Kabir is the most alive of all dead poets. He is a fabric without stitches. No centres, no edges. Anand threads his way in. Over the years, as a publisher and editor, Anand immerses himself in the works of Babasaheb Ambedkar and other anticaste thinkers. He gives up his practice of music and poetry, blaming his disenchantment on caste. One day in Delhi, Anand starts looking for Kabir. He finds him here, there, everywhere. He begins to pay attention to the many ways in which Kabir’s words are sung, and translates them. Soon, Kabir starts looking out for Anand. The songs of Kabir sung by a range of singers—Prahlad Tipaniya, Fariduddin Ayaz, Mukhtiyar Ali, Kumar Gandharva, Kaluram Bamaniya, Mahesha Ram and other wayfarers—make Anand return to music and poetry. Anand translates songs seldom found in books. Along the way, he witnesses Kabir drawing on the Buddha, often restating ancient suttas in joyous ways. The Notbook of Kabir is the result of this pursuit with no end in sight. This is the story of how Anand loses himself trying to find Kabir. You can check out the YouTube list of relevant Kabir's songs curated by S. Anand here. For readers interested in the paradoxical, downside-up language in Kabiri and its resonances with Daoist language (e.g. this translation of Daodejing), especially the mysthical atheist aspects, check out appendix B to this book by Brook Ziporyn. Feel free to check out Anand's Navayana Publishing, and his insightful blog posts here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

In this NBN episode, host Hollay Ghadery interviews poet Lorne Daniel about his poetry collection, What is Broken Binds Us (University of Calgary Press, 2025).  What is Broken Binds Us is a collection of poems of the disruptions and emotional tremors that shape us: enslaved families broken and dispersed, histories hidden, addiction and estrangement, and the shocks of bodily trauma. What is Broken Binds Us shares stories of loss, absence, acceptance, and hope. Returning to the page after a long absence, poet Lorne Daniel provides a unique perspective on crisis that balances raw emotion with vulnerability, thoughtfulness, and care. In seven sections, Daniel braids the stories of empire, personal traumas, addiction and family estrangement, shifting emergencies, and the wisdom of elders and the natural world. Lessons in Emergency Preparedness traces accident, injury and recovery, facing the trauma of a sudden loss of physical competence through the metaphorical and literal breaks of a shattered body and the slow movement towards mending. When the Tributaries Ran Rich unravels empire and a five-century narrative of hard-working immigrants with the discovery of enslavement in family records, forcing a deep reconsideration of the truth of the past. Episodic Tremor & Slip speaks of the tectonic shifts in family life that occur when facing substance abuse, addiction, and mental health struggles, of the pain of estrangement and the love that continues. In the Family Name is a reflection on time, on people, and on the natural world that revisits and turns over all that came before, exploring it from new angles. Lorne Daniel writes with calm, conversational assurance. These poems are accessible and evocative, speaking from their specificity to the many people who have faced injury, estrangement, struggle, and pain, and must carry it—and carry on. About Lorne Daniel: Lorne Daniel is a Canadian poet and non-fiction writer. He has been deeply engaged in the literary community, including the emergence of a Canadian prairie poetry scene in the 1970s. He has publsihed four books of poetry, edited anthologies and literary journals, and written freelance journalism. His work has been published in dozens of anthologies, journals, newspapers and magazines in Canada, the U.S. and the U.K. Lorne lives on the traditional territories of the Lək̓ʷəŋən people in Victoria, BC. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

Archivum (Pavillion Poetry at Liverpool UP, 2025) by Dr. Theresa Muñoz is a book – wise, funny and inventive by turn – that explores what it means to look at artefacts in an archive, and how these objects resonate with events in our lives. Imagined as a walk across Edinburgh, landmarks such as the Balmoral clock, National Library of Scotland, Meadows, Canongate Kirkyard and Water of Leith provide a meditative backdrop to the poems. The archives - in particular the archive of the writer Muriel Spark – are used to create a space to come to terms with the complexities of a life and how we in turn tell stories about ourselves: the depths of our familial relationships, relationship breakdowns and the death of a parent. What’s found in the archive’s boxes -- including recipes, telegrams, letters -- stirs and amplifies feelings of belonging, disorientation, triumph and grief. With a focus on women writers and interracial relationships, the book explores objects belonging to significant figures in the poet’s imaginary: along with Spark, the actor Maggie Smith, poet Elizabeth Bishop, the 19th century slave owner’s daughter Eliza Junor and psychotherapist Marie Battle Singer. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

