Fri Nov 7th - Sat 15th (EST)
Alumnae Theatre
70 Berkeley St, Toronto, ON M5A 2W6, Canada
Before RENT, there was tick, tick...BOOM! This autobiographical musical by Jonathan Larson, the Pulitzer Prize and Tony Award-winning composer of RENT, is the story of a composer and the sacrifices that he made to achieve his big break in theatre. His girlfriend wants to get married and move out of the city, his best friend is making big bucks on Madison Avenue and, yet, Jon is still waiting on tables and trying to write the great American musical. Set in 1990, this compelling story of personal discovery takes you on the playwright/composer's journey that led to a Broadway blockbuster.
SHOW INFO
Matinees @ 3PM
Evenings @ 8PM
Previews: Nov 7th (8PM), Nov 8th (3PM)
Opening: Nov 8th (8PM)
Approximately 90 mins with no intermission.
General Admission seating.
Content Warnings: adult themes, HIV/AIDS, mental health, drug and alcohol use.
Accessibility: Alumnae Theatre is fully wheelchair accessible. Please email us at info@bowtieproductions.ca to reserve a wheelchair seat.
Richard Winzeler - Composer & Co-Lyricist
Alan Edmunds - Librettist & Co-Lyricist
Perfect World began innocently as a research project to document and analyze the incredible writings of Barbara Follett. As a professional psychologist, Alan had been curious about precocious child writers for more than a decade. Children who write like adults are incredibly rare and Barbara’s prolific work certainly fit the bill. Being an avid musical theatre fan and performer, he instinctively envisioned Barbara’s compelling life story as a musical and the archives at Columbia University were a treasure trove of detail.
The initial book and lyrics evolved over a few years and two table readings were held. Richard joined the project as composer/co-lyricist, the score was created, and the journey to hone and refine this original musical theater piece began. The third table reading included demo recordings of all songs. The participants’ positive and inspiring feedback has led to more refinement and an upcoming staged reading.
They say you never write a musical, you simply rewrite it until it works.
The creative process continues.
Selections from The Path to Catherine
Music - Jan Roper
Lyrics and Book - Patricia Zehentmayr
The Path to Catherine is the true backstory of Sophie, the teenage girl who will become Catherine the Great, and the two women whose lives would ignite her extraordinary destiny.
Featuring music by Jan Roper and book and lyrics by Patricia Zehentmayr, the album features Tony Award nominee Caitlin Kinnunen (The Prom), Krystina Alabado (Mean Girls), Sharon Wilkins (Seussical), Sophia Oda (The Suite Life of Zack & Cody), Zakiya Young (Pretty Little Liars: Original Sin) and Maiya Sykes (La La Land).
Tom founded Theatre Now in 2013 and has been the Producing Artistic Director since its inception, working on the development of new musicals through writers' groups, productions, readings, workshops and other developmental programs. Through Theatre Now, Tom produces the annual SOUND BITES Festival of New 10-minute Musicals now entering its twelfth year with over 40 titles available for licensing through Theatre Now’s partnership with Music Theatre International (MTI). With Theatre Now Tom has worked with over 200 theatre writers on the development of new musicals.
Prior to Theatre Now Tom was the Artistic Director of ReVision Theatre, a regional theatre in Asbury Park, NJ where he produced The Who’s Tommy, and the NJ premiere of Spring Awakening to critical and audience acclaim at sold-out capacity. He helped develop and produced the musical premieres Kingdom by Aaron Jafferis and Ian Willams, a hip-hop rock musical based on the Latin Kings (Winner Best Musical 2008, New Jersey Star Ledger), The Break-up Notebook, The Lesbian Musical by Lori Scarlett, David Manning and Patricia Cotter staring Beth Malone (Winner Best Musical 2010, New Jersey Star. Ledger) and The Bikinis, a jukebox musical featuring hits from the 60’s with an original book by Jim Hindman, Ray Roderick and Joseph Baker, featuring Annie Golden, Cheryl Freeman, Karen Quakenbush and Kathy Morath. Following the Revision Theatre’s production, The Bikinis was produced at The Goodspeed Opera House and many of the shows Tom has developed have been produced commercially and presented throughout the U.S. at regional theatres. Also with Revision Theatre he produced and directed Hello, Dolly! Starring Richard Skipper as Carol Channing and The Rocky Horror Show (Winner Year End Best Theatre Awards 2011, New Jersey Star Ledger and Tri-City News).
