fairyland-codex
https://tropicalfstorm.bandcamp.com/album/fairyland-codex
REVOLUTIONS PER MOVIE:
Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.
The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.
Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!
SOCIALS:
@revolutionspermovie
BlueSky: @revpermovie
THEME by Eyelids 'My Caved In Mind'
www.musicofeyelids.bandcamp.com
ARTWORK by Jeff T. Owens
Hosted on Acast. See acast.com/privacy for more information.
Hey everyone...in honor of our upcoming 100th episode (!!!), I'll be occasionally re-releasing some of my favorite past conversations. This one was special and powerful--the incredible Ann Magnuson coming on and being incredibly heartfelt, funny, vulnerable, and truthful on the show. I love that I never know where the show is going to go and this episode is the perfect example of why I feel so honored to do Revolutions Per Movie. (Episode 48 which originally aired on August 8th, 2024).
The original podcast show notes:
This week, we talk to legendary actor, musician, performance artist, and writer ANN MAGNUSON (Bongwater, The Hunger, Making Mr. Right, Cabin Boy, Pyramid Club, Club 57) about the influential cinema jazz documentary Jazz On A Summer’s Day. We discuss the performances in the film (including Thelonious Monk, Anita O’ Day, Chico Hamilton, Eric Dolphy to name a few performers), what it was like for Ann to inhabit Anita O’Day for the audio book of her autobiography, first impressions of Lou Reed’s Metal Machine Music, Ann’s programing at the legendary NYC Club 57, Ann’s new song ’Ghost Cat’ with producer Don Dixon, her early life in West Virginia, D.I.Y. & Ann’s SurRURALism techniques, success in the underground being a dirty word, the return of Vulcan Death Grip, being a professional walk-a-thoner, photographer & filmmaker Bert Stern, how the film brings a visceral sense of childhood for Ann, how Stern made the whole project happen with his own equipment and financing, Ann’s parents and the dry Jazz club scene in West Virginia, filming Making Mr. Right and the new wave sensibility of the 80s, how Monk’s performance is presented in the film, Chris scats the Anita O’ Day finale of ‘Tea For Two’ from his memory of repeated listening of the film at his video store, the white privilege throughout in the film, midnight Mahalia Jackson performances, how protest music is needed now more than ever and Ann reads from Anita O’day’s memoir about the performance that was filmed for this movie and how it changed O’Days life.
So let’s never sing the same song the same way twice on this week’s episode of Revolutions Per Movie!
ANN MAGNUSON:
https://annmagnuson.com/
https://annmagnuson.bandcamp.com/album/ghost-cat
VULCAN DEATH GRIP:
https://www.youtube.com/watch?v=f2_dWSpDXJE
REVOLUTIONS PER MOVIE:
Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.
Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.
The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. There, you can get weekly bonus episodes and exclusive goods just for joining.
SOCIALS:
@revolutionspermovie
X, BlueSky: @revpermovie
THEME by Eyelids 'My Caved In Mind'
www.musicofeyelids.bandcamp.com
Hosted on Acast. See acast.com/privacy for more information.
This week, we are joined by Sue Carpenter, the author and director of 40 WATTS FROM NOWHERE, which documents her pirate radio stations in SF and LA.
We talk about what made her want to turn her book into a documentary, how her station also became a theatrical experience, the incredible amount of documentation she did considering it was a pirate radio station, what makes starting a traditional radio station almost impossible, her incredible roster of DJs from Mike Watt to Keith Morris, climbing over her bed to broadcast, people triangulating the station's signal to try to find her, theft and the unknowns of running the station, getting artists like The Jesus & Mary Chain and Spiritualized to the station’s secret location, the film Pump Up The Volume, how the FCC found out about the station and the final showdown for the station.
So head to the left of the dial on this week's Revolutions Per Movie!
SUE CARPENTER:
https://www.youtube.com/watch?v=4nnNX1AeB_g
https://www.goodreads.com/book/show/224894.40_Watts_from_Nowhere
REVOLUTIONS PER MOVIE:
Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.
The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.
Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!
SOCIALS:
@revolutionspermovie
BlueSky: @revpermovie
THEME by Eyelids 'My Caved In Mind'
www.musicofeyelids.bandcamp.com
ARTWORK by Jeff T. Owens
Hosted on Acast. See acast.com/privacy for more information.
