The sea is calm tonight.
The tide is full, the moon lies fair
Upon the straits; on the French coast the light
Gleams and is gone; the cliffs of England stand,
Glimmering and vast, out in the tranquil bay.
Come to the window, sweet is the night-air!
Only, from the long line of spray
Where the sea meets the moon-blanched land,
Listen! you hear the grating roar
Of pebbles which the waves draw back, and fling,
At their return, up the high strand,
Begin, and cease, and then again begin,
With tremulous cadence slow, and bring
The eternal note of sadness in.
Sophocles long ago
Heard it on the Ægean, and it brought
Into his mind the turbid ebb and flow
Of human misery; we
Find also in the sound a thought,
Hearing it by this distant northern sea.
The Sea of Faith
Was once, too, at the full, and round earth’s shore
Lay like the folds of a bright girdle furled.
But now I only hear
Its melancholy, long, withdrawing roar,
Retreating, to the breath
Of the night-wind, down the vast edges drear
And naked shingles of the world.
Ah, love, let us be true
To one another! for the world, which seems
To lie before us like a land of dreams,
So various, so beautiful, so new,
Hath really neither joy, nor love, nor light,
Nor certitude, nor peace, nor help for pain;
And we are here as on a darkling plain
Swept with confused alarms of struggle and flight,
Where ignorant armies clash by night.
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The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.
The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.
POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
Matthew Arnold's poem "Dover Beach" is in the public domain. The original text was published in his 1867 collection New Poems, and the poem itself is no longer protected by copyright.
I
In my beginning is my end. In succession
Houses rise and fall, crumble, are extended,
Are removed, destroyed, restored, or in their place
Is an open field, or a factory, or a by-pass.
Old stone to new building, old timber to new fires,
Old fires to ashes, and ashes to the earth
Which is already flesh, fur and faeces,
Bone of man and beast, cornstalk and leaf.
Houses live and die: there is a time for building
And a time for living and for generation
And a time for the wind to break the loosened pane
And to shake the wainscot where the field-mouse trots
And to shake the tattered arras woven with a silent motto.
In my beginning is my end. Now the light falls
Across the open field, leaving the deep lane
Shuttered with branches, dark in the afternoon,
Where you lean against a bank while a van passes,
And the deep lane insists on the direction
Into the village, in the electric heat
Hypnotised. In a warm haze the sultry light
Is absorbed, not refracted, by grey stone.
The dahlias sleep in the empty silence.
Wait for the early owl.
In that open field
If you do not come too close, if you do not come too close,
On a summer midnight, you can hear the music
Of the weak pipe and the little drum
And see them dancing around the bonfire
The association of man and woman
In daunsinge, signifying matrimonie—
A dignified and commodiois sacrament.
Two and two, necessarye coniunction,
Holding eche other by the hand or the arm
Whiche betokeneth concorde. Round and round the fire
Leaping through the flames, or joined in circles,
Rustically solemn or in rustic laughter
Lifting heavy feet in clumsy shoes,
Earth feet, loam feet, lifted in country mirth
Mirth of those long since under earth
Nourishing the corn. Keeping time,
Keeping the rhythm in their dancing
As in their living in the living seasons
The time of the seasons and the constellations
The time of milking and the time of harvest
The time of the coupling of man and woman
And that of beasts. Feet rising and falling.
Eating and drinking. Dung and death.
Dawn points, and another day
Prepares for heat and silence. Out at sea the dawn wind
Wrinkles and slides. I am here
Or there, or elsewhere. In my beginning.
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The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.
The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.
POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
"East Coker," the second of T.S. Eliot's Four Quartets, was first published in the UK in the Easter edition of the New English Weekly in 1940 and in the US in the Partisan Review's May 1940 issue. Copyright for "East Coker" and the other poems in Four Quartets is held by T.S. Eliot's estate.
Ithaka.by C.P Cavafy
As you set out for Ithaka
hope your road is a long one,
full of adventure, full of discovery.
Laistrygonians, Cyclops,
angry Poseidon—don’t be afraid of them:
you’ll never find things like that on your way
as long as you keep your thoughts raised high,
as long as a rare excitement
stirs your spirit and your body.
Laistrygonians, Cyclops,
wild Poseidon—you won’t encounter them
unless you bring them along inside your soul,
unless your soul sets them up in front of you.
