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Negroni Talks
Fourth_space
67 episodes
3 weeks ago
Provocative and irreverent architectural talk series hosted in East London by Straight Talking Architecture Practice Fourth_space
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Provocative and irreverent architectural talk series hosted in East London by Straight Talking Architecture Practice Fourth_space
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Arts
Education
Episodes (20/67)
Negroni Talks
Negroni Talks #55 - Architecture As Algorithm: The Demise of Design?

Architecture As Algorithm: The Demise of Design?

As AI storms the gates of the architectural profession, building designers like many other creatives are rightfully asking: “are we already halfway to being replaced?” If intelligence is artificial and algorithms are filtering and fucking with our view of reality, then what is the truth about the future of architects and architecture?

With computers now used to quickly generate fantastical buildings with multiple options and easily made mashups of any ‘style’, there are the obvious questions of authenticity, authorship and surface imagery over core ideology. In a more prosaic manner, AI soon may well be able to ‘create’ buildings based on a whole range of criteria, be that the constraints imposed by planning policies, building regulations, lowering build costs, meeting performance accreditation and ensuring the basic practicalities of use. However, is there really much difference between the novelty of neural networks and the long-standing systemisation of the design process through Building Information Modelling (BIM) software used by the profession? And is this rules-based order where a problem lies?

Architects find themselves cornered not only by the machines that threaten to replace them, but by their fellow human beings, who upon looking around at the anonymous sameness within the contemporary built environment, could be forgiven for asking whether the profession has opened the door to its own obsolescence? 

When investment driven metrics deem that the ideal building form is that of extruding the site footprint skyward into as many stories as possible, then does a culture of repetitious templating and unitised, risk-adverse design feed a crisis of confidence/courage in Architects and The Public alike? Does anyone believe that the profession will be able to deliver truly humane and inspiring places for a future world? 

In providing a service do architects end up in servitude? Many will see their main utility as an enabler, but in looking to ‘be as useful as possible’ have they in turn become a tool and a means to an end - and if so, to what end? They maybe all tooled up, but are they able to use their full imagination and skill-set?

At a time when, more than ever, we desperately need alternatives and lateral thinking to bring about change, is the revitalisation of the more romantic role of architect as a principled visionary and revolutionary increasingly necessary to advance and progress building design in a meaningful way? And will AI be put to work on this task?

At the heart of these questions is something seen throughout the history of technological progress since ‘the inventions’ of fire and the wheel.  Humankind has continually created new tools and techniques to open-up the field of possibility. Technology is about achieving practical goals. If AI can do things quicker, more calculatingly and uncompromised by the human element, then does this suggest that we humans should be concentrating more on what the goals should be, if we are to ensure we better address the issues and concerns manifest in our built environment? 

Featuring:

Rob Fiehn & Huw Williams, Fourthspace (chair)
Jay Morton, Bell Phillips
William Mann, Witherford Watson Mann
Adrienne Lau, Heatherwick Studio
Eva Magnisali, DataForm Lab                                                                                                                                                                       
Fernando Ruiz, Arup (replacement of Giulio Antonutto)                                                                                                                                                                                                                                                            and all others who want to contribute…..  

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3 weeks ago
1 hour 29 minutes

Negroni Talks
Negroni Talks #S19 - Keepin’ It Up: What Does It Actually Mean For A Building To Perform?

The building industry has a huge impact in the context of carbon emissions, energy consumption and climate change. Whilst ‘adaptive reuse’ has become a buzzword with louder calls for upgrading, renovating and converting existing buildings instead of creating more new buildings, a culture of demolition persists.

With new-build being seen as an easier way to meet increasingly demanding requirements, how can we really improve the overall performance of our built environment if we don’t address the inefficiencies and wastage associated with the dated fabric of our existing building stock throughout the nation? Equally, do we truly value the qualities that existing buildings offer: embodied energy, cultural memory, material richness, spatial character and social continuity?

With the architecture and construction industries consumed by chasing accreditation, tick-box targets and marketable metrics, we should ask ourselves whether we remain clear-eyed and focused on empirical data? Are we in danger of over-complicating things and losing sight of those first principles found within indigenous buildings over millennia? Additionally, are the very criteria by which we measure how well a building performs too narrow in scope? 

Understandably there is a great deal of importance placed upon ‘being green’ and being good on (that other curious term) ‘sustainability’. But what if a high-performance building with progressive material credentials, also creates problems in other areas such as furthering social inequality? What happens if we consider that causing environmental harm is more nuanced than the notion of artificial buildings sat within a natural world? 

A building’s very existence has implications and consequences. Whilst some will benefit others can become disadvantaged. Should its performance then be deemed to be purely a technical issue, or do we need to consider what else it is doing be that locally, communally, socially, economically, politically, culturally, historically, naturally, emotionally, psychologically, metaphysically? 

How Performative is Building Performance?

Featuring:

Rob Fiehn & Huw Williams (chair)
Wolf Mangelsdorf, Buro Happold
Becci Taylor, Arup
Rod Heyes, Architectural Association
Neal Shasore, Architectural Heritage Fund                                                                                                                                                                                                                                  and all others who want to contribute…..  

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1 month ago
48 minutes

Negroni Talks
Negroni Talks #54 - HOME ECONOMICS: Short Term Gain or Longer Term Pain?


HOME ECONOMICS: Short Term Gain or Longer Term Pain?

The City has always maintained a duality as a permanent place of impermanence, with the perpetual comings and goings of buildings, people and concerns. Yet within this state of flux individuals of all backgrounds have consistently managed to find for themselves a sense of rootedness and community, despite the anonymity of strangers or how temporal the environment may be.

