Today i review the Beyerdyanmic M130, a passive figure-8 ribbon which gives you a very rich and robust low-end and a tamer treble and air frequency range. This gives you more of a classic ribbon sound if that's what you're looking for and it also works INCREDIBLY with the M160 in a mid-side pair.  

Today i review the Neumann TLM193, a fantastic sounding neutral condenser microphone. This has a cardioid pattern, a self noise of 10dBA and a max SPL of 140dB. The sound of this is overall very neutral, with a bit of a recession in the presence and treble which helps tame some harsher frequencies without sounding too dull or dead. I found that this worked extremely well on every application I tried it on.

Today I review and demo the Elgato Wave Neo, a relatively affordable USB condenser microphone. This offers a warmer and slightly darker sound compared to many of the other USB condenser microphones, a capacitive mute function, EQ, Deesser, Compressor, and Noise Removal plugins, as well as a digital mixer.

Today i review the Neat Worker Bee 2, a budget condenser microphone. This has no switches or filters, it simply offers a cardioid polar pattern and a slight V-shape sound profile. It has a powerful low end, slightly recessed mid section and a clear top end. It does a sub par job at plosive rejection and the shock rejection also leaves a little bit to be desired, so it would have been fantastic for this to come with a shockmount and pop filter, but at the price, I can't complain too much.

Today i review the Aston Apex, a handheld dynamic. This mic has two different voicings giving you different EQ curves, active electronics giving the mic a very healthy output level, and it offers a unique and robust feeling build quality. The sound is either V-shaped or upper mid focussed depending on the voicing you use. I found that it suffered in two primary areas: plosive rejection and handling noise rejection.

Today I review the new dynamic mic from Audix PDX520 which is a broadcast dynamic, podcast dynamic, streamer dynamic, or studio dynamic, whatever you want it to be. It has a standard dynamic sensitivity, a darker and smoother sound profile with a slight focus on the mids, and two eq switches to adjust the sound (presence boost & high pass filter).  

Today i review the Audix OM3, a handheld dynamic. This mic offers a bright upper mid and treble region with a tight hypercardioid polar pattern which does a good job at background noise rejection, but a less than stellar job at handling noise rejection. The microphone also has a powerful lowend which can be a little bit over powering in my opinion.

Today I walkthrough, explain, test and review the new Lewitt Connect 2 streaming audio interface. I compare it to the Focusrite Scarlett 18i20 4th gen, test the preamps with the SM7b, demo the D.I. Instrument inputs, test the line level input capability, walk through the clipguard feature, eq settings, denoise capability, and compressor as well. This is an all around fantastic interface for someone who needs a single preamp and instrument input.

Today i review the Shure PGA181 an affordable side address condenser. It is very straight forward with only a cardioid polar pattern and no pads or filters. This mic is more of an upper mid focused sound which gives it a punchy character. The self noise on this mic comes in at 22dBA which is kind of high, but seems relatively inline with the competition LCT240 (19dBA), AT2020 (20dBA), 770 ($20dBA), X1a (16dBA), but it is still on the higher side.

Today I'm reviewing and demoing the Neat Bumblebee 2, a budget USB condenser mic that I got for under $30. This offers really great sound quality for the price and leans slightly V-shaped with a supportive bass and low mid section and a bit of a boost in the treble and air. You get a single cardioid pattern, a mute button, a headphone output, and a mix dial for computer playback and zero latency monitoring. At $25 or less this is a great deal. At $60 it has some fair competition but stacks up admirably against the alternatives. At $100 I don't think the value proposition is as strong.

Support the Channel: http://podcastage.com/support Today i review the Neumann TLM107, a multipattern condenser with two high pass filters and two pad options. It has a balanced  bass and mid section and then a treble bump which gives the mic a bit of life. It does sound a touch sharp on spoken word but sounds great for the music applications I tried it in. Buy Neumann TLM107 (Affiliate Links) Amazon: https://geni.us/tlm107 Sweetwater: https://sweetwater.sjv.io/tlm107 B&H: https://bhpho.to/4jJ9QDF Thomann: https://thmn.to/thoprod/415384  NOTE (FULL DISCLOSURE): As an associate, I earn from qualifying purchases. For more info check my FAQ page links below.

