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For his final Movie House, Mark reviews 2024's Mother's Instinct, starring Jessica Chastain and Anne Hathaway.
Mark looks back on his time attending, and covering, the annual Hell's Half Mile Film and Music Festival in Bay City and the independent dramas, comedies, documentaries, and shorts he's seen there.
One of my favorite episodes I've done of Movie House is one that you'll likely never hear the full version of: a six-minute take on the documentary Life After Flash.
The sequel to Creature from the Black Lagoon, rushed out a mere 13 months after the original, borrows heavily from the second half of King Kong, sticks the Creature right in the middle of civilization.
When you have two stars with awards, box office draw, and talent to burn, what project do you make with them? In this case, they remade a German art film about an angel falling in love with a human.
Many of the Universal monster movies are worth revisiting and talking about and my favorite is the last original movie in their classic lineup, Creature from the Black Lagoon.
With Wings of Desire, German director Wim Wenders reflects on German identity, history, and iconography while examining the human condition in general.
Unless you're a movie person, you may never have heard of Roger Corman at all, but you've almost certainly seen his work or that of the people he's mentored.
In his Oscar acceptance speech, screenwriter Cord Jefferson suggested Hollywood could make several lower-budget movies for the price of one action tentpole and the first movie that came to mind for me was 2023's Quiz Lady.
Using all the tools of filmmaking at his disposal, Denis Villeneuve transports viewers to whatever world he's built for a film and keeps them utterly convinced and compelled until the lights come up. And this is true of Dune: Part Two.
While more bitter than its clear precursor, Dead Poet's Society, Alexander Payne's The Holdovers has a softness and nostalgia that his previous school-based film, Election, does not.
