Alena Sarkissian gives public lecture, subtitled 'Theatre as a space of Spiritual Contemplation', on Greek Tragedy in the Czech Republic under Nazi Occupation.

Nur Laiq (TORCH Global South Visiting Fellow), Hal Scardino (producer) and Fiona Macintosh (APGRD) discuss We Are Not Princesses, a documentary about Syrian women living as refugees in Beirut telling their stories through the ancient Greek play, Antigone. Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

The annual Classics & English lecture given in May 2019: Isobel Hurst (Goldsmiths) discusses Edith Wharton and the Classics. Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

An APGRD public lecture given in May 2019: Henry Power (Exeter) discusses Homeric resonances in the work of Alexander Pope, John Keats, and Thom Gunn. Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Melinda Powers (CUNY) discusses modern American adaptations of Greek tragedy.

An APGRD / DANSOX public lecture given in February 2019: Olga Taxidou (Edinburgh) discusses the work of Isadora Duncan and Edward Gordon Craig. Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

An APGRD public lecture in October 2017: Nancy Sorkin Rabinowitz (Hamilton College) tells us about her work bringing Classics into prisons. Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

An APGRD public lecture given in April 2018: Peter Wilson (Sydney) discusses the relationship between Greek theatre and politics. Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

An APGRD / DANSOX public seminar given in November 2018: Nicole Haitzinger (Salzburg) discusses Noverre's use of gesture and the tragic. Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

An APGRD public lecture from March 2018: Erika Fischer-Lichte (Freie Universität Berlin) speaks on the subject of her recent book, Tragedy's Endurance.

Poet, classical translator, research scholar and literary critic, Josephine Balmer reads from her latest collection, The Paths of Survival - inspired by the surviving fragments of Aeschylus's lost tragedy, Myrmidons. This reading is followed by a discussion with Josephine Balmer, Laura Swift, and Oliver Taplin.

The Abbey Theatre's artistic director Wayne Jordan talks to Professor Fiona Macintosh, about his acclaimed 2015 production of Sophocles' Oedipus.

Professor Ruth Webb (Université Charles-de-Gaulle Lille III), examines attitudes towards tragedy from the Second Sophistic to Late Antiquity An APGRD Public Lecture from November 2016

Acclaimed playwright Frank McGuinness talks with Fiona Macintosh about his work adapting Greek tragedies for modern theatre, particularly Antigone and Medea. Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Theatre director Jonathan Kent discusses his work with Greek tragedies, including Medea with Diana Rigg in 1992-1994; Hecuba with Clare Higgins in 2004; and Oedipus with Ralph Fiennes in 2008 at the National Theatre. Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales; http://creativecommons.org/licenses/by-nc-sa/2.0/uk/

Director, Adele Thomas, and playwright / translator, Rory Mullarkey, talk about their production of Aeschylus' Oresteia at the Globe Theatre, London in 2015

David Scourfield, of Maynooth University, discusses E. M. Forster's relationship with Greek tragedy in the APGRD's second, annual Classics and English Lecture

Director Ian Rickson talks about his 2014 production of Sophocles' Electra at the Old Vic, London, starring Kristin Scott Thomas as Electra

Playwright Marina Carr discusses her adaptation of Euripides' Hecuba, which premiered at the RSC in 2015, and her long-standing relationship with Greek Tragedy The event began with Marina reading from her new Hecuba, and unfortunately a microphone-failure means that this portion of the podcast is very faint. The audio quality significantly improves for the in-conversation section.

Poet and playwright, Gwyneth Lewis discusses her relationship with Greek tragedy and her play Clytemnestra.