Hope your road is a long one.
May there be many summer mornings when,
with what pleasure, what joy,
you enter harbors you’re seeing for the first time;
may you stop at Phoenician trading stations
to buy fine things,
mother of pearl and coral, amber and ebony,
sensual perfume of every kind—
as many sensual perfumes as you can;
and may you visit many Egyptian cities
to learn and go on learning from their scholars.
Keep Ithaka always in your mind.
Arriving there is what you’re destined for.
But don’t hurry the journey at all.
Better if it lasts for years,
so you’re old by the time you reach the island,
wealthy with all you’ve gained on the way,
not expecting Ithaka to make you rich.
Ithaka gave you the marvelous journey.
Without her you wouldn't have set out.
She has nothing left to give you now.
And if you find her poor, Ithaka won’t have fooled you.
Wise as you will have become, so full of experience,
you’ll have understood by then what these Ithakas mean.
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The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.
The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.
POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
Copyright Credit: C. P. Cavafy, "The City" from C.P. Cavafy: Collected Poems. Translated by Edmund Keeley and Philip Sherrard. Translation Copyright © 1975, 1992 by Edmund Keeley and Philip Sherrard.
Matilda told such Dreadful Lies,
It made one Gasp and Stretch one's Eyes;
Her Aunt, who, from her Earliest Youth,
Had kept a Strict Regard for Truth,
Attempted to Believe Matilda:
The effort very nearly killed her,
And would have done so, had not She
Discovered this Infirmity.
For once, towards the Close of Day,
Matilda, growing tired of play,
And finding she was left alone,
Went tiptoe to the Telephone
And summoned the Immediate Aid
Of London's Noble Fire-Brigade.
Within an hour the Gallant Band
Were pouring in on every hand,
From Putney, Hackney Downs, and Bow.
With Courage high and Hearts a-glow,
They galloped, roaring through the Town,
'Matilda's House is Burning Down! '
Inspired by British Cheers and Loud
Proceeding from the Frenzied Crowd,
They ran their ladders through a score
Of windows on the Ball Room Floor;
And took Peculiar Pains to Souse
The Pictures up and down the House,
Until Matilda's Aunt succeeded
In showing them they were not needed;
And even then she had to pay
To get the Men to go away,
It happened that a few Weeks later
Her Aunt was off to the Theatre
To see that Interesting Play
The Second Mrs. Tanqueray.
She had refused to take her Niece
To hear this Entertaining Piece:
A Deprivation Just and Wise
To Punish her for Telling Lies.
That Night a Fire did break out-
You should have heard Matilda Shout!
You should have heard her Scream and Bawl,
And throw the window up and call
To People passing in the Street-
(The rapidly increasing Heat
Encouraging her to obtain
Their confidence) - but all in vain!
For every time she shouted 'Fire! '
They only answered 'Little Liar! '
And therefore when her Aunt returned,
Matilda, and the House, were Burned.
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The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.
The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.
POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
Poem © 'Matilda, Who Told Lies and was Burned to Death' by Hilaire Belloc from Cautionary Tales for Children (© Hilaire Belloc 1907)
They shut the road through the woods
Seventy years ago.
Weather and rain have undone it again,
And now you would never know
There was once a road through the woods
Before they planted the trees.
It is underneath the coppice and heath,
And the thin anemones.
Only the keeper sees
That, where the ring-dove broods,
And the badgers roll at ease,
There was once a road through the woods.
Yet, if you enter the woods
Of a summer evening late,
When the night-air cools on the trout-ringed pools
Where the otter whistles his mate,
(They fear not men in the woods,
Because they see so few.)
You will hear the beat of a horse's feet,
And the swish of a skirt in the dew,
Steadily cantering through
The misty solitudes,
As though they perfectly knew
The old lost road through the woods...
But there is no road through the woods.
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The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.
The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.
POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
"The Way Through the Woods" by Rudyard Kipling is in the public domain. It was first published in 1910.
What passing-bells for these who die as cattle?
— Only the monstrous anger of the guns.
Only the stuttering rifles' rapid rattle
Can patter out their hasty orisons.
No mockeries now for them; no prayers nor bells;
Nor any voice of mourning save the choirs,—
The shrill, demented choirs of wailing shells;
And bugles calling for them from sad shires.
What candles may be held to speed them all?
