Revisit a conversation between artist Tam Joseph and art historian Dr Anjalie Dalal-Clayton, celebrating the publication of Four Corners Books’ I Know What I See, the first major survey of Tam Joseph’s career.

‘With the wry observations of his concerted, determined and engaging international reach, Joseph is in so many respects the absolute embodiment of diaspora. But perhaps we’d do better to simply describe Joseph as a world citizen, one who is as deeply engaged with history as he is with geography, and formidably engaged with artistic innovation.’
— Eddie Chambers, Introduction to Tam Joseph: I Know What I See, 2023

For over 40 years, Tam Joseph’s work has taken him in many different directions, but it is grounded in a sensibility which revels in the connections between things, as well as the creative possibilities of human perception.

Some of Joseph’s paintings reflect on his own history and the history of injustices faced by African Caribbean people in Britain. Other works draw inspiration from diverse sources including cinema, music, and sport, as well as the natural world and the history of painting itself. Whether his subject is landscape, portrait or history, Joseph employs his deep knowledge of paintings of the past to create work which invites viewers to consider these genres afresh.

Tam Joseph lives and works in London. His work has been exhibited internationally and is represented in many public collections including the Arts Council Collection, Tate and V&A.

Dr Anjalie Dalal-Clayton is an art historian, focusing on British artists of African and Asian descent. She is based at University of the Arts London’s Decolonising Arts Institute, where her research focuses on collecting, interpretation and display practices in public museums and heritage organisations.

Four Corners Books is an independent publisher and charity, which shared space with Raven Row between 2009 and 2020.

Listen back to a conversation between artist Ibon Aranberri, art historian and writer Miren Jaio, and Raven Row’s director Alex Sainsbury, exploring what underpins Aranberri’s wide-ranging practice, how his complex research projects are generated, and how they unfold and intertwine, especially in relation to the works in Unequal Diameters.

Miren Jaio (born 1968) is a member of Bulegoa z/b, an office of art and knowledge based in Bilbao. She teaches Art History at the University of the Basque Country, Bilbao.

Ibon Aranberri (born 1969) has exhibited in numerous European institutions including in solo shows at Kunsthalle Basel (2007), Fundació Antoni Tapies, Barcelona (2011), Fondazione Sandretto Re Rebaudengo, Turin (2011), and Secession, Vienna (2014). He participated in documenta 12 (2007), Sydney Biennial 2008, and Busan Biennial 2012. A survey exhibition of his work will open at Museo Reina Sofia, Madrid and Artium.Museao, Vitoria-Gasteiz, in November 2023.

FESPACO and the Archiving of African Cinema

With June Givanni (chair), Mohamed Challouf, Jihan El-Tahri, Aboubakar Sanogo and Keith Shiri

 

Since its establishment in 1969, the Pan-African Film and Television Festival of Ouagadougou (FESPACO) in Burkina Faso has been considered one of the most important festivals of the African, and later the African diaspora’s, filmic imagination. Chaired by June Givanni, this panel charts and explores FESPACO’s histories and legacies.

Between Accessibility and Art Criticism: African/Diasporic Film Culture Today

With Awa Konaté (chair), Anthony Badu, Liz Chege, Abiba Coulibaly and Rōgan Graham

Increasingly the division between cinematic forms and materials produced for art galleries have blurred and created new forms of creative collaborations and questionings of the screen-based image. How does this context speak to legacies of the pioneers of African cinema and the challenges and opportunities for contemporary African film makers? The panel aims to explore the role and relevance of writing about and curating African/Diasporic films and to identify new ways to foster and develop ideas about accessibility and institution building in the contemporary moment. 

Sisterhood

With Suzanne Scafe (chair), Wangui wa Goro, Sindamani Bridglal, Ruhi Hamid and Haja Fanta

This panel explores Black women’s filmmaking as an important voice in the development of Black independent film in the UK, the African diaspora and on the African continent in the 1980s. Black female directors, producers and programmers share their experiences of overcoming obstacles to produce their films and bring Black women’s experiences into the cinematic frame.

Please note, at 1.01.15 there is a section of 40 seconds with low audio quality during a microphone changeover.

Third Cinema in the Era of Channel 4

With Imruh Bakari (chair), Gaston Kaboré, Hudda Khaireh, Rod Stoneman and Parminder Vir

The first ten years of Channel 4 (1982–92) fundamentally transformed British film and television, and also witnessed the emergence of a Black British independent cinema. This intergenerational panel brought together key individuals who were part of that moment, with creative professionals who have encountered and reframed the complex legacies of Black British independent media production.