In 1995 Tom founded The Genesius Theatre Guild a non-profit organization dedicated to new works. Notable writers included Andrew Lippa, Adam Gwon, Joe Iconis along with Kerrigan and Lowdermilk who created work through Genesius’ new musicals Upstairs At Red cabaret program. Tom worked with playwright Itamar Moses and produced the premiere production of Jonathan Tolin’s The Last Sunday In June which became the highlight of Rattlestick Productions 2003 off Broadway season and went on to its commercial New York run at the Century Center Theatre.
Tom was a member of Circle Repertory Company as a LAB member and directed at other prominent NYC companies that included Naked Angels and Ensemble Studio Theatre in addition to directing many plays and musicals at regional theatres across the U.S. Tom attended New York University as an acting major and studied acting with Stella Adler and directing with Suzanne Shepherd and Larry Arrick. He has worked in all areas of professional theatre: regional, summer, dinner theatre, off and on Broadway. Tom has taught acting, musical theatre classes and workshops at The American Musical and Dramatic Academy (AMDA), Wagner College, New York University, The Creative Acting Company, NYC. A member of the Stage Directors and Choreographers Society (SDC) and Actors’ Equity Association (AEA), his website can be found at www.ThomasMorrissey.com
Karl the Cat and the Junkyard Pack
Jesse Lewis: Playwright/Composer, Producer, Karl the Cat
Rachel Van Staalduinen: Production Designer, Puppet Builder, Ensemble Cast
Karl is an adventurous cat, exploring the garbage peaks and demolished cars of their junkyard home, but they struggle with figuring out their true purpose. Introducing the audience, the junkyard tourists, to his many puppet friends, from Daryl the Dog to Courtney the Crow, Karl will begin to figure out who they are, and how they belong in their pack. They’ll find
adventure with those who matter to them the most in a 45-minute spectacle of live music and originally designed hand-puppets.
Goin' Hollywood
Music by David KraneBook & Lyrics by Stephen Cole
It’s Alice’s birthday, and Garson, her musical writing partner and sometimes lover, takes her to lunch at the trendiest restaurant in Grand Central Station, The Super Chief Dining Car.
The restaurant is a perfect replica of the Super Chief Dining car of the train that took everyone out to Hollywood back in the Golden Age.
Alice and Garson have always had one wish, to live back when movie musicals and MGM was at its hottest, and when Alice blows out her candles and makes her wish, the Super Chief Dining Car starts to move on a track, taking them cross country and back to Hollywood in 1949.
They are told by the conductor that their ticket is good for one year.
Once there, they get jobs at MGM, and find out that every era has its dangers and pitfalls as they encounter the decline of the studio system, sexism, anti-semitism, homophobia, and the Blacklist.
L.B. Mayer has them investigated and finds that they have no identity (as they’re from the future) and thinks they’re Commie spies.
Their year is up and they hot-foot it back home to their own time with a new understanding of who they are and where they are meant to be and that there is no time like the present.
YELLOW SOUND LABEL has announced the release of The Billy Joel Project, the debut album from The Broadway Ensemble – an 11-member cast with a combined 48 Broadway credits – on streaming and digital formats today, Friday, August 1. The CD edition is due on Friday, September 26. The recording is produced by Phil Geoffrey Bond, the force behind the Grammy Award-nominated album series Sondheim Unplugged. Stream or download the album at Spotify or Apple Music. Pre-order the CD HERE.
The Billy Joel Project is a new collection of songs, at turns intimate and explosive, that gets to the heart of one of the major singer/songwriters of our time. These new interpretations honor the original versions, but invite the audience to hear them in new ways. The album not only highlights beloved Joel classics like “She’s Always a Woman,” “Only the Good Die Young,” and “Scenes from an Italian Restaurant,” but also a selection of deeper cuts, such as “Where’s the Orchestra?” and Joel’s latest single from last year, “Turn the Lights Back On.”
The album highlights the vocal talents of Farah Alvin (Drama Desk nominee, The Marvelous Wonderettes), Nicholas Edwards (& Juliet, Frozen), John Treacy Egan (The Producers, The Little Mermaid), Annie Golden (“Orange Is the New Black,” Assassins), Lina Koutrakos (10-time MAC Award winner), Aaron Ramey (The Visit, The Bridges of Madison County), Nicholas Rodriguez (Company, The Sound of Music), Courter Simmons (Jersey Boys), Rachel Ulanet (Beauty and the Beast, LoveMusik), Donna Vivino (Wicked, Hell’s Kitchen), and Michael Winther (Flying Over Sunset, Songs from an Unmade Bed). Music direction is by Jeremy Robin Lyons (Anastasia).
