How do we know through atmospheres? How can being affected by an atmosphere give rise to knowledge? What role does somatic, nonverbal knowledge play in how we belong to places? Atmospheric Knowledge takes up these questions through detailed analyses of practices that generate atmospheres and in which knowledge emerges through visceral intermingling with atmospheres. From combined musicological and anthropological perspectives, Birgit Abels and Patrick Eisenlohr investigate atmospheres as a compelling alternative to better-known analytics of affect by way of performative and sonic practices across a range of ethnographic settings. With particular focus on oceanic relations and sonic affectedness, Atmospheric Knowledge centers the rich affordances of sonic connections for knowing our environments. A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

Kabir is the most alive of all dead poets. He is a fabric without stitches. No centres, no edges. Anand threads his way in. Over the years, as a publisher and editor, Anand immerses himself in the works of Babasaheb Ambedkar and other anticaste thinkers. He gives up his practice of music and poetry, blaming his disenchantment on caste. One day in Delhi, Anand starts looking for Kabir. He finds him here, there, everywhere. He begins to pay attention to the many ways in which Kabir’s words are sung, and translates them. Soon, Kabir starts looking out for Anand. The songs of Kabir sung by a range of singers—Prahlad Tipaniya, Fariduddin Ayaz, Mukhtiyar Ali, Kumar Gandharva, Kaluram Bamaniya, Mahesha Ram and other wayfarers—make Anand return to music and poetry. Anand translates songs seldom found in books. Along the way, he witnesses Kabir drawing on the Buddha, often restating ancient suttas in joyous ways. The Notbook of Kabir is the result of this pursuit with no end in sight. This is the story of how Anand loses himself trying to find Kabir. You can check out the YouTube list of relevant Kabir's songs curated by S. Anand here. For readers interested in the paradoxical, downside-up language in Kabiri and its resonances with Daoist language (e.g. this translation of Daodejing), especially the mysthical atheist aspects, check out appendix B to this book by Brook Ziporyn. Feel free to check out Anand's Navayana Publishing, and his insightful blog posts here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

In the wake of Disco Demolition Night in 1979—a cultural bonfire that seemed to signal the end of disco—something unexpected began to rise from Chicago’s underground. This episode traces the story of Frankie Knuckles, the Bronx-born DJ who became known as the “Godfather of House.” After the backlash against disco pushed the genre out of the mainstream, Knuckles found refuge in Chicago’s Black, Latinx, and queer nightlife scenes, most famously at a club called the Warehouse. There, he pioneered a new sound: blending disco’s heartbeat with gospel, soul, electronic drum machines, and experimental edits. What emerged was “house music,” named after the Warehouse itself, a genre that spoke directly to marginalized communities while later exploding into a global phenomenon. We’ll explore how Knuckles’s artistry and innovation not only kept dance floors alive after disco’s so-called death but also transformed music history. By tracing the arc from the ruins of Disco Demolition to the rise of house, this episode reveals how moments of cultural rejection can spark radical creativity. Frankie Knuckles didn’t just keep the party going—he built a new world of sound that would change the way the world dances. In this eighth episode of season two of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares discuss the life and work of Frankie Knuckles with Micah Salkind, author of Do You Remember House?: Chicago’s Queer of Color Undergrounds (Oxford University Press, 2018). Micah Salkind is the Director of Civic and Cultural Life at the Rhode Island Foundation. Prior, in his roles as Deputy Director and Special Projects Manager at the City of Providence Department of Art, Culture and Tourism, he managed large grants and strategic artist initiatives for the City, collaborating with non-profit cultural institutions as well as its emerging artists, designers, and creative entrepreneurs. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