This event was part of PerAnkh – The June Givanni PanAfrican Cinema Archive at Raven Row.

Black on Europe

With Juliet Alexander (chair), Felix de Rooy (Zoom), Cecile Emeke, Colin Prescod and Onyekachi Wambu

Black on Europe was a landmark BBC television series produced to signal the establishment of the European single market on 1 January 1993. In 1991, Black British filmmakers Colin Prescod and Onyekachi Wambu documented the lived experiences of Black people and communities living within the EU across six countries: the Netherlands, France, Germany, Italy, Portugal and the UK. Thirty years on, this panel united the original filmmakers with filmmakers from the UK and Europe, exploring the meaning of being Black in Europe and our changing understandings of notions of belonging, race and identity.

Listen back to the second panel discussion from our event ‘Public Access Television, the Community Programme Unit and the BBC’, in partnership with the Bishopsgate Institute, exploring the Community Programme Unit’s role in bringing public access television to the UK, and the legacies and tentacles of its achievements.

The event took place on 25 March 2023, and was part of our exhibition ‘People Make Television’ 28 January–26 March 2023, an exhibition of DIY television from the 1970s curated by Lori E Allen, Matthew Harle, William Fowler and Alex Sainsbury.

This panel brought together Mike Bolland, Sue Davidson, Tony Laryea and Giles Oakley for a conversation chaired by Jo Henderson.

Revisit the first panel discussion from our event ‘Public Access Television, the Community Programme Unit and the BBC’, in partnership with the Bishopsgate Institute, exploring the Community Programme Unit’s role in bringing public access television to the UK, and the legacies and tentacles of its achievements.

The event took place on 25 March 2023, and was part of our exhibition ‘People Make Television’ 28 January–26 March 2023, an exhibition of DIY television from the 1970s curated by Lori E Allen, Matthew Harle, William Fowler and Alex Sainsbury.

This panel brought together Selma James, Mike Phillips and Maggie Pinhorn for a discussion chaired by Clive Nwonka.

Listen back to the first panel from our event ‘Community Cable Television in the 1970s’ in partnership with the Bishopsgate Institute, where we were joined by former cable channel producers, station managers, volunteers, artists and activists to discuss the history and legacy of community cable TV in the UK.

The event took place on 11 March 2023, and was part of our exhibition ‘People Make Television’ 28 January–26 March 2023, an exhibition of DIY television from the 1970s curated by Lori E Allen, Matthew Harle, William Fowler and Alex Sainsbury.

This discussion brought together Peter Lewis, Martin Parry, Alex Sainsbury and other former cable channel producers and volunteers, as well as participating community media artists and activists to consider the role community cable television played within the world of community media and arts.

Nightcleaners and '36 to '77 - Panel Discussion (2.30pm) by Raven Row

Nightcleaners and '36 to '77 - Panel Discussion(4.30pm) by Raven Row

An introduction by Gianfranco Baruchello will be followed by a discussion between Baruchello, Luca Cerizza, Alex Sainsbury and Carla Subrizi, considering this exhibition and the surrounding works, his overall production and the broader culture in which this was made. --- Luca Cerizza is an art historian and curator, living in Turin and Mumbai. He is responsible for the Research Institute at Castello di Rivoli Museum of Contemporary Art. Carla Subrizi is Associate Professor of Contemporary Art History at Sapienza, University of Rome. She is President of the Baruchello Foundation. --- Although Gianfranco Baruchello (born 1924, Livorno, Italy) has been exhibiting internationally for over fifty years, this will be the first show in the UK to survey his work. A polymath and self-taught artist, Baruchello was in dialogue with experimental writers (for instance Italo Calvino and Gruppo 63) while producing sculptural work and then exhibiting paintings, first in Rome and then New York from the mid-1960s. As well as films, he has since made happenings, published poetry, fiction and essays, engaged in radical politics, launched a para-business and run an experimental farm. Baruchello developed his pictorial vocabulary through a process of fragmentation and miniaturisation. Applied on canvas, acrylic and aluminium, a multitude of objects, shapes and characters, from history, politics and high and low culture circulate in decentralised, non-hierarchical space, creating a sort of mental cartography. Even if, as the artist’s friend Marcel Duchamp suggested, his works are ‘viewed from close up over the course of an hour’, their narratives remain elusive. The exhibition presents works made between 1959 and this year, including large early canvases, paintings on layered acrylic sheets and on aluminium, boxed assemblages, and a selection of film and video. These will plot a map through Baruchello’s excessive imaginary, where a form of storytelling, critically engaged and often absurd, is constantly re-invented. The exhibition is curated by Luca Cerizza. An art historian and curator, living in Turin and Mumbai, Cerizza is responsible for the Castello di Rivoli Research Institute. --- Image: Exhibition view, Gianfranco Baruchello: Incidents of Lesser Account, Raven Row 2017. Photo by Marcus J. Leith.

Candice Hopkins 'Sounding the Margins: A Choir of Minor Voices' Saturday 29 April 2017 Candice Hopkins presents a new version of her lecture 'Sounding the Margins: A Choir of Minor Voices’, ongoing reflections on protest, Indigenous art and sound-based practices. Candice Hopkins is a curator and writer based in Albuquerque, New Mexico. She has published writing on art and vernacular architecture, was co-curator of the 2014 SITE Santa Fe biennial, and is a curatorial advisor for documenta 14, 2017. --- Presented as part of the exhibition '56 Artillery Lane' at Raven Row. For this exhibition ‘home’ is imagined as a space for social, sexual and political agency, and the 'domestic’ as a stage on which kinship and self are formed and transformed through acts of love, cruelty and indifference. A group of works from the recent past and present has been gathered for 56 Artillery Lane alongside a weekly live programme. Participants in 56 Artillery Lane include Chantal Akerman, Ego Ahaiwe Sowinski, Soofiya Andry, Dr Meg-John Barker, Khairani Barokka, Pandora Blake, Phoebe Blatton, Jenna Bliss, Rizvana Bradley, Daniel Brathwaite-Shirley, Ben Burgis & Ksenia Pedan, Autumn Chacon, Channels, Adam Christensen, Fiona Clark, Lucy Clout, Fran Cottell, Phoebe Davies & Nandi Bhebhe, Jemma Desai, Fenixº, Alex Fleming, Keira Fox, Richard Fung, Harry Giles, Carry Gorney, Alice Hattrick, Candice Hopkins, Juliet Jacques, Nazmia Jamal (Sisters Uncut), Alice Jones, Jacob V Joyce, Bhanu Kapil, Morag Keil & Georgie Nettell, Sarah Kent, Las Nietas de Nonó, Gail Lewis, Rudy Loewe, Suzy Mackie (See Red Women's Workshop), Hamish MacPherson, Mira Mattar, Zinzi Minott, Merata Mita, Irenosen Okojie, Lucy Orta, Meera Osborne, Maria Pinińska-Bereś, Ingrid Pollard, Steve Reinke, Su Richardson, Christine Roche, RUSS, Stanley Spencer, Barbara T. Smith, Martine Syms, Anna Szaflarski, Nina Wakeford, Kate Walker, Darcy Wallace, Ed Webb-Ingall, Ria Wilson, Anicka Yi and Rehana Zaman. The exhibition is curated by Amy Budd and Naomi Pearce, with input from Amy Ball, Gail Chester, Althea Greenan, Lucie Kinchin, Alexandra Kokoli, Imogen and Catriona Laing, Robert Leckie, Suzy Mackie, Sue Madden, Bernard G Mills, Ciara Moloney, Sofía Gallisá Muriente, Su Richardson, Alex Sainsbury, Amy Tobin, Mercedes Vicente and Ed Webb-Ingall. Please see our website for more details: www.ravenrow.org --- Image:

Suzy Mackie | 'Don't break down, break out' | Symposium Saturday 20 May, 2017 A symposium addressing historic and contemporary forms of political activism and art-making, in a programme of screenings, performances, and discussions, taking as a starting point the publication within this exhibition 14 Radnor Terrace: A Woman’s Place. With contributions by Amy Tobin, Harry Giles, Ego Ahaiwe Sowinski, Suzy Mackie (See Red Women’s Workshop), Channels, Jacob V Joyce, Gail Lewis, Alice Correia and Nazmia Jamal (Sisters Uncut). Suzy Mackie is a member of See Red Women’s Workshop (1974-90). See Red Women’s Workshop was a women’s silkscreen printing collective that produced posters, illustrations, and did service printing for the women’s liberation movement. A monograph on See Red Women’s Workshop was published by Four Corners Books in 2016. --- Presented as part of the exhibition '56 Artillery Lane' at Raven Row. For this exhibition ‘home’ is imagined as a space for social, sexual and political agency, and the 'domestic’ as a stage on which kinship and self are formed and transformed through acts of love, cruelty and indifference. A group of works from the recent past and present has been gathered for 56 Artillery Lane alongside a weekly live programme. Participants in 56 Artillery Lane include Chantal Akerman, Ego Ahaiwe Sowinski, Soofiya Andry, Dr Meg-John Barker, Khairani Barokka, Pandora Blake, Phoebe Blatton, Jenna Bliss, Rizvana Bradley, Daniel Brathwaite-Shirley, Ben Burgis & Ksenia Pedan, Autumn Chacon, Channels, Adam Christensen, Fiona Clark, Lucy Clout, Fran Cottell, Phoebe Davies & Nandi Bhebhe, Jemma Desai, Fenixº, Alex Fleming, Keira Fox, Richard Fung, Harry Giles, Carry Gorney, Alice Hattrick, Candice Hopkins, Juliet Jacques, Nazmia Jamal (Sisters Uncut), Alice Jones, Jacob V Joyce, Bhanu Kapil, Morag Keil & Georgie Nettell, Sarah Kent, Las Nietas de Nonó, Gail Lewis, Rudy Loewe, Suzy Mackie (See Red Women's Workshop), Hamish MacPherson, Mira Mattar, Zinzi Minott, Merata Mita, Irenosen Okojie, Lucy Orta, Meera Osborne, Maria Pinińska-Bereś, Ingrid Pollard, Steve Reinke, Su Richardson, Christine Roche, RUSS, Stanley Spencer, Barbara T. Smith, Martine Syms, Anna Szaflarski, Nina Wakeford, Kate Walker, Darcy Wallace, Ed Webb-Ingall, Ria Wilson, Anicka Yi and Rehana Zaman. The exhibition is curated by Amy Budd and Naomi Pearce, with input from Amy Ball, Gail Chester, Althea Greenan, Lucie Kinchin, Alexandra Kokoli, Imogen and Catriona Laing, Robert Leckie, Suzy Mackie, Sue Madden, Bernard G Mills, Ciara Moloney, Sofía Gallisá Muriente, Su Richardson, Alex Sainsbury, Amy Tobin, Mercedes Vicente and Ed Webb-Ingall. Please see our website for more details: www.ravenrow.org --- Image: Soofiya Andry, 'Sisterhood* is Powerful not just cisterhood. Feminist slogan, entreating women to see other self-identifying women as close relations with intersectionality at the core of the sisterhood', 2017. Courtesy of the artist.

'Poison the Cure' | Conversation and screening with Jenna Bliss, Alex Fleming and Las Nietas de Nonó Saturday 10 June 2017 Jenna Bliss and Alex Fleming will discuss the research and production process which informed her new film 'Poison the Cure' (2017), including Bliss' work with artist and actor Michel Nonó of the performance collective Las Nietas de Nonó. They will draw on their previous projects to explore shared interests in narratives of addiction, self-care and pharmacology. A screening will follow of Las Nietas de Nonó’s 'Manifestaciones en periodos de caza' (2016) – depicting four women hunting iguanas in Puerto Rico, a US colony where 80% of the food is imported – as well as a Skype conversation with Las Nietas de Nonó. Jenna Bliss' Poison the Cure (2017) was commissioned by Raven Row for '56 Artillery Lane' and is supported using public funding by Art Council England. --- Presented as part of the exhibition '56 Artillery Lane' at Raven Row. For this exhibition ‘home’ is imagined as a space for social, sexual and political agency, and the 'domestic’ as a stage on which kinship and self are formed and transformed through acts of love, cruelty and indifference. A group of works from the recent past and present has been gathered for 56 Artillery Lane alongside a weekly live programme. Participants in 56 Artillery Lane include Chantal Akerman, Ego Ahaiwe Sowinski, Soofiya Andry, Dr Meg-John Barker, Khairani Barokka, Pandora Blake, Phoebe Blatton, Jenna Bliss, Rizvana Bradley, Daniel Brathwaite-Shirley, Ben Burgis & Ksenia Pedan, Autumn Chacon, Channels, Adam Christensen, Fiona Clark, Lucy Clout, Fran Cottell, Phoebe Davies & Nandi Bhebhe, Jemma Desai, Fenixº, Alex Fleming, Keira Fox, Richard Fung, Harry Giles, Carry Gorney, Alice Hattrick, Candice Hopkins, Juliet Jacques, Nazmia Jamal (Sisters Uncut), Alice Jones, Jacob V Joyce, Bhanu Kapil, Morag Keil & Georgie Nettell, Sarah Kent, Las Nietas de Nonó, Gail Lewis, Rudy Loewe, Suzy Mackie (See Red Women's Workshop), Hamish MacPherson, Mira Mattar, Zinzi Minott, Merata Mita, Irenosen Okojie, Lucy Orta, Meera Osborne, Maria Pinińska-Bereś, Ingrid Pollard, Steve Reinke, Su Richardson, Christine Roche, RUSS, Stanley Spencer, Barbara T. Smith, Martine Syms, Anna Szaflarski, Nina Wakeford, Kate Walker, Darcy Wallace, Ed Webb-Ingall, Ria Wilson, Anicka Yi and Rehana Zaman. The exhibition is curated by Amy Budd and Naomi Pearce, with input from Amy Ball, Gail Chester, Althea Greenan, Lucie Kinchin, Alexandra Kokoli, Imogen and Catriona Laing, Robert Leckie, Suzy Mackie, Sue Madden, Bernard G Mills, Ciara Moloney, Sofía Gallisá Muriente, Su Richardson, Alex Sainsbury, Amy Tobin, Mercedes Vicente and Ed Webb-Ingall. Please see our website for more details: www.ravenrow.org --- Image: Jenna Bliss, Poison The Cure, 2017. Still from HD Video, 30 min. Courtesy of the artist.

Victor Burgin, 'Now and Then', in discussion with Antony Hudek and Alex Sainsbury Friday 3 March 2017 Burgin will consider his participation in 'A Survey of the Avant-Garde in Britain' at Gallery House not as a history to be exhumed but as a place in the past from which to view the present. For more information please visit our website: www.ravenrow.org --- Presented as part of the exhibition 'This Way Out of England: Gallery House in Retrospect' at Raven Row Gallery House was one of London’s most influential and extraordinary art spaces in the 1970s, directed by Sigi Krauss with assistant director Rosetta Brooks. For only sixteen months in 1972-73, in a vacant mansion provided by the German government next to the German Institute in South Kensington, Gallery House hosted exhibitions, residencies, performances and events as well as pioneering ‘expanded cinema’ and much new film and video work. For many of the featured artists Gallery House would prove a formative experience. Gallery House favoured heterogeneity, colliding the multiplicity of forms and styles co-existing at the time, from performance and experimental cinema to cybernetic, social and conceptual practices. Ultimately, the radical nature of Gallery House’s programme led to its abrupt and contested closure by the German Institute. 'This Way Out of England' seeks to emulate the spirit of Gallery House by inviting a number of artists to rethink their original interventions in the space. The episodic nature of this project acknowledges the impossibility of framing what was an ephemeral experiment. The project is curated by Antony Hudek and Alex Sainsbury.

The Centre for Behavioural Art, Gallery House, 1972–73 Sunday 26 February Round table discussion on the intersections of art and the social sciences, with original participants of the Centre, Kevin Lole, Ross Longhurst, Colston Sanger and Peter Smith in conversation with artist Nils Norman. Please see our website for more information: www.ravenrow.org --- Presented as part of the exhibition 'This Way Out of England: Gallery House in Retrospect' at Raven Row Gallery House was one of London’s most influential and extraordinary art spaces in the 1970s, directed by Sigi Krauss with assistant director Rosetta Brooks. For only sixteen months in 1972-73, in a vacant mansion provided by the German government next to the German Institute in South Kensington, Gallery House hosted exhibitions, residencies, performances and events as well as pioneering ‘expanded cinema’ and much new film and video work. For many of the featured artists Gallery House would prove a formative experience. Gallery House favoured heterogeneity, colliding the multiplicity of forms and styles co-existing at the time, from performance and experimental cinema to cybernetic, social and conceptual practices. Ultimately, the radical nature of Gallery House’s programme led to its abrupt and contested closure by the German Institute. 'This Way Out of England' seeks to emulate the spirit of Gallery House by inviting a number of artists to rethink their original interventions in the space. The episodic nature of this project acknowledges the impossibility of framing what was an ephemeral experiment. The project is curated by Antony Hudek and Alex Sainsbury.

The Avant-Garde in Britain? Sunday 19 March Round table with Peter Berry, Jon Bird, Rachel Garfield, Lucy Reynolds, Paul Wood and Kevin Wright, chaired by Antony Hudek and Alex Sainsbury. Borrowing from the title of Rosetta Brooks' exhibition at Gallery House, this panel will consider the idea of the avant-garde in Britain in the early 1970s, particularly in relation to conceptual art and film. Please see our website for more information: www.ravenrow.org --- Presented as part of the exhibition 'This Way Out of England: Gallery House in Retrospect' at Raven Row Gallery House was one of London’s most influential and extraordinary art spaces in the 1970s, directed by Sigi Krauss with assistant director Rosetta Brooks. For only sixteen months in 1972-73, in a vacant mansion provided by the German government next to the German Institute in South Kensington, Gallery House hosted exhibitions, residencies, performances and events as well as pioneering ‘expanded cinema’ and much new film and video work. For many of the featured artists Gallery House would prove a formative experience. Gallery House favoured heterogeneity, colliding the multiplicity of forms and styles co-existing at the time, from performance and experimental cinema to cybernetic, social and conceptual practices. Ultimately, the radical nature of Gallery House’s programme led to its abrupt and contested closure by the German Institute. 'This Way Out of England' seeks to emulate the spirit of Gallery House by inviting a number of artists to rethink their original interventions in the space. The episodic nature of this project acknowledges the impossibility of framing what was an ephemeral experiment. The project is curated by Antony Hudek and Alex Sainsbury. --- Image: Susan Hiller, 'Transformer', Gallery House, April 1973

Feminist Domesticities in Art and Art History | Jo Applin, Francesca Berry, Tamar Garb, Teresa Kittler, Catherine Spencer, Amy Tobin Saturday 6 May 2017 A special new issue of Oxford Art Journal titled 'Feminist Domesticities' is the starting point for this discussion. The issue gathers an emerging corpus of feminist research and addresses how we might encounter domesticity as concept, environment and object for art while resisting its oppressive pre-eminence in the definition of femininity. These questions will be considered in the context of '56 Artillery Lane', and open up discussion into belonging, precariousness, aging and activism. The panel will be chaired by Tamar Garb, with Oxford Art Journal editors, Jo Applin and Francesca Berry, and contributors, Teresa Kittler, Catherine Spencer and Amy Tobin. --- Presented as part of the exhibition '56 Artillery Lane' at Raven Row. For this exhibition ‘home’ is imagined as a space for social, sexual and political agency, and the 'domestic’ as a stage on which kinship and self are formed and transformed through acts of love, cruelty and indifference. A group of works from the recent past and present has been gathered for 56 Artillery Lane alongside a weekly live programme. Participants in 56 Artillery Lane include Chantal Akerman, Ego Ahaiwe Sowinski, Soofiya Andry, Dr Meg-John Barker, Khairani Barokka, Pandora Blake, Phoebe Blatton, Jenna Bliss, Rizvana Bradley, Daniel Brathwaite-Shirley, Ben Burgis & Ksenia Pedan, Autumn Chacon, Channels, Adam Christensen, Fiona Clark, Lucy Clout, Fran Cottell, Phoebe Davies & Nandi Bhebhe, Jemma Desai, Fenixº, Alex Fleming, Keira Fox, Richard Fung, Harry Giles, Carry Gorney, Alice Hattrick, Candice Hopkins, Juliet Jacques, Nazmia Jamal (Sisters Uncut), Alice Jones, Jacob V Joyce, Bhanu Kapil, Morag Keil & Georgie Nettell, Sarah Kent, Las Nietas de Nonó, Gail Lewis, Rudy Loewe, Suzy Mackie (See Red Women's Workshop), Hamish MacPherson, Mira Mattar, Zinzi Minott, Merata Mita, Irenosen Okojie, Lucy Orta, Meera Osborne, Maria Pinińska-Bereś, Ingrid Pollard, Steve Reinke, Su Richardson, Christine Roche, RUSS, Stanley Spencer, Barbara T. Smith, Martine Syms, Anna Szaflarski, Nina Wakeford, Kate Walker, Darcy Wallace, Ed Webb-Ingall, Ria Wilson, Anicka Yi and Rehana Zaman. The exhibition is curated by Amy Budd and Naomi Pearce, with input from Amy Ball, Gail Chester, Althea Greenan, Lucie Kinchin, Alexandra Kokoli, Imogen and Catriona Laing, Robert Leckie, Suzy Mackie, Sue Madden, Bernard G Mills, Ciara Moloney, Sofía Gallisá Muriente, Su Richardson, Alex Sainsbury, Amy Tobin, Mercedes Vicente and Ed Webb-Ingall. Please see our website for more details: www.ravenrow.org --- Image: Ida Applebroog, Monalisa, 2009. Photo by Abby Robinson. Courtesy of the artist and Hauser & Wirth.