"I'll tell you everything I know. Though there might not be much to tell," confesses the speaker in Strange Hymn: Poems (U Mass Press, 2025) by Carlene Kucharczyk, in a meticulously crafted lyrical journey exploring morality and humanity. The poems here grapple with understanding physical loss: "I wanted / to know at once and definitively our animal bodies / were not all we were. It is shameful to be this fragile." They also engage with the more abstract slipping away of memory and time: "Since I was born, I have been forgetting. Forgetting what I have wanted to remember." Kucharczyk's insightful poems blur the lines between history and myth, love and grief, song and silence.Caught between lamenting the passage of time and rejoicing in small beauties, she writes, "I tell you, I wish we could stay here longer / in this hotel of lost grandeur, this palace of interesting disarray, / and stay here with these pieces of the impersonal past / that have somehow not yet outlasted their small lights." Each moment reflects on our ephemeral lives from musings on art and nature to reflections on the self, asking "Is a mirror a sort of glass house? / And, is there a way to see ourselves besides through the glass?"As readers traverse this collection, they learn how the body sings, the many iterations of Mary, what sirens truly think of Odysseus, how a Morning Glory unfurls, and lessons in orthodontics, but most importantly, how to live with absence. Kucharczyk is a master of manipulating time and space through her dynamic use of form, creating a narrative that begs, "After I'm gone, don't bury my body-- / Burn it, and turn it into song." Source: Publisher Kavya Sarathy is a Linguistics student at the University of Massachusetts, Amherst, and a Marketing Intern for the University of Massachusetts Press. She is currently a political Staff Writer at The Massachusetts Daily Collegian. Kavya has always enjoyed reading, writing, and engaging with literature in any form, and is thrilled to be in conversation with these authors through the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

In this NBN episode, host Hollay Ghadery speaks with poet Patrick Grace about his stunning poetry collection, Deviant (U Alberta Press, 2024). Deviant traces a trajectory of queer self-discovery from childhood to adulthood, examining love, fear, grief, and the violence that men are capable of in intimate same-sex relationships. Richly engaged with the tangible and experiential, Patrick Grace’s confessional poetry captures profound, sharp emotions, tracking a journey impacted equally by beauty and by brutality. Coming-of-age identity struggles are recalled with wry wit, and dreamlike poems embrace adolescent queer love and connections as a way to cope with the fear and cruelty that can occur in gay relationships. Later poems in the collection recall vivid moments of psychological trauma and stalking and explore the bias of the justice system toward gay men. Collecting memories, dreams, and fears about sexual identity, Deviant makes important contributions to queer coming-of-age and intimate partner violence narratives. Patrick Grace is an author and teacher who divides his time between Vancouver and Victoria, BC. His poems have been published widely in Canadian literary magazines, including Arc Poetry Magazine, Best Canadian Poetry, Columba, EVENT, The Ex-Puritan, The Fiddlehead, The Malahat Review, Prairie Fire, and more. His work has been a finalist for literary contests with CV2 and PRISM international, and in 2020, his poem "A Violence" won The Malahat Review's Open Season Award for poetry. He has published two chapbooks: a blurred wind swirls back for you (2023), and Dastardly (2021), both of which explore aspects of love, fear, and trauma that represent a personal queer identity. Deviant, his first full-length poetry collection, continues to explore these themes. Follow him on IG: @thepoetpatrick. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

In “[M]y ‘case’ to work up’: William Carlos Williams’s Paterson” (William Carlos Williams Review, Volume 41, Number 2, 2024), Walter Scott Peterson argues that as a physician-poet Dr. Williams approaches his poetic material very much as he approaches his patients, and that the form of Paterson in particular is intentionally and actually reminiscent of the various forms taken by the medical case narrative, or “work-up.” This episode concerns the poet and physician William Carlos Williams, whose mother, Raquel Hélène Rose Hoheb Williams, was born and raised in Mayagüez, Puerto Rico. This conversation is part of the STEM to STEAM initiative, sponsored by the Teagle Foundation, that links medicine, science, technology and engineering to the sensibilities honed in the humanities—rethinking ways to blend and combine studies in literature, poetry, history, philosophy, and the arts as more central dimensions of technical preparation. The discussion explores the profound connection between medical humanities and poetry, highlighting how their combination enriches our understanding of patient care, fosters empathy, and humanizes the medical experience. Medical humanities is an interdisciplinary field combining arts, literature, philosophy and cultural approaches to the human condition—considering each of these as insights into the emotional and ethical dimensions of healthcare. Poetry can serve as a powerful tool for expressing the complex feelings and narratives that often go unspoken in clinical settings. Blending poetry and the science of healthcare reminds us that medicine is not just a science but also an art, emphasizing compassion, understanding, and the shared human experience at the heart of healing. In this episode are: Walter Scott Peterson is a retired ophthalmologist and William Carlos Williams scholar; he is the author of the first book-length study of William Carlos Williams’s epic poem Paterson, titled An Approach to Paterson (Yale, 1967). Vamsi Koneru is a Professor in the Department of Psychiatry in the University of Connecticut School of Medicine. Jeffrey Herlihy-Mera, Professor of Humanities at the University of Puerto Rico-Mayagüez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