Hey everyone...in honor of our upcoming 100th episode (!!!), I'll be re-releasing a few of my favorite past conversations on Tuesdays.
This one was a lifelong dream for me: getting to talk to DEVO's Gerald V. Casale about their body of work--a band whose musical and visual identity showed teenage me that it was o.k. to be different, weird, and skeptical. Jerry does not suffer fools gladly, so I was quite nervous going into the interview, but once he realized I wasn't going ask about the flower pot hats, we both relaxed and took a serious deep dive into how he and DEVO altered the world forever, as well as how lonely that could be for them. Episode 35 originally aired on May 9th, 2024.
The original podcast show notes:
This week, the one that started it all for me, Devo’s Jerry Casale, joins me on the podcast to talk about Devo’s film and video legacy. We discuss the origin story of their first short film, the films that influenced Casale and Devo’s aesthetic, their early jobs and the pressures of Ohio, how ‘Bonnie & Clyde’ influenced the 'Beautiful World’ video, meeting collaborator Chuck Statler, where Rod Rooter’s dialogue came from, Club Devo and the difficulties making their merchandise, Jerry tells the plot of the Devo feature-length film script that never got made (including one that was going into production with Francis Ford Coppola & one with William Friedkin), how they directed their conservative looking extras and General Boy, meeting their idols, how they constructed their live shows, phone calls from the video Commissioner of MTV, censorship, working with Soundgarden, Bruce Connor’s ‘Mongoloid’ short film, transgressive art, people being scared of Devo, Kent State & the Vietnam War as the antecedents of Devolution, crawling out of the basement, the communal mindset of the members of Devo, the antagonistic nature against Devo from interviewers, having fun with the audience while rubbing their nose in it, the groundbreaking & primitive ‘Oh No It’s Devo’ tour, making ‘The Men Who Make The Music’ and having your own action figure made of you.
So...peek-a-boo...let's all get devolved together on this week's Revolutions Per Movie!
JERRY CASALE (videos, action figures, music, art):
https://www.geraldvcasale.com/
DEVO:
REVOLUTIONS PER MOVIE:
Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.
New episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.
The show is also a completely independent affair, so the best way to support the show is through our Patreon at patreon.com/revolutionspermovie, where you can get weekly bonus episodes and exclusive goods sent to you just for joining.
SOCIALS:
@revolutionspermovie
X, BlueSky: @revpermovie
THEME by Eyelids 'My Caved In Mind'
www.musicofeyelids.bandcamp.com
ARTWORK by Jeff T. Owens
Hosted on Acast. See acast.com/privacy for more information.
This week, I am joined by Jake Fogelnest, who at the age of 14 hosted MTV's Squirt TV, and later collaborated with Will Ferrell, Sarah Silverman & Billy Eichner. We take a look at the Bee Gees/Peter Frampton mess-a-thon theatrical feature SGT. PEPPER’S LONELY HEARTS CLUB BAND.
We also discuss how Jake turned his childhood cable access show (shot in his bedroom!) into a full-fledged MTV show, getting his hair cut on TV by Kim Gordon, the day Cypress Hill showed up to his bedroom, the difficulties of the MTV show getting cancelled and his struggle with addiction, how the Beatles were less protective of their legacy than we thought, the military aspects of Sgt. Pepper's, how we never noticed the military aspects of Sgt. Pepper’s, the legacy of Robert Stigwood’s powerhouse career, Grease, Robin Gibb’s grandiose delusion that this film’s music was going to replace the legacy of The Beatles' original, how this was Steve Martin’s film debut, how it felt watching the film as kids, the movie Car Wash, the PG-13 version of Saturday Night Fever, the cult musical film The Apple, the fight scene between Peter Frampton & Steven Tyler of Aerosmith, the incredible Alice Cooper cult leader scene, Sandy Farina as Strawberry Fields, speculating if anyone ever cried watching the film, Xanadu, Billy Preston saving the day, our alternate endings of Sgt. Pepper's, who are all the artists that appeared in the film's big finale, finding peace of mind from just hanging out in a video store and more!
So let's run from that wicked Mean Mr. Mustard and his two latex-clad gimb-bots on this week's episode of Revolutions Per Movie!
