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Moody Movies: Vamps (2012), Throne of Blood (1957), Sing Street (2016), The Naked Gun: From the Files of Police Squad! (1988)
Kylie & Elliott have a silly bonkers time, lament that no Macbeth adaptation will ever be perfect (yet!), warm their musical hearts, and praise smart-dumb cinema.
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Letterboxd: kylieburton
Letterboxd: ElliottKuss
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Mini Mood: Weapons (2025)
Kylie & Elliott navigate the strangeness of expectations, consider alternate casting, and think about being appreciative, even when perspectives differ.
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Letterboxd: kylieburton
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Moody Movies: Nashville (1975), Blue Collar (1978), Eddington (2025), The Flintstones (1994), The Young Girls of Rochefort (1967).
Kylie & Elliott are mesmerized by an ensemble masterpiece, appreciate a tonal shift, feel complicated about a new release, warm their nostalgic hearts, and find candy-coated delight in musical form.
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Letterboxd: kylieburton
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Mini Mood: Sorry, Baby (2025)
Kylie & Elliott finally get to see one of their most anticipated movies of the year. Along the way, they appreciate a perfectly crafted balance of drama and comedy, cheer for positive cat representation, and, ultimately, fall in love with a first feature film.
Read Eva Victor’s note on Sorry, Baby.
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Instagram: @moodymovie.club
Letterboxd: kylieburton
Letterboxd: ElliottKuss
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Moody Movies: Ran (1985), Vertigo (1958), Cloud (2024), The Fast and the Furious (2001), The Girl Who Leapt Through Time (1983), Hot Spring Shark Attack (2024)
Kylie & Elliott go to a double feature on a birthday, see a film they’ve waited to see in the theatre, have one of the worst audience experiences ever, and use a Good Mythical Morning analogy to rethink movies after having already seen them.
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Letterboxd: kylieburton
Letterboxd: ElliottKuss
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Moody Movie: Together (2025)
Kylie & Elliott go out to another mystery movie that they just wanted more of. Along the way, they have a good enough time, feel icky about a lawsuit, and insist on the importance of entry-level horror.
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Instagram: @moodymovie.club
Letterboxd: kylieburton
Letterboxd: ElliottKuss
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Moody Movies: Flowers of Shanghai (1998), Y Tu Mamá También (2001), The Phoenician Scheme (2025), Vagabond (1985), His Motorbike, Her Island (1986)
Kylie & Elliott have a slowed down Sunday, discuss the concept of mastery, discover a secret nepo baby, and get real silly at the cinema.
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Instagram: @moodymovie.club
Letterboxd: kylieburton
Letterboxd: ElliottKuss
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Moody Movie: Superman (2025)
Welcome back to Mini Mood: a bite-sized episode that focuses on a movie at the top of the zeitgeist. In this episode, Kylie & Elliott find hope in an unexpected superhero movie, despite not initially wanting to see it. Along the way, they fall in love with earnestness, get excited about DC, and wonder how the hell John Williams does it.
Check out the story of the Nathan Fillion Civilian Pavillion.
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Instagram: @moodymovie.club
Letterboxd: kylieburton
Letterboxd: ElliottKuss
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Moody Movies: Scare Me (2020), The Nice Guys (2016), Thesis (1996), Do Revenge (2022), Dogtooth (2009)
Kylie & Elliott feel proud of Dropout and Smosh alum, find themselves uncomfortably fascinated, and see the strangest double feature they’ve ever seen.
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Instagram: @moodymovie.club
Letterboxd: kylieburton
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Kylie & Elliott are joined by their friend—filmmaker and Metro Cinema board member—Sylvia Douglas to unpack a horror classic. In this spoiler-filled episode, they admire how the movie gets into your bones, offer empathy to the character of Leatherface, and find meaning in how the film shifts meaning personally and politically through the years.
Find Sylvia on their website and instagram.
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Moody Movies: The Blob (1988), Handling the Undead (2024), Ponyo (2008), M3GAN 2.0 (2025), Romy and Michele's High School Reunion (1997)
Kylie & Elliott fall in love with ooey practical effects, interrogate when genre labels lead viewers astray, smile at the cutest lil’ goldfish they’ve ever seen, have a blast with friends (even if Elliott misses part of the movie), and bring a classic comedy into the regular rotation.