The Pearlsong (Harvard University Press, 2025) offers the reader a beautifully translated story of a young child who goes on a journey to far away places, donning glistening garments, meeting dragons, and encountering talking letters. In addition to the translated text of The Pearlsong Syriac poem, the reader will find a thorough commentary and glossary. The appendices of the book offer further delights to explore: everything from a discussion of Syriac poetry and meter, to translations of the Acts of Thomas, to an assemblage of ancient sources about pearls. The expansive subjects, texts, and translations covered in the book will be a treasure to any reader. The Pearlsong is available as a free pdf on the Center for the Study of World Religions website. New Books in Late Antiquity is presented by Ancient Jew Review. Dr. Adam Bremer-McCollum is Series Co-Editor of the Texts & Translations of Transcendence & Transformation (4T) Series and Research Associate at The Center for the Study of World Religions at Harvard Divinity School. Lydia Bremer-McCollum teaches Religious Studies at Spelman College. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

In this NBN episode, host Hollay Ghadery speaks with Aisha Sasha John about her poetry collection, total: poems (McClelland & Stewart, 2025).  "John is brilliant at communicating. She's also really funny. Poems don't get more direct and precise and unforgettable than this." —National Post The highly anticipated new collection from Griffin Poetry Prize finalist Aisha Sasha John. IS THERE A SYNONYM CLOSER TO COMPASSION THAN PATIENCE? A PERSON WHO LOVES BEAUTY MORE THAN THEY FEAR IT THE CLOSEST TO NOTHING YOU CAN DO FOR MONEY TO TOUCH TIME TO ITSELF About Aisha Sasha John: AISHA SASHA JOHN is the author of i have to live (2017), a finalist for the Griffin Poetry Prize; THOU (2014), a finalist for the Trillium Book Award for Poetry and the ReLit Poetry Award; and The Shining Material (2011). She choreographs and performs in the feminist collective WIVES as well as solo performances (The Aisha of Oz, VOLUNTEER). Aisha's video work and text art have been exhibited in galleries (Doris McCarthy, Oakville Galleries) and installed at Union Station in Toronto (Art Metropole). She was born in Montreal. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

The author of the award-winning national bestseller I Done Clicked My Heels Three Times returns with a poetry collection that transforms the Black female speaker from object, artistic muse, and victim to subject, critic, and master of her story.Resting Bitch Face (Soft Skull Press, 2025) is a book for women, for Black women, for lovers of art and film criticism, and for writers interested in work that finds a middle ground between poetry and prose. Taylor Byas uses some of our most common ways of “watching” throughout history (painting, films, sculpture, and photographs) to explore how these mediums shape Black female subjectivity.From the examination of artwork by Picasso, Gauguin, Sally Mann, and Nan Goldin, Byas displays her mastery of the poetic form by engaging in intimate and inventive writing. Fluctuating between watcher and watched, the speaker of these poems uses mirrors and reflections to flip the script and talk back to histories of art, text, photography, relationships, and men. From Polaroids to gesso primer to sculpture, Byas creates a world in which the artist calls out and the muse responds. For not only does she enter the world of the long-revered classic artist, but she also infuses her poems with such iconic pop culture works as The Joker, WandaVision, and Last Tango in Paris. You can find Taylor on Instagram and Bluesky. Find host Sullivan Summer online, on Instagram, and over on Substack, where she and Taylor went to continue their conversation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

