Hosted on Acast. See acast.com/privacy for more information.
Hosted on Acast. See acast.com/privacy for more information.
This summer in London, one particular production dominated conversation among theatregoers, Evita at the London Palladium starring Rachel Zegler.
But, alongside that heavyweight revival, were this summer's West End offerings a disappointment compared to the delights of last summer?
Check out Mickey-Jo's thoughts around the trends as he compares the West End programming in Summer 2024 and 2025 and share your own thoughts about the best show you saw this summer in the comments!
•
00:00 | introduction
03:02 | new musicals
07:37 | musical revivals
12:46 | plays (and misc)
16:26 | transfers / returns
19:08 | Broadway transfers
About Mickey-Jo:
As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 89,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre
Hosted on Acast. See acast.com/privacy for more information.
Last weekend, Mickey-Jo was at the opening night performance of HERE & NOW, a new musical featuring the songs of STEPS, at the Manchester Opera House.
The show, which has been written by Shaun Kitchener, combines the iconic pop group's catalogue with an original story, and is embarking on a UK & Ireland Tour.
Check out what Mickey-Jo thought of the show, its performances, and how it adapts the popular tunes to the stage...
•
00:00 | introduction
01:53 | overview / synopsis
11:51 | strengths
19:48 | shortcomings
27:29 | performances
About Mickey-Jo:
As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 89,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre
Hosted on Acast. See acast.com/privacy for more information.
After previously announcing it would close on October 19th, the Broadway revival of CABARET has now confirmed it will conclude its run almost a month earlier, on September 21st.
This news comes amidst a decline in weekly grosses, the departure of current star Billy Porter, and reports of a lawsuit being brought against the show's producers by a disenfranchised investor.
In this new video, Mickey-Jo is shedding some light on the real reason for Cabaret's Broadway closure amidst the drama of its social media reception...
•
00:00 | introduction
03:08 | what happened to Billy Porter?
14:04 | why is Cabaret closing earlier?
22:54 | what is the lawsuit about?
31:50 | what this means for Broadway
About Mickey-Jo:
As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 89,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre
Hosted on Acast. See acast.com/privacy for more information.
Earlier this week, Mickey-Jo caught BORN WITH TEETH, a play by Liz Duffy Adams which brings the Elizabethan playwrights William Shakespeare and Christopher Marlowe into sizzling conversation.
Starring Edward Bluemel and Ncuti Gatwa, the production, which is directed by Daniel Evans, recently opened at the Wyndham's Theatre in London.
Check out this full review to find out whether Mickey-Jo enjoyed this play about the possibility of a personal and professional partnership between the two poets as much as the two performances...
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00:00 | introduction
01:43 | overview / synopsis
07:22 | the performances
16:05 | final thoughts...
About Mickey-Jo:
As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 89,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre
Hosted on Acast. See acast.com/privacy for more information.
The hit Broadway comedy play, created by Cole Escola, went from a downtown success at the Lucille Lortel Theatre to a sold-out, Tony Award winning juggernaut that continues to be one of New York's hottest tickets.
Much of its ongoing success, after the stellar original performance of Cole Escola, can be attributed to the show's brilliant casting of replacement stars, including Betty Gilpin, Tituss Burgess, and Jinkx Monsoon.
With Jane Krakowski newly announced as Broadway's next Mary Todd Lincoln, Mickey-Jo is taking a look back at the show's casting approach, bold decisions, and inspiring approach to identify how it has played a role in making Oh, Mary! a lasting stage success.
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00:00 | introduction
02:50 | the history of Oh, Mary!
06:18 | Cole Escola's replacement
12:28 | what connects the stars
16:25 | why recasting matters
21:04 | the lure of the show
About Mickey-Jo:
As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 89,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre
Hosted on Acast. See acast.com/privacy for more information.
The musical HEATHERS, based on the 1988 cult film, announced yesterday that it would be launching a new US and UK Tour, as well as visiting Australia and New Zealand.
The show, which is currently playing at New World Stages off-Broadway, will visit most of these theatres for the very first time as it reaches more fans around the globe.
Check out this theatre news recap to find out what Mickey-Jo thinks of the show, this exciting news, and the possibility Heathers will be returning to London next year...
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00:00 | introduction
01:51 | history of Heathers
05:46 | off-Broadway / US Tour
12:01 | Australia / West End?
16:19 | thoughts on Heathers
About Mickey-Jo:
As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 89,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre
Hosted on Acast. See acast.com/privacy for more information.
The new musical WANTED (formerly titled Gun & Powder) is being sued by the actress Ciara Renée before it has even arrived on Broadway.
Renée, who starred in the pre-Broadway production of the show at Paper Mill Playhouse, alleges that she has been recast for the upcoming transfer, while the p
musical's producers allege that she failed to effectively collaborate and take direction during the developmental run.