JAKE FOGELNEST:
@jakefogelnest
www.patreon.com/jakefogelnest
REVOLUTIONS PER MOVIE:
Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.
The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.
Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!
SOCIALS:
@revolutionspermovie
BlueSky: @revpermovie
THEME by Eyelids 'My Caved In Mind'
www.musicofeyelids.bandcamp.com
ARTWORK by Jeff T. Owens
Hosted on Acast. See acast.com/privacy for more information.
Hey everyone...in honor of our upcoming 100th episode (!!!), I'll be occasionally re-releasing some of my favorite past conversations. And why not start with a bang: Actor, Musician & Director Paddy Considine on his favorite band Guided By Voices and their documentary Watch Me Jumpstart (Episode 34 which originally aired on May 2nd, 2024).
Now that you've all caught up with Paddy and the rest of the Harrigan family on the season finale of MobLand & his band Riding The Low releasing their latest 12" EP (Above And Beyond), it's time to revisit this episode where we discuss this band that brought us together and how this documentary changed our lives forever.
The original podcast show notes:
This week, we talked to the actor (House Of The Dragons, 24 Hour Party People, The World’s End), musician (Riding The Low), writer/director (Tyrannosaur, Journeyman) Paddy Considine, about his all-time favorite band (in any universe), Guided By Voices and the documentary Watch Me Jumpstart. We discuss these mythical legends of Dayton, what it was like for Chris being in the band and working with Pollard, Pollard’s incredible work ethic and output, Paddy’s trip from the UK to visit Ohio for the first time and taking a GBV/Bob Pollard tour of Dayton, the eureka moment of understanding the band, wrapping your mind around Bob's lyrics, the early confusion of why, how and who was recording this music, being under-appreciated by the establishment, GBV's influence on Paddy's acting writing & music, Pollard's legendary mix-tapes, turning people onto the band, the obsession of collecting Pollard's entire discography, beer, basements and talking to Bono about Guided By Voices.
So, disarm the settlers, and let’s go deep into the world of Guided By Voices on this episode of Revolutions Per Movie.
PADDY CONSIDINE:
Riding The Low:
https://www.ridingthelow.co.uk/
Tyrannosaur:
https://www.amazon.com/gp/video/detail/B007ZYJT1U/ref=atv_dp_share_cu_r
REVOLUTIONS PER MOVIE:
Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.
The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.
Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!
SOCIALS:
@revolutionspermovie
BlueSky: @revpermovie
THEME by Eyelids 'My Caved In Mind'
www.musicofeyelids.bandcamp.com
ARTWORK by Jeff T. Owens
Hosted on Acast. See acast.com/privacy for more information.
This week, I'm joined by JoE Silva, the author of The Minimoog Book and host of Athens 411, who chose the film Moog to discuss.
We talk about how JoE first met Robert Moog and then went on a 14 year journey to write The Minimoog Book, Rush's Geddy Lee writing the preface to the book, the incredible stories surrounding Sun Ra as one of the first musicians to get a Minimoog, the strange era where digital synths overtook analog synths, how shy and gentle Robert Moog was, Moog's onstage work with Yes, the synth company's humble beginnings, the music industry’s fear of synths replacing 'real' musicians, Kraftwerk, why live music was the most important factor for Moog making his instruments, JoE’s time with Eno, the amazing early documentary footage of the Moog factory, Bernie Worrell & Rick Wakeman’s outdated conversation in the film, DJ Spooky, Taco Bell’s 'Island Of Electronicus, Stereolab, our top 3 synth parts of all time and more.
So let's set the oscillators to the max on this week's episode of Revolutions Per Movie!
JoE SILVA: https://www.athens441.org/about
THE BOOK: https://bjooks.com/products/the-minimoog-book
THE FILM: https://www.youtube.com/watch?v=yRsSSjqZ1yk
REVOLUTIONS PER MOVIE:
Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.
The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.
Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!
SOCIALS:
@revolutionspermovie
BlueSky: @revpermovie
THEME by Eyelids 'My Caved In Mind'
www.musicofeyelids.bandcamp.com
ARTWORK by Jeff T. Owens
Hosted on Acast. See acast.com/privacy for more information.