THE BROADWAY ENSEMBLE, founded in 2025 by Grammy-nominated record producer Phil Geoffrey Bond was created to bring Broadway’s vocal artistry to a larger audience, featuring some of the most exciting voices ever to grace a Midtown stage. Settle in with your favorite cocktail as cast members from shows like Hell’s Kitchen, Wicked, Frozen, Hairspray, Mamma Mia!, and The Producers lend their remarkable voices to contemporary classics. From Billy Joel and Joni Mitchell to The Beatles, Annie Lennox, Elton John, and Carole King, these powerhouse performers reimagine the music of legendary artists, supported by extraordinary Broadway pit musicians who have stepped out of the orchestra pit and into the spotlight. More details at www.TheBroadwayEnsemble.com
Robert Meffe, Head of the SDSU MFA Musical Theatre Program, spent twenty-two years in New York City as a professional conductor, music director, keyboardist, orchestrator, arranger and music copyist. His Broadway credits include: Associate Conductor of Little Women and the last six years of Les Misérables, keyboards for Evita (2012 revival), Newsies, The Phantom of the Opera, Avenue Q, The 25th Annual Putnam County Spelling Bee, Grey Gardens, and Bombay Dreams.
National Tour credits include Music Director of Evita (2012 revival) and The Phantom of the Opera, Associate Conductor of Les Misérables, Little Women, and Sunday in the Park with George. Off-Broadway: Myths & Hymns, Violet, The Prince and the Pauper, Gutenberg! The Musical!, and music arrangements for Disenchanted. TV: Encore! (Disney+), Earth To America (TBS), Renee Fleming-Live at Lincoln Center (PBS). Las Vegas: Associate Conductor of Avenue Q, keyboards for Mamma Mia and Hairspray. Williamstown Theatre Festival: Ten Cents a Dance (directed by John Doyle). Paper Mill Playhouse: Peter Pan (Music Director), Forum, Thoroughly Modern Millie (Associate), A Wonderful Life, Seven Brides for Seven Brothers(keyboards). San Diego credits include a nomination for Best Musical Direction for Fun Home (San Diego Rep), keyboards for Wicked, Waitress, Beautiful and Priscilla, Queen of the Desert (San Diego Civic Theatre), Bright Star, Looking for Christmas, How the Grinch Stole Christmas (The Old Globe), Kiss My Aztec, Fly (La Jolla Playhouse) and Far Away Places, a one-night cabaret show with Patti Lupone (Balboa Theatre).
Robert served as Music Prep Supervisor/Orchestrator for the benefit concert, You’ve Got a Friend at the Dolby Theatre in Los Angeles honoring legendary singer/songwriter Carole King. New orchestrations included “I Feel the Earth Move” for Alicia Keys and “It’s Too Late” for Amy Grant.
Mr. Meffe serves as the Head of the Faculty for the Musical Theatre Studio at the Trentino Music Festival in Mezzano, Italy. For this festival he has music directed Godspell, Evita, Into the Woods, and Rent.
A champion of new works, Mr. Meffe has music directed many workshops and reading of new musicals including Postcard American Town by Lynne Shankel and Crystal Skillman, 'Til Death Do Us Part, by Bobby Cronin and Caroline Prugh, Mister Doctor and Mr. Holland's Opus, both written by B.D. Wong and Wayne Barker, We Foxes and Darling, both written by Ryan Scott Oliver, Quanah by Larry Gatlin and Tony Dodge, College: The Musical by Drew Fornarola and Scott Elmegreen, A Lasting Impression by Zoe Sarnak, Factory Girls by Sean Mahoney and Creighton Irons and I Capture the Castle by Cara Reichel and Peter Foley.
SDSU New Musical InitiativeOver the course of two years, MFA students will rehearse and develop to full production a new work of musical theatre under the guidance of faculty director Stephen Brotebeck and faculty music director (and Head of MFA Program) Robert Meffe. Brotebeck and Meffe have years of Broadway experience developing new musical works for the stage including shows such as Peter and the Starcatcher, Ghost and Little Women. Past artists have included Derek Gregor, Phoebe Kreutz, T.C. Lind, Lynne Shankel, Crystal Skillman, Bobby Cronin, Caroline Prugh, Ryan Scott Oliver, BD Wong, Wayne Barker, Michael Federico and Home for Hovercraft band members Seth and Sean Magill. Our plan is to collaborate with a creative team in three stages from reading to workshop to full production. We are looking for completed scripts and scores from a team that is interested in developing their work in conjunction with our graduate students. The committee considers a host of factors in the selection process, including representation of writers and stories from a range of cultural, ethnic, racial, and other affinities, as well as the gender balance of the writers whose work is presented in a given theatrical season.
Tinkerbell Live
Bruce's Garden
11 Park Terrace E, New York, NY 10034, USA
Join Princess Snow White, Prince Dreamboat, The Evil Queen, and Little Rosa Riding Hood for a wacky, bilingual trip to Fairlyland.
Frog & Peach Theatre Company, one of New York's most beloved arts institutions, is very pleased to announce that the 2025 edition of Tinkerbell Live will be coming to Bruce's Garden in Inwood Hill Park (11 Park Terrace E) on Saturday, October 18 at 1pm.
Join Princess Snow White, Woodsman Will, Prince Dreamboat, The Evil Queen, Ringmaster Ron, and Little Rosa Riding Hood for a wacky, BILINGUAL trip to Fairlyland.
With games, music, songs and excitement, Tinkerbell Theatre has been bringing high-quality family theatre to New Yorkers of all ages since 2009. If you love Rocky & Bullwinkle or Pee-Wee Herman, TINKERBELL LIVE is just right for you.
TINKERBELL LIVE is appropriate for kids (and former kids) ages 4 and up.
Don't miss the fun of TINKERBELL LIVE! Starring Anuj Parikh, Hari Bakhsar, Erica Cafarelli, Jaixa Irizarry, Steven Ungar, and Lenny Ciotti as The Evil Queen!
Written and directed by Lynnea Benson. Music & lyrics by Ted Zurkowski. Production Assistants Abril Soler Rocha and Arley Trice.
Romero + JulietThe Cutting Room
44 E 32nd St, New York, NY 10016, USA
A cast of Broadway names and up and coming talent will be taking the Cutting Room stage for the New York City concert premiere of the new zombie rock musical ROMERO & JULIET.
Yup. Zombies! Shakespeare! 80s inspired music!
It’s September, Friday the 13th, 1985. Zombies are trying to go mainstream and find acceptance. They despise the filmmaker George Romero for revealing their existence. Public sentiment is running high against Zombies.
When Regional Guardsman Romero George (a distant relative of the filmmaker) meets Juliet (a Zombie) at a music festival called Deadstock, what could possibly go wrong?
Starring as the star-crossed lovers are Chad Marge as Romero and Delilah Jane Dunn as Juliet.
Tony nominee Steven Skybell (CABARET, FIDDLER ON THE ROOF, WICKED, Yiddish FIDDLER) will be one of several Broadway vets joining them. Also in the cast are Caren Lyn Manuel (Tackett,) whose Broadway credits include RENT, HAIR, BROOKLYN and HIGH FIDELITY; Robert DuSold (LES MIS, JEKYLL & HYDE, KISS OF THE SPIDER WOMAN;) Natalie Joy Johnson (LEMPICKA, LEGALLY BLONDE, KINKY BOOTS;) and Chani Maisonet (SIX National tour, Off Broadway LITTLE SHOP OF HORRORS, TITANIQUE.) Rounding out the principal cast are Tristan Smith, Max Suwarno, and Vince Tresco. The cast also includes Tyler Evick, Sharon Lita, Andrew McNamara, Emily Lynne Miller, Ray Robinson, and Ava Tyson as the Vocal Majority.
This new musical blends Shakespeare’s classic tragedy, ROMEO & JULIET with elements of the horror classic “Night of the Living Dead,” and features an all new 80s score inspired by Madonna, Bon Jovi, Heart, Laura Brannigan, George Michael, Boy George, Blondie and more. The show features book and lyrics by Scott Logsdon and music by Aaron Gandy, the creators of THE CRINOLYNNS.
Michael Finke is a New York based musical theater writer. He’s written the book, music, and lyrics for full-length musicals such as Reporting Live, Caroline and George, Surrounded By the Water, and Powerline Road which recently completed a developmental Off-Broadway production at the A.R.T./New York Gural Theater. His work has been developed at regional theatres across the country including Merrimack Repertory Company (Lowell, MA), New Musicals Inc. (Los Angeles), Musical Theatre Heritage (Kansas City), and OutVisible Theatre (Detroit), as well as collegiate institutions like New York University, Pace University, Long Island University, and Columbia College of Chicago.