Not in the hands of boys, but in their eyes
Shall shine the holy glimmers of goodbyes.
The pallor of girls' brows shall be their pall;
Their flowers the tenderness of patient minds,
And each slow dusk a drawing-down of blinds.
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The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.
The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.
POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
"Anthem for Doomed Youth" by Wilfred Owen is in the public domain. The poem was written in 1917 and first published in 1920.
Tell me not here, it needs not saying,
What tune the enchantress plays
In aftermaths of soft September
Or under blanching mays,
For she and I were long acquainted
And I knew all her ways.
On russet floors, by waters idle,
The pine lets fall its cone;
The cuckoo shouts all day at nothing
In leafy dells alone;
And traveller's joy beguiles in autumn
Hearts that have lost their own.
On acres of the seeded grasses
The changing burnish heaves;
Or marshalled under moons of harvest
Stand still all night the sheaves;
Or beeches strip in storms for winter
And stain the wind with leaves.
Possess, as I possessed a season,
The countries I resign,
Where over elmy plains the highway
Would mount the hills and shine,
And full of shade the pillared forest
Would murmur and be mine.
For nature, heartless, witless nature,
Will neither care nor know
What stranger's feet may find the meadow
And trespass there and go,
Nor ask amid the dews of morning
If they are mine or no.
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The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.
The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.
POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
Copyright Credit: This poem is one of approximately forty Housman published in 1922 as Last Poems.
Again last night
at a country inn
crows cried at dawn.
Today
how many miles
again lead where?
Away to the mountains,
to the plains?
With no place that calls me
I go nowhere.
Don’t talk of my home,
Chongju, Kwaksan,
while the train and the boat go there.
Hear me, wild geese in the sky:
is there a road in the air
that you travel so sure?
Hear me, wild geese in the sky:
I stand at the center of the crossroads.
Again and again the paths branch,
but no way is mine.
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The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.
The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.
POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
Translated, with an introduction, by DAVID R. McCANN. Series: Weatherhead Books on Asia. Copyright Date: 2007.
Tyger Tyger, burning bright,
In the forests of the night;
What immortal hand or eye,
Could frame thy fearful symmetry?
In what distant deeps or skies.
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand, dare seize the fire?
And what shoulder, & what art,
Could twist the sinews of thy heart?
And when thy heart began to beat.
What dread hand? & what dread feet?
What the hammer? what the chain,
In what furnace was thy brain?
What the anvil? what dread grasp.
Dare its deadly terrors clasp?
When the stars threw down their spears
And water'd heaven with their tears:
Did he smile his work to see?
Did he who made the Lamb make thee?
Tyger Tyger burning bright,
In the forests of the night:
What immortal hand or eye,
Dare frame thy fearful symmetry?
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The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.
The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.
POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
"The Tyger" by William Blake, first published in 1794 as part of his "Songs of Experience," is now in the public domain.
I celebrate myself, and sing myself,
And what I assume you shall assume,
For every atom belonging to me as good belongs to you.
I loafe and invite my soul,
I lean and loafe at my ease observing a spear of summer grass.
My tongue, every atom of my blood, form’d from this soil, this air,
Born here of parents born here from parents the same, and their parents the same,
I, now thirty-seven years old in perfect health begin,
Hoping to cease not till death.
Creeds and schools in abeyance,
Retiring back a while sufficed at what they are, but never forgotten,
I harbor for good or bad, I permit to speak at every hazard,
Nature without check with original energy.
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The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.
The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.
POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
"Song of Myself" was first published in 1855 as part of the collection Leaves of Grass and in the public domain.
You might say the streets flow sweetly through the night.
The lights are dim so the secret will be kept,
the secret known by the men who come and go,
for they’re all in on the secret
and why break it up in a thousand pieces
when it’s so sweet to hold it close,
and share it only with the one chosen person.
If, at a given moment, everyone would say
with one word what he is thinking,
the six letters of DESIRE would form an enormous luminous scar,
a constellation more ancient, more dazzling than any other.
And that constellation would be like a burning sex
in the deep body of night,
like the Gemini, for the first time in their lives,
looking each other in the eyes and embracing forever.
Suddenly the river of the street is filled with thirsty creatures;
they walk, they pause, they move on.
They exchange glances, they dare to smile,
they form unpredictable couples…
There are nooks and benches in the shadows,
riverbanks of dense indefinable shapes,
sudden empty spaces of blinding light
and doors that open at the slightest touch.
For a moment, the river of the street is deserted.
Then it seems to replenish itself,
eager to start again.
It is paralyzed, mute, gasping moment,
like a heart between two spasms.
But a new throbbing, a new pulsebeat
launches new thirsty creatures on the river of the street.
They cross, crisscross, fly up.
They glide along the ground.
They swim standing up, so miraculously
no one would ever say they’re not really walking.
They are angels.
They have come down to earth
on invisible ladders.
They come from the sea that is the mirror of the sky
on ships of smoke and shadow,
they come to fuse and be confused with men,
to surrender their foreheads to the thighs of women,
to let other hands anxiously touch their bodies
and let other bodies search for their bodies till they’re found,
like the closing lips of a single mouth,
they come to exhaust their mouths, so long inactive,
to set free their tongues of fire,
to sing the songs, to swear, to say all the bad words
in which men have concentrated the ancient mysteries
of flesh, blood and desire.
They have assumed names that are divinely simple.
They call themselves Dick or John, Marvin or Louis.
Only by their beauty are they distinguishable from men.
They walk, they pause, they move on.
They exchange glances, they dare to smile.
They form unpredictable couples.
They smile maliciously going up in the elevators of hotels,
where leisurely vertical flight is still practices.
There are celestial marks on their naked bodies:
blue signs, blue stars and letters.
They let themselves fall into beds, they sink into pillows
that make them think they’re still in the clouds.
But they close their eyes to surrender to the pleasures of their mysterious incarnation,
and when they sleep, they dream not of angels but of men.
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The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.
The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.
POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
Copyright 1953 by Fondo de Cultura Económica.
I
Among twenty snowy mountains,
The only moving thing
Was the eye of the blackbird.
II
I was of three minds,
Like a tree
In which there are three blackbirds.
III
The blackbird whirled in the autumn winds.
It was a small part of the pantomime.
IV
A man and a woman
Are one.
A man and a woman and a blackbird
Are one.
V
I do not know which to prefer,
The beauty of inflections
Or the beauty of innuendoes,
The blackbird whistling
Or just after.
VI
Icicles filled the long window
With barbaric glass.
The shadow of the blackbird
Crossed it, to and fro.
The mood
Traced in the shadow
An indecipherable cause.
VII
O thin men of Haddam,
Why do you imagine golden birds?
Do you not see how the blackbird
Walks around the feet
Of the women about you?
VIII
I know noble accents
And lucid, inescapable rhythms;
But I know, too,
That the blackbird is involved
In what I know.
IX
When the blackbird flew out of sight,
It marked the edge
Of one of many circles.
X
At the sight of blackbirds
Flying in a green light,
Even the bawds of euphony
Would cry out sharply.
XI
He rode over Connecticut
In a glass coach.
Once, a fear pierced him,
In that he mistook
The shadow of his equipage
For blackbirds.
XII
The river is moving.
The blackbird must be flying.
XIII
It was evening all afternoon.
It was snowing
And it was going to snow.
The blackbird sat
In the cedar-limbs.
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The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025. The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; Archaeologies, the blank verse diaries of an occasional hermit; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle north west of Kandy: www.flametreeestate.com.
POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
Copyright Credit: Wallace Stevens, “Thirteen Ways of Looking at a Blackbird” from The Collected Poems of Wallace Stevens. Copyright 1954 by Wallace Stevens.
What is this life if, full of care,
We have no time to stand and stare.
No time to stand beneath the boughs
And stare as long as sheep or cows.
No time to see, when woods we pass,
Where squirrels hide their nuts in grass.
No time to see, in broad daylight,
Streams full of stars, like skies at night.
No time to turn at Beauty's glance,
And watch her feet, how they can dance.
No time to wait till her mouth can
Enrich that smile her eyes began.
A poor life this is if, full of care,
We have no time to stand and stare.
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The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.
The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.
POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
The poem Leisure appeared originally in his Songs Of Joy and Others, published in 1911 by A. C. Fifield and then in Davies' first anthology Collected Poems by the same publisher in 1916.
I
That is no country for old men. The young
In one another’s arms, birds in the trees,
—Those dying generations—at their song,
The salmon-falls, the mackerel-crowded seas,
Fish, flesh, or fowl, commend all summer long
Whatever is begotten, born, and dies.
