Producer and writer John Yorke has worked in television and radio for 30 years, and he shares his experience with Radio 4 listeners as he unpacks the themes and impact behind the books, plays and stories that are being dramatised in Radio 4's weekend afternoon dramas.
Producer and writer John Yorke has worked in television and radio for 30 years, and he shares his experience with Radio 4 listeners as he unpacks the themes and impact behind the books, plays and stories that are being dramatised in Radio 4's weekend afternoon dramas.
Jane Austen’s novel, Northanger Abbey, was the first full book she wrote. She was in her early 20s at the time and it was accepted by a publisher but the novel wasn’t published in her lifetime. In this second episode John Yorke looks at the story behind the genesis of Northanger Abbey - how a young woman with only three years of formal education came to write such an accomplished work, what prompted her to write a satire of Gothic fiction, and why the book is also a hymn of praise to the novel form itself.
Jane may not have spent much time in school but her voracious love of reading, her prodigious memory and understanding of other writers’ techniques meant that she was entertaining the family with her own stories and plays from an early age. After leaving school at 11, her real education began - self-education. With the encouragement of her father, the availability of subscription libraries which made reading possible for all purses, and a lot of writing practice, she would develop into one of Britain’s finest writers.
Sadly, her story is also one of disappointment and neglect. Despite the publisher’s promise, Jane’s novel, finished when she was 24, would have to languish for nearly 20 years before it finally saw the light of day, six months after her death.
John Yorke has worked in television and radio for 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy, he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative - including many podcasts for R4.
Contributors: Emma Clery, Literary Critic and Cultural Historian, Professor of English Literature at the Uppsala University, Sweden, and author of Jane Austen: The Banker’s Sister.
Rebecca Romney, author of Jane Austen’s Bookshelf.
Reader: Esme Scarborough Production Hub Coordinators: Nina Semple, Dawn Williams Researcher: Henry Tydeman Sound: Iain Hunter Producer: Kate McAll Executive Producer: Sara Davies
A Pier production for BBC Radio 4
Northanger Abbey was Jane Austen’s first book, although it wasn’t published until after her death. It tells the story of Catherine Morland, an impressionable young woman who is introduced to fashionable society when she’s taken by a wealthy neighbour to Bath. There, Catherine’s imagination catches fire when she’s initiated into the thrills of Gothic fiction by new friend, Isabella Thorpe – a pretty, charming but devious gold digger.
Another great reader of Gothic novels is ‘not quite handsome but very near it’ Henry Tilney, whom Catherine finds enchanting. When Henry invites Catherine to stay at Northanger Abbey, the home of his father, General Tilney, she imagines secret passages, haunted catacombs and an evil secret. Catherine does indeed find something wicked at the Abbey but not in the way she expects.
In this first of two episodes John Yorke explores the dual nature of the book - part satire on Gothic fiction and part celebration of the novel form.
John Yorke has worked in television and radio for 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy, he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative - including many podcasts for R4.
Contributors: Emma Clery, Literary Critic and Cultural Historian, Professor of English Literature at the Uppsala University, Sweden, and author of Jane Austen: The Banker’s Sister.
Rebecca Romney, author of Jane Austen’s Bookshelf.
Reader: Esme Scarborough Production Hub Coordinators: Nina Semple and Dawn Williams Researcher: Henry Tydeman Sound: Iain Hunter Producer: Kate McAll Executive Producer: Sara Davies
A Pier production for BBC Radio 4
When Horace Walpole published The Castle of Otranto in 1764, novels as a form were still in their infancy. Many tended to be long-winded works, instructing readers on how to live a moral life.
With this short and fast-paced rollercoaster of a book, Walpole blew that idea out of the water, introducing his audience to a completely new kind of fiction, featuring supernatural happenings, suspense, and a young woman fleeing an evil villain down a dark corridor with a candle that blows out at the vital moment - all the elements of what we now call Gothic fiction.