Share your thoughts below as I talk through this case, the prior examples it echoes and the implications it has for Broadway as we consider what rights performers have to the shows they help to develop...
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00:00 | introduction
01:46 | who is involved
07:17 | lawsuit details
13:46 | summary / thoughts
17:56 | do actors deserve better?
24:10 | prior examples
About Mickey-Jo:
As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 89,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre
Hosted on Acast. See acast.com/privacy for more information.
A few days ago, Mickey-Jo saw INTERVIEW at Riverside Studios, a new play based on the Dutch film.
The production stars Robert Sean Leonard and Paten Hughes as a political journalist and an influencer turned actress.
Check out this full review to find out what Mickey-Jo thought of the show...
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00:00 | introduction
01:49 | context / narrative
10:46 | themes / creative choices
17:54 | performances
About Mickey-Jo:
As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 89,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre
Hosted on Acast. See acast.com/privacy for more information.
After years of anticipation, the stage adaptation of Disney's THE HUNCHBACK OF NOTRE DAME finally received its professional premiere, with a concert production at the Prince Edward Theatre in London.
The production starred Ben Joyce and Oliver Hewing as Quasimodo, Christine Allado as Esmeralda, Zachary James as Frollo, Dex Lee as Phoebus, and Adam Strong as Clopin.
Check out this full review for Mickey-Jo's thoughts on the concert performance as well as the adaptation of this beloved animated classic...
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00:00 | introduction
02:16 | the concert
08:02 | shortcomings
15:21 | the adaptation
22:32 | material issues
28:12 | performances
About Mickey-Jo:
As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 89,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre
Hosted on Acast. See acast.com/privacy for more information.
The Netflix movie KPop Demon Hunters has recently become the streaming service's most successful of any genre, with multiple top 10 songs in the Billboard Hot 100 charts.
With such unanticipated global success, Netflix are reportedly considering options for developing the film into a franchise, as well as the potential of a full stage musical.
In today's video, Mickey-Jo is considering whether or not a stage musical adaptation would be possible and successful in an increasingly challenging Broadway landscape...
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00:00 | introduction
02:45 | KPop Demon Hunters
05:56 | does Netflix care?
10:40 | would it work?
17:00 | Broadway success?
21:51 | possible production
About Mickey-Jo:
As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 89,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre
Hosted on Acast. See acast.com/privacy for more information.
The internationally acclaimed play EVERY BRILLIANT THING has finally arrived in the West Ens after more than a decade, and is playing a limited run from this summer at @sohoplace.
The play, written by Duncan Macmillan with Jonny Donahoe, recounts the many fantastic experiences which make life worth living in the face of demoralising mental health, and is performed with extensive participation from the audience.
Check out this full review to find out why Mickey-Jo adores this play which he first fell in love with last Summer at the Edinburgh Festival Fringe, and share your own experiences of it in the comments...
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00:00 | introduction
02:59 | overview
12:13 | audience inclusion
20:32 | the themes
About Mickey-Jo:
As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 89,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre
Hosted on Acast. See acast.com/privacy for more information.
The Pulitzer Prize-winning play FAT HAM, by James Ijames, seen on Broadway in 2023, is making its UK Premiere at the Royal Shakespeare Company in Stratford-upon-Avon.
The play, which reimagines Shakespeare’s Hamlet through a contemporary, queer, black cultural lens, is currently playing at the Swan Theatre.
Check out what Mickey-Jo thought of Fat Ham, its writing, themes, and performances in this full review...
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00:00 | introduction
02:41 | overview
05:45 | synopsis / Shakespeare
11:16 | queer themes
16:06 | performances
21:26 | final thoughts
About Mickey-Jo:
As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 80,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre
Hosted on Acast. See acast.com/privacy for more information.
This week, the principal cast of Paddington the Musical was announced, with veteran West End stats joined by exciting newcomers.
Amidst this announcement, there was one unanswered question, as the actor(s) who will portray Paddington Bear as well as the dedicated creative team bringing him to life are not going to be revealed until the show's first public performance...
The brand new stage adaptation of the Michael Bond story and the STUDIOCANAL films will premiere at the Savoy Theatre in the West End in November 2025. Luke Sheppard (The Little Big Things, Starlight Express) will direct, with Tom Fletcher and Jessica Swale writing the score and book respectively.
Check out Mickey-Jo's thoughts about the newly announced cast members as well as some speculation about the portrayal of Paddington Bear himself...
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00:00 | introduction
02:11 | initial casting
09:01 | further casting
14:38 | the creative team
18:59 | Paddington Bear...
About Mickey-Jo:
As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 80,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre
Hosted on Acast. See acast.com/privacy for more information.
Last month, Mickey-Jo had the privilege of attending the gala performance of JUST FOR ONE DAY at the Shaftesbury Theatre in the West End, in celebration of the 40th anniversary of Live Aid.