Other projects include the musical short Dead Flowers, which is licensed by Music Theatre International in both English and Spanish. He also wrote the one-act musical comedy Movies Are Not Dead as well as music and lyrics for the solo musicals Christmas in Afghanistan and A Single Vibration, both of which were commissioned for the Veteran’s Project with New Musicals Inc. Upcoming projects include the Untitled Kansas Project (developed by Theatre Now) and the Broadway-bound 161st Street, written with Andrew David Sotomayor (developed and produced by Holey Shirts Productions).
Michael’s had songs and concerts of his work performed at the Lincoln Center Library, Signature Theatre, the Czech National Symphony Orchestra in Prague, 54 Below, Joe’s Pub, the Green Room 42, the Laurie Beechman Theatre, and many more. His original Christmas song “Hope is Born” was broadcast nationwide on the Christmas Day telecast on ABC. For the past two decades Michael has been on the artistic staff of Lovewell Institute for the Creative Arts, having led over 40 musical theatre writing workshops in Ohio, Florida, New York, Kansas, Nevada, Sweden, and Italy.
Michael is a current and original member of the Theatre Now Musical Theatre Writer’s Lab. He’s a winner of the 2015 New Voices Project with Walt Disney Imagineering and New Musicals Inc., a Dramatists Guild Fellowship and Jonathan Larson Grant finalist, a Creative Capital Grant finalist and is a proud member of ASCAP and the Dramatists Guild.
MOSAIC is a vibrant, London-based vocal ensemble, made up of a collection of 10 singers. Founded in 2023, MOSAIC was born out of a desire to explore a diverse repertoire of music and challenge the conventions of a typical choral performance.
From collaborating with emerging composers to workshop and premiere new works, to performing narrative song cycles, our work is rich in creativity and celebrates the varied and exciting landscape of contemporary choral music.
Nietzsche unveils the cast of characters who shaped the life and legacy of the controversial philosopher—Friedrich (“Fritz”) Nietzsche. His mother wanted him to be a pastor. His musical mentor wanted him to defend antisemitism. His sister wanted power. His love interest wanted freedom. And Fritz wanted to love life—all of it. But how? What do you do when you adore people whose values you abhor? The musical unfolds as a series of flashbacks leading to an explosive conclusion: Fritz goes insane; his sister, Elisabeth, allies with the Nazis; and his love, Lou Salomé, vows to honor their bond and write a book that will set the record straight.Book, lyrics, and music by Kimerer LaMothe
Music and orchestrations by Geoffrey Gee
1816 : The Year Without A Summer
Trapped indoors by torrential rain, legendary writers Byron, Percy and Mary Shelley and their friends, Polidori and Claire, search for inspiration by the gloomy Lake Geneva. But things fall apart the longer they are stuck together... Polidori’s diary is brought to life in the 1816: The Year Without a Summer musical.Nat Riches + Natasha Atkinson; Co-writers
In 1865, Mary Surratt became the first woman hanged by the United States government. Was she capable of aiding in the murder of a president? Was her conviction a rational legal process, or the result of deception brought on by a public hungry for revenge?
The events of her life are dramatized in a surreal montage of sight and sound that questions her role in the Lincoln conspiracy and her relationship with John Wilkes Booth.
Tom Swimm - Music, Lyrics & Book
The Turn of the Screw received its world premiere at Creative Cauldron in 2015, as part of the “Bold New Works for Intimate Stages” initiative. This musical adaptation of the Henry James classic ghost story was hailed by critics as “hypnotic and unnerving.” The story follows a governess who takes a position caring for two children on a remote country estate. She soon has eerie encounters...
Told through the musical genius of Conner and Smith, Creative Cauldron’s revival of this chilling psychological thriller will keep audiences on the edge of their seats!
Music by Matt Conner
Libretto & Lyrics by Stephen Gregory Smith
Inspired by historical events surrounding Raquel Liberman, Bordello is the immigrant story of one heroic Polish woman who is forced into prostitution and risks everything to bring an international Jewish sex-trafficking ring to justice. With a musical palette that includes tango and klezmer, this never-been-told-before tale of love and bravery is set in the colorful world of Buenos Aires in 1920.
Barbara Bellman - Co-Book and Lyrics
Emiliano Messiez - Music
Joan Ross Sorkin - Co-Book and Additional Lyrics
Freedom Riders: The Civil Rights Musical dramatizes the story of the 1961 Freedom Rides — a series of integrated bus rides through the American South designed to test and defy segregation laws. Facing violent mobs, unjust arrests, and a federal government slow to intervene, these college-age activists changed the course of American history through nonviolent protest and unwavering resolve. With a dynamic original score that blends gospel, folk, and contemporary musical theatre, the show elevates both the pain and the power of that moment — making it essential viewing for audiences today.