On July 12, 1979, Chicago’s Comiskey Park erupted into chaos during what was supposed to be a quirky baseball promotion. Shock radio jock Steve Dahl’s “Disco Demolition Night” incentivized listeners to bring disco records to a White Socks doubleheader, where, between games Dahl promised to blow them up in center field. Instead, the event descended into a riot, forcing the team to forfeit. On the surface, the incendiary event looked like a wild publicity stunt gone wrong — but in hindsight, it was tantamount to a book burning. In retrospect, the destruction of thousands of disco records was a symbolic rejection of the social meanings the sounds held, particularly for queer communities of color. The night marked not just the literal destruction of vinyl but a cultural turning point when disco’s dazzling reign collapsed under backlash. Or did it? In this episode, we explore how a stadium stunt revealed the deeper racial, sexual, and generational tensions shaping American music at the dawn of the 1980s. In episode seven, host Ryan Purcell and Kristie Soares talk with Gillian Frank is a historian of gender, sexuality, religion, and politics in the twentieth-century United States at Trinity College, Dublin. He is a managing editor of NOTCHES: (re)marks on the history of sexuality and co-host of the podcast Sexing History, which explores how the past shapes contemporary debates about sex. Frank’s scholarship has appeared in leading academic journals and edited volumes, and he has held research fellowships at Princeton and other institutions. His current book project examines the history of child adoption and foster care in the U.S., tracing how religion, race, and politics shaped family formation in modern America. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

In the fifth episode of Season Two of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares sit down with the legendary DJ Nicky Siano. The history of dance music in 1970s New York is synonymous with the life and work of Siano. He was among the early attendees of David Mancuso’s Loft dances, where he learned to organize parties and DJ for an audience. Siano transposed Mancuso’s informal gatherings to a proper discotheque called The Gallery (1972-1977,) which he co-owned and DJed. At The Gallery, Siano pioneered techniques such as beatmatching, EQing, and using three turntables to fashion a proto-disco sound through his preferred selection of funky soul and R&B records, inspiring a host of celebrated figures like Larry Levan and Frankie Knuckles. The Gallery was a seminal 1970s nightclub that laid a blueprint for iconic New York clubs like the Paradise Garage and Studio 54. Siano is perhaps most well-known for DJing and being fired from Studio 54 for his unconventional methods. For Siano, music was more than pleasure. It was a source of empowerment, a refuge, and spiritual salve that has enabled him to persevere and thrive as a DJ in New York during the Seventies and beyond. In this conversation, Siano illustrates the power of music that animated his involvement as an activist in the Stonewall riots. As a DJ, Siano has maintained his belief in the capacity of music to bring people together, despite social differences, and as a healing force during the AIDs era. In this conversation, Siano traces his evolving romance with music, echoing his enduring salvo: Love is the Message. The title of this episode draws from a memoir that Nicky Siano is currently authoring, I, DJ: Stonewall to Studio 54. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

In The Sound Atlas: A Guide to Strange Sounds across Landscapes and Imagination (Reaktion, 2025), nature writers Michaela Vieser and Isaac Yuen set out in search of sounds beautiful and loathsome, melodious and disturbing, healing, strange and intimate. The phenomena of sound may be fleeting and evanescent, but the memory of it can open a window into the soul, deepening our connections with time, the environment and each other. From the edge of the solar system to the crackle of arctic sea ice, from the ancient oracle site of Dodona to the singing pillars of Hampi, each of these 36 essays explores stories of sound through the lens of history, science and culture, stylishly blending fantastical facts and unique anecdotes to create a compelling narrative. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