In this NBN episode, host Hollay Ghadery interviews Farah Ghafoor about her poetry collection, Shadow Price (House of Anansi, 2025), which was longlisted for the 2025 Toronto Book Awards. Borrowing its title from a finance term—“the estimated price of a good or service for which no market price exists”—Shadow Price is a stunning debut that examines the idea of value in a world that burns under our capitalist lens. What gives life value? How do we serve existing societal structures that determine its cost? Employing both surreal and documentary imagery, Farah Ghafoor's arresting collection articulates how narrative is used to revise the past and manipulate the future, ultimately forming our present-day climate crisis. Interrogating personal complicity, generational implications, and the shock of our collective disregard for a world that sustains every living thing, Shadow Price captures the complexities of living and writing as a young poet born in the year that “climate change denial” first appeared in print. Mourning the loss of Earth’s biodiversity, from insects to mammoths to trees, these introspective poems invite us to consider the risks and rewards of loving what may vanish in our lifetime. Shadow Price charges readers to contemplate their power and purpose in the world today, recognizing that there is hope even in the belly of the beast. About Farah Ghafoor:  Based in Tkaranto (Toronto), Farah Ghafoor is the author of Shadow Price (House of Anansi, 2025). A finalist for the Toronto Book Awards, selections of Shadow Price won the E.J. Pratt Medal and Prize in Poetry, and were finalists for the CBC Poetry Prize and the Far Horizons Award. Her work appears in magazines such as The Walrus, The Offing, Brick Magazine, and The Fiddlehead, art exhibitions like Who's Afraid of Labour Justice ? and FACE/WASTE, as well as anthologies and post-secondary course curriculums. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

Speranza: Poems by Jane Wilde (Liverpool UP, 2025) by Dr. Eibhear Walshe and Dr. Eleanor Fitzsimons is the first contemporary edition of the poetry of Jane Wilde, née Elgee, who also wrote as Speranza. Speranza was, in her time, renowned worldwide, with essays, poetry and translated work published in Ireland, England, America and beyond. She was a key figure in the nationalist Young Ireland movement of the 1840s, and her poetry records the hardship experienced by the Irish people - famine and migration in particular. She was also an early advocate for women’s rights, who campaigned for the admission of women to higher education. This edition, which contains several previously unpublished poems, will make the poetry of this emblematic figure in nineteenth-century Irish writing accessible to a contemporary audience for the first time. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

Based on Tea Gerbeza's experience with scoliosis, How I Bend Into More (Anstruther Books, 2025) re-articulates selfhood in the face of ableism and trauma. Meditating on pain, consent, and disability, this long poem builds a body both visually and linguistically, creating a multimodal space that forges Gerbeza's grammar of embodiment as an act of reclamation. Paper-quilled shapes represent the poet's body on the page; these shapes weave between lines of verse and with them the reclaimed disabled body is made. How I Bend Into More is a distinctive poetic debut that challenges ableist perceptions of normalcy, and centres "the double architecture / of ( metamorphosis (." Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

In the late 1890s a US congressman argued that the United States had the right to seize Cuba because he believed it was made of silt that had washed out of the mouth of the Mississippi River which made it literally US soil. That story inspired Puerto Rican Jewish poet Aurora Levins Morales to apply for a writing residency in New Orleans, and to travel the length of the river from Minnesota to the Gulf Coast, doing "poet research." In Silt: Prose Poems (Palabrera Press, 2019) she follows the pathways of water across the natural and social landscapes of the Mississippi River and the Caribbean Sea, tracing the real residues of their relationship, and turning that long story into a kind of prayer, for our waters, our planet and our lives.In this conversation, Jeffrey Herlihy-Mera, Joanna Cifredo de Fellman (יוחנה סיפרדו פלמן) and Aurora Levins Morales discuss Silt in the context of contemporary Puerto Rico.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

With previous work hailed by the New York Times as “unflinching” and “piercing,” Ashley M. Jones’s Lullaby for the Grieving (Hub City Press, 2025) is her most personal collection to date. In it, Jones studies the multifaceted nature of grief: the personal grief of losing her father, and the political grief tied to Black Southern identity. How does one find a path through the deep sorrow of losing a parent? What wonders of Blackness must be suppressed to make way for “progress?” Journeying through landscapes of Alabama, the Middle Passage and Underground Railroad, interior spaces of loss and love, and her father’s garden, Jones constructs both an elegy for her father and a celebration of the sacred exuberance and audacity of life. Featuring poems from her tenure as Alabama’s first Black and youngest Poet Laureate, Lullaby for the Grieving finds calm in unimaginable storms and attempts to listen for the sounds of healing. Ashley M. Jones is the Poet Laureate of Alabama (2022-2026). She is the first person of color and youngest person in Alabama’s history to hold this position, which was created in 1930. You can find her online at Ashley M. Jones Poetry. You can find host, Sullivan Summer at her website, on Instagram, and on Substack, where she and Ashley discuss Ashley’s tenure as Poet Laureate. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