Prompting both a moral panic and a rush on sales, The Castle of Otranto would prove inspirational to many future writers, including Mary Shelley who wrote Frankenstein and Jane Austen who would both parody and celebrate the Gothic in her novel Northanger Abbey.
John Yorke has worked in television and radio for 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy, he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative - including many podcasts for R4.
Contributor: Emma Clery, Professor of English Literature at the Uppsala University, Sweden. Editor of The Castle of Otranto (1996), and author of The Rise of Supernatural Fiction, 1762 -1800
Reader: Paul Dodgson Production Hub Coordinator: Nina Semple Researcher: Henry Tydeman Sound: Iain Hunter Producer: Kate McAll Executive Producer: Sara Davies
A Pier production for BBC Radio 4
In the winter of 1847, the Star of the Sea sets sail from Ireland for New York. Among the refugees are a maidservant, a bankrupt aristocrat, an aspiring novelist and a maker of revolutionary ballads. It reads like a Victorian gothic novel, with murder and intrigue at its heart.
Star of the Sea by Joseph O’Connor was published in 2002 and attracted multiple plaudits as well as literary awards. O’Connor talks about the shocked response from his publishers when he proposed writing a novel about the Irish Famine and we learn how real facts are woven skilfully into fiction.
Novelist Colm Tóibín explains how there are elements of pastiche in Star of the Sea and how it’s written like a 19th century novel. He also states that, at a time when the Irish narrative was being re-imagined, even the great Irish playwrights such as Sean O’Casey didn’t write about the Famine.
At the heart of the story is the threatening figure of Pius Mulvey – the balladeer and adventurer. Known as ‘The Monster’, Mulvey stalks the decks of the ship like some kind of embodiment of the tragedy that has overtaken the old country. We hear about the tragic and human stories within this novel into which O’Connor is also able weave humour and a propulsive narrative.
John Yorke explains that the skill of this novel is that, with the aid of eyewitness accounts, historical documents, letters home, passenger manifests and Captain’s logs, O’Connor unravels the extraordinary relationships at the book’s heart by re-stitching them into a grander tapestry – that of a terrible horror, long hidden, central to a nation’s heart.
John Yorke has worked in television and radio for 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy, he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative - including many podcasts for R4.
Contributor: Colm Tóibín, bestselling writer
Extracts from: The Arts Show, BBC Radio Ulster with Marie Louise Muir, 16 August 2007 Reading from Star of the Sea by Peter Marinker, from the audiobook of the same title published by W.F. Howes Ltd, 2011
Star of the Sea published in 2002 by Secker and Warburg
Sound: Sean Kerwin Researcher: Henry Tydeman Production Hub Coordinator: Nina Semple Producer: Belinda Naylor Executive Producer: Caroline Raphael
A Pier production for BBC Radio 4
John Yorke looks at the background to A Short History of Tractors in Ukrainian and assesses the appeal of this worldwide best seller by Marina Lewycka. Two feuding sisters unite to thwart their newly widowed father’s impending marriage to Valentina - a voluptuous gold-digger from Ukraine who loves green satin underwear and boil-in-the-bag cuisine and who’ll stop at nothing in her single-minded pursuit of the luxurious Western lifestyle she dreams of.
John Yorke has worked in television and radio for 30 years and shares his experience with Radio 4 listeners as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy, he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative - including many podcasts for R4.
Contributor: Professor Andrew Wilson, Professor of Ukrainian studies at University College London and author of ‘The Ukrainians’
Archive: Radio 4 – Marina Lewycka on 'Book Club', 8th January 2015
Readings from A Short History of Tractors in Ukrainian: Marina Lewycka (Penguin Essentials, 71), 2017
Reader: Janet Ellis Producer: Alison Vernon-Smith Sound: Sean Kerwin Researcher Henry Tydeman Production Hub Coordinator: Nina Semple Executive Producer: Caroline Raphael
A Pier production for BBC Radio 4
John Yorke looks at The Cherry Orchard, Anton Chekhov’s final play and a landmark in 20th century theatre.