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Instagram: @moodymovie.club
Letterboxd: kylieburton
Letterboxd: ElliottKuss
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Moody Movies: The Odd Couple (1968), Crossroads (2002), The Wedding Singer (1998), Under the Shadow (2016)
Kylie & Elliott find the origin of their love for a particular oddball pairing, consider the painful reality that films made by/about/for the girlies are often critically denigrated, find sweetness (and a banging soundtrack) in an old favourite, and get the piss scared out of them with particularly potent horror imagery.
Statement from Girls in Film on ending their partnership with Mubi.
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Letterboxd: kylieburton
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Moody Movies: Re-Creation (2025), Horsegirls (2025), People and Meat (2025), A Second Life (2025), The End of Quiet (2025), Deep Cover (2025), A Tree Fell in the Woods (2025), Dog of God (2025)
Welcome to The Rad Wrap: a series on series, exploring films with a common thread. In this episode, Kylie & Elliott, press darlings!, feel ethically icky about their first film, admire the aesthetics of a tender drama, fall in love with the power of friendship, become captivated by a slice of life journey, scratch their heads at a documentary, scratch a nostalgia itch they didn’t know they had, discover a new feel-bad-feel-hopeful Christmas modern classic (in the making), like the style more than the story, and wish they had time for more banger short films.
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Letterboxd: kylieburton
Letterboxd: ElliottKuss
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Moody Movie: Jurassic World Rebirth (2025)
Welcome back to Mini Mood: a bite-sized episode that focuses on a movie at the top of the zeitgeist. In this episode, Kylie & Elliott continue to love looking at big dinos on a big screen, insist that sometimes low expectations bring more fun, and wonder what an auteur Jurassic World movie might be like.
To understand the brilliance of the 1990s video game Dinosaur Safari, watch these run-throughs.
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Letterboxd: kylieburton
Letterboxd: ElliottKuss
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Moody Movies: Dog Day Afternoon (1975), The Parent Trap (1998), Brokeback Mountain (2005), Forbidden Planet (1956)
Kylie & Elliott have their expectations overturned with a 1970s banger, fall in love with a 90s classic, revisit a movie twenty years later, and see Anne Francis in Forbidden Planet (wah-ah-ah-oh-oh).
Watch the Mike Mills directed music video for Talking Heads' Psycho Killer.
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Letterboxd: kylieburton
Letterboxd: ElliottKuss
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Moody Movie: 28 Years Later (2025)
Welcome back to Mini Mood: a bite-sized episode that focuses on a movie at the top of the zeitgeist. In this episode, Kylie & Elliott manage the expectations of an unexpected sequel, feel tonal whiplash, and discuss the difference between watching a movie and what it feels like after it’s done.
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Letterboxd: kylieburton
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Moody Movies: Exhibition (2013), The War of the Worlds (1953), Friendship (2025), Endless Cookie (2025), It Came from Outer Space (1953)
Kylie & Elliott feel seen by the dynamic in a film (for better or worse), fall in love with technicolour, see the film of one of their all-time new favourite movie trailers, become enamoured with animation and storytelling, and recognize the singularity of a theme (even if some boredom creeps in).
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Letterboxd: kylieburton
Letterboxd: ElliottKuss
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Moody Movie: Materialists (2025)
Welcome back to Mini Mood: a bite-sized episode that focuses on a movie at the top of the zeitgeist. In this episode, Kylie & Elliott feel nervous for a new release, consider the tension between genre reclamation and subversion, and get the vapours for three babely babes.
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Letterboxd: kylieburton
Letterboxd: ElliottKuss
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Moody Movies: Synecdoche, New York (2008), The Worst Person in the World (2021), I Saw the TV Glow (2024)
Kylie & Elliott are joined by Elli McDine to discuss three movies that explore identity and what it means to live an authentic life. Along the way, they think about what it means to build a life in a burning house, insist on the necessity of play and curiosity, feel the ambiguity of endings, and recognize the simultaneous pain and power of opening your chest.
Follow Elli on Instagram at @elli.mcdine and watch her series Coming Home
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Instagram: @moodymovie.club
Letterboxd: kylieburton
Letterboxd: ElliottKuss
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Moody Movies: The Day the Earth Stood Still (1951), The Long Walk (2019), The Red Balloon (1956), The Tree of Life (2011)
Kylie & Elliott find the origins of a favourite sci-fi subgenre, dive into the layers of time and space that a contemplative ghost movie creates, marvel at the most beautiful balloons in all of cinema, insist that even the shortest of films deserve thought and discussion, and are left cold by a thematic exploration of the universe.
Listen to Outcasts of the Earth from our buddy Kenyon Payne
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Letterboxd: kylieburton
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