In the 1930s, musical Ferdinand “Jelly Roll” Morton identified the influence of Latin American rhythms like the habanera in jazz, as a sonic “tinge” that fundamentally shaped his style as a stride pianist. In the Seventies, disco presented its own Latin tinge. The Latin American and Latino influence on 1970s New York disco extended far beyond the familiar narratives of the Paradise Garage and Studio 54, creating vibrant spaces that celebrated cultural fusion and community. Clubs like the Ipanema Discotheque, Copacabana, and Roseland Ballroom became crucial venues where Latin rhythms, Brazilian beats, and Caribbean sounds mixed with emerging disco to create something entirely new. These spaces, often overlooked in mainstream disco histories, were essential to the genre's evolution—places where the infectious energy of Latin music met the innovative production techniques of American dance music. The DJs who commanded these dance floors brought not just technical skill but cultural knowledge, understanding how to weave together the musical traditions of their homelands with the cutting-edge sounds emerging from New York's studios and clubs. In the fourth episode of Season Two of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares welcome DJs Ronnie Soares and Luis Mario Orellana Rizzo to explore the Latin American contributions to New York's disco revolution. Soares, born in Brazil and arriving in New York as a teenager, became a DJ by accident in 1974 when asked to spin a Brazilian night at the French club Directoire. Though initially a dancer, he quickly became resident DJ at the famed Ipanema Discotheque and went on to create "Midnight Disco" at Roseland Ballroom—the first club in the city to hold 5,000 people. Rizzo began his career at the very inception of club culture in 1969-70, learning from DJ Francis Grasso before working at legendary venues including Cork & Bottle and Copacabana. As the first DJ to tour nationally and internationally, Rizzo helped spread dance music globally while founding Legends of Vinyl, an archival project celebrating the art of DJing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

The soundscape of prison life is that of constant clangs, bangs and jangles. What is the significance of this cacophonous din to those who live and work with it? Sound, Order and Survival in Prison: The Rhythms and Routines of HMP Midtown (Bristol UP, 2024) tells the story of a year spent with a UK prison community, bringing its social world vividly to life for the first time through aural ethnography. Dr. Kate Herrity’s sensory criminology challenges current thinking on how power is experienced by the imprisoned and the lasting effects of incarceration for all who spend time in these environments. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

In the third episode of Season Two of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares take you on an immersive journey through the hot nights and wild streets of Lower Manhattan during the Seventies. For this episode, Jesse Rifkin, a New York-based music historian and the owner and sole operator of Walk on the Wild Side Tours NYC, designed a specialized tour for Soundscapes NYC that explores key venues in the history of disco. Clubs like Paradise Garage, Nicky Siano’s Gallery, and repurposed residential spaces like David Mancuso’s Loft were all critical incubators of the sound and culture we call disco today. This is dense cultural geography, hardly more than one square mile, within and around a neighborhood known today as “Soho”. But in the Seventies it was sometimes known as “Hell’s Hundred Acres” do to the propensity of building collapses and fires among the old hotels and loft builds that constellated the area. Soundscapes NYC welcomes back Jesse Rifkin, who appeared on Season One on the queer history of punk culture (S1.E4. Sounds of the City Collapsing). Rifkin is the author of This Must Be the Place: Music, Community, and Vanished Spaces in New York City (Hanover Square Press, 2023), and his work has been celebrated in the New York Times, Conde Nast Traveller, among others. His Substack (Walk on the Wild Side NYC) is a trove of incisive music criticism and revealing interviews with dynamic artists from the Seventies to today. Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

Bruce Springsteen was keenly aware and excited by the sounds of the CBGBs scene during the Seventies. With his own bands, the Boss performed in the same venues associated with punk rock and ultimately wrote songs for Patti Smith and the Ramones. Yet Springsteen’s sound has remained distinct from punk rock as it emanated from New York. In the seventh episode of Soundscapes NYC, host Ryan Purcell talks with Bruce Springsteen biographer Jim Cullen and Melissa Ziobro the head curator of the Bruce Springsteen Archives and Center for American Music at Monmouth University about Springsteen’s complicated relationship with punk rock in 1970s New York. As an NJ native, the Boss was a so-called “Bridge-and-Tunnel-Boy” but that socio-cultural infrastructure worked both ways. By the end of the Seventies, Springsteen did not need to travel to New York to engage with the punk sound. Punk culture was traveling to Asbury Park, NJ.  Jim Cullen is a historian of American popular culture and has taught at several colleges and universities, including Harvard, Brown, and Sarah Lawrence College. He was a longtime faculty member and History Department chair at the Ethical Culture Fieldston School in New York before moving to the recently founded Greenwich Country Day School in 2020. Cullen is the author of multiple award-winning book books on music including Born in the USA: Bruce Springsteen and the American Tradition (Harper Collins, 1997). His latest book, Bridge and Tunnel Boys: Bruce Springsteen, Billy Joel, and Metropolitan Sound of the American Century (Rutgers University, 2023), compares the musical careers of Billy Joel and Bruce Springsteen.  Melissa Ziobro is a Professor of Public History at Monmouth University where she is currently the Head Curator for the Bruce Springsteen Archives and Center for American Music. Former editor of New Jersey Studies: An Interdisciplinary Journal, Ziobro is deeply committed to documenting New Jersey history with the broader context of the American story. She curated a traveling exhibition called Music America: Iconic Objects from America’s Music History which is now on display at the Grammy Museum in Mississippi and is expected to return to Monmouth University for the opening of the Bruce Springsteen Archives and Center for American Music in Spring 2026.    Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