It’s 1903 and Liubov Andryeevna Ranyevskaya has returned to the family estate in southern Russia. As the head of this aristocratic household she faces a dilemma. The family is in serious financial difficulty and they have the choice of either selling the entire estate, or accepting the proposal of local businessman, Lopakhin, to cut down their beloved cherry orchard to make way for holiday homes and use the money to pay their debts.
In the second of two episodes, John looks at how Chekhov’s use of ambiguity, his skilful combination of comic and tragic elements, and his rejection of naturalism represent a departure from his previous work and were to prove so influential in the development of 20th century theatre.
John has worked in television and radio for 30 years, and shares his experience with Radio 4 listeners as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative, including many podcasts for Radio 4.
Contributors: Simon Russell Beale, whose long and distinguished acting career has seen him play many roles, including his performance as Lopakhin in a 2009 production of The Cherry Orchard at the Brooklyn Academy of Music. He also won an Olivier Award for his performance as Uncle Vanya in 2003. Rosamund Bartlett, a cultural historian with expertise in Russian literature, music, and art. Her books include Chekhov: Scenes from a Life and she has also translated and edited selections of his stories and letters. Benedict Andrews, director of an acclaimed production of The Cherry Orchard at the Donmar Warehouse in London in 2024.
Reader: Torquil MacLeod Closing music: Torquil MacLeod Sound: Sean Kerwin Researcher: Henry Tydeman Production Hub Coordinator: Nina Semple Producer: Torquil MacLeod Executive Producer: Sara Davies
A Pier production for BBC Radio 4
John Yorke looks at The Cherry Orchard, Anton Chekhov’s final play and a landmark in 20th century theatre.
It’s 1903 and Liubov Andryeevna Ranyevskaya is returning to the family estate in southern Russia. As the head of this aristocratic household, she faces a crisis. The family is in serious financial difficulty and it seems inevitable that the estate will have to be sold to pay their debts. A local businessman, Lopakhin, offers a solution, but it would mean the loss of their beloved cherry orchard.
In this first of two episodes, the focus is on these two main protagonists, who embody the tensions between the old aristocracy and the emerging merchant class, and the student Trofimov whose revolutionary ideas point prophetically towards the path that Russia was soon to take.
John has worked in television and radio for 30 years, and shares his experience with Radio 4 listeners as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative, including many podcasts for R4.
Contributors: Benedict Andrews, director of an acclaimed production of The Cherry Orchard at the Donmar Warehouse in London in 2024 Rosamund Bartlett, a cultural historian with expertise in Russian literature, music and art. Her books include Chekhov: Scenes from a Life and she has also translated and edited selections of his stories and letters.
Excerpt taken from the BBC Radio 3/Palimpsest production of The Cherry Orchard, directed by Toby Swift, with Neil Dudgeon as Lopakhin and Saffron Coomber as Dunyasha. It was first broadcast on Radio 3 on 18th November 2018.
Music: Torquil MacLeod Sound: Sean Kerwin Researcher: Henry Tydeman Production Hub Coordinator: Nina Semple Producer: Torquil MacLeod Executive Producer: Sara Davies
A Pier production for BBC Radio 4
Charles Darwin’s ideas changed our understanding of the world perhaps more than those of any other British scholar. His famous voyage on HMS Beagle ended in 1836, and he had developed his findings into his theories on evolution and natural selection within six years. It was not, however, until 1859 that he shared these revolutionary ideas with the public in On The Origin of Species, a book far different to the one he had intended to write.
In this episode of Opening Lines, John Yorke examines what finally led Darwin to write this pioneering work of popular science, and the impact it had upon his contemporaries.
The programme features evolutionary biologist Dr Tori Herridge of the University of Sheffield.
John has worked in television and radio for 30 years, and shares his experience with Radio 4 listeners as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative, including many podcasts for Radio 4.
Clip of Andrew Marr from ‘Great Britons: Darwin’ BBC2 (2002)
Sound: Sean Kerwin Researcher: Henry Tydeman Production Hub Coordinator: Nina Semple Producer: Geoff Bird Reader: Paul Dodgson Executive Producer: Caroline Raphael
A Pier production for BBC Radio 4
John Yorke looks at Treasure Island, the great swash-buckling adventure by Robert Louis Stevenson that inspired almost every pirate tale to follow.