However, there is an increasing sense that the modern city is failing to provide for many of its residents and that in the competitive global marketplace, it has concentrated more on making itself attractive for the foreign investor and the tourist dollar. With regulation and restriction seen for decades as detrimental to economic prosperity, has civic governance around the world ignored the costs of living in the city for its own citizens?

We’re witnessing a profound shift in how urban housing is conceived, valued and occupied, which is raising urgent questions about equity, belonging and the future of neighbourhood. Airbnb exemplifies how much homes have been turned into a highly profitable commodity, whereby the urban realm is being reshaped to suit the needs of the temporary occupier on a permanent vacation. As landlords, investors and developers chase commitment free and easier made profits, the traditional notion of the home as a stable, secure and private sanctuary is giving way to something far more precarious. This model of housing is no longer seen as good for business, so build to rent, short-term tenancy’s, co-living and student housing abound.

Recently, in reaction to these trends, cities such as Barcelona have begun to fight back, phasing out short-term lets by 2028 in a bid to rescue housing from the grip of tourism. In New York, a de facto ban on most Airbnb’s has led to a dramatic drop in listings, but with little sign that general housing affordability has improved, prompting a deeper reckoning with the structural forces at play. Meanwhile, in the UK and beyond, housing benefit claimants and asylum seekers are expensively warehoused in hotels and B&B’s – the extreme end of a system built around temporary occupation. 

What does it mean when our built environment is designed as an asset that needs to extract as much money from people as possible? Can we create neighbourhoods that are affordable and truly lived-in when homes are treated first and foremost as revenue streams? And how has this shift altered the role of the architect, planner and policymaker; forced to design for churn rather than community?

The lifeblood of a city relies on all demographics of society and those millions of day-to-day transactions that people make through organisations, professions, services, institutions and the arts, in which everyone offers their contribution toward the culture of a place. So where is the offer of ‘the fairly-priced’ in today’s housing system? And what kind of city are we really building when no one can afford to stay?

Featuring:

Rob Fiehn & Huw Williams (chair)
Yolande Barnes, University College London
Riëtte Oosthuizen, HTA Desig
David Perez, Ackroyd Lowrie
Stephen Porter, Here Residential                                                                                 
Chris Bailey, Action on Empty Homes                                                                                                                                                     
 and all others who want to contribute….. 

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2 months ago
1 hour 39 minutes

Negroni Talks
Negroni Talks #S18 - Quality Streets: How To Ensure That Ramsgate’s Future Is Sweet?

Negroni Talks #S18 - Quality Streets: How To Ensure That Ramsgate’s Future Is Sweet? 

Ramsgate is a place on the edge, full of potential and opportunity, but does this really show up in terms of the character of its built environment? Entrepreneurial thinking, initiatives and campaigns from both individuals and groups frequently set sail against the wind of an unstable economy and funding cuts. 

So is there a disconnect between Ramsgate’s creative communities and the quality of the spaces that its local population inhabits? Despite a town alive with the explorations and investigations of makers, thinkers and designers, planning decisions seem to reflect anything but this pioneering spirit. What is standing in the way of better-quality buildings and better-quality place-making that would help the towns heritage break free from past failures and a faded former glory? Who makes the decisions that result in things being the way that they are? Is there a bold vision for the future and a meaningful design review process that interrogates and raises the standard of what is going to be built? Like so many other places throughout Britain, questions about the role of absentee landlords and the induced melancholy of vacant high street units abound. Is the local council with its planning process working against the town it claims to serve? With retrograde moves that look towards reopening Manston Airport and cross channel ferry services from some political quarters, it seems it is time to talk of progressive politics, accountability or maybe worse still corruption?

As a Royal Port with a rich cultural history apparent in its grand Regency and Victorian architecture, as well as its association with Roman and Viking invasion, Pugin, Van Gogh and St Augustine, how can those intangible but essential values of care, craft and imagination become a central part of Ramsgate’s political and planning agenda? This is about more than aesthetics. It’s about the future of our very being by the seaside and the environment we create for ourselves along the elemental line where land meets water. Rather than seeming to be “coastal towns that they forgot to close down” how we can further reinvigorate them as newly defined places from within? 

 

Featuring:

Steve Sinclair & Huw Williams, Fourthspace (chair)
Councillor Jane Hetherington, Ramsgate Town Council (Newington)
Scott Grady, Haptic Architects
Louise Brooks, Ramsgate Space CIC
Duarte Lobo Antunes, A IS FOR ARCHITECTURE                                                                                                                                                       and all others who want to contribute…..    

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3 months ago
1 hour 30 minutes

Negroni Talks
Negroni Talks #53 - Mean-while…. cyclical change or cynical claims in the city?

The city continually changes despite its perceived permanence as a place; centuries of temporary inhabitation by all kinds of people passing through a built environment seemingly fixed, yet in continual flux. Buildings go up, buildings come down, buildings get repurposed for different uses and short-lived gaps appear in the landscape, whilst a more persistent emptiness can sometimes inexplicably lie dormant behind hoarding for years on end.

Vacancy has long been an opportunity to take advantage of disused space and the on-going trend is for “meanwhile use”. The familiar cycle unfolds: pop-ups, creatives and artisans briefly occupy spaces, ticking policy boxes for local councils while property investment waits in the wings. But, for how long and on what terms? Is “meanwhile” itself just more gentrification; profiting from land that’s in limbo while bigger plans take shape? When a site is always considered valuable, no matter its size or state, as a stopgap before inevitable redevelopment, is there an inherent meanness behind meanwhile?