In the fourth episode of Soundscapes NYC, host Ryan Purcell and music historian Jesse Rifkin tour a constellation of seedy bars and venues in the 1970s that nurtured bands during the early days of punk rock. These spaces include well-known clubs like CBGBs and Max’s Kansas City and lesser-known haunts like the Mercer Arts Center and Mother’s that shed light on hidden meanings behind punk rock. These stories illuminate echoes of the trans liberation struggle, and how punk rock embodied the sounds of the city collapsing in a literal sense.   Jesse Rifkin is the owner and operator of Walk on the Wild Side Tours NYC, a music history walking tour company in New York City, and consults as a pop music historian for the Association for Cultural Equity. His work has been featured in the New York Times, Conde Nast Traveller, and Vice among other venues. Before his work as a historian, he spent twelve years touring the country as a working musician, playing at CBGB, Lincoln Center, and venues of every size and shape in between. In 2023, Rifkin published his debut book, This Must be the Place: Music, Community and Vanished Spaces in New York City (Harper Collins, 2023).  Contact Soundscapes NYC Here Support the show Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

Simon Stjernholm's new book Sensing Islam: Engaging and Contesting the Senses in Muslim Religiosity (Bloomsbury Press, 2025) considers specific case studies of embodiment and oratory productions by Muslims in Denmark, Sweden, and Cyprus. In the chapter on approaching God, we learn how rituals such as du‘a (intercessory prayers) or dhikr (remembrance of God) informs sensorial experiences of the divine, particularly intimate ones, while the discussion on meditating on Muhammad considers the bodily aspects of Prophet Muhammad, such as his saliva, urine, and sweat that influence mawlid literatures and ritual performance of them within Sufi communities like the Naqshbandi-Haqqanis. Though rituals emerging from embodied understandings of holy figures are not without some tension, as we learn throughout the book but especially during the discussion on graves. Here the interred bodies of Sufi saints are caught up in debates around the permissibility of shrine visitation, a topic that comes up amongst lectures given by Swedish Muslim leaders. Overall, then, through analysis of Danish and Swedish podcast materials, ritual practices, such as devotion to the Prophet Muhammad and Sufi saints, we understand more about the sonic and pious dimensions of Islam and the Muslim authorial voices and listening that shapes them. This book will be of interest to those who work on sound studies, material culture, Sufism and Islam in Europe. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

Sound Pedagogy: Radical Care in Music (University of Illinois Press, 2024) is a collected edition about Pedagogies of Care edited by Colleen Renihan, John Spilker-Beed, and Trudi Wright are experienced music history educators working in the United States and Canada. They have curated a collection of essays that explore what it means to prioritize care when teaching, interacting with students, developing course syllabi, and curricula. Far more than simply treating students with dignity and compassion, pedagogies of care can infiltrate every aspect of teaching and higher education by centering the interests of students, instructors, and the larger communities to which they belong. As the essays in Sound Pedagogy show, the structural aspects of music study in higher education present obstacles to caring and kindness. The contributors draw from personal experience to address issues including radical kindness through universal design; public musicology as a forum for social justice discourse; and radical approaches to teaching about race through music. The premise of the book is that care-based approaches to pedagogy can facilitate the systemic transformation that remains both possible and necessary for musicology, other disciplines, and institutions of higher education. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