Caught in that sensual music all neglect
Monuments of unageing intellect.
II
An aged man is but a paltry thing,
A tattered coat upon a stick, unless
Soul clap its hands and sing, and louder sing
For every tatter in its mortal dress,
Nor is there singing school but studying
Monuments of its own magnificence;
And therefore I have sailed the seas and come
To the holy city of Byzantium.
III
O sages standing in God’s holy fire
As in the gold mosaic of a wall,
Come from the holy fire, perne in a gyre,
And be the singing-masters of my soul.
Consume my heart away; sick with desire
And fastened to a dying animal
It knows not what it is; and gather me
Into the artifice of eternity.
IV
Once out of nature I shall never take
My bodily form from any natural thing,
But such a form as Grecian goldsmiths make
Of hammered gold and gold enamelling
To keep a drowsy Emperor awake;
Or set upon a golden bough to sing
To lords and ladies of Byzantium
Of what is past, or passing, or to come.
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The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.
The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.
POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
Copyright Credit: From THE COLLECTED POEMS OF W.B. YEATS edited by Richard Finneran. Revisions and additional poems copyright © 1983, 1989 by Anne Yeats.
‘Is there anybody there?’ said the Traveller,
Knocking on the moonlit door;
And his horse in the silence champed the grasses
Of the forest’s ferny floor:
And a bird flew up out of the turret,
Above the Traveller’s head:
And he smote upon the door again a second time;
‘Is there anybody there?’ he said.
But no one descended to the Traveller;
No head from the leaf-fringed sill
Leaned over and looked into his grey eyes,
Where he stood perplexed and still.
But only a host of phantom listeners
That dwelt in the lone house then
Stood listening in the quiet of the moonlight
To that voice from the world of men:
Stood thronging the faint moonbeams on the dark stair,
That goes down to the empty hall,
Hearkening in an air stirred and shaken
By the lonely Traveller’s call.
And he felt in his heart their strangeness,
Their stillness answering his cry,
While his horse moved, cropping the dark turf,
’Neath the starred and leafy sky;
For he suddenly smote on the door, even
Louder, and lifted his head:—
‘Tell them I came, and no one answered,
That I kept my word,’ he said.
Never the least stir made the listeners,
Though every word he spake
Fell echoing through the shadowiness of the still house
From the one man left awake:
Ay, they heard his foot upon the stirrup,
And the sound of iron on stone,
And how the silence surged softly backward,
When the plunging hoofs were gone.
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The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.
The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.
POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
"The Listeners" by Walter de la Mare was first published in 1912 in the collection "The Listeners and Other Poems," and the poem is now in the public domain.
Lay your sleeping head, my love,
Human on my faithless arm;
Time and fevers burn away
Individual beauty from
Thoughtful children, and the grave
Proves the child ephemeral:
But in my arms till break of day
Let the living creature lie,
Mortal, guilty, but to me
The entirely beautiful.
Soul and body have no bounds:
To lovers as they lie upon
Her tolerant enchanted slope
In their ordinary swoon,
Grave the vision Venus sends
Of supernatural sympathy,
Universal love and hope;
While an abstract insight wakes
Among the glaciers and the rocks
The hermit's carnal ecstasy.
Certainty, fidelity
On the stroke of midnight pass
Like vibrations of a bell,
And fashionable madmen raise
Their pedantic boring cry:
Every farthing of the cost,
All the dreaded cards foretell,
Shall be paid, but from this night
Not a whisper, not a thought,
Not a kiss nor look be lost.
Beauty, midnight, vision dies:
Let the winds of dawn that blow
Softly round your dreaming head
Such a day of welcome show
Eye and knocking heart may bless,
Find the mortal world enough;
Noons of dryness find you fed
By the involuntary powers,
Nights of insult let you pass
Watched by every human love.
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The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.
The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.
POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
Copyright © 1940 W. H. Auden, renewed by the Estate of W. H. Auden.
When spring begins and the ice-locked streams begin
To flow down from the snowy hills above
And the clods begin to crumble in the breeze,
The time has come for my groaning ox to drag
My heavy plow across the fields, so that
The plow blade shines as the furrow rubs against it.