When every square foot of the city seems to be in the service of finance, what of ‘the subversive’ ever-present throughout its history? Street markets disrupting standard retail prices, hidden workshops, cash-in-hand services in railway arches, squatted buildings, which have been the urban lifeblood. What are we to make of today’s craft beer under-crofts, the colourful timber boxes of the instagram-able food fair, the sameness of the stalls and the converted workplace shipping containers? Do they offer genuine alternatives to the business of property development and architecture? Do they foster a genuine diversity of people, incomes, pursuits, interests and culture or simply repackage consumerism to further boost land value?

Across Europe, temporary use seems more deeply woven into civic life; it appears to respond to historical, cultural and social fractures in ways that feel organic and community-driven. In the UK, it’s often a strategic tool of economic cycles. But what if we flipped the script? What if slowing down regeneration could lead to a richer, more diverse landscape for not only working or eating out, but also living? Could we see new forms of dwelling and tenure emerge from this liminal state? Could more transient living solutions offer something more radical that addresses our most pressing problems like homelessness and temporary accommodation and in doing so develop a more worthwhile meanwhile?

There exists a tension between fast and slow, permanent and transient. How might we reclaim the use of the ‘empty’ urban space as something more than just a prelude to profit? How might culture (not capital) shape the city of the future? 

Speakers: 

Steve Sinclair & Rob Fiehn (chair)
Jan Kattein, Jan Kattein Architects
Rumi Bose, Urban Design and Placeshaping Consultant
Eric Reynolds, Urban Space Management
Tim Lowe, The Lowe Group                                                                                                                     and all others who want to contribute…..

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6 months ago
1 hour 25 minutes

Negroni Talks
Negroni Talks #52 - “Kiss My Kl-arse” : how influential is CLASS in the creation our built environment?

As Robert Hughes stated in The Shock Of The New, “In the C19th, Architecture built palaces for the rich, villas for the upper bourgoise, and ceremonial structures for the state.” and “the poor, the invisible ones, they had no architecture. They had slums.” 

Whilst architects in the C20th sought to address this inequality through utopian ideals and design manifestos and often working within the state aparatus, do we find ourselves in a C21st world in which CLASS still remains a prevalent factor in our built environment and if so, what effect does this have on what gets built?

There seem to be 3 factors at play; the DESIGN of buildings, spaces and places, the DELIVERY of that design and then the question of WHO those designs are actually for, who benefits from them?

The old argument goes that you can’t design anything by committee. However, DESIGN as a process does raise questions about dialogue, openness and collaboration, and about who is involved, how egalitarian it is and who ultimately decides. What design is and who designers are, puts a spotlight on accessibility and education, from the level of design awareness fostered in children of all ages, to the system of fee-paying university education, the resulting qualifications and how necessary/useful this actually is. One may ask ‘are people from all classes equally represented within the spatial design professions?’ Conversely, one can also ask ‘why would any self respecting person, irrespective of background, choose to go into these professions?’ and finally, do these professions have the imagined controlling influence over what design is anyway?

The DELIVERY of buildings and our built environment can be characterised as being highly collaborative, but also frequently combative. So what are we to make of a battleground where antagonism can arise from the conflicting agendas of middle class professional, the working class trades, the monied clients and institutions ranging from corporate finance through to the public sector. Who really defines the value, quality and suitability of what gets built? If the traditional view of class is based on income, who makes the money out of building buildings, and are class stereotypes within the Building Industry even accurate or relevant anymore?

The final question of WHO we are building for, returns us to Robert Hughes and what is the purpose of Architecture if not to serve the interests of people from all sections of society? Does it? The power to shape our cities seems to rest disproportionately in the hands of those whose priorities and lived experiences often differ vastly from the people it impacts. So why don’t we talk more about the ways in which class structures influence not just what gets built, but who gets to make those decisions in the first place? 

This discussion will interrogate whether our current built environment is simply a reflection of the UK’s deeply entrenched class hierarchy, and whether this even exists in the way that we think?

 

Speakers: TBC

Steve Sinclair & Huw Williams, fourth_space (chair)
Faith Locken, We Rise In
Leanne Cloudsdale, Concrete Communities
Neil Murphy, TOWN
Steve Drury, Rooff                                                                                                                      and all others who want to contribute…..

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7 months ago
1 hour 38 minutes

Negroni Talks
Negroni Talks #51 - New Towns: (Any) New Ideas?

[NOTE: In the opening 18 minutes the recording contains background noise due to technical issues on the night]

New Towns: (Any) New Ideas?

The New Town is now old - about a hundred years old. From their roots in the visionary Garden City Movement of Ebenezer Howard, to their mid-20th century iterations like Milton Keynes, they have long been touted as a solution to relieve urban overcrowding and housing shortages. It was hoped they would usher in an era of improved health and prosperity, as these newly-constructed places would combine the best of rural and city life. Their creation was seen as a way to better organise the planning and development of the built envrionment, when compared to the historical nature of cities that grow organically over time, whilst also stimulating economic growth in areas that urgently needed support. 

But as the Labour government revisits the idea of New Towns to tackle today’s housing crisis, we must ask whether they provide the answer to our modern housing needs, or are they destined to become overspill hubs for nearby cities? Can we re-envison them as amazing places to live, complete with schools, hospitals, transport links and thriving communities? Or would it be more practical to focus on building housing within existing towns and suburbs, leveraging their established infrastructure? And what is this call for New Towns within the boundaries of London? Surely that’s just more city! 