Everyone speaks with an accent, but what is an accent? Thinking with an Accent: Toward a New Object, Method, and Practice (UC Press, 2023) introduces accent as a powerfully coded yet underexplored mode of perception that includes looking, listening, acting, reading, and thinking. This volume convenes scholars of media, literature, education, law, language, and sound to theorize accent as an object of inquiry, an interdisciplinary method, and an embodied practice. Accent does more than just denote identity: from algorithmic bias and corporate pedagogy to migratory poetics and the politics of comparison, accent mediates global economies of discrimination and desire. Accents happen between bodies and media. They negotiate power and invite attunement. These essays invite the reader to think with an accent—to practice a dialogical and multimodal inquiry that can yield transformative modalities of knowledge, action, and care. Thinking with an Accent won the American Comparative Literature Association’s 2024 Rene Wellek Prize for Best Edited Collection. Editors: Pooja Rangan, Ragini Tharoor Srinivasan, Akshya Saxena, and Pavitra Sundar Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

Feminist sound scholar and musician Marie Thompson is a theorist of noise. She has also been one of the key thinkers in integrating the study of sound with the study of affect. Dr. Thompson is Senior Lecturer in Popular Music at the Open University in the UK. She is the author of Beyond Unwanted Sound: Noise, Affect, and Aesthetic Moralism (Bloomsbury, 2017) and the co-editor of Sound, Music, Affect: Theorizing Sonic Experience (Bloomsbury, 2013). She has developed Open University courses on topics such as Dolly Parton and Dub sound systems. Staring around the early 2000s, a number of scholars began to feel there was a tool missing in the toolbox of cultural scholarship. We had plenty of ways to talk about ideology and representation and rhetoric and identity, but what about sensation? How is it that a feeling like joy or panic can sweep through a room without a word being uttered? By what mechanism does a life develop a kind of texture of feeling over time? Affect studies is field interested in these questions, interested in how the world affects us. Words can produce affective states, but affect isn’t reducible to words. So, it’s easy to see why affect theory has been so attractive to sound and music scholars.  Noise is a notorious concept that means different things different people. In this conversation, Marie Thompson examines noise through the affect theory of Gilles Deleuze and Baruch Spinoza as well as the systems theory of Michel Serres. We’ll also talk about her critique of acoustic ecology and a rather public debate she had with sound scholar Christoph Cox.     Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

Today we learn how computers learned to talk with Benjamin Lindquist, a postdoctoral researcher at Northwestern University’s Science in Human Culture program. Ben is the author “The Art of Text to Speech,” which recently appeared in Critical Inquiry, and he’s currently writing a history of text-to-speech computing.  In this conversation, we explore:  the fascinating backstory to HAL 9000, the speaking computer in Stanley Kubrick’s 2001: a Space Odyssey  2001’s strong influence on computer science and the cultural reception of computers the weird technology of the first talking computers and their relationship to optical film soundtracks Louis Gerstman, the forgotten innovator who first made an IBM mainframe sing “Daisy Bell.” why the phonemic approach of Stephen Hawking’s voice didn’t make it into the voice of Siri the analog history of digital computing and the true differences between analog and digital  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

Ever wonder who’s to blame for the noise and distraction of the open office? Our guest has answers. Joseph L. Clarke is a historian of art and architecture and an associate professor at the University of Toronto. His 2021 book Echo’s Chambers: Architecture and the Idea of Acoustic Space won a 2022 CHOICE Award for Outstanding Academic Title. It’s a fascinating history of how architects have conceived of and manipulated the relationship between sound and space. His most recent publication is “Too Much Information: Noise and Communication in an Open Office.”  In this episode we’ll talk about media theorist Marshall McLuhan and his architecturally inspired theory of acoustic space, which went on to have its own influence in the field of architecture. We’ll also dive deep into the history of the open plan office, the theories of acoustic communication that inspired it, the sonic disaster it became, and the new media technologies that were invented in response. If you’ve ever been driven to distraction by noise in a cubicle farm or open office and wondered how such a space came to be, this episode’s got answers! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