Mickey-Jo first saw the show, which depicts the iconic simultaneous concerts in Wembley and Philadelphia, at the Old Vic Theatre where it premiered, whereupon he gave it a lukewarm review.
He's thrilled to say that he believes the show is much stronger in its West End transfer, and with this full review Mickey-Jo will let you know exactly why that is...
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00:00 | introduction
01:50 | the improvement
08:55 | standout moments
18:54 | performances
About Mickey-Jo:
As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 80,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre
Hosted on Acast. See acast.com/privacy for more information.
It has been announced this week that THE MUPPETS are finally heading to Broadway.
The newly announced production Rob Lake Magic With Special Guests The Muppets will play a limited run during the holiday season at the Broadhurst Theatre, and will feature the iconic characters alongside the acclaimed Illusionist.
Check out today's theatre news recap to find out what Mickey-Jo thinks this could mean for the future of the Muppets on stage, and why he has mixed feelings about this news...
•
00:00 | intro / trailer
03:23 | what is the show?
10:46 | about the Muppets...
17:05 | my thoughts
About Mickey-Jo:
As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 80,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre
Hosted on Acast. See acast.com/privacy for more information.
In the past few weeks, a concert production of Disney's THE HUNCHBACK OF NOTRE DAME, taking place at the Prince Edward Theatre in London, has come under fire for its casting of the title character.
Journalists commentators and advocates from the disabled community have spoken out against the decision to cast an able bodied actor as one of two performers sharing the role of Quasimodo.
In this theatre news recap, Mickey-Jo is talking through some of the challenges faced by disabled actors and audience members, the danger of a lack of representation, and why this particular piece of casting has been controversial.
•
00:00 | introduction
04:01 | disability in theatre
11:36 | importance of casting
17:30 | the Quasimodo controversy
23:21 | the bigger problem
About Mickey-Jo:
As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 80,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre
Hosted on Acast. See acast.com/privacy for more information.
The latest production of this summer's programming at Regent's Park Open Air Theatre is a long awaited revival of Lerner and Loewe's BRIGADOON.
The new production of the show, in a new adaptation by Rona Munro, is directed by the venue's new artistic director Drew McOnie and stars Louis Gaunt and Danielle Fiamanya, as well as Georgina Onuorah, Cavan Clarke, and Nic Myers.
Check out this new video review to find out what Mickey-Jo thought of the enchanting musical revival...
•
00:00 | introduction
02:00 | the material
08:49 | this production
14:17 | performances
About Mickey-Jo:
As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 80,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre
Hosted on Acast. See acast.com/privacy for more information.
On June 22nd Mickey-Jo produced and hosted another evening of his regular Cabaret chat show, MickeyJoTheatre: LIVE! at the Phoenix Arts Club.
One of his guests for the evening was one of the West End's most exciting new leading ladies, Georgina Castle. Recently seen as Regina George in the original West End cast of Mean Girls, Georgina will soon star in the brand new musical adaptation of 50 First Dates at the Other Palace Theatre.
Check out their conversation about her exciting impending wedding to former Elf co-star Simon Lipkin, her life-imitates-art hen party in the style of Mamma Mia!, working with Tina Fey on Mean Girls, and even her enduring feelings about being part of Andrew Lloyd Webber's Cinderella.
About Mickey-Jo:
As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 80,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre
Hosted on Acast. See acast.com/privacy for more information.
Earlier this month, amidst seeing 50 shows at the Edinburgh Festival Fringe, Mickey-Jo saw James Graham's new play MAKE IT HAPPEN at the Edinburgh International Festival.
The play follows the expansion and downfall in the 2000s of the Royal Bank of Scotland and stars Sandy Grierson and Brian Cox.
Check out this full review to find out what Mickey-Jo thought of the play...
•
00:00 | introduction
02:06 | synopsis / writing
06:08 | performances
10:02 | shortcoming
15:16 | creative strengths
19:33 | overall framing
About Mickey-Jo:
As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 80,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre
Hosted on Acast. See acast.com/privacy for more information.
After first playing the roles in the West End production, Billy Porter and Marisha Wallace have recently begun performances in the Broadway revival of CABARET as The Emcee and Sally Bowles.
Since they joined the show at the August Wilson Theatre, replacing Orville Peck and Eva Noblezada, Billy Porter has become the focus of intense, widespread social media criticism both for his performance and comments he made about the role during press engagements.
In this theatre drama recap I'm offering some insights into the ways in which Billy's performance varies from his predecessors and considering bigger questions about what it means to responsibly review.
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00:00 | introduction
03:33 | backstory / context
12:01 | the Billy Porter backlash
23:29 | the implications of race
About Mickey-Jo:
As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 80,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre
Hosted on Acast. See acast.com/privacy for more information.