There is now a geographical and economic history to the new town idea, so what becomes of the 21st century version? Should the design of new towns be the same as city or urban design, where there is need to accommodate social and cultural identities, to be mindful of civic realism, to consider infrastructure and amenity, to allow neighbourhoods to more easily connect and interact, and to address the challenges of climate change?

The past ‘phases’ of new towns merged / expanded upon existing peripheral settlements and relied heavily upon car culture, so does a ‘future phase’ revert back to a sense of Utopian Ideal, or are there more innovative alternatives about the interplay between landscape, region, place, town and city?

Our panel of speakers, including urban planners, architects, and housing policy experts, will delve into the pros and cons of New Towns. We’ll reflect on whether they’ve delivered on their promises in the past and debate how we should approach the housing crisis of the future.

 

Speakers: 

Steve Sinclair & Huw Williams, fourth_space (chair)
Kathryn Firth, Arup
Tom Mitchell, Metropolitan Workshop
Jessica Arczynski, Trowers & Hamlins LLP
John Nordon, igloo Regeneration                                                                                             Biljana Savic, Ministry of Housing, Communities and Local Government

and all others who want to contribute….


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8 months ago
1 hour 42 minutes

Negroni Talks
Negroni Talks #50 - IMBYISM: Objection! Overruled?

Around the world tensions often surround the arrival of a new building development, which challenges the status quo and has implications for local people, buildings and the natural environment alike. 

The omnipresent NIMBY ("Not In My Backyard") and a counterpoint that has more recently emerged, the YIMBY ("Yes In My Backyard"), seem to be opposite sides of the same coin in having a great deal to say about proposed changes within our built environment. Both appear to be angered by what they feel as the necessity for change, so what does this tell us about the times we live in and how reasonable are their respective positions of Objection or Support? 

Do they highlight a lack of confidence, a fear and distrust in our democratic systems? Are they expressive of a genuine concern for the common good? Or are they equally illustrative of a self-interest that has hounded human civilisation throughout history?

If everyone can be deemed to be a nimby at some level, then the reasoning and motivation behind ‘objecting’ comes into focus. Questions can also be raised about who objects and whether class/ethnicity/social standing play a part in whose voices get heard and whether broader society is being served? If some people tend to object to change irrespective of the proposals being made, then how much consideration should these objections get? Or….should the case for change simply be made in a better, more sympathetic and more convincing way? 

In turn, whilst the NIMBY may well stifle progress in pursuit of Preservation, is the YIMBY not in danger of enthusiastically endorsing Progress whilst overlooking the actual consequences and impact of change?

Britain is a conservative country with a conflict between the country and the city, so how progressive can a vision of a future Britain really be? With its mythologies of a picturesque past blighted by decades of failure in experimenting with our built environment, would more purposefully addressing people’s concerns / needs lead to better development that is more readily accepted?

We'll explore the social, cultural, economic, and political implications of this stand-off, and what it means for the future of our cities, towns and villages.

Speakers:

fourth_space (chair)                                                                                                                                                            Daisy Froud, Community Engagement Strategist
Patricia Brown, Central         
Leo Hammond, Haringey Council
Hazel Joseph, AHMM                                                                                                                             Phineas Harper, Design Council Homes Taskforce                                                                                                                                                                                               and all others who want to contribute….

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11 months ago
1 hour 42 minutes

Negroni Talks
Negroni Talks #S14 - Is Architecture Coming Round To The Circular Economy?

The UK public love The Repair Shop on TV, as grandad’s favourite old toy is given a new lease of life. Sadly, in terms of the climate crisis, the re-use of objects has a pretty negligible impact compared to something like the construction industry and we urgently need to look at the consumption and waste involved, whereby perfectly good interiors are ripped out for corporate fit-outs and whole buildings are demolished and thrown on the scrapheap. We simply don’t have the carbon budget for this level of destruction, but what can be done? 

Circular Economy principles show us that we can close the loopholes between processes of making, maintaining, dismantling and disposing, with leftovers from previous projects becoming part of a new cycle. There have been good recent examples of people carefully cataloguing reusable building elements for new applications, while some waste can be broken down and turned into new products. The throwaway attitude that is incumbent within our built environment cannot continue unchecked and so initiatives such as material passports or alternative methodologies could hold the key for a low-carbon industry. 

Unfortunately, not all materials are ready to be repurposed. Timber is often celebrated for sustainable construction, but its structural integrity does not stand the test of time and it’s cut to size components cannot easily be reused. Whilst steel can be melted back down (with the associated energy costs being a factor) and reformed to be put to alternative uses, integrity testing is required and not everything will make the grade. It appears that very few circular economy projects can scale up to any kind of significant level in the reuse of construction elements, due to practicalities, cost demands, and a lack of funded facilities/labour for the sorting of waste, testing, and re-distribution. With so many companies involved across product supply chains and the political lobbying enacted by some of the big material producers, can a vision for a new building economy ever succeed?

We need designers, engineers and researchers to provide strategies if a circular economy approach is ever going to work, along with enlightened clients willing to experiment and an entire infrastructure to manage the process. What energy will be required in all of this and how much of it needs to be directed at politicians to enshrine a new joined up approach? What criteria should future accreditation/certification be based upon? Can the building economy ever truly be circular or is the idea just the latest in a long line of best intentions or design fads? 

Speakers: 

Steve Sinclair, fourth_space (chair)                                                                                                                                                            Wolf Mangelsdorf, Buro Happold
Sumita Singha, Ecologic Architects           
Shikha Bhardwaj, Hawkins\Brown
Katie-May Boyd and Charlotte Kidger, Studio TIP                                                                                                                                                                                                  and all others who want to contribute….

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1 year ago
58 minutes

Negroni Talks
Negroni Talks #S13 - QUEER EYE FOR THE RESI: A Challenge To Housing Conventions

The different typologies of building and space in which we live are broad and disparate, as housing models have evolved over the centuries to suit different needs. From cellular abodes to open-plan spaces, from the detached residence to mixed-use developments, we have sought to formulate ways to accommodate the changing needs of individuals, families and communities within different environments. But is this long tradition of flexibility and adaptation being adhered to today and what happens when we look at it through a queer lens? 

Current housing standards and regulations have become prescriptive in an attempt to prevent the worst tendencies of house builders, who are led by profit rather than quality. This has led to a situation where everyone meets the absolute minimum in terms of layouts and spatial planning. The 1-bed, 2-bed or 3-bed apartment and to a certain degree the detached, semi-detached and terraced house have in turn become increasingly standardized as a set of propositions, that seem unresponsive to the specifics of demographic or location that they address. 

We need the spaces we live in to meet basic universal criteria and to do so with a level of decency. However, should factors such as age, race, class and variations in cohabitation and what constitutes ‘the family’, not further challenge the standards and range of residential design when it is predicated on heteronormative expectations of how we live? Has ‘the home’ become a space that breeds similarities and isolation rather than differences and communality? Do our homes fundamentally address and reflect our needs as inhabitants?

The LGBTQ+ community is questioning these standards through investigations into potential alternatives within design and architecture. But as we struggle to deal with the very basics of quality in the creation of new homes, can we possibly stretch further to think about the needs of communities that don’t ascribe to ‘traditional’ occupation? It feels like we have lost the ability to build homes that are fit for purpose, which is a relatively modern condition. What can and should be done to ditch the one-size-fits-all approach and instead consider the needs of more diverse residents?

 

Speakers:

Tarek Merlin, Feix&Merlin Architects (Chair) Tom Copley, Deputy Mayor Of Housing And Residential Development
Ashita Roongta, London School Of Architecture + Feix&Merlin
Paul Clarke, Stories
Prof. Pippa Catterall, University Of Westminster and all others who want to contribute….

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1 year ago
1 hour 26 minutes

Negroni Talks
Negroni Talks #48 -Pressing Problems: Architecture (Un)Covered?
Architects don’t just design buildings, they also ‘craft narratives’ to help explain them. Storytelling and the art of telling a good story plays an important role in successfully getting permissions and selling ideas to clients. This frequently involves some weird and wonderful language that pushes the boundaries of believability and comprehension, in both fellow professionals and the wider public. An eagerness to describe projects as a great thing for everyone can often make claims that buildings are reinventing typologies and reshaping human behaviour. Add the fairy dust of PR spin into the mix and you have a perfect storm of bold claims and obfuscation. But what of the media? Are they immune from the puff and self-promotion, or are they complicit in a world of transactional communications? It seems that the answer is a little of both, as resources are stretched and journalist numbers dwindle in an ever-encroaching world of automation and low fees. Can the critic truly criticise without the proper backing of their media-empire owners? Should we critique the level of criticism? How investigative is journalism? Who and what gets promoted and why? Architects expend huge amounts of energy on their projects and naturally seek to gain as much coverage as possible to help bolster their reputation and secure new business. However, not everything can get published and practices are often met by a wall of resounding silence when pushing their work out there. In a visual and aesthetically driven world, it can seem that striking shapes and colours will pretty much guarantee exposure over social purpose, spatial subtlety and less obvious agendas. Questions remain about how successfully the architectural press furthers the understanding of building design and elicits emotional connections with its audience. Furthermore, who is that audience and how much of an attempt is there to connect with those outside the architectural community in the arena of our broader cultural landscape? Architecture and the media co-exist in a dysfunctional relationship. Should we forget traditional modes of publication and look toward more immediate and engaging platforms such as TikTok or Instagram? What happens when the only reporting on buildings comes from the makers and not those trained to see through the bullshit? Speakers: Rob Fiehn (Chair) Oliver Wainwright, The Guardian Carolyn Larkin, Caro Communications Nyima Murry, writer and filmmaker Patrick Lynch, Lynch Architects and all others who want to contribute….
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1 year ago
1 hour 28 minutes

Negroni Talks
Negroni Talks #S12 - Fit For Purpose: Are Architects Built For The 21st Century?
Do we think that architects are fit-for-purpose in the 21st century? The world is seemingly changing at an incredibly rapid pace, with the needs of clients and society in a state of constant flux. Strangely, it seems that both practice and education remain largely static however, we now know that the manner in which we have been taught to be architects in the last 30 years, is maybe no longer good enough. Architects historically took on a ‘master builder’ role which saw the profession in a much more central position to the conception of the masterplanning, design and construction phases of building projects. This role has been sidelined in recent decades, with the architect becoming just another name in a long list of consultants, so should architects accept this diminished role and become specialists within certain areas of design, or should they try to defend their place at the top table of key decision making? Would the latter maybe include relinquishing control over those petty details that architects like to fetishise so much over, and instead focus upon the elephant in the room, which is a lack of business acumen, adaptability, political and financial influence. The background setting for many of these debates is the climate emergency, and a lot of students are coming out of university with little to no desire to build anything at all. Furthermore, it can be seen that having real influence and control within the building industry sits more with clients or project management and so many are moving across into these kind of roles. Will we see a brain drain from traditional architectural practice? How then do we produce architects that can set up more dynamic types of architectural companies/ businesses and what kind of architects would this need? How do architects lead more to bring about much needed change and determine a more progressive built environment? We must ask if we’re preparing young architects for a complex, ever-changing future and whether it is too late to teach old dogs new tricks for existing practitioners? Speakers: Karen Willey, Always Thinking (Chair) Nick Searl, Argent Lara Kinneir, London Interdisciplinary School Chris Williamson, Weston Williamson Amrit Seera, Vabel Daniel Poku-Davies, Ourspaceuk and all others who want to particpate…..
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1 year ago
1 hour 44 minutes