In the 200 years since Blake's death, the visionary artist, poet and writer has become a household name, often beloved. Yet many struggle to comprehend his kaleidoscopic ideas; how they speak to human longings and the challenges of living in anxious times. Philosopher and psychotherapist Mark Vernon provides a fresh route into Blake, taking him at his word. Exploring this brilliant thinker's passionate writings, arresting artworks and fascinating life, Vernon illuminates Blake's vivid worldview. Like us, he lived in a tumultuous era of war, discontent, rapid technological change, and human estrangement from nature. He exposed the dark sides of political fervour and social moralising, while unashamedly celebrating love and liberty. But he also conversed with prophets and angels, and was powerfully, if unconventionally, religious. If we take this seriously--not easy, in secular times--then Blake can help us to unlock the transformative power of imagination. Written for both longstanding fans and unfamiliar readers, Awake!: William Blake and the Power of the Imagination (Hurst & Co., 2025) reveals Blake as an invigorating and hopeful guide for our modern age. Mark Vernon is a London-based psychotherapist, writer and former Anglican priest. A keen podcaster and a columnist with The Idler, he speaks regularly at festivals and on the BBC. He has a PhD in Philosophy, and degrees in Theology and Physics. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

In her debut poetry collection, What Had Happened Was, Therí Alyce Pickens investigates the complex structures of Black storytelling. Addressing topics ranging from Black life, popular culture, and history to individual encounters with emotion, love, and chronic disability, Pickens crafts and questions the stories we tell ourselves about who we are and who we want to be. Throughout, Pickens mines the formal structures and the play of Black English within the lives and afterlives of Harriet Tubman, Mary J. Blige, Lil' Kim, Breonna Taylor, and figments of our collective imagination. Her singular poetic voice effortlessly flows between what she knows and what she’s heard and between everyday Black conversation and her work in cultural criticism and disability studies. Traveling at the speed of thought, Pickens explores a praxis of storytelling governed by the places where truths and fables kiss. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

In this NBN episode, host Hollay Ghadery speaks with poet and visual artist Zachary Logan about his beautiful collection of poetry and art, Green (Radiant Press, 2025).  An exciting new collection of ekphrastic poems accompanied by a compilation of green sketches via the lens of a queer poet and visual artist. Zachari Logan carried a sketchbook as he travelled the world and responded to iconic artwork as well as art that once existed but is now lost, destroyed, or far away. Whimsical art and thoughtful poems that ponder the nature of existence. Zachari Logan is a queer Canadian settler poet and artist whose artwork has been exhibited throughout North America, Europe and Asia. Logan’s work can be found in collections worldwide, including the National Gallery of Canada, Art Gallery of Ontario, Remai Modern, Peabody Essex Museum, McMichael Canadian Art Collection and Nerman MOCA among many others. In 2014 Logan received the Lieutenant Governor’s Emerging Artist Award, in 2015 he received the Alumni of Influence Award from the University of Saskatchewan and in 2016 Logan was long-listed for the Sobey Art Award. In 2010, his chapbook, A Eulogy for the Buoyant, was published by JackPine Press and in 2021, A Natural History of Unnatural Things, was published by Radiant Press. Logan’s artwork and writing has been featured in many publications throughout the world. Zachari Logan lives in Regina, Saskatchewan. “Green is a ravishing compendium of attention—a book that bristles with subtle and unexpected poetic turns, and the peculiar thrum of being human in a world increasingly out of step with itself. Here, the act of writing is inseparable from drawing, from walking, from remembering, from witnessing—and from loving, deeply, the fragile and persistent textures of the earth. Zachari Logan’s poems pulse with vegetal sensitivity, moving between alleyways and art history, between inner monologue and ecological longing. Green is not merely a colour: it is an atmosphere, a consciousness, a sensual and moral register. What it captures is more than the sum of its fragments—it is their residue, their ache, their adaptation, their ephemeral and often unintelligible traces. There is a deep and haunting beauty across these pages, but also fury, wit, and a quiet defiance. A sensual invitation to pay attention, this little but mighty book is not only an artistic gesture, but a political and ethical one. With luminous precision and a mind turned toward both the microscopic and the mythic, Green is a spell cast in language and images—one that lingers long after the page is turned.”— Giovanni Aloi, author of Lucian Freud: Plant Portraits, Botanical Revolutions: How Plants Changed the Course of Art and Speculative Taxidermy: Natural History, Animal Surfaces, and Art in the Anthropocene“A poem in its very color; deep green, wildly queer. This book captivates with its folds and cracks. The dissection of worlds, coupled with meticulous sketches of botany, art and the quotidian carried by the fascinating complexity of nature. One is lost between the body of a naked man or an abandoned thistle flower in a thick ditch. At once a sketchbook, a collection of poems, and an essay- this collection opens a door to the striking universe of Zachari Logan.”— Julie Hetu, author of Pacific Bell, Les dormeurs de Nauru and MotZachari Logan Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