Music and Lyrics by Richard Allen and Taran Gray
Book by Richard Allen
Set in the basement of a Brooklyn church, SOBER SONGS is a darkly comedic musical that follows six young adults in recovery at a local AA meeting founded by the gruff but loving “Cap.” Blending biting humor, emotional ballads, and sharp dialogue, the show evolves from light and charming to deeply emotional, offering a raw, character-driven, and emotionally authentic look at addiction, love, identity, and the complicated, messy road to sobriety. With heart, heartbreak, and cathartic honesty, SOBER SONGS offers a deeply human—and at times hilarious—glimpse into recovery culture.
Lalit Sritara is the first Thai wordsperson in the NYU Tisch Graduate Musical Theatre Writing Program and a recipient of the Horace W. Goldsmith Fellowship, the Summer Song Theater Festival Artist Development Grant, the TYA/USA Festival and Conference Access for All Support Grant and the Maestra Musical Writers Festival Scholarship.
Born in Bangkok, emotionally raised by musicals and softly indoctrinated in England, she writes songs that turn real life into musical theatre (because it should be), made for whimsical souls with too many feelings who need to giggle through the mess. She has a soft spot for psychological adventures.
She and Taylor Wendell Lozano recently released "Feral," a theatre-pop song sung by a princess and a feral creature. Based on a true story, the song is full of chaos, cheekiness and unresolved trust issues. Is it about a man-child or an actual animal? You decide! The song has been added to Musical Theatre Radio's rotation and featured on Earmilk. You can find this and her other works on Instagram, YouTube and Spotify. 🙂
Her works have been featured at the New York Public Library for the Performing Arts, MTF Summer Roundtable Concert (Musical Theatre Factory), the Cutting Room, the Musical Writers Festival, the Summer Song Theater Festival, Songwriters Night in NYC (Society of Composers & Lyricists), Ourboroughs (ACN NYC), Bangkok Theatre Festival, Bangkok Design Week, Samyan Mitrtown, TIMELINE the Musical, BANGKOKIAN: A Concept Musical (FahFun Production), BREAKOUT: a Family Drama Zoomsical (New Musicals Inc) and more. She co-wrote the book for a Rachadalai musical, Thailand’s largest theatrical production company, and wrote lyrics for an LA-based musical film, a semi-finalist in Sundance’s Development Track.
Taylor Wendell Lozano is an actor, composer, playwright, and lyricist based in Jersey City, New Jersey invested in bringing science fiction into staged theatrical spaces while unconventional family dynamics and mental health issues. Taylor holds a BA in Theatre Arts from Cal Poly San Luis Obispo and an MFA in Musical Theater Composition from NYU’s Tisch School of the Arts Graduate Musical Theatre Playwriting Program. He is also a trained singer, has been in over 40 staged plays and musicals, and has both stage managed and designed throughout his career. From his teens to late 20s, Taylor was heavily involved in community theater in his hometown of Bakersfield, CA. It was there he practiced standup, which led to his original one man comedy show, “Taylor Lozano Showcases His Self.”
In 2023, Taylor was a winner of the KCATCF Region VIII 10 minute playwriting competition for his one act, "Horizons." His musical, "Andy, the Creator" was mounted by his classmates at the Cal Poly Theatre and Dance department in May of 2023, and has a staged development at the Empty Space Theatre in Bakersfield, CA, slated for August of this year.
In February 2024, a puppetry one act (co-written by Tia Deshazor and Susan Li, with music by Taylor), was presented at the African Grove Theatre in Manhattan, New York, as was a standalone musical piece “Gravity” (book and lyrics by Maiga Vidal) was also presented a year later. His one act musical, "The Giant Child," was performed at Frigid Theatre NYC in October. In April of 2025, he was involved as a composer for the piece, “Can You Let Go?” at Montclair State as a part of Opera On Tap (with Harrison Lee as Lyricist), in collaboration with the Interactive Telecommunications Program at NYU Tisch. Selections from Taylor’s original score for "Humanity the Musical", was featured at the Cutting Room in Manhattan, New York in May 2025, with a table reading of the show in the same month. His original albums, "Let's Be Human" and "Doody on the Dance Floor" can be found on Spotify and Apple Music.