Negroni Talks
Negroni Talks #s11 - Westward Ho! From Ealing Green to Old Oak Common
Sir John Soane built Pitzhanger Manor at a time when Ealing was considered a nice location to have a ‘country retreat’. Things have obviously moved on since 1804 and in 2024 the house can be found sitting within the hustle and bustle of the Broadway – featuring shops, restaurants, offices and 200+ years’ worth of speculative residential developments. Soane wouldn’t recognise Ealing of the 21st century, however he did understand how to create a vision and sell ideas about ‘what could be’ to his patrons. It is an interesting context in which to consider what future plans there are for the further development of the local area, and how the powers that be may draw on the past in order to do so, in a manner that the great architect himself would have done? With the arrival of a HS2 station site and the associated redevelopment planned for Old Oak Common and Park Royal, the London Borough of Ealing is now facing more immediate change than it has done for a long time. How will this work with existing communities and how will it impact on the identity of the area? With the local council recently bidding to be London borough of culture in 2025, questions around what Ealing has been, currently is and can become, seem all the more poignant. Soane was a master of creating modern mythologies, whilst having a sensitivity toward ideas of loss and rebirth. His domestic architecture is engaged with evocative ideas about space and time, and a sensitive crafting of personal spaces that display grandeur, yet retain a distinct intimacy. In creating a localised world within the world, the manor house and its orchestrated surrounding landscape is also expansive in its outlook, referencing other cultures with an ever-present awareness/sense of ‘the eternal'. The collaboration between Negroni Talks and Pitzhanger, came out of a feeling that the fates were somewhat aligned with the recent arrival at the Pitzhanger of prints from the Soane Collection, that recorded the vibrantly coloured roman frescos in the C2nd Villa Negroni in Rome. To bring the “Negroni Talks…!” to such prestigious architectural surroundings was too good an opportunity to miss and aligned perfectly with our ongoing desire to get new perspectives away from East london - so what better than to go to the west. It seems fitting to host a talk about Ealing’s future development in the timeless atmosphere of an important piece of local, national and international heritage. Speakers: Fourth_space (Chair) Eleanor Fawcett, Old Oak and Park Royal Development Corporation Natalie Campbell MBE, social entrepreneur and broadcaster Peter Fink, artist William Filmer-Sankey, Alan Baxter Associates
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1 year ago
1 hour 50 minutes

Negroni Talks
Negroni Talk #47 - So Giving Co-Living: Good Intention Or Bad Invention?
We’re living in housing crisis, and apparently a loneliness epidemic with everyone shut away doing their own thing behind closed doors. Surely the answer to this is for human beings to move away from the isolationism of their personal pursuits in property, and head back to what human civilisation has always been about, namely sharing resources and, most importantly, space. The public realm traditionally offers a natural setting to promote this ‘sharing’, but can the privacy of the domestic domain also do so in practice? Co-living (different to co-housing) is a relatively new foray for the UK residential market and it borrows many of the elements of the co-working model. The visionary rhetoric around it states that it addresses affordability, flexibility and provides an advantageous social way of living. But with private rooms and shared everything else, who is this model of housing aimed at and what is it like to live in? In a post-pandemic world of cost inflation, pressure on budgets and profiteering in equal measure, it’s not hard to see that once the calculators come out, co-living is an attractive proposition for developers to double the number of inhabitants by halving the unit size. This in turn calls into the question the roles of architects, planners and the basic space standards that have been established as a matter of decency over the past few decades. Anyone who has lived in a converted Victorian terraced house share, knows of co-living as a mixed experience. In turn, some of the early co-living developments gave the typology a bad name, however, as with all building types, there will of course be good and bad examples. Co-living projects seem to continue springing up in cities across Europe and other parts of the world, and in some cases these seem like a genuine attempt to reduce the costs of city-centre living. Whilst the scale and number of proposals could be called into question, as can the future flexibility of the new buildings being created, there is may be potential for it to be a model of living that is helpful in the drive toward more adaptive reuse of existing buildings, which is good for the broader environment. So, does co-living represent a new ideal for our urban environment or is it a cynical tactic within the latest ‘gold rush’ to maximise profits from valuable land? Speakers: Rob Fiehn (Chair) Amy Frearson, author and journalist Damien Sharkey, HUB Je Ahn, Studio Weave Gil Eaton, Third Revolution Projects Simon Bayliss, HTA Design
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1 year ago
1 hour 35 minutes

Negroni Talks
Negroni Talks #46 - Talkin’ ‘Bout My Generation: An Age Old Problem In Architecture?
You’re an architect until you die, it’s a vocation and not a job. At least, that’s what some people would have you believe, with starchitects continuing to design well into their 90’s and succession plans drawn up to keep their practices going after they have left this mortal coil. Meanwhile, newly qualified architects emerging from years of study are met with a culture of “welcome to the real world ” at an age where others in music, fashion, film, and the arts generally, are already shaping the culture of their time through work that is often promoted as being ‘progressive’ and therefore ‘good business’. It’s easy to see why the knowledgeable and experienced safe pair of hands would be attractive to a Building Industry that is extremely risk averse. Speculation is more often financial than about generating new ideas, so what does this mean for experimentation and pushing boundaries? Optics and Opportunity seem to play a huge role in the perception of Age in Architecture. You can still be considered a young architect well into your 40’s and whilst some ‘emerging and new’ practices are hired to sprinkle some exciting fairy dust on a project, to be consistently considered for significant schemes of a serious scale, you still need to be thought of as a larger and more established player. As with many areas of our culture, should we be worried that there is an incumbent generation that seems to dominate most of the impactful opportunities and commissions, which leaves younger people on the fringes feeling disenfranchised with a clear message that “you are good enough when you are old enough.” Additionally, there also seems to be a real generation gap forming within the architectural community itself, particularly when it comes to concerns surrounding the climate, inequality, social justice and housing, which primarily affect younger generations. Are those practitioners formed by the C20th, fully committed to addressing these issues with the requisite urgency, vigour and alternative thinking required in the C21st? As a profession, where most seem to be passionate about the potential of architecture to improve people’s lives through progressive thinking, how do we better harness the idealism of youth with the experience / knowledge that comes with age, so that it can do so more often? Speakers: Rob Fiehn (chair) Sarah Wigglesworth, Architect Dennis Austin, Daab Design Bushra Mohamed, Msoma Architects Adithya David Premraj, Serie Architects Neil Pinder, HomeGrown Plus amongst others…
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1 year ago
1 hour 44 minutes

Negroni Talks
Negroni Talk #45 - The Last Bastion: A Battleground Between Value And Values?
The Barbican is under siege! This might seem to be a natural and unremarkable occurrence for a medieval fortified outpost. However, the Barbican in question is a mixed-use residential and cultural complex within the City of London. Home to cinemas, concert halls, the LSO and over 4000 residents, it is also an international symbol of 'modern architecture' and a unique estate within the financial heart of London’s square mile. With its bold forms, spatial variety/complexity and an attention to materials/design detail, it is feted by architectural enthusiasts from around the world, who flock to take pictures and enjoy the activities inside, while TikTok makers dance around the elevated walkways for their followers. But there is now a new brutalism in town. You might think that this paragon of utopian design and example of volte-face grade II listing, would be protected by its landlords. However, surrounded on all sides and increasingly overshadowed by encroaching commercial developments, this civic landscape feels under attack, with developers circling the ramparts looking for areas to storm and pieces they can occupy. One such skirmish, is the strategic outpost of Bastion House and the old Museum of London. Soon to be vacant, these have been branded defunct and earmarked for demolition, in favour of yet another series of investor driven glass blocks that have become the dominating form of building. It seems that form does only follow finance. As a cultural citadel in the face of a commercial city, this then is an extreme example of a battle that is being fought in towns and cities across the country (and indeed globally). But does it have to be this way? We know that we can’t lay old buildings to waste like we have done historically, and architects responsible for intelligent retrofit projects are now celebrated as part of a new vanguard. With a strong local opposition to the proposed annexing of these buildings at the Barbican, wouldn’t it make more sense to consider a way to reuse them and ensure they are brought back into the fold as a reinvigorated part of the neighbour hood rather than become a trophy asset, looted and taken over for profiteering? The outcome, could well set a dangerous precedent for key parts of our twentieth century heritage…. Speakers: Helen Barrett, journalist (chair) Robert Elms, broadcaster Tyler Goodwin, Seaforth Land Dr Ruth Lang, Design Museum Future Observatory Jan-Marc Petroschka and Barbican Quarter Action amongst others…
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1 year ago
1 hour 24 minutes

Negroni Talks
Negroni Talk #44 - Fabric Of Fear: A Discussion About Designing Out Danger In The Urban Realm.
One headphone out, keys in hand and checking the street behind you is a familiar experience for a lot of people on their way home, particularly women and those from marginalised groups. And these feelings are not purely anecdotal, as a recent report from the fitness app Strava revealed that UK women are twice as likely to feel unsafe on a run when compared to the global average. In a similar vein, Arup’s Queering Public Spaces study showed that many LGBTQ+ people feel they have to switch or hide their identities when entering a public space or avoid particular areas altogether. How did one of the richest nations on the planet end up with cities that terrify their occupants, particularly once the sun sets? It’s clear we need a rethink of how we shape the cities of the future if they are to be truly inclusive places. Those in law enforcement who are meant to protect the public have been found wanting on a number of occasions in the last few years for instance. And state-funded campaigns often seen to place the onus on keeping safe with the vulnerable themselves. So the question is who should be designing our urban landscapes when it has clearly gone so badly for so long? Does profit affect safety when we prioritise endless housing over the creation of mixed-use developments with an abundance of life and fewer dark streets? How do we make sure that everyone feels responsible for tackling fear and not just those we suffer from it? And how much of a case can be made for our cities maintaining a degree of unpredictability: after all a lot of us who have moved from smaller settlements to the ‘big city’ did so with the intention of making the most of the frisson of unknown excitement that comes with collectively living with large numbers of strangers? From the spray can to the development plan, there are tactics to raise awareness and shine a light (sometimes literally) on the problem. We need to gather solutions and challenge a system that is clearly broken for the most vulnerable in society. Speakers: Helen Parton (chair) PFarah Benis, FFA Security Group & Catcalls of London Hanna Benihoud, Artist Deborah Saunt, DSDHA Martyn Evans, LandsecU+I Sarah Ackland, PhD researcher, muf architecture/art amongst others…. On the night….
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1 year ago
1 hour 24 minutes