Stevenson wrote the story to amuse his stepson on a wet holiday in the Scottish Highlands, with the original title The Sea Cook. Looking back at his time as a boy, narrator Jim Hawkins recounts his thrilling adventures on land and at sea in the pursuit of buried treasure, and we discover that the sea cook is none other than archetypal pirate Long John Silver, one-legged and with a parrot on his shoulder, one of Stevenson’s great literary creations.
John Yorke argues that Treasure Island has a profound and lasting impact even in the age of Minecraft, Reality TV and YouTube length dramas, and in this episode of Opening Lines he will explain why.
John Yorke has worked in television and radio for 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy, he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative - including many podcasts for R4.
Contributor: Louise Welsh, author and Professor of Creative Writing, Glasgow University
Extracts from: Michael Morpurgo, Twice Upon a Time podcast produced by Hat Trick Productions Ltd, 2022 Claire Harman, BBC Radio 4’s Great Lives, 2005
Reader: Crawford Logan Sound: Sean Kerwin Researcher: Henry Tydeman Production Hub Coordinator: Nina Semple Producer: Mark Rickards Executive Producer: Caroline Raphael
A Pier production for BBC Radio 4
In the months that followed the end of the Second World War, very few people in the West knew the true power of the atomic weaponry that had forced the Japanese surrender. John Hersey’s article Hiroshima would change that.
Released a year after the bombs were dropped, the New Yorker piece was journalistic dynamite and sold out in hours. Published in one instalment - taking up the whole edition of the magazine - Hersey’s meticulous and unflinching account of what happened after the atom bomb detonated brought home the horror of atomic weaponry to the world and changed journalism in the process.
John Yorke speaks to Janine di Giovanni, award winning war reporter and founder of The Reckoning Project (a war crimes unit that operates in Ukraine and the Middle East) about how pivotal the article was and how it impacts her work today.
John has worked in television and radio for 30 years, and shares his experience with listeners as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative, including many podcasts for R4.
Contributors: Janine di Giovanni, war reporter and founder of The Reckoning Project. David Remnick, editor of the New Yorker John Hersey, author
Archive: The David Remnick audio, and the John Hersey interview (taken from the American Audio Prose Library interview conducted by Kay Bonetti Callison, 1988) were both originally broadcast as part of Hersey’s Hiroshima produced by Dora Productions Ltd, BBC Radio 4 2016.
Reader: Riley Neldam Sound: Sean Kerwin Researcher: Henry Tydeman Production Hub Coordinator: Nina Semple Producer: Tolly Robinson Executive Producer: Sara Davies
A Pier production for BBC Radio 4
John Yorke takes a look at The Girls of Slender Means by Muriel Spark. Published in 1963, two years after the success of The Prime of Miss Jean Brodie, it’s set in the summer of 1945. A group of young women live, love and lodge together in the shabby but respectable May of Teck Club in the months between VE Day and the ending of the war 99 days later with the final victory in Japan.
It’s a riveting yet disconcerting read - simple, yet knotty and complex, and it’s not at all about what it seems. With contributions from the writer AL Kennedy, John explores the pleasures of this short yet wonderfully satisfying novella.
John has worked in television and radio for 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy, he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative - including many podcasts for R4.
Contributor: A.L. Kennedy
Reader: Ruth Sillers Producer: Laura Grimshaw Executive Producer: Sara Davies Sound: Sean Kerwin Researcher: Henry Tydeman Production Hub Co-ordinator: Nina Semple
A Pier production for BBC Radio 4
John Yorke looks at King Lear, the brutal tragedy that some claim is Shakespeare’s greatest achievement.