Today I'm reivewing and demoing the Hyperx Quadcast 2, a multipattern USB condenser microphone. This thing offers a nice sound quality, a fairly intuitive operation, a capacitive mute button, and everything you need to start recording. It's a nice improvement over the gen 1 with improved sound quality, A/D and D/A converters and functionality. Buy the Hyperx Quadcast 2 (Affiliate Link)Amazon: https://geni.us/quadcast2 NOTE (FULL DISCLOSURE): As an associate, I earn from qualifying purchases. For more info check my FAQ page links below. RECORDING SETTINGS:Conversion: 24-bit / 48kHzMic-Gain: 11:00dBComputer Input Level: 33%Boosted in Post: +7dB SPECS:Polar Pattern: Cardioid, Omni, Stereo, Bi-directionalFreq Response: 20Hz - 20kHzSensitivity: -7.5dB=A/D & D/A: 16/24-bit / 44.1-96khz 00:00 - Intro / Price / Disclaimer 00:25 - What’s in the Box00:42 - Build Quality / Walkthrough01:34 - Specifications01:42 - Operation Walkthrough02:32 - Polar Pattern Test (Tone / Rotation) 02:51 - Cardioid / Omni / Stereo / Figure-8 Demo04:03 - Plosive Test04:16 - Distance Test / Proximity Effect Test04:36 - Background Noise Test 04:49 - Untreated Room Test05:09 - Mic Resonance Tap Test05:23 - Desktop Stand Demo06:02 - Mute Button Test06:18 - Does it ASMR Test?07:02 - Samson Go Mic Comparison07:26 - HyperX Solocast Comparison07:53 - HyperX Quadcast Original Comparison08:23 - Blue Yeti Comparison08:55 - Sennheiser Profile USB Comparison09:28 - Audio Technica AT2020 USB-X Comparison09:58 - Elgato Wave 3 Comparison10:30 - Rode NT-USB+ Comparison11:04 - Logitech Blue Yeti X Comparison11:39 - Shure SM57 Comparison12:12 - Neumann U87 Ai Comparison12:40 - Music Test15:04 - Pros & Cons 16:29 - Overall Thoughts17:49 - Recommendation

Today I provide spoken word samples of the Focusrite 18i20 4th gen and compare it to the 2nd gen 18i20 as well as the Universal Audio X8 and the UA LA610 MK II preamp, and Warm Audio WA73 EQ preamp. I also explain why I chose this inteface as the device for my reviews.

Thanks for an amazing 2024. Simply put there weren't enough reviews to compile a good box throw video, so I figured this would be a fun way to wrap up the year. If this is dumb, let me know and we won't do it again.

Today we discuss my favorite audio gear of 2024. I share my favorite microphone that I reviewed this year, my favorite audio interface / preamp I reviewed, and my favorite new production gear that I use in my studio. I would love to hear what your favorite gear of the year is.

Today we're looking at the Sennheiser ME 2 a relatively affordable lavalier microphone. This offers a brighter character which can be beneficial on the collar or in the center or the chest to maintain some clarity and not sound overly muddy. This mic does have a self noise of 32dBA which is high and the noise can be quite noticeable. Also, you don't get any accessories with this other than the mic clip, so if you want any kind of dead cat or windscreen, you're going to need to buy those separately.

Today I review the Fifine AM8, a budget USB/XLR dynamic microphone that only costs around $50. As mentioned this has an XLR & USB output which can be used simultaneously, a 3.5mm headphone jack which offers computer playback and zero latency monitoring, a capacitive mute button, and RGB LIGHTS!!! Sound wise I perceive it as slightly V-shaped where the lower & higher frequencies overpower the mid frequencies, but overall it sounds pretty darn good especially considering the price. There is one flaw with this microphone which makes me only kind of recommend it, the mount which makes the microphone very floppy.

Today I review the Shure MV6 which is a USB Gaming microphone that costs around $150. The big feature of this mic is the DSP (digital signal processing) which gives you the ability to adjust the microphones tone, add a noise remover, use a digital popper stopper, or add a highpass filter. It also includes auto-level in case you don't want to worry about your level. The sound of it is very upper mid, presence, and treble focused so if you dislike that sound, you're probably not going to be in love with this mic.

Today i review the Shure 565SD, a classic handheld dynamic. This offers acardioid pattern and a very bright treble range which gives you a clearer sound than many other handheld dynamics when you're right on top of it. At a distance I think the boost can be a bit much and sound sibilant and sharp, but for it's designed use case it makes a lot of sense.