Negroni Talks
Negroni Talks #43 - Mods or Trads? History and Histrionics In Architecture
Mods or Trads? History and Histrionics In Architecture According to social media, we are in the middle of a culture war for both the past and future of architecture. Lines have been drawn and tribes are assembling on a beach with the tide coming in. On one side we have groups that want to protect our modernist heritage and seem to enjoy high-quality contemporary architecture. On the other is a growing collective that extoll the virtues of traditional aesthetics, often following a stylistic approach to buildings based on historical and classical principles and proportions. Of course, the reality is much more nuanced, complex and intertwined. The challenge of creating decent cities is highly political and wedded to the constraints and opportunities of financing, and there is the small matter of public opinion. However, it is important that we don’t dismiss the debates raging about preservation, adaptation and the creation of new buildings. The vast majority of people seem to be united by a desire to make places and spaces that are pleasant to live in, with much agreement on maintaining a sense of humanism in our built environment, making architecture that people can relate to, as well as protecting the natural world wherever possible. This discussion allows us the opportunity to consider the very definition of ‘tradition’ in architecture, especially when you consider that modernism is now 100 years old! Why are places whose identities are tied to post-war building programmes and ‘brutalism’ still viewed as the antithesis to our concept of 'the historic’ and ‘heritage’? In being 25 years into a new millennium, within a multicultural, inter-generational society, what does ‘heritage’ mean anyway? Whose heritage are we talking about and at what point do we draw lines on a timeline of style? Ultimately, does it matter what a building looks like on the outside if the people inside are happy and healthy? Speakers: RF HW & TCS (chair) Cath Slessor, Twentieth Century Society Robert Adam, Robert Adam Consultancy Ltd David Kohn, David Kohn Architects Selasi Setufe, Be FirstNick amongst others….
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1 year ago
1 hour 29 minutes

Negroni Talks
Negroni Talk #S10 Meanwhile……..Materials? : Progressive Ingredients In A Regressive Industry
We’ve seen hemp houses and walls made of rammed earth, rammed stone and anything else you can ‘ram’. Timber has designers drooling at the mention of the word and there was even a show about straw last year that had architects queuing round the block. There is a huge appetite for a ‘return to the natural’ with ‘new’ (maybe old!) and exciting building materials, however, the practical implementation of these at a scale that will actually make a difference seems at present negligible. The built environment is still dominated by the big three materials of the 20th century, namely glass, steel and concrete, with powerful political lobbyists protecting a material supply chain that is resistant to change. Is this symptomatic of a lack of progressive thinking, imagination, outdated regulation or simply a problem of delivering at scale across different building typologies? Is there a case for a system that takes the best of each material that creates a hybridised system, mixing the best elements of natural and man-made products? For instance, stone buildings have long relied on huge amounts of steel. There are many hurdles to overcome. Progressive materials come with their own ecological issues and they don’t fit into a world dictated by fire regulations and insurance companies. Maybe we will be forced to think of materials as transient, moving from building to building with their own passports. Or could we justify something carbon intensive if it provides us a frame within which we could infill with materials grown on a farm or even a lab. And what of ubiquitous use of glass in the future, unless of course we are happy to simply have smaller windows? The debate on building materials can be polarising in the extreme, but it’s high time we made some concrete plans for more intelligent design and construction. Or perhaps we just can’t see the wood for the trees…. Speakers: Vanessa Norwood, Curator / Cultural Strategist (Chair) Joe Giddings, Built by Nature Elaine Toogood, The Concrete Centre Paul Duggan, Elliot Wood Bola Ogunmefun, Tisserin Engineers Ltd
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1 year ago
57 minutes

Negroni Talks
Negroni Talk #42 -Fees F:or Free: The Divide And Conquer Of Architecture?
How many times have we heard the phrase “race to the bottom” when it comes to architects discussing fees and design quality. With practices closing their doors and citing the undercutting of their fees as a key factor, competition seems to have defeated camaraderie and we have to ask if the profession is eating itself? We want clients (both public and private) to respect the quality that an architect can bring to a project, but how can we do that when we don’t respect ourselves? Now that we’re in a ‘cost of living crisis’ and material prices are rising around the world, we are told that profit margins are tighter than ever. But the architect’s fee is often a drop in the ocean compared to the rest of a project’s budget, and is it not the case that a really good quality design can actually save money (and time) if an open-minded person with experience and knowledge is leading the process from an early stage? It is also depressing to see a public sector that places such a large emphasis on fees in their tendering processes, which surely signals to architects how they are valued and how best to win work by incentivising them to Go Low or instead Go Home! How can we alter the perception of the ‘architect’ so that people recognise design is worth investing in? How can we communicate to the architectural profession that you’re not doing yourself any favours by charging a fee drastically lower than your fellow architects? And what of the organisations and royal institutions set up to protect and promote architects, architecture and schools of architecture? Would a change to both the curriculum in education and a legislative return to the mandatory fee scale in practice, produce a future with architects having a less immature approach to business and an environment whereby the best designs and not the lowest fees become a new benchmark? In a world where creativity has increasingly become complicit with a controlling commercialism, how should architects better protect the spirit and ideas that can be upheld by progressive building design, as well as themselves and each other as a local, regional, national and global community? Speakers: Angharad Palmer, Landsec Britta Siggelkow, THINK:BUILD Eleanor Jolliffe, Allies and Morrison London Practice Forum amongst others….
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2 years ago
1 hour 23 minutes

Negroni Talks
Provocative and irreverent architectural talk series hosted in East London by Straight Talking Architecture Practice Fourth_space