Today we bring you a masterclass in audiobook narration and acting with acclaimed actor, casting director, audiobook narrator and audiobook director, Robin Miles. Miles has narrated over 500 audiobooks, collecting numerous industry awards and, in 2017, was added to the Audible Narrator Hall of Fame. She’s the most recognizable voice in literary Afrofuturism, having interpreted books by Octavia E. Butler, Nalo Hopkinson, N.K. Jemisin, and Nnedi Okorafor. Miles holds a BA and an MFA from Yale. She has taught young actors and narrators at conservatories across the country and she has an amazing talent for doing accents—something we really dig deep into on this podcast. In this conversation we talk about technique, the audiobook industry, and the politics of vocal representation. How do we avoid the misrepresentation of marginalized people on the one hand and vocal typecasting on the other? For our Patrons we have almost an hour of additional content, including our What’s Good segment where Robin unsurprisingly makes some really great book recommendations! If you want hear all the bonus content, just go to patreon.com/phantompower. Membership starts at just three dollars a month and helps pay the expenses of producing the show. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

Today’s guest is Carolyn Birdsall, Associate Professor of Media Studies, University of Amsterdam. If you’re a scholar of sound or radio, you likely know her work, particularly her monograph Nazi Soundscapes (AUP, 2012) which was the recipient of the ASCA Book Award in 2013. Her new book, Radiophilia (Bloomsbury, 2023), examines the love of radio through history. It will be a great value to anyone–from novice to expert–who wants to understand radio studies and think about where it should go in the future. In this wide-ranging interview, we discuss Carolyn’s career and both of her books. We also get into the present state of radio and media studies, as well as the kind of skeptical orientation to media that tends to set sound studies scholars apart from many of their peers. And for our Patrons we’ll have Carolyn’s What’s Good segment, with something good to read, listen to, and do. You can join us at patreon.com/phantompower.  Today’s show was edited by Matt Parker. Transcript and web content by Katelyn Phan.   Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

Today we share a podcast episode on the visual epistemology of astronomy by our friends at The World According to Sound. What kind of knowledge do we really gain when we look at images from space? Longtime listeners to this show will remember The World According to Sound. As we referred to them two years ago, WATS is a team of two rogue audionauts who rebelled against the NPR mothership: Chris Hoff and Sam Harnett. Tired of sound playing second fiddle to narrative on NPR, they launched a micro podcast that held one unique sound under the microscope for 90 seconds each episode. Later, WATS became much more ambitious, producing live sonic odysseys in 8-channel surround sound and live online sound journeys during the pandemic. Since then, Harnett and Hoff have embarked on another project. For the past couple of years, they have been partnering with different universities to translate humanities research into compelling sound-designed narrative podcasts. The first season of Ways of Knowing was produced in partnership with the University of Washington and it focused on different analytical methods and disciplines in the humanities, from close reading, deconstruction, and translational analysis, to black studies, material culture, and disability studies. The second season just wrapped up. It’s called Cosmic Visions and it’s produced in collaboration with Johns Hopkins University and that’s what we’ll hear an episode from today. Just this week, they dropped the last episode of season two and now the entire series is available on The World According to Sound website. We wanted to draw your attention to this series because turning humanities research and sound art into a sonic narrative experience was the original mission of Phantom Power. We know that many of you are interested in this area of humanities podcasting as well, so if you’re not already a fan of Chris and Sam’s work, check it out. We also wanted to share this particular episode because it also provides one answer to a tricky question: How do you do a sonic explication of something that is entirely visual?   Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies