In Part 2 of our look at the trio of songs titled “Revolution,” we dive into the recording of the electric guitar driven single version of the song.

In this episode, we discover what role George Martin played in the infamous Get Back sessions of January 1969, a project where John Lennon made clear they didn't want any of Martin's "production shit."

Starting in 1966, George Martin and The Beatles used varispeed – variable speed recording – to change the textures of their recordings to create a variety of effects.

Constructing The Beatles' first four singles, including "From Me To You"

We re-record George Martin's clarinet score in a recording studio and examine the arrangement with Professor of Music John Reeks to see what makes it tick.

The Beatles push four-track to its limit, and finally make the jump to eight-track recording

The Beatles learn the basics of recording on twin-track before transitioning to four-track, where they gradually learn the power of overdubbing.

Welcome to the podcast dedicated to exploring the revolutionary collaboration between producer George Martin and The Beatles. Join us each episode as we not only discuss the making of Beatles songs from their producer's point of view, but also examine different aspects of George Martin's unique approach to production.