Not till the earth has been twice plowed, so twice
Exposed to sun and twice to coolness will
It yield what the farmer prays for; then will the barn
Be full to bursting with the gathered grain,
And yet if the field's unknown and new to us,
Before our plow breaks open the soil at all,
It's necessary to study the ways of the winds
And the changing ways of the skies, and also to know
The history of the planting in that ground,
What crops will prosper there and what will not.
In one place grain grows best, in another, vines;
Another's good for the cultivation of trees;
In still another the grain turns green unbidden.
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A small island encircled by formidable oceans, Sri Lanka is a mystery to many: remote, hard to place; a well-kept secret. The Ceylon Press seeks to make its complicated story more accessible. The Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; Archaeologies, the blank verse diaries of an occasional hermit; as well as Poetry from The Jungles’ two podcasts, 101 Poets; and 100 Poet, 100 Poems. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle west of Kandy .
POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
Copyright Credit: Robert Fitzgerald, “Passages from Virgil’s First Georgic” from Spring Shade: Poems 1931-1970. Copyright © 1969 by Robert Fitzgerald.
The Waking. By Theodore Roethke.
I wake to sleep, and take my waking slow.
I feel my fate in what I cannot fear.
I learn by going where I have to go.
We think by feeling. What is there to know?
I hear my being dance from ear to ear.
I wake to sleep, and take my waking slow.
Of those so close beside me, which are you?
God bless the Ground! I shall walk softly there,
And learn by going where I have to go.
Light takes the Tree; but who can tell us how?
The lowly worm climbs up a winding stair;
I wake to sleep, and take my waking slow.
Great Nature has another thing to do
To you and me; so take the lively air,
And, lovely, learn by going where to go.
This shaking keeps me steady. I should know.
What falls away is always. And is near.
I wake to sleep, and take my waking slow.
I learn by going where I have to go.
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The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.
The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.
POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
Copyright Credit: Theodore Roethke, "The Waking" from Collected Poems of Theodore Roethke. Copyright 1953 by Theodore Roethke.
Nobody heard him, the dead man,
But still he lay moaning:
I was much further out than you thought
And not waving but drowning.
Poor chap, he always loved larking
And now he’s dead
It must have been too cold for him his heart gave way,
They said.
Oh, no no no, it was too cold always
(Still the dead one lay moaning)
I was much too far out all my life
And not waving but drowning.
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The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.
The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.
POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
Copyright Credit: Stevie Smith, “Not Waving but Drowning” from Collected Poems of Stevie Smith. Copyright © 1972 by Stevie Smith.
I leant upon a coppice gate
When Frost was spectre-grey,
And Winter's dregs made desolate
The weakening eye of day.
The tangled bine-stems scored the sky
Like strings of broken lyres,
And all mankind that haunted nigh
Had sought their household fires.
The land's sharp features seemed to be
The Century's corpse outleant,
His crypt the cloudy canopy,
The wind his death-lament.
The ancient pulse of germ and birth
Was shrunken hard and dry,
And every spirit upon earth
Seemed fervourless as I.
At once a voice arose among
The bleak twigs overhead
In a full-hearted evensong
Of joy illimited;
An aged thrush, frail, gaunt, and small,
In blast-beruffled plume,
Had chosen thus to fling his soul
Upon the growing gloom.
So little cause for carolings
Of such ecstatic sound
Was written on terrestrial things
Afar or nigh around,
That I could think there trembled through
His happy good-night air
Some blessed Hope, whereof he knew
And I was unaware.
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The Ceylon Press publishes a range of podcasts including The History Of Sri Lanka; the off-grid Jungle Diaries podcast; Island Stories, the podcast that explores what makes Sri Lanka, Sri Lankan; the Wild Isle Podcast: Stories from Sri Lanka’s Nature; a range of complete Audio Books about Sri Lanka; as well as Poetry from The Jungle. All these, along with eBooks, dictionaries, guides and companions can be found at www.theceylonpress.com, based at The Flame Tree Estate & Hotel in the jungle northwest of Kandy: www.flametreeestate.com.
The copyright of this podcast recording is David Swarbrick @The Ceylon Press 2025.
POETRY FROM THE JUNGLE GRATEFULLY ACKNOWLEDGES THE COPYRIGHT CREDIT:
"The Darkling Thrush" by Thomas Hardy is in the public domain. It was first published on December 29, 1900, in The Graphic under the title "By the Century's Deathbed".