Israeli Documentary Poetry: Coming of Age with the State introduces and explores documentary poetry written by Israeli poets who came of age during the first two decades of the state and who, since the 1970s and 1980s, have recorded their experiences of that period. This study offers a literary-cultural analysis of forty-two poems by thirty Israeli poets of various backgrounds, divided into themes such as: memories of the Holocaust and portraits of survivors and their offspring; transit locations and situations both en route to and within Israel; displacement as a shared fate of Jews and Arabs; school and classroom experiences; Mizraḥi women between Levantine patriarchy and Western liberalism; and languages of the diaspora versus Hebrew. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

In this NBN episode, host Hollay Ghadery speaks with Vancouver poet Natalie Lim about her debut poetry collection, Elegy for Opportunity (Wolsak & Wynn/Buckrider Books, 2025). In this collection, Natalie Lim asks: How do we go on living and loving in a time of overlapping crises? Anchored by elegies for NASA's Opportunity rover and a series of love poems, this collection explores the tension and beauty of a world marked by grief through meditations on Dungeons & Dragons, Taylor Swift's cultural impact, the all-engulfing anxiety of the climate crisis and more. Confessional, funny and bursting with joy, Elegy for Opportunity extends a lifeline from Earth that will leave you feeling comforted, challenged and a little less alone in the universe. About Natalie Lim: Natalie Lim is a Chinese-Canadian poet living on the unceded, traditional territories of the Musqueam, Squamish and Tsleil-Waututh Peoples (Vancouver, BC). She is the winner of the 2018 CBC Poetry Prize and Room magazine’s 2020 Emerging Writer Award, with work published in Arc Poetry Magazine, Best Canadian Poetry 2020 and elsewhere. She is the author of a chapbook, arrhythmia (Rahila's Ghost Press, 2022). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

In this episode, NBN host Hollay Ghadery interviews the artist collective MA|DE about their poetry collection, ZZOO (Anstruther Books, 2025).  At a time when binaristic and hierarchical relations are being readily interrogated, MA|DE — a unity of two voices fused into a single, poetic third — takes up a critique of the human-animal divide in their full-length debut, ZZOO. From the depths of the oceans to the outer reaches of the sky, a menagerie of species trade off time in the limelight, none of them solely occupying the central space on the global stage. MA|DE’s collaborative practice foregrounds interdependence, outward focus, shared spaces and non-hierarchical thinking, all of which emerge allegorically in interzonal poems that are as richly realized as they are formally eclectic. This wild-blooded collection turns conventional exhibitionism on its head, treating humans and animals as equal subjects of art, science and selfhood. ZZOO is a bestiary for the modern world. About MA|DE: MA|DE (est. 2018) is a collaborative writing entity, a unity of two voices fused into a single, poetic third. It is the name given to the joint authorship of Mark Laliberte and Jade Wallace — artists whose active solo practices, while differing radically, serve to complement one another. MA|DE’s work together is often exploratory in nature, formulating a set of shared visions, symbols and ciphers that invite the reader into their complex, continually-expanding internal universe. MA|DE’s writing has appeared in numerous journals and chapbooks, and they have delivered workshops on collaborative writing at several festivals, including VerseFest Ottawa. With the support of the Ontario Arts Council and the Canada Council for the Arts, they completed their debut full-length collection, ZZOO (Palimpsest Press, 2025), and have now completed their next two collections, Alphabeticals and Detourism. Meanwhile, they are currently hard at work on two new, creatively divergent manuscripts: Twin Visible and Waste Not the Marrow. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry