Just an update about me (Kyle) and what to expect from the podcast over the next year.
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Rick Pender returns to discuss his latest book Stephen Sondheim's Sweeney Todd: Behind the Bloody Musical Masterpiece.
Purchase the book by clicking here.
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This song is probably the only time in Gypsy where June gets to have a showstopper of a performance. Christine Chen returns to give her thoughts on why this shouldn't be considered a throwaway song.
Christine's Blog: https://acrossthearch.wordpress.com
Christine's Twitter: https://twitter.com/AcrossTheArch
Christine's podcast, Bottomless Broadway: https://podcasts.apple.com/us/podcast/bottomless-broadway/id1457465060
Its Twitter: https://twitter.com/bottomlessbway
And Instagram: https://www.instagram.com/bottomlessbway/
Send feedback to puttingittogetherpodcast@gmail.com
Keep up to date with Putting It Together by following its social media channels.
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Between a matinee and evening performance, musical director Andy Einhorn talked with Kyle about his relationship with Audra McDonald, revivals, and the decisions that were made in crafting the latest cast recording of Gypsy.
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Peter Foley was an accomplished composer/lyricist and mentee of Stephen Sondheim. The New Yorker praised Foley for his “gift for sinuous, haunting melody and surprising musical shapes.” Kate Chisholm, Executive Director of the Peter Foley Music Project, joins Kyle to talk about Foley's legacy and the new album featuring his work.
Taped live at NYC’s Symphony Space it features performances by Tony wining Broadway stars such as Melissa Errico, Kate Baldwin, and Manoel Felciano, also featuring Grammy winner Rob Berman as conductor and music supervisor.
Learn more about Peter Foley and his work by clicking here.
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Death, love, and letters. What more could you want in a finale? Matt Koplik returns to discuss Fosca and Giorgio's journey through the musical and how this piece wraps up.
You can listen to Broadway Breakdown here: https://podtail.com/en/podcast/broadway-breakdown-1/
And you can follow Matt on Instagram here: https://www.instagram.com/mattkoplik/
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Fosca lays it out plainly. She will live and die for Giorgio. Dimitris Dimopoulos joins Kyle to discuss choices, asking Sondheim a question, and missing out on the original production of Passion.
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Giorgio finally realizes what love is. Mike Meaney joins Kyle to discuss letter, realizations, and duels.
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An amalgam of three previously heard songs, Farewell Letter shows how Giorgio has changed. Charlotte LeMay returns to discuss all the messiness of relationships.
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Beyond allowing for costume and scene changes are there thematic reasons for the transitions in Passion? Alex Asp returns to offer insight into three songs that stem from the fallout of "Is This What You Call Love."
Follow Alex on Instagram here: https://www.instagram.com/alexasp44/
Look at the Sondheim Database project here: https://www.sondheimdatabase.com/
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All Giorgio wanted to do was sit underneath a tree and read about how Clara is getting grey hairs. Instead he's being watch by Fosca and he must release all his pent up anger. Tyler Joseph Ellis returns to discuss this pivotal scene from the show.
You can follow Tyler on Instagram: https://www.instagram.com/tylerjosephellis/?hl=en
Or on TikTok: https://www.tiktok.com/@tylerjosephellis
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What's it like to watch Sweeney Todd in Portuguese? Gustavo Brunetti joins Kyle to discuss his experience seeing two different productions, and what the future of Sondheim looks like in Brazil.
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It's time to get some backstory! Shannon Migliore returns to pick apart the lengthly Flashback sequence from Passion which explains Fosca, and very well may explain Giorgio's choice at the end.
Follow Shannon on Instagram: https://www.instagram.com/my_pretty_sleeper
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Who hasn't forced the person they're obsessing over to write them a love letter? Jim Cullen returns to discuss the operatic (sorry, Sondheim) nature of Passion and how this song impacts the rest of the show.
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A devastating letter bookended by transitions. Will C. White returns to discuss rhapsodies, epistolary works, and trains.
Check out Will's website.
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They hear drums, we hear music. Anne Slovin joins Kyle to discuss the meaning of that quote as well as the complicated nature of the entire Garden Sequence.
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The Liaisons Project, conceived by Anthony de Mare, is a landmark commissioning and concert project based on the songs of Stephen Sondheim. The original project brought together 36 of the world’s leading composers of classical, jazz, film, indie, pop and musical theater to re-imagine one of Sondheim’s songs as a solo piano piece. Now the sequel has been released adding 14 songs to the series.
Purchase the album
Listen on Spotify
Listen on Apple Music
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This is the introduction of Fosca into the narrative. Eric Henwood-Greer joins Kyle to discuss how this song sets up a lot of the drama that will unfold throughout the rest of the musical, and how Sondheim used the language of the novel to craft his lyrics.
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How do you make letter writing interesting theatrically? Brain Holcomb returns to explain the importance of these notes and how they help inform the rest of the show.
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The show opens with a naked couple in bed singing about how happy they are. Obviously that means everything will turn out great. Christine Chen returns to discuss the opening number of Passion.
Christine's Blog: https://acrossthearch.wordpress.com
Christine's Twitter: https://twitter.com/AcrossTheArch
Christine's podcast, Bottomless Broadway: https://podcasts.apple.com/us/podcast/bottomless-broadway/id1457465060
Its Twitter: https://twitter.com/bottomlessbway
And Instagram: https://www.instagram.com/bottomlessbway/
Send feedback to puttingittogetherpodcast@gmail.com
Keep up to date with Putting It Together by following its social media channels.
Patreon: https://www.patreon.com/puttingittogetherpodcast
Twitter: https://twitter.com/sondheimpodcast
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