When Lear, the 80 year old king of ancient Britain, decides that the time has come to divide his kingdom among his three daughters, he unwittingly sets in motion a catastrophic chain of events that will tear apart both his family and his realm. He banishes his faithful youngest daughter, Cordelia, while his two elder daughters, Goneril and Regan, who declared their undying love for their father, bar their doors to him. Driven mad by fury, Lear wanders a barren heath in the midst of a storm with only his Fool for company.
In this second of two episodes, John looks at the loyal but provocative character of the Fool. He also discovers that, since the 17th century, critics including Samuel Johnson have struggled with the play’s remorseless cruelty and the bleakness of its ending.
John has worked in television and radio for 30 years, and shares his experience with Radio 4 listeners as he unpacks the themes and impact of the books, plays and stories that are being dramatized in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative, including many podcasts for R4.
Contributors: Sir Richard Eyre, directed an award-winning production of King Lear, starring Ian Holm, at the National Theatre in 1997 and another production for BBC television, with Anthony Hopkins in the lead role, in 2018. Dr Genevieve von Lob, clinical psychologist who specialises in family therapy. Emma Smith, Professor of Shakespeare Studies and Tutorial Fellow at Hertford College, Oxford. She is the author of books including This Is Shakespeare: How to Read the World’s Greatest Playwright.
Excerpt taken from the BBC Radio 3/Renaissance Theatre Company production of King Lear, directed by Glyn Dearman and first broadcast on Radio 3 on 10th April 1994.
Sound: Sean Kerwin Music: Torquil MacLeod Researcher: Henry Tydeman Production Coordinator: Nina Semple Producer: Torquil MacLeod Executive Producer: Sara Davies
A Pier production for BBC Radio 4
John Yorke looks at King Lear, the brutal tragedy that some claim is Shakespeare’s greatest achievement.
When Lear, the 80 year old king of ancient Britain, decides that the time has come to divide his kingdom among his three daughters, he unwittingly sets in motion a catastrophic chain of events that will tear apart both his family and his realm. In this first of two episodes, the focus is on the fractured relationship between Lear and his daughters – Goneril, Regan and Cordelia – and on the subplot that involves the breakdown of another family. This comprises the Duke of Gloucester and his two sons Edmund and Edgar. In both cases the fathers are incapable of seeing which child is deceiving them and which child is loyal and truly loves them.
John has worked in television and radio for 30 years, and shares his experience with Radio 4 listeners as he unpacks the themes and impact of the books, plays and stories that are being dramatized in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative, including many podcasts for Radio 4.
Contributors: Sir Richard Eyre, directed an award-winning production of King Lear, starring Ian Holm, at the National Theatre in 1997 and another production for BBC television, with Anthony Hopkins in the lead role, in 2018. Dr Genevieve von Lob, clinical psychologist who specialises in family therapy. Emma Smith, Professor of Shakespeare Studies and Tutorial Fellow at Hertford College, Oxford. She is the author of books including This Is Shakespeare: How to Read the World’s Greatest Playwright.
Excerpt taken from the BBC Radio 3/Renaissance Theatre Company production of King Lear, directed by Glyn Dearman and first broadcast on Radio 3 on 10th April 1994.
Sound: Sean Kerwin Music: Torquil MacLeod Researcher: Henry Tydeman Production Coordinator: Nina Semple Producer: Torquil MacLeod Executive Producer: Sara Davies
A Pier production for BBC Radio 4
The series that examines books, plays and stories and how they work. John Yorke looks at the 1968 theatre novel Next Season by Australian writer and director Michael Blakemore. Based on Blakemore’s lived experience as an actor in English repertory theatre in the late 1950s in Stratford-upon-Avon, the novel has been described as one of the true great theatre novels.
The novel follows young Australian actor Sam Beresford as he joins a six-month repertory season in the fictional town of Braddington, where he brushes up with the company’s great stars and battles with its powerful and aloof director. That the novel’s characters were based on real-life theatre greats that Blakemore knew and worked with meant it caused a stir at the time of publication.
John Yorke has worked in television and radio for 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy, he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative - including many podcasts for R4.
Contributors: Simon Callow, actor Greta Scacchi, actor Michael Billington, author and arts critic
Readings from Next Season by Michael Blakemore (Faber & Faber, 1968)
Reader: Ciaran Owens Sound: Sean Kerwin Researcher: Henry Tydeman Production Hub Coordinator: Nina Semple Producer: Lucy Hough Executive Producer: Caroline Raphael
A Pier production for BBC Radio 4
The series that examines books, plays and stories and how they work. John Yorke looks at the 1962 theatre memoir Underfoot in Show Business by Helene Hanff. The text is a comic account of Hanff’s attempts to break into New York theatre in the early 1940s, which found a new audience after the success of Hanff’s later epistolary memoir 84, Charing Cross Road.
Underfoot in Show Business is a dispatch from a golden era in New York theatre, in which Eugene O’Neill, Arthur Miller and Tennessee Williams were actively producing plays.
John Yorke has worked in television and radio for 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy, he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative - including many podcasts for R4.
Contributor: Howard Sherman, US writer for The Stage
Readings from Underfoot in Show Business by Helene Hanff (Futura Publications, 1980) Audio from Friday Night, Saturday Morning (BBC Television, 1980) and Desert Island Discs (BBC Radio 4, 1981)
Reader: Madeleine Paulson Sound: Sean Kerwin Researcher: Henry Tydeman Production Hub Coordinator: Nina Semple Producer: Lucy Hough Executive Producer: Caroline Raphael
A Pier production for BBC Radio 4
John Yorke looks at Casino Royale, the novel by Ian Fleming that introduced James Bond to the world. First published in 1953, Fleming’s thrilling novel plunges us immediately into the murky underworld of high stakes gambling. Today we may be more familiar with Bond as portrayed in the movies, but here we discover a more nuanced character. James Bond is vulnerable and at times filled with self-doubt, a far cry from the confident hero on the screen. Bond is on a mission to confront a private banker called Le Chiffre in a baccarat game at the Casino Royale and it doesn’t all go to plan. John Yorke first read Casino Royale at the age of twelve and credits it with a lifetime of enthusiasm for reading novels. In this Opening Lines he explains why.
John has worked in television and radio for 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy, he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative - including many podcasts for R4.
Contributor: Kim Sherwood, author and creative writing lecturer, University of Edinburgh
Reader: Matthew Gravelle Sound: Sean Kerwin Researcher: Henry Tydeman Production Hub Coordinator: Nina Semple Producer: Mark Rickards Executive Producer: Sara Davies
A Pier production for BBC Radio 4
Ian Sansom celebrates the evocative portrait of London on the brink of war that Norman Collins paints in his 1945 novel London Belongs to Me.
The book centres around the lives of the inhabitants of 10 Dulcimer Street, a down-at-heel south London boarding house, and spans the two years from December 1938 to December 1940. Deftly mixing comedy and tragedy, Collins invites us into the lives of these disparate characters, a handful of seemingly unremarkable people whose minor triumphs and bruising setbacks combine to provide a poignant and compelling account of the human face of history, away from the headlines and the corridors of power.
Ian Sansom is a novelist, journalist and broadcaster. He is the author of more than 20 books, including the Mobile Library and the County Guides series of detective novels and his work has been translated into more than a dozen languages. He has worked as a columnist for The Guardian and The Spectator and currently writes for the TLS, The Irish Times and The Dublin Review. He is a regular broadcaster on BBC Radio 4 and Radio 3. He was formerly the Director of the Oscar Wilde Centre at Trinity College Dublin and a professor and Head of English at Queen’s University Belfast.
Contributors: Ed Glinert, writer, lecturer and historical tour guide Katherine Cooper, writer, academic and broadcaster
Readings from London Belongs to Me by Norman Collins (Penguin Books, 2008)
Reader: Ewan Bailey Sound: Sean Kerwin Researcher: Henry Tydeman Production Coordinator: Nina Semple Producer: Torquil MacLeod Executive Producer: Caroline Raphael
A Pier production for BBC Radio 4
The novel Kramer Versus Kramer was published in the US in 1977 and was an instant bestseller. Its story of a marriage, a divorce and a fierce custody battle tapped into the highly charged debates of the time about changing sex roles, marriage and parenting. It was immediately optioned by Hollywood, and the film came out in 1979 starring Dustin Hoffman and Meryl Streep.
Attitudes to custody at the time - which were still rooted in the idea of a wife as a homemaker and carer - were at odds with the sweeping demands for change made by the women’s movement, and it’s this tension that lies at the heart of the story. John hears from Sue Moss, top New York divorce and custody attorney, about how the legal landscape has changed, and from dramatist Sarah Wooley about what drew her to the story.
John has worked in television and radio for 30 years, and shares his experience with Radio 4 listeners as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative, including many podcasts for Radio 4.
Contributors: Sue Moss, partner at Chemtob Moss & Forman LLP, New York Sarah Wooley, dramatist of BBC Radio 4’s production of Kramer vs Kramer
Reader: Riley Neldam Producers: Tolly Robinson, Sara Davies Sound: Sean Kerwin Production Hub Coordinator: Nina Semple Executive Producer: Caroline Raphael
A Pier production for BBC Radio 4
Patrick Ashby died nine years ago. Now, out of the blue, he returns home to claim his inheritance. Except, of course, it’s not Patrick but an imposter, Brat Farrar.
In this episode of Opening Lines John Yorke examines Josephine Tey’s classic 1949 novel that set the standard for so many crime writers to come. He examines the themes of the book and Tey’s life, itself a story of multiple identities and hidden lives. The programme features writer Nicola Upson, a member of the prestigious elite Detection Club, whose own crime novels feature Josephine Tey as detective.
John Yorke has worked in television and radio for 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy, he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative - including many podcasts for R4.
Interview with Val McDermid, BBC Radio 4 Woman’s Hour, 20th August 2015
Producer: Caroline Raphael Reader: Janet Ellis Executive Producer: Sara Davies Production Hub Coordinator: Nina Semple Sound: Sean Kerwin
A Pier production for BBC Radio 4
John Yorke examines the radical 1891 play Spring Awakening by German dramatist Frank Wedekind.
A cautionary, nightmarish portrait of teenage angst and rebellion against oppressive social structures and family pressures, the play’s explicit content was so shocking that it was not performed for 15 years after its publication. In the decades since, it has often been cut or censored. Wedekind’s original play became the inspiration for a 2006 hit Broadway musical of the same name.
In this second of two episodes, John looks at how Spring Awakening has been interpreted and performed in the 134 years since its publication and how audiences – and interpreters - react when they are faced with some very uncomfortable truths.
John Yorke has worked in television and radio for 30 years and shares his experience as he unpacks the themes and impact of the books, plays and stories that are being dramatised in BBC Radio 4’s Sunday Drama series. As former Head of Channel Four Drama and Controller of BBC Drama Production he has worked on some of the most popular shows in Britain - from EastEnders to The Archers, Life on Mars to Shameless. As creator of the BBC Writers Academy, he's trained a generation of screenwriters - now with over 70 green lights and thousands of hours of television to their names. He is the author of Into the Woods, the bestselling book on narrative, and he writes, teaches and consults on all forms of narrative - including many podcasts for R4.
Contributors: Jonathan Franzen, author and essayist Dr Karen Leeder, Professor of Modern German Literature, University of Oxford
Producer: Lucy Hough Executive Producer: Caroline Raphael Sound: Sean Kerwin Production Hub Coordinator: Nina Semple
Audio: Spring Awakening (Fruhlings Erwachen), translated by Tom Osborn and adapted for BBC Radio 4 by John Tydeman and first broadcast 26th March 1973 on BBC Radio 4.
Actors: Wendla: Helen Worth Mrs Bergmann: Diana Olsson Georg: Brian Hewlett Melchior: Christopher Guard Ernst: Michael Cochrane Lammermeir: Andrew Rivers Hans: Christopher Good Moritz: John Moulder-Brown
A Pier production for BBC Radio 4